Alicia Vikander won a Supporting Actress trophy for 2015’s The Danish Girl and she looks for her first lead nod as Catherine Parr, the sixth spouse of Jude Law’s Henry VIII in Firebrand. The period drama comes from Brazilian filmmaker Karim Aïnouz with a supporting cast including Sam Riley, Eddie Marsan, Simon Russell Beale, and Erin Doherty.
Buzz coming from its screening at Cannes is of the mixed variety and that’s evidenced by the 50% Rotten Tomatoes score. Even the recommendatory write-ups aren’t exactly glowing. Law is getting the best ink. However, his third nod (after 1999’s The Talented Mr. Ripley in supporting and 2003’s Cold Mountain in lead) is highly unlikely to come to fruition as well as any hope for Vikander. I suppose a Costume Design nod could occur, but Firebrand should be put out of contention by the time nominations are out. My Oscar Prediction posts will continue…
Remaking Hitchcock is always a tricky proposition, but Ben Wheatley is venturing into that territory with the October 21st Netflix release of Rebecca. The 1940 version from the Master of Suspense is the only film in the legend’s filmography to win Best Picture at the Oscars (though it did not land Hitchcock a directing victory). Armie Hammer, Lily James, Kristin Scott Thomas, Sam Riley, and Ann Dowd headline this iteration.
The original source material is actually the 1938 Daphne du Maurier novel and some reviews are saying this 2020 take is actually more faithful than Hitch’s adaptation. Yet it’s getting nowhere close to the raves of what preceded it 80 years ago. The Rotten Tomatoes score stands at a mixed 54%.
In 1940, the trio of Laurence Olivier, Joan Fontaine, and Judith Anderson were all nominated by the Academy. These would be the roles played now by Hammer, James, and Scott Thomas. While some critics have focused on the work of the latter, I find it doubtful that Scott Thomas could nab her second nomination (her first was 1996’s The English Patient).
Even with the so-so reviews, Rebecca could still get some nods. The Production Design and Costume Design have both been singled out. In my weekly Oscar prediction updates, I had this just on the outside looking in at 6th in the costuming race and I have this making the cut in fifth in Production Design. My Oscar Watch posts will continue…
In 2014, Rosamund Pike received her first and only Oscar nomination for David Fincher’s Gone Girl. The British actress has since appeared in a string of Indies that have garnered some critical kudos with scant awards attention. These titles include 2016’s A United Kingdom and 2018’s A Private War.
In the biographical drama Radioactive from director Marjane Satrapi, Pike portrays Nobel prize winning physicist Marie Curie. The film originally played at last year’s Toronto Film Festival and is now available for streaming today on Amazon Prime. It’s received generally positive reviews and stands at 69% on Rotten Tomatoes. Even the write-ups gearing more toward the negative praise Pike’s performance.
Gone Girl was a blockbuster and that helped the actress nab her Academy nod. The other projects just never broke through enough with mainstream audiences to get on the awards radar screen. That may well certainly apply to Radioactive as well. My Oscar Watch posts will continue…
The cavalcade of 2019 Disney live-action reimaginings continues next weekend with Maleficent: MistressofEvil. The fantasy adventure is the sequel to 2014’s Maleficent, which focused on the villainous title character from SleepingBeauty. Angelina Jolie returns along with Elle Fanning, Sam Riley, Imelda Staunton, Juno Temple, and Lesley Manville. Newcomers to the fold include Chiwetel Ejiofor, Ed Skrein, and Michelle Pfeiffer. Joachim Rønning (who recently co-directed the Mouse Factory’s PiratesoftheCaribbean: DeadMenTellNoTales) takes over for Robert Stromberg.
When it comes to comps for how Mistress might perform, that’s a tricky calculation. Since the release of part 1 five summers ago, there’s been eight Disney updates of their classic animated material. The last two from this summer (Aladdin and TheLionKing) were massive blockbusters based on beloved 1990s pics. This spring’s Dumbo, on the other hand, premiered with a so-so $45 million.
What about Maleficent itself? It opened just under $70 million with a $241 million eventual domestic haul. Yet five years is a fairly long break between sequels and some of the kiddos who attended could take a pass here. That brings up the example of AliceinWonderland and AliceThroughtheLookingGlass. In 2010, Wonderland was the first significant reimagining in several years. It debuted to $116 million. Six years later, LookingGlass was a huge flop and earned in the mid 20s for its start. For a non Disney example, SnowWhiteandtheHuntsman kicked off with a robust $56 million in 2012. Four years, its follow-up TheHuntsman: Winter’sWar sputtered with a meager $19.4 million.
While I don’t anticipate the drop-off here will be quite as dramatic as the last two scenarios, I do feel Evil will come in markedly lower than its predecessor. I’ll predict low to mid 30s could be the range and that means around half of the bounty from half a decade ago.
Maleficent: MistressofEvil opening weekend prediction: $32.3 million
For my Zombieland: Double Tap prediction, click here:
Based on a 2009 novel, the works of Jane Austen get a scary injenction with Pride and Prejudice and Zombies, out next weekend. The horror comedy features Cinderella star Lily James alongside Sam Riley, Jack Huston, Charles Dance, and Lena Headey. Interestingly at one time, Natalie Portman was tapped to headline this and David O. Russell was attached to direct.
Coming out on Super Bowl weekend, its tough to see this breaking out in any significant way. The marketing campaign has been iffy and it’s not like there hasn’t been plenty of zombie offerings in the past few years. I’m not at all confident this will approach $16.3 million managed by another mashup, Abraham Lincoln: Vampire Hunter, in the summer of 2012. In fact, unless horror aficiandos really turn out, I think this grosses about half that figure.
Pride and Prejudice and Zombies opening weekend prediction: $8.1 million
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