As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora, The Brutalist, and A Complete Unknown for BP and if you missed those, they are linked at the bottom of the post. Our fourth hopeful is Conclave.
The Case for Conclave:
Edward Berger’s pulpy papal drama has been considered a top awards player since it debuted at Telluride in September. With 93% on Rotten Tomatoes, reviews are solid enough and it performed decently at the box office (over $30 million) for its genre. It is up for 8 statues including Actor (Ralph Fiennes), Supporting Actress (Isabella Rossellini), Adapted Screenplay, Costume Design, Film Editing, Original Score, and Production Design. Conclave has scored BP nods everywhere it needs to. It leads the BAFTAs with 12 nominations, is up at Critics Choice and PGA and for Best Ensemble at SAG, and contended at the Golden Globes in Best Drama where it won Best Screenplay. Berger’s behind the camera work also landed a DGA mention.
The Case Against Conclave:
Berger surprisingly missed the cut with the Academy in Best Director. Only three films in the 21st century (Argo, Green Book, CODA) have won BP without its maker being nominated. Berger can’t catch a break with the Academy as his 2022 war epic All Quiet on the Western Front received nine mentions but excluded his direction. The 79 Metacritic score is less than some competitors. It is possible that the only race where its the frontrunner is Adapted Screenplay and possibly Editing. Don’t expect either of its acting nominees to make podium walks. The Brutalist emerged victorious at the Globes in Best Drama.
The Verdict:
The snub of Berger looms large. I’d likely be more optimistic if he hadn’t been left out. Conclave has a slight chance in BP, but I wouldn’t put much faith in it.
My Case Of posts will continue with Dune: Part Two…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and The Brutalist for BP and if you missed those, they are linked at the bottom of the post. Our third hopeful is A Complete Unknown.
The Case for A Complete Unknown:
If you want to bet on the picture with some late breaking momentum, the Bob Dylan biopic from James Mangold might be your horse. Released in December, Unknown is doing healthy business at the box office and scored 8 total noms that include Director, Actor (Timothée Chalamet), Supporting Actress (Monica Barbaro), Supporting Actor (Edward Norton), Adapted Screenplay, Costume Design, and Sound. The journey to the better than expected nomination count began with over performances at the precursors. It really hasn’t missed anywhere with a Best Ensemble mention at SAG and BP noms at the Golden Globes, PGA, Critics Choice, BAFTA, and a DGA slot for Mangold.
The Case Against A Complete Unknown:
It didn’t win the Golden Globe in Drama (that went to The Brutalist). The 80% RT score and 71 Metacritic are below most of its competitors. There’s even a chance that it goes 0 for 8 on Oscar night. I wouldn’t say it is the favorite in any category.
The Verdict:
I don’t think it’s impossible for this to take the top prize, but I would need to see some victories at upcoming precursors such as Critics Choice or SAG.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and if you missed that, it is linked at the bottom of the post. Our second contestant is Brady Corbet’s The Brutalist.
The Case for The Brutalist:
With the exception of SAG (where it wasn’t really expected to be a strong contender for Best Ensemble), the 215 minute epic immigration period piece has landed everywhere else. This includes BAFTA, PGA, Critics Choice, and DGA. The Golden Globe performance was particularly notable as it flexed its muscle with a Best Drama victory over competitors including A Complete Unknown and Conclave. Corbet took Director and Adrien Brody won Actor. The ten nominations are tied for 2nd best with Wicked. In addition to Pic, Corbet, and Brody, there are noms in Supporting Actress and Actor (Felicity Jones and Guy Pearce), Original Screenplay, Cinematography, Film Editing, Original Score, and Production Design. The timely subject matter doesn’t hurt. Critical appreciation is present with 93% on RT and a 90 Metacritic.
The Case Against The Brutalist:
Due to its runtime and subject matter, The Brutalist will not be as widely seen as some other options. Voters may want to go for something more popular and known. There’s been some subpar showings like at SAG where Pearce and Jones missed.
The Verdict:
I’ve had The Brutalist ranked in my top spot for months. It could take Director + Actor + some down the line competitions. That’s a solid mix for BP victory. However, this is a soft top ranking as half the field has BP winning potential.
My Case Of posts will continue with A Complete Unknown…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
I will begin with the ten BP contenders and then alternate alphabetically between the hopefuls in the other five big races. Sean Baker’s Anora kicks it off!
The Case for Anora:
The dramedy from auteur Sean Baker has turned out to be his awards breakout. Nominations wise it has landed everywhere it needed to in the precursors. This includes the Golden Globes with 5 nods as well as DGA, SAG, PGA, Critics Choice, and BAFTA. With a 93% Rotten Tomatoes meter and 91 on Metacritic, it sports five other Academy mentions and Mikey Madison is a threat to win Best Actress. It is likely the frontrunner for Original Screenplay. The other three noms are for Baker’s direction, Yura Borisov in Supporting Actor, and Film Editing.
The Case Against Anora:
Anora surprisingly went 0 for 5 at the Oscars. In Best Musical or Comedy, it fell short to Emilia Pérez with Demi Moore (The Substance) emerging over Madison in Actress while Conclave took Screenplay. From a genre and content standpoint, it’s not your “typical” BP recipient.
The Verdict:
There is no doubt that a narrative exists where Anora could take the top prize. That especially holds true if it gets the combo of Actress + Original Screenplay. Yet I’ve never had Anora ranked 1st in my BP forecast while others have and I’m skeptical that’ll change.
My Case Of posts will continue with The Brutalist…
My final predictions for nominees at the 97th Academy Awards arrives TOMORROW prior to the announcement on Thursday, January 23rd (pushed back due to the California wildfires). Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The last post in this series is Best Picture. If you missed my write-ups for the acting derbies and director, you can access them here:
As I’ve mentioned several times lately, I believe there’s an octet of movies that have punched their ticket to the BP show. Let’s call them the easy 8. If any of these pictures miss the Best Picture cut at this point, it would be a major surprise. Four of them (Anora, A Complete Unknown, Conclave, Emilia Pérez) have shown up in five of the key precursors: Golden Globes, BAFTA, PGA, Critics Choice and SAG.
Two more (The Brutalist, Wicked) managed four.
Two more (Dune: Part Two, The Substance) were nominated in three. No other 2024 motion pictures had three or more mentions.
Now we have to consider the final two slots and that’s where it gets tricky. Before we do, let’s take a moment to recognize some efforts that won’t make the ultimate dance. Some of them could show up in tech races or see some of their actors nominated. Others didn’t cut the mustard with critics and audiences. A lot of these titles were, at some juncture, listed in my top 25 possibilities as I forecasted the race throughout the year. They won’t be seen tomorrow in my BP list. We’re talking about Joker: Folie à Deux and Gladiator II and Furiosa: A Mad Max Saga. Yes, I once saw Megalopolis as a viable candidate. There’s The Piano Lesson, The Apprentice, The Room Next Door, Saturday Night, Civil War, Kinds of Kindness, Maria, and The End.
That leaves me with 8 pictures to ponder for 2 spots. Unlike my previous posts on Best Director and the actors, I won’t be ranking these possibilities. After all, I gotta leave a little suspense for my final picks tomorrow, right? Nevertheless let’s walk through them one by one with some commentary.
All We Imagine as Light would be a threat to win Best International Feature Film had India submitted it as its contender. It was not to be and the Academy could make up for it in BP. Yet it hasn’t shown up in any of the 5 aforementioned precursors.
Challengers only has a Musical or Comedy nod from the Globes in its favor. A PGA nomination (which I wrongly predicted) didn’t materialize. This is a tough sell.
Nickel Boys has Golden Globe and Critics Choice noms on the resume. Many critics have it at the top of their 2024 best of, but it’s missed other key competitions.
Nosferatu has gotten some “spoiler” ink lately with some saying it could be this year’s Nightmare Alley. That pic from 2021 at least had the Critics Choice nod whereas Nosferatu didn’t show up in the quintet of precursors.
A Real Pain has undoubtedly had an up and down journey on the road to a potential BP nomination. It made the Globe cut and then missed Critics Choice and BAFTA. That left it down and out in the eyes of many and I dropped it from my 10. This week it popped back up at PGA and its fortunes could be stronger.
The Seed of the Sacred Fig should receive an International Feature Film nom. It has not gotten into the precursors for Picture though. Though I didn’t say I’d rank these eight, this is unquestionably at or near the bottom of these hopefuls.
September 5, like A Real Pain, has been buoyed by a PGA spot and it also made the Globes. Yet its exclusions at BAFTA and Critics Choice are noteworthy.
Sing Sing has had a rocky preseason, especially missing SAG and the Globes. While Colman Domingo seems locked in for Best Actor, the Academy will really need to fall for this. Of the five precursors, this only received Critics Choice.
There you have it. My microscope analysis of Best Picture for the 97th Academy Awards. After months of endless speculation, you’ll know my final predictions in about 24 hours!
Nominations for the 78th BAFTA Awards, airing February 16th, were unveiled today and we have another key Oscar precursor to pontificate about. I went 91 for 123 with Conclave (as I forecasted) leading all pictures in contention. It even managed to get 12 nods and that’s ahead of my call of 11. Let’s walk through each race with how I did and some general commentary.
Best Film
Anora, The Brutalist, A Complete Unknown, Conclave, Emilia Pérez
How I Did: 4/5
I predicted The Substance over Unknown, which continues its highly impressive precursor run. This should come down to The Brutalist vs. Conclave unless the Brits really fall for Anora or Pérez.
Outstanding British Film
Bird, Blitz, Conclave, Gladiator II, Hard Truths, Kneecap, Lee, Love Lies Bleeding, The Outrun, Wallace & Gromit: Vengeance Most Fowl
How I Did: 9/10
I thought Civil War would make the cut instead of Love Lies Bleeding. As the only Best Film contender in this bunch, Conclave has an obvious edge.
Outstanding Debut By a British Writer, Director or Producer
Oof. I went with Bring Them Down, Grand Theft Hamlet, and The Taste of Mango over Hoard, my alternate Monkey Man, and Sister Midnight. This is a pretty easy pick with Kneecap out front.
Children’s and Family Film
Flow, Kensuke’s Kingdom, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 3/4
I went with Young Woman and the Sea over Kingdom. This new category could go to Robot, but watch out for Flow or even Wallace.
Film Not in the English Language
All We Imagine as Light, Emilia Pérez, I’m Still Here, Kneecap, The Seed of the Sacred Fig
How I Did: 4/5
I called a bit of an upset with La Chimera popping up in this quintet instead of Fig. The safe money is on Pérez for the victory.
Documentary
Black Box Diaries, Daughters, No Other Land, Super/Man: The Christopher Reeve Story, Will & Harper
How I Did: 5/5 (!)
No Other Land has dominated early critics groups and is the favorite.
Animated Film
Flow, Inside Out 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 3/4
Like Children’s and Family Film, this could be a three-way battle between Flow, Wallace, and Robot. I predicted Memoir of a Snail instead of Inside Out 2.
Director
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), Denis Villeneuve (Dune: Part Two)
How I Did: 5/6
I feel like Villeneuve needed this to say viable in the Oscar convo and he gets in over my pick of Payal Kapadia for All We Imagine as Light. Even if it doesn’t win Best Film, Corbet is likely in the lead. Yet I wouldn’t discount Berger with the nomination leading Conclave.
Original Screenplay
Anora, The Brutalist, Kneecap, A Real Pain, The Substance
How I Did: 5/5 (!)
This is where Anora could get a prize.
Adapted Screenplay
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing
How I Did: 4/5
Sing Sing joins the party over Wicked. This should be a Conclave win.
Actress
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Mikey Madison (Anora), Demi Moore (The Substance), Saoirse Ronan (The Outrun)
How I Did: 5/6
I wouldn’t ignore the possibility of a surprise with Jean-Baptiste, but should be between Madison and Moore. Ronan finally gets some precursor attention over my pick of Kate Winslet in Lee.
Actor
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Hugh Grant (Heretic), Sebastian Stan (The Apprentice)
How I Did: 5/6
Mr. Grant makes the sextet over the rather unexpected omission of Daniel Craig in Queer. Expect either Brody or Chalamet for the gold.
Supporting Actress
Jamie Lee Curtis (The Last Showgirl), Selena Gomez (Emilia Pérez), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
How I Did: 4/6
Saldaña is the frontrunner. Curtis (fresh off her SAG nod) and Gomez compete instead of Michele Austin (Hard Truths) and Margaret Qualley (The Substance). Except for Grande and Saldaña, the battle for the three slots in this race at the Oscars is fascinating with several performers in contention.
Supporting Actor
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)
How I Did: 5/6
I thought maybe Denzel Washington would get his (somehow) first BAFTA nomination for Gladiator II. It didn’t happen and went to Clarence Maclin instead. Culkin is the frontrunner with Pearce as a potential spoiler.
Casting
Anora, The Apprentice, A Complete Unknown, Conclave, Kneecap
How I Did: 2/5
This unpredictable race proved to be just that. I went with Blitz, Emilia Pérez, and Wicked and not The Apprentice, A Complete Unknown, and Kneecap. The winner? Your guess is as good as mine. Let’s say Anora for now.
Cinematography
The Brutalist, Conclave, Dune: Part Two, Emilia Pérez, Nosferatu
How I Did: 4/5
Perez over Anora with The Brutalist or perhaps Conclave out front.
Costume Design
Blitz, A Complete Unknown, Conclave, Nosferatu, Wicked
How I Did: 2/5
Ouch. I said Beetlejuice Beetlejuice, Dune: Part Two, and Gladiator II and not Blitz, A Complete Unknown or Conclave. This should be Wicked.
Editing
Anora, Conclave, Dune: Part Two, Emilia Pérez, Kneecap
How I Did: 3/5
Predicted Challengers (which was blanked) and The Substance over Dune and Kneecap. Conclave could take this.
Make-Up and Hair
Dune: Part Two, Emilia Pérez, Nosferatu, The Substance, Wicked
How I Did: 4/5
Pérez over Beetlejuice as The Substance seeks the victory.
Original Score
The Brutalist, Conclave, Emilia Pérez, Nosferatu, The Wild Robot
How I Did: 3/5
Nosferatu and Robot over Blitz and The Substance. Like Best Film, this might be between The Brutalist and Conclave.
Production Design
The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked
How I Did: 4/5
The Brutalist over Gladiator II (which had a poor showing today). This could be Wicked.
Sound
Blitz, Dune: Part Two, Gladiator II, The Substance, Wicked
How I Did: 2/5
Some real surprises here as Civil War, A Complete Unknown, and Emilia Pérez are out with Blitz, Gladiator II, and Wicked in. This should be Dune.
Special Visual Effects
Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes, Wicked
How I Did: 4/5
Wicked instead of Alien: Romulus as Dune should get this (though Better Man has slight upset potential).
And there you have it! Keep an eye on the blog as we get closer to final Oscar predictions coming Sunday…
My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The fourth post in this series is Best Actor. If you missed my write-ups for the other three acting derbies, you can access them here:
Truth be told, this is the easiest quintet of the acting categories to forecast. There are five performers who have nabbed nominations in four of the most important precursors – the Golden Globes, SAG, Critics Choice, and the BAFTA long list. They are: Adrien Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), and Ralph Fiennes (Conclave). The safe bet is to predict this group being the Oscar hopefuls and that’s where my head is at currently.
However, Craig in particular could be vulnerable. Queer is not a contender in Best Picture or any other race with the possible exception of Adapted Screenplay (and that’s a long shot).
Before we discuss actors who could replace him, let’s spend a moment remembering those leading men who were once looked at as possibilities. This is before their movies flamed out or their roles just weren’t “baity” enough. It is also due to them not really showing up anywhere in precursors. I’m looking at you, Joaquin Phoenix in Joker: Folie à Deux. And Adam Driver in Megalopolis is in that club. Same goes for Paul Mescal (Gladiator II), Tom Hanks (Here), Kevin Costner (Horizon: An American Saga – Chapter 1), John David Washington (The Piano Lesson), Cillian Murphy (Small Things like These), and Andrew Garfield (We Live in Time).
There’s three gentlemen who made the BAFTA long list who really have no shot at Oscar glory – Kingsley Ben-Adir (Bob Marley: One Love), Jude Law (Firebrand), and Dev Patel (Monkey Man). There are Globe nominees in Actor (Musical or Comedy) that you could say the same about – Gabriel LaBelle (Saturday Night) and Jesse Plemons (Kinds of Kindness).
That leaves 5 performances jockeying for one slot: Jesse Eisenberg (A Real Pain), Hugh Grant (Heretic), Glen Powell (Hit Man), Sebastian Stan (The Apprentice), and Sebastian Stan (A Different Man). I remind you that, as of now, I’d put them all behind Craig. Let’s walk through them one by one, shall we?
Jesse Eisenberg’s fortunes could rise slightly if A Real Pain gets into Best Picture (which I am forecasting it won’t at press time). I suspect voters will only honor his costar Kieran Culkin in supporting and I’d rank him 4th out of these 5 possibilities. Eisenberg has only managed a Globe nod which he did not win.
Hugh Grant also nabbed a Globe nod in the horror pic Heretic and was BAFTA longlisted and is up at Critics Choice. Had he emerged victorious for Actor (Musical or Comedy) at the Globes, he might be a more attractive pick. This is a little tempting since he’s never received Oscar attention, but I have him 2nd out of the 5 possibilities.
Glen Powell has had a great couple of years with massive hits Top Gun: Maverick, Anyone but You, and Twisters. His turn in Richard Linklater’s acclaimed comedy was an early trendy pick for inclusion. Like Eisenberg and Grant, he was up at the Globes and fell short. I have him 5th out of 5 possibilities.
Sebastian Stan’s embodiment of a young Donald Trump in The Apprentice was Globe nominated and BAFTA longlisted. The Critics Choice and SAG omissions sting though I’d rank him 1st of these 5 possibilities.
For our double shot of Stan, he did win Actor (Musical or Comedy) for his role in A Different Man at the Golden Globes. Yet none of the six nominated performers in that category are truly seen as viable hopefuls at Oscar. I have this iteration of Stan 3rd of these 5 possibilities.
OK. There you have it. My microscope analysis of Best Actor for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do my final picks. My post for Best Director is up next!
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
This third write-up brings us to Best Supporting Actress. If you missed the previous two posts covering Actress and Supporting Actor, you can find them here:
I often refer to the “pen” theory on this blog when discussing my Oscar forecasts. Those are performers and pictures whose nominations can be written in pen. For the 97th Academy Awards in Supporting Actress, I believe there’s two surefire selections.
Pop star Ariana Grande’s turn as Glinda has bewitched audiences worldwide. She’s received a key quartet of noms at the Golden Globes, Critics Choice, SAG, and the BAFTA long list. Her inclusion appears assured.
The same can be said for Zoe Saldaña in Emilia Pérez and I have her placed in 1st. That’s because Saldaña has also achieved the aforementioned precursors with a victory at the Globes.
And then it’s a bit of a free for all with 8 performers, in my view, vying for 3 slots. Before we discuss them, let’s take a moment to mention some actresses whose nods once seemed possible. Then their pictures debuted and either the movies were looked at as disappointments or their roles weren’t significant enough to warrant awards buzz. I’m talking about Lady Gaga from Joker: Folie à Deux, Toni Collettee in Juror #2, Lashana Lynch from Bob Marley: One Love, and Hong Chau in Kinds of Kindness, to name a few.
Despite making the BAFTA long list, don’t look for Adriana Paz in Emilia Pérez to contend with the focus on cast mates Karla Sofia Gascón in lead and Saldaña and Selena Gomez (we’ll get to her shortly) here. Emily Watson also made the BAFTA cut in Small Things like These but isn’t expected to factor into the Academy derby. Same with Michele Austin in Hard Truths.
The next group were once seen as viable and have not made it to the precursors. Their nominations are not totally impossible. However, they would be rightly seen as major spoilers. I would include Joan Chen (Dídi), Natasha Lyonne (His Three Daughters), Saoirse Ronan (Blitz), and Elle Fanning (A Complete Unknown) in this lot.
We return to the 8 performers circling three Oscar chairs. They are: Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), Selena Gomez (Emilia Pérez), Felicity Jones (The Brutalist), Margaret Qualley (The Substance), and Isabella Rossellini (Conclave). Let’s walk through them one by one, shall we?
Monica Barbaro’s performance as Joan Baez in A Complete Unknown has only popped up in one of the 4 previously discussed precursors. In her favor… it’s the most recent at SAG and Unknown has generally been over performing this season. I don’t have her predicted at press time and she’s 5th out of these 8 possibilities.
Jamie Lee Curtis, two years after winning this prize for Everything Everywhere All at Once, is in the mix once again for The Last Showgirl. She could also benefit from recency bias. While she didn’t factor in at the Globes or Critics Choice, her name has been called in the last few days with the BAFTA long list and SAG. I have her 6th out of the 8 possibilities.
Danielle Deadwyler has the disadvantage of The Piano Lesson not being a Best Picture contender or being a threat for a nomination anywhere else. The SAG nod this week kept her in the conversation and she also received Critics Choice. Two years ago, she was notably snubbed for her lead performance in Till and that could assist her now. I have her 3rd out of the 8 possibilities and just getting in.
Aunjanue Ellis-Taylor in Nickel Boys has only shown up at Critics Choice and the movie itself may or may not make the BP dance. While her standing in the eventual quintet looks shaky, I wouldn’t totally discount her and she’s 7th out of the 8 possibilities.
Selena Gomez is undoubtedly in the shadow of costar Saldaña though she’s in the BAFTA long list and was nominated at the Globes. A SAG nod would have caused her to be higher, but she’s 8th out of the 8 possibilities.
Felicity Jones made BAFTA and Globes and was a surprise no-show at Critics Choice and SAG. I suspect The Brutalist‘s eventual standing at Oscar helps and I have her 1st among these 8 possibilities.
Margaret Qualley is nowhere near as guaranteed an Academy invite as her Substance lead Demi Moore. Of the four precursors, she has only missed SAG. I didn’t predict her there and I currently have her 4th of these 8 possibilities. That would leave her barely on the outside looking in.
Finally, despite a short amount of screen time in Conclave, Isabella Rossellini also only missed SAG. Unlike Qualley, I have her 3rd of the 8 hopefuls and just making the quintet.
OK. There you have it. My microscope analysis of Best Supporting Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a deep dive into Best Actor up next!
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The second post in this series is Best Supporting Actor. If you missed my write-up for Best Actress, you can access it here:
Unlike some of the other categories… Best Picture for example… I do believe there’s a legit frontrunner in Supporting Actor and that’s Kieran Culkin for A Real Pain. He has received a quartet of significant Oscar precursor nominations thus far: the Golden Globe, the BAFTA long list, SAG, and Critics Choice. That’s in addition to a slew of critics group prizes. Most significantly, he won the Golden Globe last week. The only potential drawback to a victory is that A Real Pain is a question mark for Best Picture inclusion. Since the Academy’s BP nominees expanded to more than five (and now a set 10) starting in 2009, 14 of the 15 Supporting Actor recipients came from films nominated in the biggest race. The only exception is 2011 with Christopher Plummer from Beginners. If A Real Pain gets into the BP derby, it’ll be much simpler to project Culkin as the victor. If not, that makes him more of a soft leader in the contest.
There are two other performers with the aforementioned precursors to their credit – Yura Borisov in Anora and Edward Norton in A Complete Unknown. At this juncture, it would be bold to leave either of them off the ballot. Both come from surefire BP hopefuls.
So does Guy Pearce of The Brutalist. The veteran actor seeks his first nomination. I’ve had him consistently ranked 2nd behind Culkin for weeks. His SAG omission was a surprise, but he still looks relatively safe for inclusion.
That leaves us with one spot left to fill. Before we consider that, let’s remember a time when these gentlemen had shots for the 97th Academy Awards. In some cases, the movies didn’t turn out to be Oscar contenders or their roles weren’t substantial enough to make the cut. I speak of Tom Hardy or Michael Shannon from The Bikeriders, Benedict Cumberbatch in The Book of Clarence, Brendan Gleeson in Joker: Folie à Deux, and Giancarlo Esposito from Megalopolis.
There’s a next level up of performances. It might not be totally impossible for them to get in, but there’s been no evidence precursor wise to realistically believe they’re a threat. This list includes Josh O’Connor from Challengers, Peter Sarsgaard and John Magaro from September 5 and Bill Skarsgård and Willem Dafoe in Nosferatu, and Drew Starkey in Queer. Same goes for Brian Tyree Henry (The Fire Inside), Adam Pearson (A Different Man), and Samuel L. Jackson (The Piano Lesson). Chris Hemsworth drew raves for Furiosa: A Mad Max Saga, but he hasn’t shown up anywhere. Same story for Dune: Part Two supporting players Javier Bardem and Austin Butler. And John Lithgow (Conclave) and Mark Eydelshteyn (Anora) are likely to cede the spotlight to their costars.
With one spot remaining, I have five contenders worthy of chatter: Jonathan Bailey (Wicked), Clarence Maclin (Sing Sing), Jeremy Strong (The Apprentice), Stanley Tucci (Conclave), and Denzel Washington (Gladiator II). Let’s walk through them one by one, shall we?
Speaking of costars, it sure seemed like Wicked‘s Jonathan Bailey would be on the outside looking in while his popular cast mates Cynthia Erivo and Ariana Grande would get noms. Yet his unexpected SAG inclusion this week puts him in the mix. Nevertheless I have him 5th out of these 5 possibilities.
Clarence Maclin took his real life experience behind bars and became a critical darling playing himself in Sing Sing. He made the BAFTA long list and Critics Choice ballot but missed SAG and the Globes. Oscar may still remember him, but he’s currently 3rd out of these 5 possibilities.
Jeremy Strong’s work as Roy Cohn in The Apprentice has snagged BAFTA long list, the Globes, and SAG and only missed Critics Choice. An excellent argument can be made for Culkin’s Succession costar. At the moment, I have him 2nd of the 5 possibilities which puts him just outside. I could see that changing when I make final picks on Wednesday.
Stanley Tucci is a dark horse for Conclave. No SAG, Globe, or Critics Choice. Just the BAFTA long list and I don’t have him predicted to make their final five. I could envision a scenario where he comes along for the ride at Oscar if they really love Conclave. He’s 4th out of these 5 possibilities.
Denzel Washington’s turn in Gladiator II was correctly called the sequel’s brightest spot. He has the BAFTA long list, Globe, and Critics Choice locked down. SAG voters, on the other hand, surprisingly ignored him. That makes a 10th acting Oscar nomination questionable. I currently have him 1st out of these 5 possibilities and that gets him in. This is mainly predicated on the fact that he’s Denzel Washington and that has worked before (see his 2017 nomination for Roman J. Israel, Esq.).
There you have it. My microscope analysis of Best Supporting Actor for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actress up next!
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
Let’s begin with Best Actress as it might be the most tricky of all to figure out (though the supporting competitions are up there too). I believe there are three performers whose nominations you can write down in pen.
For months, I’ve had Mikey Madison (Anora) listed in 1st place for her work in Anora. She’s been nominated everywhere she needs to be – Golden Globes, SAG, Critics Choice, the BAFTA long list. The film is definitely in the top 5 of Best Picture hopefuls. In other words, she’s in.
That said, just yesterday, I slid her from 1st to 2nd in favor of Demi Moore in The Substance. That’s mainly because Moore was victorious over Madison at the Golden Globes in the Actress (Musical or Comedy) category. Furthermore, Hollywood loves a comeback story. That is present with Demi. She managed all the aforementioned precursors that Madison has and there’s a win in her favor. I do believe the Oscar could go to either of them, but this seems reminiscent of Best Actor in 2022. Austin Butler (Elvis) was the young upstart like Madison. Brendan Fraser (The Whale) was the once major movie star in a comeback vehicle that also involved heavy makeup work. Fraser got the gold.
I would put Moore and Madison’s chances of making the final five at 100% or at least 99.9999999%. The third “pen” pick is Karla Sofia Gascón in Emilia Pérez. She would make history as the Academy’s first trans nominee. Gascón also made the cut at the key precursors and shared a Cannes victory for Best Actress with her costars. Some prognosticators have started wondering whether she’s a guaranteed nominee. While she’s maybe not a total certainty like our previous actresses, I’d say it’s really close. After all, Emilia Pérez might get the most nominations of any picture this time around. I don’t see that occurring without Emilia Pérez being in contention.
And then… it gets complicated. Before we move to the several performers jockeying for two spots, let’s pour one out for these actresses whose campaigns never got off the ground. In some cases, the films underperformed significantly with critics and audiences. In others, their studios didn’t mount an offensive drive for their inclusion. Some examples are Florence Pugh (We Live in Time), Jodie Comer (The Bikeriders), Ryan Destiny (The Fire Inside), Daisy Ridley (Young Woman and the Sea), Regina King (Shirley), Lily-Rose Depp (Nosferatu), and Marisa Abela (Back to Black). Julianne Moore (The Room Next Door) and June Squibb (Thelma) received a little more attention. However, they failed to show up in any significant other awards lists.
After that lengthy group, there’s a next level. These are actresses who may have shown up in some precursors or long lists, but aren’t expected to materialize in the Oscar quintet. Their chances aren’t completely out of reach like those in the previous paragraph. Yet it’s close. I would put Julianne Moore’s The Room Next Door costar Tilda Swinton in this class. Same with Zendaya (Challengers) and Saoirse Ronan (The Outrun).
This leaves us with eight performances vying for two spots: Amy Adams (Nightbitch), Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Nicole Kidman (Babygirl), Fernanda Torres (I’m Still Here), and Kate Winslet (Lee). Let’s walk through them one by one, shall we?
Amy Adams has the narrative of being long overdue for an Oscar. Despite six nominations, she’s yet to hear her name called. On paper, this seemed like a strong possibility but so-so reviews for Nightbitch have not helped. Despite a Globe nod and being in the BAFTA long list, I have her 8th of these 8 possibilities.
I might be more inclined to put Anderson in my five if it weren’t for Demi Moore’s comeback narrative. The Baywatch starlet is getting career best notices for this indie drama even if the film itself is drawing more mixed reactions. Her Globe nomination in Actress (Drama) wasn’t a huge surprise. The SAG nod this week was and it does increase her viability. I have her 5th of these 8 possibilities.
Cynthia Erivo is starring in one of the year’s largest blockbusters with Globe, SAG, Critics Choice, and the BAFTA long list preceding a potential Oscar nod. If she were to win, Erivo would achieve EGOT status as she already has an Emmy, Grammy, and Tony on her resume. The only question mark is whether the amount of performers could squeeze her out. I doubt it. Erivo is ranked 1st of these 8 possibilities.
Marianne Jean-Baptiste is receiving plenty of critics prizes for her role in Mike Leigh’s Hard Truths. Critics Choice and the BAFTA long list are in her corner though she notably missed SAG and the Globes. Leigh has a history of getting his actors nominated. Seeing her in the eventual quintet would not surprise, but she’s 4th of my 8 possibilities at press time.
Angelina Jolie’s inclusion for Pablo Larrain’s Maria seemed assured at one point after the picture premiered in Venice. In hindsight, the troubling signs could have been evident immediately. She did not take Best Actress at that festival. Since then, she’s missed SAG and the BAFTA long list while competing for the Globe and being nominated for Critics Choice. Her most notable blow came at the Globes. She was favored to win Best Actress in a Drama but fell short to Fernanda Torres. I still think she could get in though I have her just on the outside looking in and 3rd of my 8 possibilities.
For her performance in Babygirl, Nicole Kidman did win Best Actress at Venice and Globe and BAFTA long list spots followed. The recent snubs at Critics Choice and SAG are hard to ignore. She’s 6th among these 8 possibilities.
Fernanda Torres in I’m Still Here had no major other precursors to her credit besides the Globe. No BAFTA long list. No Critics Choice. And no SAG attention this week. That win at the Globes, though, looms large and it occurred just as Academy voting was underway. That’s why she’s 2nd of these 8 possibilities.
Finally, Kate Winslet as Lee showed up at the Globes and BAFTA long list. Reviews for the project itself aren’t overly impressive. Winslet could get in because, well, she’s Kate Winslet. Nevertheless she’s 7th of these 8 possibilities.
Whew. OK. There you have it. My microscope analysis of Best Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actor up next!
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