It’s become significant. 1917 might be the strongest example of the nine nominees for perfect timing. The World War I epic from director Sam Mendes came to the attention of awards voters just as it was opening to better than expected box office and sterling reviews. The Rotten Tomatoes score is 89%. Mendes is a known quantity whose American Beauty won Best Picture (and Director) twenty years ago. The precursor love has been impressive with a Golden Globes victory for Best Drama and the Producers Guild of America (PGA) top prize. 13 out of the last 19 PGA winners went on to win Best Picture. The ten Academy nominations is tied for second along with The Irishman and Once Upon a Time in Hollywood.
The Case Against 1917
If it wins Best Picture, it would be the first to do so without any acting nomination since 2008’s Slumdog Millionaire (SAG ignored it as well). Additionally, it would be the extremely rare recipient to win without an Editing nod. A case could be made that the Parasite fans are more rabid.
The Verdict
Despite missing some recognition in key races, there is no doubt that 1917 could absolutely take the biggest race. It could even be called the soft front runner.
Up next in my Case of posts… Once Upon a Time in Hollywood!
The Screen Actors Guild (SAG) Awards remained on script for about 99% of its running time last night. And then it went ahead and made this year’s Best Picture race at the Oscars all the more interesting.
Before we get to that, I went four for four in my acting category predictions and did so by sticking with the front runners. Those would be Joaquin Phoenix in Joker and Renee Zellweger in Judy in the leads and Brad Pitt for Once Upon a Time in Hollywood and Laura Dern for Marriage Story with supporting. Let’s be clear: 2019 appears to be a year where there’s strong favorites in all four races. Anyone other than this quartet winning on Oscar night at this point would constitute an upset.
When it comes to the biggest race of all, it’s still open. One could argue that 1917 is a soft front runner after winning Best Picture at the Producers Guild of America (where 13 of 19 recipients this century took the Oscar) and Best Drama at the Golden Globes. The Sam Mendes World War I epic wasn’t nominated for SAG. And therefore the narrative going into yesterday evening is that the winner here could serve as the most viable Academy alternative.
I projected that movie would be Quentin Tarantino’s Once Upon a Time in Hollywood. Yet the SAG branch went with Bong Joon-Ho’s Parasite. Perhaps I should have suspected this when its cast (presenting clips) received raucous applause that eclipsed all others. However, I chose not to predict its win, in part, due to no actors getting individual nods for their work. The Parasite victory here is major as its the first foreign language feature to be named in this category. It certainly sets up an argument that the Best Picture derby at the Oscars has really come down to three: 1917, Hollywood, and Parasite.
So what’s next? The Directors Guild of America (DGA) announces their winner this Sunday. That feels important because 16 out of the past 19 directing winners there have taken the gold statue. It’s probably Joon-Ho vs. Mendes and the honoree could then see their film vault to the front of the Picture pack.
Bottom line: SAG solidified the four actors vying for their statues while further complicating the Picture derby.
Another major Oscar precursor holds their ceremony this evening with the 26th Annual Screen Actors Guild (SAG) Awards. This particular show has definitely served as a massive indicator where the Academy might go with the acting winners. As for Best Picture, not so much.
So let’s get into it as I make my projections for what will happen tonight!
Outstanding Performance by a Female Actor in a Leading Role
The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Lupita Nyong’o (Us), Charlize Theron (Bombshell), Renee Zellweger (Judy)
Analysis: Nyong’o is the odd one out here as she didn’t nab an Oscar nomination. A win here by Johansson and Theron (both are possible) could set up a narrative as being Zellweger’s legit competition. Over the past decade, the SAG and Oscar winner have matched seven out of nine times. The outliers include last year when Glenn Close took the SAG for The Wife and Olivia Colman won the Academy Award for The Favourite. Tonight could also solidify Zellweger’s work as Judy Garland in the biopic. My suspicion is that it happens.
PREDICTED WINNER: RENEE ZELLWEGER
Outstanding Performance by a Male Actor in a Leading Role
The Nominees: Christian Bale (Ford v Ferrari), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Taron Egerton (Rocketman), Joaquin Phoenix (Joker)
Analysis: A Best Actor derby where ten performers were vying for five spots means 2 men here didn’t make the Oscar cut: Bale and Egerton. Therefore, I see this as a three person showdown between DiCaprio, Driver, and Phoenix. The Oscar/SAG linkage here is significant as eight of the last nine victors went on to take the Academy Award. 2016 was the only exception when Denzel Washington got the SAG for Fences and Casey Affleck was the Oscar recipient for Manchester by the Sea.
Driver could be the larger threat, but this season is shaping up to be a sweep for Phoenix. That’s where the smart money is tonight.
PREDICTED WINNER: JOAQUIN PHOENIX
Outstanding Performance by a Male Actor in a Supporting Role
The Nominees: Jamie Foxx (Just Mercy), Tom Hanks (A Beautiful Day in the Neighborhood), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
Analysis: There is a 7 for 9 SAG/Oscar match in this category this decade. Foxx didn’t get the Academy attention. Hanks is beloved, but his movie has underwhelmed elsewhere. Pacino and Pesci should split votes. And the narrative continues for Pitt to have a terrific awards season.
PREDICTED WINNER: BRAD PITT
Outstanding Performance by a Female Actor in a Supporting Role
The Nominees: Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Nicole Kidman (Bombshell), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)
Analysis: During the 2010s, there was an 8 for 8 SAG/Oscar match here from 2010-2017. Yet 2018 was the exception and a rather enormous one. Emily Blunt’s victory last year for A Quiet Place was a stunner since she had no Oscar nod. And the Academy’s winner (Regina King for If Beale Street Could Talk) didn’t get a SAG nod.
Could this set up a situation where Lopez, snubbed by the Academy, could walk to the podium tonight? I’m tempted to make that upset pick. However, Dern is unquestionably the favorite and I just can’t bet against her.
PREDICTED WINNER: LAURA DERN
Outstanding Performance by a Cast in a Motion Picture
Nominees: Bombshell, The Irishman, Jojo Rabbit, Once Upon a Time in Hollywood, Parasite
Analysis: Now here is where it gets interesting! Unlike the individual acting races, there isn’t as much of a history with this category matching up with Oscar’s Best Picture. This decade it’s happened four out of nine times. For the 21st century, it’s nine out of nineteen times.
You don’t see 1917 listed here and with its Golden Globe Best Drama and PGA victories, it’s the soft front runner for Oscar. An omission here doesn’t mean much as the last two Academy BP recipients (The Shape of Water, Green Book) missed here. Other than Bombshell, the nominees here are all nominated for Best Picture. Any of them winning tonight could position that film as the main competitor to 1917. That said, I don’t discount Bombshell taking the prize this evening as it received the greatest number of SAG nods.
Parasite is the only nominee where none of its individual performers were nominated. You could argue that the voters simply saved for their votes for this race. Jojo has its hardcore fans. The Irishman boasts a trio of acting legends.
Ultimately, I’m leaning toward the sprawling cast of Hollywood. Yet I’ll freely admit that this category seems wide open.
PREDICTED WINNER: ONCE UPON A TIME IN HOLLYWOOD
And there you have it! I’ll have a post up recounting how I did and what it means for the Oscar race soon enough…
Last night, the Producers Guild of America bestowed their honoree for best of the year and it’s a significant harbinger of what could lie ahead at the Oscars. In the 21st century, 13 of the 19 PGA winners ended up winning Best Picture from the Academy. In fact, 2018’s “surprise” PGA recipient Green Book took the prize at the big show as well.
It was the Sam Mendes World War I epic 1917 that emerged victorious. That’s another major precursor pickup after the Golden Globes named it Best Drama a couple weeks back. 1917 earned the award over nine other nominees that includes the eight pictures it’s nominated with from the Academy and Knives Out.
Let’s be clear – a solid argument can now be made that 1917 is the front runner to win the Oscar. If the Directors Guild of America names Mendes as their choice next weekend, that will serve as another huge precursor. Yet the 1917 love won’t extend to tonight’s Screen Actors Guild Awards (my predictions for that event will be on the blog later this morning). 1917 is not nominated for Best Ensemble from SAG. If The Irishman or Once Upon a Time in Hollywood or Parasite win Ensemble, the narrative may turn to that picture as its strongest competitor.
Still, one week after 1917 rode its awards buzz to impressive box office earnings, it’s established itself as perhaps the film to beat.
My Case of posts discussing the pros and cons of Oscar nominees in the major categories continues with Best Picture hopeful Little Women from director Greta Gerwig. If you missed my first four write-ups in the biggest race of all, you can read them here:
Based on the beloved 1868 Louisa May Alcott novel, Gerwig’s version of Little Women drew raves from the critical community. The 95% Rotten Tomatoes rating stands among the highest of the nine pictures. Previous adaptations have garnered Academy attention as well. The 1994 rendering saw Winona Ryder nominated for Actress in addition to Costume Design and Score. Back in 1949, that version took home Art Direction and got a Cinematography nod. Yet this is the first adaptation since 1933’s classic to be named in Best Picture. The box office is strong at $80 million as it looks to top the century mark before the ceremony airs.
The Case Against Little Women
It has missed numerous nominations in key precursors. The pic was ignored by SAG and didn’t get named in Picture at the Golden Globes. Gerwig didn’t make the final cut in Best Director from the Academy. As discussed before, it’s rare for the Picture recipient to win without attention there. Many prognosticators even questioned whether it would make it in this race and the same can be said for Saoirse Ronan and Florence Pugh in their acting categories (though they did get in). The six nominations are certainly under the total count of the heavy hitters.
The Verdict
It is a remote possibility that Gerwig could win Adapted Screenplay since she was snubbed for Director. As far as this taking Best Picture, I wouldn’t look for the fourth time to be the charm among Alcott adaptations. This appears to be heading the route of Gerwig’s previous acclaimed effort Lady Bird which had five nominations and zero victories.
Continuing with my Oscar series outlining the cases for and against nominees in the top six categories, we arrive at Martin Scorsese’s The Irishman. This is my second of (gulp) 34 posts for films and individuals picked in the Picture, Director, and the acting races. If you missed yesterday’s writeup about Ford v Ferrari, you can find it here:
Scorsese’s latest is an epic unification of screen legends Robert De Niro, Al Pacino, and Joe Pesci in the genre they’re known best for… the gangster tale. The three and a half hour opus certainly has awards gravitas. It was pegged as a likely nominee from the moment it was announced. Both Pacino and Pesci were named in Supporting Actor and the pic sports 10 nominations, which is tied for second along with 1917 and Once Upon a Time in Hollywood. Scorsese is obviously a legendary figure and this is his ninth effort to get a Picture nod (the only winner being 2006’s The Departed).
The critics have been on its side and it has a 96% Rotten Tomatoes score. Several critics group named it as the year’s best.
The Case Against The Irishman
That attention has not translated to the big awards shows yet. The Golden Globes surprised most when they picked 1917 over this in Best Drama. The Critics Choice Awards chose Hollywood. Some have griped about its length. De Niro, unlike Pacino and Pesci, couldn’t manage a nod with the Globes, SAG, or the Academy. And then there’s the still unsettled notion that the Academy could have a Netflix problem, despite the streamer leading this year’s studios in total number of nominations. In 2018, Roma appeared to be the front runner until that Netflix property lost to Green Book.
The Verdict
There was little doubt that The Irishman would garner plenty of attention in various categories, including here. Yet viability as a winner is much in question. Scorsese’s latest could still take the top prize, but it appears to be a bit of a long shot at the moment.
Scarlett Johansson starred in the biggest hit of the year that had the heftiest opening weekend of all time and is second on the overall stateside moneymakers list behind Star Wars: The Force Awakens. And that’s not even her most significant storyline from the past 12 months. That, ladies and gentlemen, earns her a spot on performers who had a spectacular 2019.
The film I’m referring to is, of course, Avengers: Endgame. That Marvel Cinematic Universe epic left numerous records in its dust. Mostly due to her involvement in that franchise, she’s already the biggest grossing actress in history. The involvement in it will continue in May 2020 with Black Widow, her own spin-off.
Yet the real reason for ScarJo’s inclusion here is that she could be poised to not only receive her first Oscar nomination, but her second. Despite acclaimed work in Lost in Translation and Match Point to name a couple, Academy voters have yet to honor her. Expect this to change at least once. A Best Actress nod for Noah Baumbach’s Marriage Story seems virtually assured. Supporting Actress is also feasible for Taika Waititi’s Jojo Rabbit. The Screen Actors Guild branch already nominated her twice for these pics.
In 2017, Johansson had a tough go with disappointments from different genres – Ghost in the Shell and Rough Night. Her 2019 has been anything but rough. My Year Of posts covering the bright spots of the year will continue…
It’s been another action packed week on the Oscar predicting front! Since last Monday, the SAG Award nominations came out and today – we saw numerous categories reveal their shortlists. This is when races are whittled down to 10 or 15 possible nominees and it applies to International Feature Film, Documentary Feature, Original Score and Song, Makeup and Hairstyling, and Visual Effects. As always, there were surprises. These include “Beautiful Ghosts” from Cats unlisted from Song, The Irishman absent from Makeup and Hairstyling, and Ad Astra and The Aeronauts left out for Visual Effects. You’ll notice that in these categories – there’s more dropouts than normal and that’s why.
As for the top line races, we have changes:
I am finally estimating that nine movies will be nominated for Best Picture instead of ten and that puts The Two Popes on the outside looking in.
The bad news for Popes continues as it’s Leonardo Dicaprio in and Jonathan Pryce out. I still have Robert De Niro clinging to the five spot, despite missing the Globes and SAG. We shall see if he remains in the fold as time goes on.
In Actress, it’s Cynthia Erivo in and Awkwafina out. I’ve got Lupita Nyong’o in the sixth position after a strong week of precursor love. She’s knocking right on the door.
Scarlett Johansson is back in for Supporting Actress to the detriment of Annette Bening. Like the SAG Awards, that means I’m projecting a double nomination for ScarJo. That would mark her first and second nominations.
In Original Screenplay, I’ve got Pain and Glory back in over Knives Out.
Let’s get to it!
Best Picture
Predicted Nominees:
1. The Irishman (Previous Ranking: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Parasite (PR: 4)
4. Marriage Story (PR: 3)
5. 1917 (PR: 5)
6. Jojo Rabbit (PR: 6)
7. Joker (PR: 8)
8. Ford v Ferrari (PR: 9)
9. Little Women (PR: 7)
Other Possibilities:
10. The Two Popes (PR: 10)
11. Bombshell (PR: 15)
12. The Farewell (PR: 11)
13. Knives Out (PR: 12)
14. Uncut Gems (PR: 13)
15. Rocketman (PR: Not Ranked)
Dropped Out:
Richard Jewell
Best Director
Predicted Nominees:
1. Martin Scorsese, The Irishman (PR: 1)
2. Bong Joon-Ho, Parasite (PR: 3)
3. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)
4. Sam Mendes, 1917 (PR: 4)
5. Noah Baumbach, Marriage Story (PR: 5)
Other Possibilities:
6. Todd Phillips, Joker (PR: 8)
7. James Mangold, Ford v Ferrari (PR: 7)
8. Greta Gerwig, Little Women (PR: 6)
9. Taika Waititi, Jojo Rabbit (PR: 9)
10. Ben and Josh Safdie, Uncut Gems (PR: 10)
Best Actor
Predicted Nominees:
1. Adam Driver, Marriage Story (PR: 1)
2. Joaquin Phoenix, Joker (PR: 2)
3. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 6)
4. Antonio Banderas, Pain and Glory (PR: 3)
5. Robert De Niro, The Irishman (PR: 4)
Other Possibilities:
6. Christian Bale, Ford v Ferrari (PR: 9)
7. Jonathan Pryce, The Two Popes (PR: 5)
8. Adam Sandler, Uncut Gems (PR: 7)
9. Taron Egerton, Rocketman (PR: 10)
10. Eddie Murphy, Dolemite Is My Name (PR: 8)
Best Actress
Predicted Nominees:
1. Renee Zellweger, Judy (PR: 1)
2. Scarlett Johansson, Marriage Story (PR: 2)
3. Charlize Theron, Bombshell (PR: 3)
4. Cynthia Erivo, Harriet (PR: 6)
5. Saoirse Ronan, Little Women (PR: 4)
Other Possibilities:
6. Lupita Nyong’o, Us (PR: 7)
7. Awkwafina, The Farewell (PR: 5)
8. Alfre Woodard, Clemency (PR: 8)
9. Mary Kay Place, Diane (PR: 9)
10. Elisabeth Moss, Her Smell (PR: 10)
Best Supporting Actor
Predicted Nominees:
1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)
2. Al Pacino, The Irishman (PR: 2)
3. Joe Pesci, The Irishman (PR: 3)
4. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 4)
5. Anthony Hopkins, The Two Popes (PR: 5)
Other Possibilities:
6. Song Kang-Ho, Parasite (PR: 8)
7. Jamie Foxx, Just Mercy (PR: Not Ranked)
8. Willem Dafoe, The Lighthouse (PR: 6)
9. Shia LaBeouf, Honey Boy (PR: 7)
10. Taika Waititi, Jojo Rabbit (PR: Not Ranked)
Dropped Out:
Sam Rockwell, Richard Jewell
Wesley Snipes, Dolemite Is My Name
Best Supporting Actress
Predicted Nominees:
1. Laura Dern, Marriage Story (PR: 1)
2. Jennifer Lopez, Hustlers (PR: 2)
3. Margot Robbie, Bombshell (PR: 3)
4. Florence Pugh, Little Women (PR: 4)
5. Scarlett Johansson, Jojo Rabbit (PR: 8)
Other Possibilities:
6. Zhao Shuzhen, The Farewell (PR: 6)
7. Annette Bening, The Report (PR: 5)
8. Kathy Bates, Richard Jewell (PR: 7)
9. Nicole Kidman, Bombshell (PR: 9)
10. Jo Yeo-Jeong, Parasite (PR: Not Ranked)
Dropped Out:
Taylor Russell, Waves
Best Adapted Screenplay
Predicted Nominees:
1. The Irishman (PR: 1)
2. Jojo Rabbit (PR: 2)
3. Little Women (PR: 5)
4. The Two Popes (PR: 3)
5. Joker (PR: 4)
Other Possibilities:
6. A Beautiful Day in the Neighborhood (PR: 7)
7. Hustlers (PR: 6)
8. Just Mercy (PR: 9)
9. Richard Jewell (PR: 8)
10. Dark Waters (PR: 10)
Best Original Screenplay
Predicted Nominees:
1. Marriage Story (PR: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Parasite (PR: 3)
4. The Farewell (PR: 4)
5. Pain and Glory (PR: 6)
Other Possibilities:
6. Knives Out (PR: 5)
7. Bombshell (PR: 9)
8. 1917 (PR: 8)
9. Ford v Ferrari (PR: 10)
10. Uncut Gems (PR: 7)
Best International Feature Film
Predicted Nominees:
1. Parasite (PR: 1)
2. Pain and Glory (PR: 2)
3. Les Miserables (PR: 3)
4. Atlantics (PR: 6)
5. Beanpole (PR: 8)
Other Possibilities:
6. Those Who Remained (PR: 10)
7. Corpus Christi (PR: Not Ranked)
8. Honeyland (PR: Not Ranked)
9. The Painted Bird (PR: Not Ranked)
10. Truth and Justice (PR: Not Ranked)
Dropped Out:
Monos
Invisible Life
A White, White Day
And Then We Danced
Best Animated Feature
Predicted Nominees:
1. Toy Story 4 (PR: 1)
2. Frozen II (PR: 2)
3. How to Train Your Dragon: The Hidden World (PR: 3)
4. I Lost My Body (PR: 4)
5. Missing Link (PR: 5)
Other Possibilities:
6. Abominable (PR: 7)
7. Weathering with You (PR: 8)
8. Klaus (PR: 6)
9. Bunuel in the Labyrinth of the Turtles (PR: 9)
10. Funan (PR: 10)
Best Documentary Feature
Predicted Nominees:
1. American Factory (PR: 1)
2. Apollo 11 (PR: 2)
3. One Child Nation (PR: 3)
4. For Sama (PR: 4)
5. Honeyland (PR: 7)
Other Possibilities:
6. The Cave (PR: 6)
7. The Edge of Democracy (PR: 9)
8. The Biggest Little Farm (PR: 8)
9. Maiden (PR: 10)
10. Aquarela (PR: Not Ranked)
Dropped Out:
Sea of Shadows
Best Cinematography
Predicted Nominees:
1. 1917 (PR: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Joker (PR: 3)
4. The Irishman (PR: 4)
5. Parasite (PR: 7)
Other Possibilities:
6. The Lighthouse (PR: 5)
7. Portrait of a Lady on Fire (PR: 6)
8. Ford v Ferrari (PR: 10)
9. A Hidden Life (PR: 9)
10. Ad Astra (PR: Not Ranked)
Dropped Out:
The Two Popes
Best Costume Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 2)
2. Little Women (PR: 1)
3. Dolemite Is My Name (PR: 3)
4. Rocketman (PR: 4)
5. Downton Abbey (PR: 5)
Other Possibilities:
6. The Irishman (PR: 7)
7. Judy (PR: Not Ranked)
8. Jojo Rabbit (PR: 6)
9. Cats (PR: 10)
10. The Aeronauts (PR: 9)
Dropped Out:
Aladdin
Best Film Editing
Predicted Nominees:
1. The Irishman (PR: 1)
2. Ford v Ferrari (PR: 4)
3. Once Upon a Time in Hollywood (PR: 3)
4. 1917 (PR: 2)
5. Parasite (PR: 6)
Other Possibilities:
6. Marriage Story (PR: 5)
7. Joker (PR: 7)
8. Jojo Rabbit (PR: 10)
9. Bombshell (PR: Not Ranked)
10. Knives Out (PR: Not Ranked)
Dropped Out:
Star Wars: The Rise of Skywalker
The Two Popes
Best Makeup and Hairstyling
Predicted Nominees:
1. Bombshell (PR: 1)
2. Judy (PR: 3)
3. Joker (PR: 6)
4. Downton Abbey (PR: Not Ranked)
5. Dolemite Is My Name (PR: 4)
Other Possibilities:
6. Once Upon a Time in Hollywood (PR: 5)
7. Little Women (PR: Not Ranked)
8. Rocketman (PR: 8)
9. 1917 (PR: Not Ranked)
10. Maleficent: Mistress of Evil (PR: Not Ranked)
Best Original Score
Predicted Nominees:
1. 1917 (PR: 1)
2. Star Wars: The Rise of Skywalker (PR: 2)
3. Little Women (PR: 4)
4. Marriage Story (PR: 3)
5. Joker (PR: 5)
Other Possibilities:
6. Ford v Ferrari (PR: 6)
7. Us (PR: 8)
8. Jojo Rabbit (PR: 7)
9. Avengers: Endgame (PR: Not Ranked)
10. Motherless Brooklyn (PR: Not Ranked)
Dropped Out:
The Aeronauts
Waves
Best Original Song
Predicted Nominees:
1. “Into the Unknown” from Frozen II (PR: 1)
2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)
3. “Stand Up” from Harriet (PR: 4)
4. “Spirit” from The Lion King (PR: 5)
5. “Glasgow” from Wild Rose (PR: 9)
Other Possibilities:
6. “Daily Battles” from Motherless Brooklyn (PR: 10)
7. “Speechless” from Aladdin (PR: 7)
8. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 6)
9. “A Glass of Soju” from Parasite (PR: Not Ranked)
10. “I’m Standing with You” from Breakthrough (PR: 8)
Dropped Out:
“Beautiful Ghosts” from Cats
Best Production Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. 1917 (PR: 2)
3. Little Women (PR: 4)
4. The Irishman (PR: 3)
5. Joker (PR: 7)
Other Possibilities:
6. Parasite (PR: 6)
7. Jojo Rabbit (PR: 5)
8. Downton Abbey (PR: 8)
9. Ford v Ferrari (PR: 10)
10. The Two Popes (PR: 9)
Best Sound Editing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Joker (PR: 8)
5. Avengers: Endgame (PR: 4)
Other Possibilities:
6. Rocketman (PR: 6)
7. Once Upon a Time in Hollywood (PR: 7)
8. The Irishman (PR: 9)
9. Ad Astra (PR: 5)
10. John Wick – Chapter 3: Parabellum (PR: Not Ranked)
Dropped Out:
Cats
Best Sound Mixing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Rocketman (PR: 4)
5. Avengers: Endgame (PR: 6)
Other Possibilities:
6. Joker (PR: 5)
7. Once Upon a Time in Hollywood (PR: 9)
8. The Irishman (PR: 10)
9. Cats (PR: 7)
10. Ad Astra (PR: 8)
Best Visual Effects
Predicted Nominees:
1. The Irishman (PR: 1)
2. Star Wars: The Rise of Skywalker (PR: 2)
3. Avengers: Endgame (PR: 4)
4. The Lion King (PR: 3)
5. 1917 (PR: 6)
Other Possibilities:
6. Alita: Battle Angel (PR: 8)
7. Gemini Man (PR: 9)
8. Captain Marvel (PR: Not Ranked)
9. Cats (PR: Not Ranked)
10. Terminator: Dark Fate (PR: Not Ranked)
Dropped Out:
The Aeronauts
Ad Astra
Aladdin
And that equates to the following pictures nabbing these numbers for nominations:
10 Nominations
The Irishman
9 Nominations
1917, Once Upon a Time in Hollywood
8 Nominations
Joker
7 Nominations
Little Women, Marriage Story
6 Nominations
Parasite
4 Nominations
Ford v Ferrari, Star Wars: The Rise of Skywalker
3 Nominations
Avengers: Endgame, Bombshell, Jojo Rabbit, Pain and Glory, Rocketman
2 Nominations
Dolemite Is My Name, Downton Abbey, Frozen II, Harriet, Judy, The Lion King, The Two Popes
1 Nomination
A Beautiful Day in the Neighborhood, American Factory, Apollo 11, Atlantics, Beanpole, The Farewell, For Sama, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Les Miserables, Missing Link, One Child Nation, Toy Story 4, Wild Rose
The true story of the sexual harassment claims took down Fox News CEO Roger Ailes is dropped in theaters next weekend with the release of Bombshell. Jay Roach directs Charlize Theron in the role of Megyn Kelly and Nicole Kidman as Gretchen Carlson. The supporting cast includes Margot Robbie, Kate McKinnon, Connie Britton, Malcolm McDowell, and John Lithgow as Ailes.
Bombshell, just today, was a surprise multiple nominee for the SAG Awards. It garnered four nods – Ensemble and the performances of Theron, Kidman, and Robbie. Whether or not Oscar nods follow remains to be seen, but it’s certainly in the mix. That buzz should help it gather some eyeballs, but it could experience a gradual rollout like many adult oriented holiday titles do.
The film opens directly against Cats, which will be going for much of the same demographic. There’s also Star Wars: The Rise of Skywalker, which appeals to pretty much everyone. I believe this will be lucky to reach $10 million for its start. Yet this stands a solid chance at legging out positively in the weekends ahead.
Bombshell opening weekend prediction: $6.9 million
For my Star Wars: The Rise of Skywalker prediction, click here:
The Screen Actors Guild voters definitely had some surprises in store this morning as they unveiled their nominations for the ceremony airing on January 19th. And the biggest bombshell was… the performance of Bombshell itself, which led the major nods with four. This was followed by The Irishman, Marriage Story, and Once Upon a Time in Hollywood at three.
Some quick takes before I break it down race by race. It was a bad morning for Dolemite Is My Name, The Farewell, Little Women, and The Two Popes as they received zero nominations. For Dolemite, I thought this might be the branch that would give it some attention. It wasn’t to be.
The nominations today have made Best Actor more confusing and opened up even more the possibility of two actors that I didn’t have listed as alternates factoring into the Oscar mix. All in all, on a morning that had genuine surprises, I went 16 for 25 on my picks. Here’s how it happened:
Outstanding Performance by an Ensemble in a Motion Picture
Nominees: Bombshell, The Irishman, Jojo Rabbit, Once Upon a Time in Hollywood, Parasite
How I Did: 3/5
Analysis: The absence of Marriage Story here is unexpected. Less so is the omission of the aforementioned Dolemite. I didn’t have Bombshell or Parasite named here. The Parasite nod could be construed as a strong sign that it’s a real contender for Best Picture for that other awards ceremony. This race probably comes down to Irishman or Hollywood and the latter likely has the edge.
Outstanding Performance by a Male Actor in a Leading Role in a Motion Picture
Nominees: Christian Bale (Ford v Ferrari), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Taron Egerton (Rocketman), Joaquin Phoenix (Joker)
How I Did: 3/5
Analysis: It was Bale and Egerton that I didn’t have listed as my first or second alternate. Those spots were instead designated for Antonio Banderas in Pain and Glory and Adam Sandler in Uncut Gems. This opens up Bale and Egerton to greater Academy attention. It’s also worth noting that Robert De Niro’s work in The Irishman has now been snubbed by the Golden Globe and SAG voters. This makes his road to Oscar considerably bumpier. As I suspect it will be with the Oscars, I suspect it’s Driver vs. Phoenix with this category.
Outstanding Performance by a Female Actor in a Leading Role in a Motion Picture
Analysis: No 5 for 5 projections for this blogger today and this is the only one where I named four correctly. It’s Nyong’o in over Awkwafina in The Farewell and that could assist with her Oscar cred after already picking up some critics awards. While Zellweger might be called the soft front runner, the Bombshell love certainly increases the possibility of a Theron win.
Outstanding Performance by a Male Actor in a Supporting Role in a Motion Picture
Nominees: Jamie Foxx (Just Mercy), Tom Hanks (A Beautiful Day in the Neighborhood), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
How I Did: 3/5
Analysis: I mentioned yesterday in my predictions post that it might be foolish to leave out Hanks and I was proven right. The genuine surprise here is Foxx, who has been falling under the radar screen as of late (I didn’t even have him in my top 10 of possibilities in my Oscar estimates on Monday). Expect that to change. Hanks and Foxx are in over Willem Dafoe for The Lighthouse (he missed the Globes too) and Anthony Hopkins for The Two Popes. As I said with the Globes, a Pacino/Pesci split could clear the way for Pitt’s trip to the podium.
Outstanding Performance by a Female Actor in a Supporting Role in a Motion Picture
Nominees: Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Nicole Kidman (Bombshell), Jennifer Lopez (Hustlers), Margot Robbie (Bombshell)
How I Did: 3/5
Analysis: One item I did call was the double nomination for Johansson. I did not anticipate Kidman getting in along with her Bombshell costar Robbie. In fact, I didn’t predict either of them as I went with Florence Pugh in Little Women and Zhao Shuzhen in The Farewell. Both of those actresses also missed Globe nods. Dern and Lopez could find themselves in a battle for this one. I also wouldn’t totally rule out the chance for a ScarJo upset as voters may want to honor her double nod (as they did here with Emily Blunt in 2018 for A Quiet Place).
I imagine these SAG Award announcements will impact my thinking when I update my Oscar projections on Monday. Stay tuned…
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