As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our fourth performer in Best Actress is Renate Reinsve for Sentimental Value. If you missed my posts covering the previous three contenders, you can access them here:
Following her acclaimed performance in 2021’s The Worst Person in the World from Joachim Trier, the Norwegian actress became a major awards player. Their follow-up premiered at Cannes last summer in which she won Best Actress. Nominations at the BAFTAs, Critics Choice, and the Golden Globes have followed.
The Case Against Renate Reinsve:
Simply put – Jessie Buckley in Hamnet. She’s taken home all the aforementioned precursors and appears poised to be the only acting competition sweeper. Along with her Oscar nominated costars Stellan Skarsgård, Elle Fanning, and Inga Ibsdotter Lilleass, the SAG Actor branch completely ignored the Value cast.
The Verdict:
In this Best Actress quintet, Reinsve will be a bridesmaid and not the bride.
My Oscar Prediction posts will continue with the next hopeful in Best Actor – Michael B. Jordan for Sinners…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Delroy Lindo is our third possibility in Supporting Actor for Sinners. If you missed my posts covering the first two, they can be accessed here:
As Delta Slim in Ryan Coogler’s blockbuster, Lindo is a well-respected veteran in a movie that could win Best Picture. There is also a feeling that he was snubbed in 2020 for his lead work in Spike Lee’s Da 5 Bloods. Supporting Actor is wide open this year with different winners at the Globes (Stellan Skasgård in Sentimental Value), Critics Choice (Jacob Elordi for Frankenstein), and BAFTA (Sean Penn in One Battle After Another).
The Case Against Delroy Lindo:
Notice you don’t see his name as a recipient anywhere. In fact, you won’t because Lindo missed out on nominations at SAG, the Globes, Critics Choice, and BAFTA. It is extremely rare for someone to nominated (let alone win) without being up at any of those precursors. You have to go back to Marcia Gay Harden in Pollock 25 years ago to find the last one. The voters can honor the Sinners cast elsewhere via Michael B. Jordan and especially BAFTA winner Wunmi Mosaku.
The Verdict:
With the absence of noms everywhere else, logic would dictate that Lindo isn’t a threat to take gold. However, this Supporting Actor derby is unpredictable enough that I wouldn’t completely discount it. The chances increase if Sinners can pry BP away from One Battle.
My Case Of posts will continue with the third filmmaker contending for Best Director, Josh Safdie for Marty Supreme…
I didn’t anticipate mentioning the 2000 feature Billy Elliot in my BAFTA recap covering 2025 pictures, but these voters are dancing to the beat of a different drum so here we are! That’s one surprise of several that developed at the British equivalent of the Academy Awards. It was not surprising that Paul Thomas Anderson’s One Battle After Another led the way and (yes) won one BAFTA after another. However, the outcome of the acting races provided legit unexpected results and might have a hand in reshaping what happens at the 98th Oscars.
As far as results, I went 14 for 23 in my projections and 1 for 4 in the acting derbies. I correctly forecasted Best Film and Director BAFTAs for One Battle After Another and its maker Anderson. Same goes for its victories in Adapted Screenplay and Cinematography. It also took the Editing prize where I had F1.
In Supporting Actor, Battle‘s Sean Penn emerged in a field where I picked Stellan Skasgård as the winner and had Penn’s costar Benicio del Toro as the runner-up. We now have 3 different Supporting Actor victors in the three highest profiles precursors – Penn at BAFTA, Skarsgård at the Globes, and Jacob Elordi (Frankenstein) at Critics Choice. Let’s see what SAG Actor does next weekend as this race is wide open.
Battle did nothing but help its status as BP Oscar frontrunner. Yet Sinners didn’t take a significant hit. It won Original Screenplay and I went with Sentimental Value. I correctly picked it for Original Score.
In Supporting Actress, it represented a One Battle miss and a Sinners pickup. I went with Teyana Taylor, but Wunmi Mosaku lodged her first major recognition. Like Supporting Actor, we now have a trio of recipients among the precursors – Mosaku at BAFTA, Taylor at the Globes, and Amy Madigan (Weapons) at Critics Choice. Once again, SAG Actor will be closely viewed in another wide open acting derby. Simply put, I can’t remember the last time both supporting fields were this unpredictable.
That’s not the case in Actress where Jessie Buckley (Hamnet) predictably did a podium walk as her chances at a seasonal sweep are looking strong.
We will not be seeing a Timothée Chalamet (Marty Supreme) sweep. I had him taking Actor with Ethan Hawke (Blue Moon) as runner-up. BAFTA went their own way with Robert Aramayo (I Swear). He was additionally named the BAFTA Rising Star. Aramayo is not nominated at Oscar. The last time a BAFTA Best Actor wasn’t among the Academy’s quintet? That would be Jamie Bell in the title role of… you guessed it (!) Billy Elliot.
Here’s where I managed to get it right – Hamnet for Outstanding British Film and Sentimental Value having a subpar day with its sole win for Film Not in the English Language. I was correct in calling Zootopia 2 as Best Animated Film. Same goes for Frankenstein with the trio of Costume Design, Makeup & Hair, and Production Design and F1 in Sound and Avatar: Fire and Ash in Special Visual Effects.
Here’s where I whiffed. I will pat myself on the back for predicting The Perfect Neighbor would not be the documentary that BAFTA selected. Unfortunately I went with 2000 Meters to Andrivka and not Mr. Nobody Against Putin. Could it emerge as a spoiler to a Neighbor Oscar prize?
Pillion looked like the pick for Outstanding British Debut by a Writer, Director or Producer, but BAFTA chose My Father’s Shadow. Same with Children’s & Family Film where Zootopia 2 looked probable, but Boong was listed in the envelope. In Casting (always a tough race to project), I Swear emerged over Sentimental Value and my runner-up One Battle.
So what’s the biggest takeaway? I’d say the chaos occurring in the supporting competitions and that Battle vs. Sinners appears to still be a battle.
Today’s ceremony bestowed these numbers of wins for these movies:
6 Wins
One Battle After Another
3 Wins
Frankenstein, Sinners
2 Wins
Hamnet, I Swear
1 Win
Avatar: Fire and Ash, Boong, F1, Mr. Nobody Against Putin, My Father’s Shadow, Sentimental Value, Zootopia 2
I’ll have winner predictions up for SAG Actor (happening a week from today) on the blog soon!
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the final film in BP and that’s Clint Bentley’s Train Dreams. If you missed my posts covering the previous nominees, you can find them here:
Since premiering at Sundance over a year ago, the period drama has been seen an awards player. In addition to the BP nod, it’s up for Adapted Screenplay, Cinematography, and Original Song. Precursor BP nominations for the Netflix release include the Globes and PGA.
The Case Against Train Dreams:
Note the noms it didn’t get including directing and or any mentions for its cast (Joel Edgerton, Felicity Jones, or William H. Macy). BAFTA almost completely ignored it where it received a sole cinematography nom and it was blanked at SAG Actor.
The Verdict:
Of the two Netflix entries up in the biggest race, Dreams is below Frankenstein as far as victory chances and Frankenstein is definitely not going to win.
My Case Of posts will continue with the first Best Actress write-up and that’s Jessie Buckley in Hamnet…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the nominee #5 and that’s Josh Safdie’s Marty Supreme. If you missed my posts covering the previous four contenders, you can find them here:
Academy voters would be selecting one of the most widely seen nominees (it grossed more than arguable frontrunner One Battle After Another). The sports dramedy amassed a laudable eight additional nods including Safdie’s direction, his Original Screenplay with Ronald Bronstein, Casting, Cinematography, Costume Design, Editing, and Production Design. And of course there’s the nod for Marty himself, Timothée Chalamet, in lead Actor. It has landed BP placement in all noteworthy precursors – the Globes, PGA, Critics Choice, BAFTA, for its ensemble at SAG Actor, and Safdie at DGA.
The Case Against Marty Supreme:
It wasn’t as widely seen as the other arguable frontrunner Sinners. Supreme has yet to get a BP victory anywhere and it was a slight surprise that it missed other acting nominations besides Chalamet (supporting players Gwyneth Paltrow and especially Odessa A’Zion were thought to be possibilities).
The Verdict:
Marty Supreme is reminiscent of Hamnet, my previous Case Of post. It received a bounty of mentions but its best (and probably only) chance at gold is in the lead acting field. For Hamnet, it’s with Jessie Buckley in Actress and with Supreme where the third time could definitely be the charm for Chalamet.
My Case Of posts will continue with One Battle After Another…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the fourth nominee – Hamnet from Chloé Zhao. If you missed my posts covering the previous three contenders, you can find them here:
Arriving five years after Zhao’s Nomadland took home Best Picture, Director, and Actress, the filmmaker hopes to do the same with this gut-wrenching historical drama. Besides BP, it’s up in 7 other races including Director, Actress (Jessie Buckley), Adapted Screenplay, Casting, Costume Design, Original Score, and Production Design. The ensemble is nominated at the SAG Actor awards and it made the BP cut at Critics Choice and BAFTA. Perhaps most significantly, it beat out Sinners in a slight upset for Best Drama at the Golden Globes. 3 out of the last BP Academy winners also featured the Best Actress victor and Buckley is definitely the frontrunner.
The Case Against Hamnet:
Despite some decent arguments in the case for, One Battle After Another and Sinners are still seen as the favorites. Hamnet missed some notable competitions at the Oscars – Cinematography, Editing and Supporting Actor (Paul Mescal). Even at BAFTA (where it was expected to fare even better), it wasn’t nominated in Cinematography, Editing, or Casting. The Academy could feel they just honored Zhao.
The Verdict:
Buckley is in good shape unless upcoming precursors change the narrative. The movie itself might be in third when it comes to rankings. Despite the Globe win, I’d say it’s a distant third.
My Case Of posts will continue with fifth nominee Marty Supreme…
Nominations for the 32nd Actor Awards (the ceremony formerly known as the SAG Awards) were unveiled yesterday. The group’s selections added to an already tricky Oscar season to project (especially with the acting races).
I went 20/30 in my predictions as One Battle After Another and Sinners dominated and actually fared stronger with SAG than I figured. It was also a good day for Frankenstein and a poor one for Sentimental Value, Jay Kelly, and Wicked: For Good.
Let’s walk through each race with the nominees, how I did, and a quick take on where I see the voters going.
Outstanding Performance by a Cast in a Motion Picture
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
How I Did: 4/5
Frankenstein‘s impressive run continued with an unanticipated nod here. It won out over my Sentimental Value call. Value was completely blanked. As for a winner, I would currently give OBAA the slight edge over Sinners.
Outstanding Performance by a Female Actor in a Leading Role
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Emma Stone (Bugonia)
How I Did: 3/5
It’s Hudson (who I should’ve figured the SAG branch would recognize) and Infiniti making the cut instead of Cynthia Erivo (Wicked: For Good) and Sentimental‘s Renate Reinsve. Buckley is unquestionably the favorite.
Outstanding Performance by a Male Actor in a Leading Role
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
How I Did: 4/5
A nice showing for Bugonia with Stone and Plemons in the lead derbies. I went with The Secret Agent‘s Wagner Moura over Plemons. A note that SAG essentially ignored 2025 foreign features. Chalamet is out front though this voting body could surprise and go with DiCaprio or Hawke.
Outstanding Performance by a Female Actor in a Supporting Role
Odessa A’Zion (Marty Supreme), Ariana Grande (Wicked: For Good), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)
How I Did: 3/5
The big surprise here is A’Zion. Could this give her momentum for Oscar inclusion? At the least, it probably puts her above costar Gwyneth Paltrow as far as contention. A’Zion and Mosaku are in over Emily Blunt (The Smashng Machine) and Elle Fanning (Sentimental Value). The fact that Blunt or lead Dwayne Johnson from Smashing couldn’t make it here might put the final kibosh in their Oscar hopes. I see the SAG win boiling down to Madigan or Taylor.
Outstanding Performance by a Male Actor in a Supporting Role
Miles Caton (Sinners), Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Sean Penn (One Battle After Another)
How I Did: 3/5
Caton is a genuine shocker. He and Mescal are in the quintet over Adam Sandler (Jay Kelly) and Stellan Skarsgård (Sentimental Value). This is where I figured Sandler could materialize and his Oscar chances are fading fast. Skarsgård should still be fine for inclusion though this snub obviously makes me question any shot of emerging victorious. The suddenly resurgent Elordi and del Toro have the best hopes of a podium walk.
Outstanding Performance by a Stunt Ensemble in a Motion Picture
F1, Frankenstein, Mission: Impossible – The Final Reckoning, One Battle After Another, Sinners
How I Did: 3/5
Frankenstein and Battle over Avatar: Fire and Ash and Wicked: For Good. Along with Actress, this is the easiest race to pick via Final Reckoning.
That means these films received these numbers in terms of nominations:
7 Nominations
One Battle After Another
5 Nominations
Sinners
3 Nominatons
Frankenstein, Hamnet, Marty Supreme
2 Nominations
Bugonia
1 Nomination
Blue Moon, F1, If I Had Legs I’d Kick You, Mission: Impossible – The Final Reckoning, Song Sung Blue, Weapons, Wicked: For Good
The Actor Awards air March 1 and I’ll have reaction up after the festivities…
Now called the SAG Actor Awards and not just SAG Awards, the 32nd edition of the ceremony airs March 1 on Netflix. Nominations are out this Wednesday. Acting categories usually match Oscar at a 4/5 clip while top race Best Ensemble is usually heavy on eventual Academy BP contenders. Last year, all five SAG nominees ended up being in the BP Oscar ten. The year prior it was four.
Here are my predictions in the six SAG Actor races with an alternate for each. I’ll have a recap up with my thoughts and how I performed on Wednesday!
Outstanding Performance by a Cast in a Motion Picture
Hamnet
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Alternate – Wicked: For Good
Outstanding Performance by a Female Actor in a Leading Role
Jessie Buckley, Hamnet
Rose Byrne, If I Had Legs I’d Kick You
Cynthia Erivo, Wicked: For Good
Renate Reinsve, Sentimental Value
Emma Stone, Bugonia
Alternate – Chase Infiniti, One Battle After Another
Outstanding Performance by a Male Actor in a Leading Role
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Ethan Hawke, Blue Moon
Michael B. Jordan, Sinners
Wagner Moura, The Secret Agent
Alternate – Joel Edgerton, Train Dreams
Outstanding Performance by a Female Actor in a Supporting Role
Emily Blunt, The Smashing Machine
Elle Fanning, Sentimental Value
Ariana Grande, Wicked: For Good
Amy Madigan, Weapons
Teyana Taylor, One Battle After Another
Alternate – Wunmi Mosaku, Sinners
Outstanding Performane by a Male Actor in a Supporting Role
Benicio del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Sean Penn, One Battle After Another
Adam Sandler, Jay Kelly
Stellan Skarsgård, Sentimental Value
Alternate – Paul Mescal, Hamnet
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Avatar: Fire and Ash
F1
Mission: Impossible – The Final Reckoning
Sinners
Wicked: For Good
Alternate – One Battle After Another
That means I’m projecting these numbers of nominations for these pictures:
5 Nominations
One Battle After Another
4 Nominations
Sentimental Value
3 Nominations
Sinners, Wicked: For Good
2 Nominations
Hamnet, Marty Supreme
1 Nomination
Avatar: Fire and Ash, Blue Moon, Bugonia, F1, Frankenstein, If I Had Legs I’d Kick You, Jay Kelly Mission: Impossible – The Final Reckoning, The Secret Agent, The Smashing Machine, Weapons
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. Best Actor and the supporting fields have been covered. If you missed my write-ups on them, please find them here:
I published my first preview of the lead Actress field on April 11th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Jessie Buckley, Hamnet
Cynthia Erivo, Wicked: For Good
Renate Reinsve, Sentimental Value
Julia Roberts, After the Hunt
Amanda Seyfried, The Testament of Ann Lee
Other Possibilities:
Rose Byrne, If I Had Legs I’d Kick You
Olivia Colman, The Roses
Jodie Foster, A Private Life
Jessica Lange, Long Day’s Journey Into Night
Jennifer Lawrence, Die, My Love
Lucy Liu, Rosemead
Emma Mackey, Ella McCay
June Squibb, Eleanor the Great
Emma Stone, Bugonia
Tessa Thompson, Hedda
What’s pretty amazing is how viable many of these contenders still are. In fact, it wouldn’t be totally crazy for my initial quintet to still be the final quintet. I believe there’s an excellent shot that 80% of them get in. Before we get to them, let’s dispense with the other possibilities that are no longer possibilities, shall we?
Olivia Colman (The Roses) and Jodie Foster (A Private Life) have OK chances to make the cut at the Globes in lead Actress in a Musical/Comedy. However, the former Oscar winners will not be returning to that ceremony. I’d say the same for June Squibb as Eleanor the Great drew mixed notices from critics and was a non-factor at the box office. Then there’s Jessica Lange. It seems like Long Day’s Journey Into Night is always about to come out, but never does. I’ve had her listed as a possibility in 2023 and 2024 and now 2025 and there’s still no release date. Perhaps she’ll pop up again for 2026.
Emma Mackey’s work for December’s Ella McCay is still unseen. The fact that it skipped autumn festivals could be telling, but you never know. Lucy Liu’s performance in Rosemead has been heralded at fests and distributor Vertical should push her as they picked up distribution rights for a December bow. I’m just not convinced it’ll get enough eyeballs for her to truly contend.
The other nine actresses among the 15 above are very much worthy of discussion, along with a couple others. That discussion begins (and ultimately could end) with Jessie Buckley in Hamnet. As Agnes Shakespeare, wife to the famed playwright in Chloé Zhao’s historical drama, she drew raves at Telluride and Toronto. Slated for wide release in December, the pic should garner multiple noms and Buckley is in the pole position for a victory.
Her biggest competition could be Renate Reinsve from another fest favorite Sentimental Value. I had her at #1 for awhile until Hamnet was unveiled.
While it’s still unseen, Cynthia Erivo could make it two in a row with the second part of Wicked and once again join her costar Ariana Grande (in supporting) as a nominee.
And while the movie itself drew divergent reactions, Amanda Seyfried was widely praised for The Testament of Ann Lee and Searchlight seems poised to mount a spirited campaign.
All four were in my inaugural April predictions. All four still are at the moment. The one that’s not is Julia Roberts in After the Hunt despite her being on top when I did my first ranked projections a few months ago. Since then, Hunt has been hindered plenty of negative reviews and poor box office. It’s not unthinkable for the 2000 Best Actress recipient to make the cut though it is a more remote possibility at this juncture.
Of the other possibilities from April, four still are. I could easily give two-time winner Emma Stone the spot. A Bugonia BP nom would help. The Academy could also feel like she’s been honored enough.
Rose Byrne has never been nominated for an Oscar and she’s getting career best notices for If I Had Legs I’d Kick You. Precursor attention and critics groups trophies could put her in.
Jennifer Lawrence (Die, My Love) and Tessa Thompson (Hedda) face trickier odds and if either got in, it’d be considered an upset right now. That dynamic could shift if the Globes/Critics Choice/SAG start naming either of them.
When it comes to names not mentioned in the initial 15, Sydney Sweeney has many critics saying she delivers in the boxing biopic Christy. Her chances could be KO’d by middling reviews for the pic itself.
Eva Victor (Sorry, Baby) got her flowers at Sundance and beyond. She would need precursors to gain any momentum.
There are two actresses not in the April mix that certainly are now. Chase Infiniti will be campaigned in lead for One Battle After Another which could become the next BP. The Warner Bros announcement that Infinti (in her first feature film role) is going for Actress and not Supporting Actress has caused many prognosticators to shift their thinking. She’s far from automatic (or close to it) like her costars Leonardo DiCaprio, Sean Penn, and Teyana Taylor but she could find herself joining them on the red carpet.
Finally, Kate Hudson was up 25 years ago in supporting for Almost Famous. Her role in the forthcoming Song Sung Blue is rumored to be an Oscar-baity part. We’ll know more tomorrow when it screens at the AFI Fest.
My in-depth look at the big races will continue with Best Director!
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and Actress and continues today with Best Actor. If you missed my write-up on the supporting players, you can find them here:
I published my first preview of the lead Actor field on April 8th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Timothée Chalamet, Marty Supreme
George Clooney, Jay Kelly
Matthew McConaughey, The Rivals of Amziah King
Paul Mescal, Hamnet
Jeremy Allen White, Deliver Me from Nowhere
Other Possibilities:
Lee Byung-hun, No Other Choice
Willem Dafoe, Late Fame
Daniel Day-Lewis, Anemone
Leonardo DiCaprio, One Battle After Another
Colin Farrell, Ballad of a Small Player
Jaafar Jackson, Michael
Dwayne Johnson, The Smashing Machine
Matthew McConaughey, The Lost Bus
Jesse Plemons, Bugonia
Andrew Scott, Pressure
Let’s dispense with the easy subtractions, shall we? The Rivals of Amziah King with Matthew McConaughey seems more likely to release in 2026. Same goes for Jaafar Jackson in Michael and Andrew Scott in Pressure. Paul Mescal (Hamnet) will contend in Supporting Actor where I am predicting him to get a nomination.
The reviews and buzz simply doesn’t exist for Colin Farrell in Ballad of a Small Player or McConaughey in The Lost Bus. Same for Willem Dafoe in Late Fame though a surprise Globe or SAG or Critics Choice nod could make him a remote possibility. I would say the same logic applies to Lee Byung-hun for No Other Choice and Dwayne Johnson in The Smashing Machine. For the latter, subpar box office doesn’t help his chances which were once seen as rock solid.
Beyond the names above, there’s a slew of once promising contenders who have fizzled out for one reason or another. It includes Denzel Washington (Highest 2 Lowest), Will Arnett (Is This Thing On?), Brendan Fraser (Rental Family), and Oscar Isaac (Frankenstein). I don’t expect to see their names among the nominees.
So let’s discuss who I think is truly in the mix and it’s ten actors. Half will make the cut and half will not. There could be 11 via the soon to be screened Song Sung Blue with Hugh Jackman though Kate Hudson is rumored to be the awards play from that one.
From my first ranked predictions in April, I’ve had Timothée Chalamet in the #1 spot after he was probably the runner-up for Actor last year to Adrian Brody (The Brutalist) for his embodiment of Bob Dylan in A Complete Unknown. The review embargo is still intact for December’s Marty Supreme, but early word-of-mouth indicates the top ranking is justified and I don’t see that changing anytime soon.
Jeremy Allen White’s portrayal of The Boss in Springsteen: Deliver Me from Nowhere is out tonight. His nomination seems more probable than not even though the pic itself is a question mark in BP.
George Clooney as Jay Kelly is more of an unknown as the movie has its ardent supporters and some detractors. If Kelly gets into BP, it significantly increases his odds.
Daniel Day-Lewis, a three-time winner, could get in just because he’s Daniel Day-Lewis. However, Anemone drew mixed reactions and was a non-entity at the box office.
Other than Chalamet, the performer I’m most confident makes the quintet is Leonardo DiCaprio for One Battle After Another. He’s a threat to take gold if the aforementioned competition fizzles out in the potential BP frontrunner.
Like Clooney, Jesse Plemons would benefit from Bugonia sneaking into BP. A better than currently expected performance from the film could grant him admission.
Blue Moon is a long shot for BP, but voters could still make room for veteran Ethan Hawke. He’d be vying for his third overall nom after supporting recognition for Training Day and Boyhood.
Train Dreams is also probably not on track for BP though Joel Edgerton has a so-so chance of getting in if other awards branches or critics groups bring him up.
Sinners, on the other hand, is a surefire hopeful in the big dance and Michael B. Jordan could get swept in for his dual role in the smash hit.
Wagner Moura was Best Actor at Cannes for The Secret Agent and I’m starting to believe his odds are increasing.
So there you have it. I think Chalamet and DiCaprio have punched their tickets with White close to doing the same unless Springsteen is a notable flop. The other seven are vying for slots four and five. My in-depth look at these high profile categories will continue with Best Actress!
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