Tag: Robert Redford

2018 Weekly Oscar Predictions: September 6th Edition

What a difference a week makes! Last Thursday, I gave you my first initial predictions in the major categories for the Oscars. Since then – we’ve seen a slew of pictures screened at the Venice and Telluride Film Festivals.

Films like A Star Is Born, Roma, First Man, and The Favourite solidified their status as contenders. Others like Boy Erased and The Front Runner availed themselves as possibilities, but not slam dunks. Others like Destroyer and The Old Man & The Gun likely took themselves out of the running in Best Picture, but shined a light on their actors that could receive nods.

And here’s the thing… by the time I do my third round of predictions next Thursday, we will have lots more pictures screened at the Toronto Film Festival, which begins today. That includes such high-profile titles as If Beale Street Could Talk, Beautiful Boy, Widows, and more.

Here’s how I have the key races ranked by possibility of nomination at this point in time!

Best Picture

1. If Beale Street Could Talk (Previous Ranking: 1)

2. A Star Is Born (PR: 2)

3. Roma (PR: 4)

4. First Man (PR: 5)

5. Beautiful Boy (PR: 3)

6. The Favourite (PR: 13)

7. BlacKkKlansman (PR: 6)

8. Boy Erased (PR: 7)

9. Backseat (PR: 8)

Other Possibilities:

10. The Front Runner (PR: 14)

11. Black Panther (PR: 12)

12. Peterloo (PR: 9)

13. Mary Queen of Scots (PR: 10)

14. Widows (PR: 11)

15. Can You Ever Forgive Me? (PR: 16)

16. Crazy Rich Asians (PR: 17)

17. Mary Poppins Returns (PR: 22)

18. Green Book (PR: 21)

19. On the Basis of Sex (PR: 24)

20. Cold War (PR: Not Ranked)

21. At Eternity’s Gate (PR: 23)

22. July 22 (PR: Not Ranked)

23. Bohemian Rhapsody (PR: 19)

24. The Sisters Brothers (PR: Not Ranked)

25. The Ballad of Buster Scruggs (PR: 15)

Dropped Out:

The Old Man & The Gun

Destroyer

Ben Is Back

Best Director

1. Barry Jenkins, If Beale Street Could Talk (PR: 1)

2. Alfonso Cuaron, Roma (PR: 2)

3. Bradley Cooper, A Star Is Born (PR: 3)

4. Damien Chazelle, First Man (PR: 4)

5. Spike Lee, BlacKkKlansman (PR: 5)

Other Possibilities:

6. Yorgos Lanthimos, The Favourite (PR: 11)

7. Felix Van Groeningen, Beautiful Boy (PR: 6)

8. Adam McKay, Backseat (PR: 7)

9. Joel Edgerton, Boy Erased (PR: 8)

10. Jason Reitman, The Front Runner (PR: 14)

11. Mike Leigh, Peterloo (PR: 9)

12. Marielle Heller, Can You Ever Forgive Me? (PR: Not Ranked)

13. Ryan Coogler, Black Panther (PR: 13)

14. Josie Rourke, Mary Queen of Scots (PR: 10)

15. Steve McQueen, Widows (PR: 12)

Dropped Out:

Joel and Ethan Coen, The Ballad of Buster Scruggs

https://www.youtube.com/watch?v=fp_i7cnOgbQ&t=1s

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Willem Dafoe, At Eternity’s Gate (PR: 3)

3. Steve Carell, Beautiful Boy (PR: 2)

4. Christian Bale, Backseat (PR: 6)

5. Hugh Jackman, The Front Runner (PR: 9)

Other Possibilities:

6. Ryan Gosling, First Man (PR: 4)

7. Robert Redford, The Old Man & The Gun (PR: 5)

8. Lucas Hedges, Boy Erased (PR: 7)

9. John David Washington, BlacKkKlansman (PR: 8)

10. Viggo Mortensen, Green Book (PR: 13)

11. Stephan James, If Beale Street Could Talk (PR: 10)

12. Rami Malek, Bohemian Rhapsody (PR: 12)

13. Joaquin Phoenix, You Were Never Really Here (PR: 14)

14. John C. Reilly, The Sisters Brothers (PR: Not Ranked)

15. Ethan Hawke, First Reformed (PR: 15)

Dropped Out:

Rory Kinnear, Peterloo

https://www.youtube.com/watch?v=ICDSkdzgiD0

Best Actress

1. Lady Gaga, A Star Is Born (PR: 1)

2. Glenn Close, The Wife (PR: 2)

3. Nicole Kidman, Destroyer (PR: 6)

4. Olivia Colman, The Favourite (PR: 9)

5. Melissa McCarthy, Can You Ever Forgive Me? (PR: 11)

Other Possibilities:

6. Kiki Layne, If Beale Street Could Talk (PR: 5)

7. Toni Collette, Hereditary (PR: 7)

8. Viola Davis, Widows (PR: 3)

9. Natalie Portman, Vox Lux (PR: Not Ranked)

10. Saoirse Ronan, Mary Queen of Scots (PR: 4)

11. Felicity Jones, On the Basis of Sex (PR: 10)

12. Yalitza Aparicio, Roma (PR: 15)

13. Emily Blunt, Mary Poppins Returns (PR: 8)

14. Elsie Fisher, Eighth Grade (PR: 13)

15. Joanna Kulig, Cold War

Dropped Out:

Julia Roberts, Ben Is Back

Emily Blunt, A Quiet Place

Best Supporting Actor

1. Timothee Chalamet, Beautiful Boy (PR: 1)

2. Richard E. Grant, Can You Ever Forgive Me? (PR: 10)

3. Sam Rockwell, Backseat (PR: 3)

4. Sam Elliot, A Star Is Born (PR: 2)

5. Russell Crowe, Boy Erased (PR: 4)

Other Possibilities:

6. Oscar Isaac, At Eternity’s Gate (PR: 7)

7. Adam Driver, BlacKkKlansman (PR: 6)

8. Michael B. Jordan, Black Panther (PR: 8)

9. Mahershala Ali, Green Book (PR: 9)

10. Armie Hammer, On the Basis of Sex (PR: 13)

11. Joel Edgerton, Boy Erased (PR: 5)

12. Jason Clarke, First Man (PR: 11)

13. David Tennant, Mary Queen of Scots (PR: 14)

14. Matthew McConaughey, White Boy Rick (PR: Not Ranked)

15. J.K. Simmons, The Front Runner (PR: Not Ranked)

Dropped Out:

Sebastian Stan, Destroyer

Topher Grace, BlacKkKlansman

https://www.youtube.com/watch?v=2zqom4jCui8

Best Supporting Actress

1. Claire Foy, First Man (PR: 3)

2. Regina King, If Beale Street Could Talk (PR: 2)

3. Amy Adams, Backseat (PR: 5)

4. Vera Farmiga, The Front Runner (PR: 10)

5. Nicole Kidman, Boy Erased (PR: 1)

Other Possibilities:

6. Maura Tierney, Beautiful Boy (PR: 6)

7. Emma Stone, The Favourite (PR: Not Ranked)

8. Margot Robbie, Mary Queen of Scots (PR: 4)

9. Michelle Yeoh, Crazy Rich Asians (PR: 12)

10. Amy Ryan, Beautiful Boy (PR: 7)

11. Rachel Weisz, The Favourite (PR: 11)

12. Meryl Streep, Mary Poppins Returns (PR: 9)

13. Blythe Danner, What They Had (PR: Not Ranked)

14. Sissy Spacek, The Old Man & The Gun (PR: 8)

15. Rachel McAdams, Disobedience (PR: 14)

Dropped Out:

Tatiana Maslany, Destroyer

Kathy Bates, On the Basis of Sex

Best Adapted Screenplay

1. If Beale Street Could Talk (PR: 1)

2. Beautiful Boy (PR: 2)

3. A Star Is Born (PR: 4)

4. Boy Erased (PR: 3)

5. First Man (PR: 6)

Other Possibilities:

6. BlacKkKlansman (PR: 5)

7. The Front Runner (PR: 8)

8. Can You Ever Forgive Me? (PR: 10)

9. Mary Queen of Scots (PR: 7)

10. Crazy Rich Asians (PR: 9)

11. Disobedience (PR: 13)

12. The Sisters Brothers (PR: 15)

13. Widows (PR: 12)

14. Wildlife (PR: 14)

15. The Miseducation of Cameron Post (PR: Not Ranked)

Dropped Out:

The Old Man & The Gun

Best Original Screenplay

1. The Favourite (PR: 5)

2. Roma (PR: 1)

3. Backseat (PR: 3)

4. Eighth Grade (PR: 4)

5. At Eternity’s Gate (PR: 10)

Other Possibilities:

6. Green Book (PR: 11)

7. Peterloo (PR: 2)

8. Vox Lux (PR: Not Ranked)

9. Ben is Back (PR: 8)

10. A Quiet Place (PR: 13)

11. Isle of Dogs (PR: Not Ranked)

12. On the Basis of Sex (PR: 9)

13. The Ballad of Buster Scruggs (PR: 6)

14. Bohemian Rhapsody (PR: 14)

15. Sorry to Bother You (PR: 15)

Dropped Out:

Destroyer

Colette

Check back next Thursday for updated predictions!

Oscar Watch: The Old Man & The Gun

In case you didn’t know, there are two major film festivals currently happening. In addition to Venice (which has produced a handful of Oscar Watch posts already), the Telluride Film Festival kicks off today. The opening selection is The Old Man & The Gun, David Lowery’s latest which reportedly features the retirement role of Mr. Robert Redford. It tells the true life story of Forrest Tucker, a genteel bank robber and prison escape artist.

Early screenings have occurred and reviews are quite positive. However, nothing I’ve seen suggests this will be a factor in Best Picture. Lowery is a critical favorite. Yet even better reviewed features such as Ain’t Them Bodies Saints and A Ghost Story didn’t register with the Academy.

The big question is whether Redford gets in for Best Actor. Shockingly, the legendary performer has been nominated only once. That was 45 years ago for The Sting. He has won Best Director for 1980’s Ordinary People. The lead actor looks like it has the potential to be crowded, but this could be voters final chance to recognize him as he says Gun will be his last acting role.

As for supporting players, I wouldn’t look for Casey Affleck, Danny Glover, or Tom Waits to get any traction for their work. Sissy Spacek, on the other hand, could also benefit from her stature as writers are citing her strong work. It’s also worth noting that Fox Searchlight is one of the better studios at awards campaigns.

Bottom line: competition is a key factor, but Redford and Spacek are possibilities.

The Old Man & The Gun is scheduled for release September 28. My Oscar Watch posts will continue…

2018 Weekly Oscar Predictions: August 30th Edition

My weekly ranked Oscar predictions kick off today as the Venice Film Festival is in full swing with Toronto and Telluride on deck!

Each Thursday, I will be bringing you my top 25 possibilities for Best Picture, along with 15 for Best Director, the four acting races, and the screenplay categories.

In November, the rankings will constrict to 15 possibilities for Best Picture and ten for every other race covering feature films (this is when all the tech categories, animated feature, foreign film, documentary will enter the mix).

Before I get to the rankings, some warnings: these will change dramatically as time rolls along. Some features could be pushed back to 2019. Some of them will instantly become non-factors due to poor critical reaction. Others will vault higher.

In the acting races, there is always uncertainty at this juncture about placement in which category. Here’s a few 2018 examples: right now I have Steve Carell listed in lead actor for Beautiful Boy with Timothee Chalamet in supporting. That could switch or both could be campaigned for in lead. Time will tell. Same goes for Viggo Mortensen and Mahershala Ali in Green Book. Right now, I have Tim Blake Nelson in The Ballad of Buster Scruggs for lead, but it could easily be supporting. And it’s uncertain where the women (Olivia Colman, Rachel Weisz, Emma Stone) of The Favourite will land.

All of this will be sorted out in the coming weeks and months and I’ll be here every Thursday to share with you where I have each category at this snapshot in time.

You can expect a whole bunch of Oscar Watch posts coming your way directly focused on individual films screenings at festivals over the coming days.

Let’s get to it, shall we?

Best Picture

1. If Beale Street Could Talk

2. A Star Is Born

3. Beautiful Boy

4. Roma

5. First Man

6. BlacKkKlansman

7. Boy Erased

8. Backseat

9. Peterloo

Other Possibilities:

10. Mary Queen of Scots

11. Widows

12. Black Panther

13. The Favourite

14. The Front Runner

15. The Ballad of Buster Scruggs

16. Can You Ever Forgive Me?

17. Crazy Rich Asians

18. Old Man & The Gun

19. Bohemian Rhapsody

20. Destroyer

21. Green Book

22. Mary Poppins Returns

23. At Eternity’s Gate

24. On the Basis of Sex

25. Ben Is Back

Best Director

1. Barry Jenkins, If Beale Street Could Talk

2. Alfonso Cuaron, Roma

3. Bradley Cooper, A Star Is Born

4. Damien Chazelle, First Man

5. Spike Lee, BlacKkKlansman

Other Possibilities:

6. Felix Van Groeningen, Beautiful Boy

7. Adam McKay, Backseat

8. Joel Edgerton, Boy Erased

9. Mike Leigh, Peterloo

10. Josie Rourke, Mary Queen of Scots

11. Yorgos Lanthimos, The Favourite

12. Steve McQueen, Widows

13. Ryan Coogler, Black Panther

14. Jason Reitman, The Front Runner

15. Joel and Ethan Coen, The Ballad of Buster Scruggs

Best Actor

1. Bradley Cooper, A Star Is Born

2. Steve Carell, Beautiful Boy

3. Willem Dafoe, At Eternity’s Gate

4. Ryan Gosling, First Man

5. Robert Redford, Old Man & The Gun

Other Possibilities:

6. Christian Bale, Backseat

7. Lucas Hedges, Boy Erased

8. John David Washington, BlacKkKlansman

9. Hugh Jackman, The Front Runner

10. Stephan James, If Beale Street Could Talk

11. Rory Kinnear, Peterloo

12. Rami Malek, Bohemian Rhapsody

13. Viggo Mortensen, Green Book

14. Joaquin Phoenix, You Were Never Really Here

15. Ethan Hawke, First Reformed

Best Actress

1. Lady Gaga, A Star Is Born

2. Glenn Close, The Wife

3. Viola Davis, Widows

4. Saoirse Ronan, Mary Queen of Scots

5. Kiki Layne, If Beale Street Could Talk

Other Possibilities:

6. Nicole Kidman, Destroyer

7. Toni Collette, Hereditary

8. Emily Blunt, Mary Poppins Returns

9. Olivia Colman, The Favourite

10. Felicity Jones, On the Basis of Sex

11. Melissa McCarthy, Can You Ever Forgive Me?

12. Julia Roberts, Ben Is Back

13. Elsie Fisher, Eighth Grade

14. Emily Blunt, A Quiet Place

15. Yalitza Aparicio, Roma

Best Supporting Actor

1. Timothee Chalamet, Beautiful Boy

2. Sam Elliot, A Star Is Born

3. Sam Rockwell, Backseat

4. Russell Crowe, Boy Erased

5. Joel Edgerton, Boy Erased

Other Possibilities:

6. Adam Driver, BlacKkKlansman

7. Oscar Isaac, At Eternity’s Gate

8. Michael B. Jordan, Black Panther

9.. Mahershala Ali, Green Book

10. Richard E. Grant, Can You Ever Forgive Me?

11. Jason Clarke, First Man

12. Sebastian Stan, Destroyer

13. Armie Hammer, On the Basis of Sex

14. David Tennant, Mary Queen of Scots

15. Topher Grace, BlacKkKlansman

Best Supporting Actress

1. Nicole Kidman, Boy Erased

2. Regina King, If Beale Street Could Talk

3. Claire Foy, First Man

4. Margot Robbie, Mary Queen of Scots

5. Amy Adams, Backseat

Other Possibilities:

6. Maura Tierney, Beautiful Boy

7. Amy Ryan, Beautiful Boy

8. Sissy Spacek, Old Man & The Gun

9. Meryl Streep, Mary Poppins Returns

10. Vera Farmiga, The Front Runner

11. Rachel Weisz, The Favourite

12. Michelle Yeoh, Crazy Rich Asians

13. Tatiana Maslany, Destroyer

14. Rachel McAdams, Disobedience

15. Kathy Bates, On the Basis of Sex

Best Adapted Screenplay

1. If Beale Street Could Talk

2. Beautiful Boy

3. Boy Erased

4. A Star Is Born

5. BlacKkKlansman

Other Possibilities:

6. First Man

7. Mary Queen of Scots

8. The Front Runner

9. Crazy Rich Asians

10. Can You Ever Forgive Me?

11. Old Man & The Gun

12. Widows

13. Disobedience

14. Wildlife

15. The Sisters Brothers

Best Original Screenplay

1. Roma

2. Peterloo

3. Backseat

4. Eighth Grade

5. The Favourite

Other Possibilities:

6. The Ballad of Buster Scruggs

7. Destroyer

8. Ben Is Back

9. On the Basis of Sex

10. At Eternity’s Gate

11. Green Book

12. Colette

13. A Quiet Place

14. Bohemian Rhapsody

15. Sorry to Bother You

Todd’s Early 2018 Oscar Predictions: Best Actor

Back at it again today with my very early Oscar predictions for 2018! We are now at Best Actor.

Yesterday, I discussed the Supporting categories. Earlier today, I posted my initial predictions for Actress. If you missed my take on them, you can peruse them here:

https://toddmthatcher.com/2018/08/24/todds-early-2018-oscar-predictions-best-actress/

https://toddmthatcher.com/2018/08/23/todds-early-2018-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2018/08/23/todds-early-2018-oscar-predictions-best-supporting-actress/

As mentioned in those posts, these are an early bird snapshot of where I see the races before they come into sharper focus beginning next week. That’s when the film festival kicks off and many of the Oscar bait fall titles will be screened for critics. Starting next Thursday (August 30), I’ll begin posting my weekly ranked predictions in the major film categories.

Tomorrow – look for Best Director and my first take on the new category everyone is talking about – Best Popular Film. Best Picture should be up Sunday!

TODD’S EARLY OSCAR PREDICTIONS: BEST ACTOR

Steve Carell, Beautiful Boy

Bradley Cooper, A Star is Born

Willem Dafoe, At Eternity’s Gate

Robert Redford, Old Man & The Gun

John David Washington, BlacKkKlansman

Other Possibilities:

Christian Bale, Backseat

Ryan Gosling, First Man

Ethan Hawke, First Reformed

Lucas Hedges, Boy, Erased

Hugh Jackman, The Front Runner

Stephan James, If Beale Street Could Talk

Rory Kinnear, Peterloo

Rami Malek, Bohemian Rhapsody

Tim Blake Nelson, The Ballad of Buster Scruggs

Joaquin Phoenix, You Were Never Really Here

Film Festival Season Approaches: The 2018 Hopefuls

We may be smack dab in the middle of the summer movie season, but Oscar season will be taking shape before we know it. This week, the organizers of the Toronto and Venice Film Festivals have unveiled lineups for the pictures that will be premiering at their events in a few weeks. Many of them are awards hopefuls.

To give you an idea of the importance of festivals when it comes to Oscar nominees, six of last year’s nine nominees premiered at some combination of Toronto, Venice, Telluride, New York, Sundance, or Cannes. Every Best Picture winner from this decade and beyond played at one of them. The last one that didn’t was The Departed back in 2006.

The months of September-December are the fertile ground for most nominated features. Last year, seven of the nine Picture nominees came out in that time frame. In 2016 – it was 8 out of 9.

Beginning in late August/early September, I will begin my weekly Oscar prediction columns. It works like this:

Late August/Early September – first posting of predictions in the categories of Best Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress

Months of September and October – weekly Oscar predictions column post covering those 6 categories, as well as Adapted Screenplay and Original Screenplay. For Best Picture, I will be ranking possibilities numbered 1-25. For other categories, it will be numbered 1-15.

Months of November through announcement of nominations – weekly Oscar predictions column covering every category involving feature films. For Best Picture, I will be ranking possibilities numbered 1-15. For other categories, it will be numbered 1-10.

While these posts are a month away, today I bring you 25 fall awards hopefuls that I suspect I’ll be mentioning frequently. Most of these are premiering at the high-profile quartet of upcoming fests (Venice, Toronto, New York, Telluride). Some aren’t, but could certainly be added to Telluride or New York especially (as they’re more known for surprise screenings).

Let’s get to it!

A Star is Born

The third remake of the musical drama marks the directorial debut of Bradley Cooper and features a potential showcase role for his costar Lady Gaga. Early word of mouth is already strong.

At Eternity’s Gate

He received a nomination for his supporting work last year for The Florida Project and Willem Dafoe plays Vincent Van Gogh in what could be another awards bait role.

**NO TRAILER AT PRESS TIME

Backseat

Expect Adam McKay’s follow-up to The Big Short to receive plenty of attention. Christian Bale is Cheney with Amy Adams as wife Lynne and last year’s Supporting Actor winner Sam Rockwell as George W. Bush.

**NO TRAILER AT PRESS TIME

Beautiful Boy

Steve Carell plays the father of a meth addict played by Timothee Chalamet, who was nominated last year for Call Me by Your Name.

Ben is Back

Lucas Hedges and Julia Roberts headline this family drama that premieres at Toronto.

**NO TRAILER AT PRESS TIME

Bohemian Rhapsody

Despite some behind the scenes drama in its filming, all eyes will be on Rami Malek’s work as Queen front man Freddie Mercury.

Boy Erased

Perhaps an even larger showcase role for Lucas Hedges is this drama where he plays a homosexual sent to conversion camp. Joel Edgerton directs and costars along with Nicole Kidman and Russell Crowe.

Can You Ever Forgive Me?

Melissa McCarthy received an Academy Award nomination with her breakthrough role in Bridesmaids. This drama about writer Lee Israel could muster attention for her yet again.

First Man

Director Damien Chazelle has seen both of his efforts (Whiplash, La La Land) nominated for Best Picture and he’s the youngest filmmaker to ever win Best Director. His third pic is a Neil Armstrong biopic starring Ryan Gosling. It opens the Venice Film Festival.

If Beale Street Could Talk

The follow-up to his Oscar winning Moonlight, Barry Jenkins directs this drama set in 1970s Harlem.

July 22

United 93 and Captain Phillips director Paul Greengrass brings his latest to Netflix and it focuses on the 2011 terrorist attacks in Norway.

**NO TRAILER AT PRESS TIME

Life Itself

Premiering at Toronto, this ensemble drama includes Oscar Isaac, Olivia Munn, Annette Bening, and Antonio Banderas.

Mary Poppins Returns

She’s already a contender for A Quiet Place and Emily Blunt could face competition from herself with Disney’s expected monster hit.

Mary Queen of Scots

They were both nominated for Best Actress last year and now Saoirse Ronan and Margot Robbie star in this historical drama about the title character and Queen Elizabeth I.

Old Man & The Gun

David Lowery directs Robert Redford in the true life tale of a prison escape artist. Sissy Spacek and Casey Affleck costar.

On the Basis of Sex

The documentary RBG could get noticed by the Documentary branch, as could this biopic which casts Felicity Jones as Supreme Court Justice Ruth Bader Ginsburg.

Peterloo

Acclaimed British director Mike Leigh returns with this historical 19th century drama.

Roma

This Mexican family drama is Alfonso Cuaron’s first directorial effort since his acclaimed Gravity.

Suspiria

Call Me by Your Name maker Luca Guadagnino shifts gears for this remake of the 1970s horror classic. Don’t be surprised if this receives attention in some technical categories.

The Favourite

The Lobster director Yorgos Lanthimos is behind this historical drama featuring Olivia Colman, Emma Stone, and Rachel Weisz.

The Front Runner

Jason Reitman directs this biopic of failed Presidential candidate Gary Hart with Hugh Jackman cast in the role.

**NO TRAILER AT PRESS TIME

The Sisters Brothers

John C. Reilly, Joaquin Phoenix, and Jake Gyllenhaal are among the cast in this Western from acclaimed French director Jacques Audiard.

Welcome to Marwen

Steve Carell stars in this unique looking drama from Forrest Gump maker Robert Zemeckis.

Widows

It’s been five years between projects for Oscar winning 12 Years a Slave director Steve McQueen. This heist thriller stars recent winner Viola Davis.

And there’s your very early preview of some titles to keep an eye on over the coming months. Those Oscar posts will start rolling out weekly in about a month! Stay tuned…

Todd’s Early 2017 Oscar Predictions: Best Actor

We have now arrived at Best Actor for my earliest 2017 Oscar predictions! At first glance, this appears to be potentially loaded with heavy hitters. This includes Gary Oldman going for his first Oscar as Winston Churchill in Darkest Hour, Daniel Day-Lewis going for his fourth (!) in Phantom Thread, and Tom Hanks going for #3 in The Papers. We also have Hugh Jackman in what could be a show stopping role as P.T. Barnum in The Greatest Showman and Joaquin Phoenix in his already screened and acclaimed performance for You Were Never Really Here. 

This is addition to several other very recognizable names listed as possibilities. Bottom line: Best Actor looks packed in 2017 and here’s my initial projections:

TODD’S EARLY OSCAR PREDICTIONS – BEST ACTOR

Daniel Day-Lewis, Phantom Thread

Tom Hanks, The Papers

Hugh Jackman, The Greatest Showman

Gary Oldman, Darkest Hour

Joaquin Phoenix, You Were Never Really Here

Other Possibilities:

Chadwick Boseman, Marshall

Steve Carell, Battle of the Sexes

Timothee Chalamet, Call Me by Your Name

Matt Damon, Downsizing

Andrew Garfield, Breathe

Jake Gyllenhaal, Stronger

Domhnall Gleeson, Goodbye Christopher Robin

Liam Neeson, Mark Felt: The Man Who Brought Down the White House

Robert Redford, Our Souls at Night

Denzel Washington, Roman Israel Esq.

Best Director is next, folks!

https://www.youtube.com/watch?v=AXCTMGYUg9A&t=1s

Pete’s Dragon Box Office Prediction

The Disney live-action remake train keep rolling along next weekend as Pete’s Dragon debuts in theaters. The Mouse Factory has found great success in the past couple of years taking their storied animated hits of decades past and repackaging and re-imagining them with real actors and tons of CG effects.

Pete’s Dragon, however, is a slightly different story. Unlike Maleficent, Cinderella, and The Jungle Book (and next year’s Beauty and the Beast for that matter), the pic this is based on is not considered a classic. The Disney Dragon ‘toon opened in 1977 at a time when the studio was in a downturn in their animation department. It was only a mild box office performer and reviews weren’t too strong.

The fact that Disney has been on a roll lately should help Pete and his magical dragon change the narrative somewhat with this property. David Lowery (best known for directing the low budget indie drama Ain’t Them Bodies Saints) is behind the camera. Oakes Fegley plays the title character (the Pete part) while the dragon is handled by Weta Digital. Costars include Bryce Dallas Howard, Robert Redford, Wes Bentley, and Karl Urban. Early reviews have been mostly positive with an 81% on Rotten Tomatoes.

Let’s start here: this has no real chance of reaching the heights of the live action reboots before it. 2014’s Maleficent made $69 million for its start. Last year’s Cinderella earned $67 million. This spring’s The Jungle Book made $103 million. Dragon may be lucky to make half of any of those titles in its opening. Disney should be pretty happy if this manages to top $35 million, but my prediction reflects a belief that just over/under $30 million is the more likely scenario.

Pete’s Dragon opening weekend prediction: $29.8 million

For my Sausage Party prediction, click here:

https://toddmthatcher.com/2016/08/03/sausage-party-box-office-prediction/

For my Florence Foster Jenkins prediction, click here:

https://toddmthatcher.com/2016/08/03/florence-foster-jenkins-box-office-prediction/

Truth Movie Review

James Vanderbilt’s Truth is of the genre that All the President’s Men is, even employing one of its stars, Robert Redford. It, too, tells the tale of a President of the United States under severe scrutiny. Both show the tremendous pressure and hard work of journalists and their duty to get the story right. The main difference among the numerous similarities? Whereas Redford’s 1976 Oscar nominated picture was confident enough to mostly eschew unneeded overdramatization, Truth is not. It’s a hindrance that causes it to pale in comparison.

Set against the backdrop of George W. Bush’s 2004 reelection, the film focuses on CBS News and its digging into the President’s three decades old plus National Guard record. Producer Mary Mapes (Cate Blanchett) works for 60 Minutes and is especially close to the network’s veteran news anchor Dan Rather (Redford). The pair and their colleagues believe they have a credible story covering lapses in Bush’s attendance in the Guard – a time when Vietnam was in its darkest days. A story is aired just months before the reelect, but potential inconsistencies rise up immediately. Some are from serious sources. Others come from the burgeoning blogosphere.

Truth explores the inner workings of news today, corporate politics, real politics, and journalistic integrity. These are subjects that have been covered before and covered more satisfactorily. I’ve already mentioned Redford’s classic from 40 years ago. There’s also Network. And Spotlight. The pic’s flaws don’t lie with the acting, even though this will not rate among Blanchett’s best performances. Redford gives a passable take on Rather. Their coworkers, including Topher Grace as a freelancer and Dennis Quaid as a military affairs expert, aren’t given any time for their characters to be anything other than caricatures.

Blanchett is a tremendous actress but there are times when even she seems to be overdoing it. Not as much as Truth itself, though. From its sweeping score to reaction shots of Mary’s young child watching her work in awe on the tube, Truth often seems distracted by its own perceived virtue instead of just sticking to the facts. The subject matter is by its nature fascinating and there are occasionally well dramatized touches here. Yet President’s Men and Spotlight were confident enough in their stories to simply tell them to intriguing results. Truth rather tries too hard and often rings false for it.

** (out of four)

New York Critics Go Caroling

In 2002, the New York Film Critics Circle (NYFCC) went gaga over Todd Haynes’s drama Far From Heaven, bestowing it with their award for Best Picture, Director, Supporting Actor (Dennis Quaid), and Supporting Actress (Patricia Clarkson). Yet when it came time for Oscar nominations, none of those picks were reflected with the Academy.

Thirteen years later, could history repeat itself again for Mr. Haynes? It’s a worthy question as the NYFCC have showered love upon his latest project, Carol. The 1950s drama centering on a lesbian relationship won big at their ceremony today, taking Picture and Director. The Big Apple critics appreciation for Carol gives it a somewhat needed boost for its Oscar chances. When it screened at film festivals earlier this year, it seemed close to a lock for Picture recognition but its stock has waned some.

As I did yesterday with the National Board of Review’s selections, it’s important to show you how often each critics organization matches what the Academy ends up doing. With the NYFCC, 12 out of their last 15 selections for Best Picture (the ones in the 21st century) have gone onto Oscar nominations in the same category. The exceptions were the aforementioned Heaven, 2001’s Mulholland Drive, and 2006’s United 93.

The same 12/15 ratio extends to the Directing category in which winners were Academy snubbed. Besides Haynes, the others were Mike Leigh for 2008’s Happy Go Lucky and Kathyn Bigelow for 2012’s Zero Dark Thirty.

I believe it’s much more likely that Carol manages a slot in the Picture race come Oscar nomination time than Haynes himself, but we’ll see how that plays out well as my predictions continue to be updated on the blog.

As for the acting races – the NYFCC hit us with two surprises. The biggest was Supporting Actress where they selected Kristen Stewart for her work in the little seen Clouds of Sils Maria. While she’s been mentioned as a possibility, very few prognosticators (this one included) have picked her for a Oscar nomination. I still don’t see it happening, but this win does raise her profile for sure. It’s also worth noting that only 2 of the last 15 NYFCC recipients in this category haven’t received Academy attention (the aforementioned Clarkson for Heaven and Maria Bello in 2005’s A History of Violence). Even more surprising is that the NYFCC didn’t honor Rooney Mara’s work in Carol, since many consider her the most likely winner for the gold statue.

The other surprise was Best Actor, which went to Michael Keaton in Spotlight. The shocker was the category he won for because Mr. Keaton is being campaigned for in Supporting Actor and not lead. It’s highly likely that the Bat/Birdman will be recognized come Oscar time… just not in the race where the NYFCC feted him. Of note: three past winners in the 21st century didn’t get Oscar nods: Paul Giamatti in 2004’s Sideways and the last two recipients: Robert Redford for All is Lost and Timothy Spall as Mr. Turner.

Actress went to Saoirse Ronan for Brooklyn and her Academy nod seems pretty much assured. She joins Room‘s Brie Larson (who won the NBR yesterday), Joy‘s Jennifer Lawrence, and Carol‘s Cate Blanchett as front runners for award attention into the future. As with Actor, three winners out of the past 15 didn’t receive Academy attention: Hope Davis for 2003’s American Splendor, Sally Hawkins for 2008’s Happy Go Lucky, and Rachel Weisz for 2012’s The Deep Blue Sea. 

Supporting Actor went to Mark Rylance in Bridge of Spies and he’s also a strong contender in the big race. It is worth noting that the NYFCC has actually picked five out of their last 15 winners that never made it to the Academy’s red carpet: the previously mentioned Quaid in 2002, Steve Buscemi for Ghost World (2001), Eugene Levy in A Mighty Wind (2003), Albert Brooks in Drive (2011), and Matthew McConaughey for Magic Mike and Bernie (2012).

Bottom line: a solid day for Carol and we’ll see if the momentum keeps up as my analysis for the 2015 awards season keeps rolling along…

Oscar Watch: Truth

One of the more eagerly anticipated titles to premiere at the Toronto Film Festival was James Vanderbilt’s Truth. The pic focuses on the controversy that enveloped CBS newsman Dan Rather and his reporting of President George W. Bush’s National Guard service during the 2004 election. Robert Redford plays Rather with Cate Blanchett playing his producer. Costars include Dennis Quaid, Topher Grace and Elisabeth Moss.

After its festival debut, reviews were mostly positive and it currently sits at 79% on Rotten Tomatoes. Having said that, Truth probably didn’t break out enough to gain major awards traction. Redford is a long shot to be in the mix for Best Actor and while Blanchett earned strong notices, she’ll most likely be a player in the lead actress category for Carol and not this.

So while Truth didn’t crash and burn like some other titles did at Toronto, it’s chances of real Oscar attention appears limited at best. It comes out October 16.