Best Year’s Ever

As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).

And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!

25. Channing Tatum (2012)

It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance The Vow, hit comedy 21 Jump Street, and his signature and semi-autobiographical title role in the summer sleeper Magic Mike (also from Mr. Soderbergh).

24. John Travolta (1996)

Two years following his major comeback in Pulp Fiction and a year following his Golden Globe nominated lead in Get Shorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller Broken Arrow and fantasy dramas Phenomenon and Michael.

23. Clint Eastwood (1971)

The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller Play Misty for Me. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and Million Dollar Baby. In December, Eastwood starred as Dirty Harry which spawned his lucky cop franchise.

22. Sigourney Weaver (1988)

Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for Gorillas in the Mist and Supporting Actress for Working Girl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.

21. Joe Pesci (1990)

Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic Home Alone.

20. Kevin Spacey (1995)

Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in The Usual Suspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in  Outbreak and headlined the critically approved indie comedy Swimming with Sharks.

19. Nicolas Cage (1997)

Leaving Las Vegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: Con Air and Face/Off.

18. Will Ferrell (2003)

Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s Old School as Frank the Tank and in the winter as Buddy in Elf.

17. Morgan Freeman (1989)

The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner Driving Miss Daisy, a dedicated and stern principal in Lean on Me, and a Civil War officer in Glory.

16. Steven Soderbergh (2000)

The prolific filmmaker made two Best Picture nominees with Erin Brockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.

15. Halle Berry (2001)

Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’s Ball. This was all sandwiched between XMen hits.

14. Hugh Jackman (2017)

Berry’s XMen cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical The Greatest Showman was an unexpected smash.

13. Leonardo DiCaprio (2002)

Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s Gangs of New York and Steven Spielberg’s Catch Me If You Can left little doubt. He’s been one of Hollywood’s most dependable stars since.

12. Francis Ford Coppola (1974)

In 1972, Coppola made perhaps the greatest American film of all time with The Godfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller The Conversation.

11. Michael Douglas (1987)

His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s Wall Street won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller Fatal Attraction, which was the year’s second largest grosser.

10. Julia Roberts (1999)

She started the decade with a smash star making turn in Pretty Woman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: Notting Hill with Hugh Grant and Runaway Bride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for Erin Brockovich.

9. Tom Cruise (1996)

1986 wasn’t too shabby either with Top Gun and The Color of Money. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s Jerry Maguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.

8. Sandra Bullock (2013)

Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy The Heat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.

7. Sylvester Stallone (1985)

Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind Back to the Future. They were for his two signature characters with Rambo: First Blood Part II and Rocky IV.

6. Robert Downey Jr. (2008)

A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in Iron Man, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s Tropic Thunder, which earned Downey a rare Oscar nod for a comedic performance.

5. Tom Hanks (1993)

There’s more than one year to consider for Hanks… 1995 (Apollo 13, Toy Story) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic Sleepless in Seattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for Forrest Gump.

4. Mel Brooks (1974)

The director managed to make two of the most beloved comedies of all time in one year… Blazing Saddles and Young Frankenstein. The two features combined contain some of the funniest scenes ever filmed.

3. Jennifer Lawrence (2012)

Already an Oscar nominee two years prior for Winter’s Bone, Lawrence’s road to superstardom was paved in 2012. In March came The Hunger Games, the year’s third top earner that spawned three sequels. In December came Silver Linings Playbook, where she won Best Actress.

2. Jim Carrey (1994)

In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber all hit screens.

1. Steven Spielberg (1993)

In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale Jurassic Park in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’s List won seven Academy Awards (including Picture and for Spielberg’s direction).

I hope your New Year is your best yet, readers! Have a happy one…

Summer 2008: The Top 10 Hits and More

We have arrived at part 3 of summer nostalgia looking over the cinematic seasons from 30, 20, and 10 years ago. If you missed my posts on 1988 and 1998, you can find them here:

https://toddmthatcher.com/2018/07/11/summer-1988-the-top-10-hits-and-more/

https://toddmthatcher.com/2018/07/12/summer-1998-the-top-10-hits-and-more/

This brings us to 2008. It was a vaunted superhero summer to be sure and there’s some humdingers for our flops. Here are the top ten moneymakers in addition to other notables and bombs.

10. The Incredible Hulk

Domestic Gross: $134 million

The second feature in the Marvel Cinematic Universe found Edward Norton taking on the angry green giant from Eric Bana. While better received than Ang Lee’s Hulk, it was mostly met with a shrug and Mark Ruffalo would take over the part four years later in The Avengers. It stands at lowest earner of the MCU.

9. The Chronicles of Narnia: Prince Caspian

Domestic Gross: $141 million

The follow-up to 2005’s The Lion, The Witch and the Wardrobe made less than half of what that picture achieved. Like Hulk, it may have placed in the top ten, but it was considered a bit of a disappointment.

8. Mamma Mia!

Domestic Gross: $144 million

The ABBA infused comedic musical was a major sleeper hit and its sequel hits theaters this Friday.

7. Sex and the City

Domestic Gross: $152 million

Fans of the HBO series turned out in droves for the big screen treatment. A sequel two years later yielded less impressive returns.

6. Kung Fu Panda

Domestic Gross: $215 million

Dreamworks Animation found itself a franchise with this animal fest led by Jack Black. Two sequels have followed.

5. WALL-E

Domestic Gross: $223 million

Yet another critically lauded effort from the money minting machine that is Disney/Pixar, this would take home Best Animated Feature at the Oscars.

4. Hancock

Domestic Gross: $227 million

Despite mostly negative reviews, this superhero effort proved Will Smith’s potency at the box office. Director Peter Berg has mostly moved to true life dramas with Mark Wahlberg.

3. Indiana Jones and the Kingdom of the Crystal Skull

Domestic Gross: $317 million

Nearly 20 years after The Last Crusade, Harrison Ford’s iconic hero returned and teamed up with Shia LaBeouf. Critics and audiences had their issues with it, but Indy is slated to come back again in 2021 (when Mr. Ford will almost be 80).

2. Iron Man

Domestic Gross: $318 million

It’s crazy to think now, but the idea of casting Robert Downey Jr. as a superhero less known than Batman or Superman was considered risky business at the time. We know what followed… the Marvel Cinematic Universe. This started it all.

1. The Dark Knight

Domestic Gross: $533 million

The sequel to Batman Begins turned into a genuine phenomenon with Heath Ledger’s incredible work as The Joker and an experience that has influenced numerous franchises since.

And now for some other notables of summer 2008:

Get Smart

Domestic Gross: $130 million

Steve Carell experienced a box office bomb the summer prior with Evan Almighty. He got back into the good graces of audiences with this big screen rendering of the 1960s TV series alongside Anne Hathaway.

Tropic Thunder

Domestic Gross: $110 million

Ben Stiller’s comedy was a hit with crowds and critics. Robert Downey Jr. earned an Oscar nod for his work here and we see Tom Cruise as never before.

Step Brothers

Domestic Gross: $100 million

It didn’t make as much as Adam McKay and Will Ferrell’s previous collaboration two summers earlier, Talladega Nights: The Ballad of Ricky Bobby. However, this has achieved serious cult status in following years.

Hellboy II: The Golden Army

Domestic Gross: $75 million

Guillermo del Toro’s sequel managed to out gross its predecessor and it was another critically hailed comic book adaptation in a summer filled with them. A reboot of the franchise with David Harbour comes next year.

The Strangers

Domestic Gross: $52 million

This low-budget horror flick turned into a sleeper. A sequel was released this March.

This brings us to the flops…

The Happening

Domestic Gross: $64 million

M. Night Shyamalan had his first flop two summers earlier with Lady in the Water. This one focused on killer trees with a lackluster performance from Mark Wahlberg. Audiences were laughing at it more than frightened by it. The director has since rebounded with Split. 

Speed Racer

Domestic Gross: $43 million

This was the Wachowskis first picture since the Matrix trilogy and it fell far under expectations at the box office and with critics.

The Love Guru

Domestic Gross: $32 million

Mike Myers couldn’t make this creation anywhere near as iconic as Wayne Campbell or Austin Powers. Moviegoers simply ignored Pitka.

The X-Files: I Want to Believe

Domestic Gross: $20 million

Ten summers after the first adaptation of the FOX show did well at theaters, audiences didn’t want to believe in its long gestating sequel.

Meet Dave

Domestic Gross: $11 million

This sci-fi comedy was a massive bomb for Eddie Murphy, making a small percentage of its reported $60 million budget.

And that does it for my recaps of the summer! You can be sure I’ll be back next season covering 1989, 1999, and 2009.

Avengers: Infinity War Movie Review

A decade into its multi-billion dollar cinematic universe, Avengers: Infinity War invites viewers to marvel at its gathering of superhero titans to fight another – a villain from planet Titan who reverses  one frequent MCU debit (a weak villain). It’s an experience that yields many positive results packed with the action and humor we’ve come to anticipate from the best of this franchise. This movie is massive and it feels that way. The 19th entry in the MCU that started with 2008’s Iron Man, here we have nearly all the significant characters from its catalog banding together. If you ever wondered how Thor (Chris Hemsworth) would get along with the Guardians of the Galaxy, the answer is humorously provided. How do the egos of Tony Stark/Iron Man (Robert Downey Jr.) and Doctor Stephen Strange (Benedict Cumberbatch) and Star-Lord (Chris Pratt) meld? You’re about to find out. What happens when the original Avengers and others pick up their weapons alongside Black Panther (Chadwick Boseman) in Wakanda? Giddyup!

All of this runs the risk of Infinity War coming off as gimmicky, but it mostly doesn’t. That’s because directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely do a remarkable job sticking these giants into the blender and creating something that goes down smooth. This is not necessarily a sequel to 2015’s Avengers: Age of Ultron or 2016’s Captain America: Civil War (essentially the third Avengers flick). Rather it’s a follow-up to almost every MCU title. It’s important to know what happened in the actual Avengers pics and Civil War, but I’d suggest having knowledge of the Guardians, Panther, and so on. Lucky for Disney and Marvel Studios, you probably do. The gathering of these comic book and box office behemoths leads Infinity War to often feel like the continuation of a long running TV serial – albeit one with huge stars and an unlimited budget.

What brings all the characters together is Thanos (Josh Brolin). He has the proportions of the Hulk (Mark Ruffalo) and a similar sized ambitions of world destruction. Thanos is hell-bent on collecting the Infinity Stones, six potent gems that would render him all-powerful and capable of wiping out populations of many galaxies. After the breakup of the Avengers in Civil War two years ago, it’s Thanos that causes Mr. Stark and Captain America (Chris Evans) to put their differences aside. Thus begins the jigsaw puzzle of matching up Guardians and Asgardian gods with Wakanda kings and mystical doctors and your friendly neighborhood Spider-Man (Tom Holland).

As you may recall, Thanos has history with one particular character – Gamora (Zoe Saldana). She’s his adopted daughter after he decimated her home planet when she was a little girl. For those who might have assumed the Guardians of the Galaxy would have a glorified cameo in this universe, that is certainly not the case. It’s Gamora’s backstory with Thanos that puts meat on his character’s bones and assists in making him one of the franchise’s best villains. Brolin, for his part, gives the performance his menacing all in crafting him.

Delving too far into what happens in Infinity War would feel like cheating in any review. Part of the fun here is discovering just how these dozens of heroes and villains coexist. Some general observations: Thor alongside Groot and Rocket is a joy, as is witnessing Groot as a bratty teen with its attention rooted to a video game device. The return to Wakanda and its whip smart inhabitants feels welcome just weeks after Panther’s stand-alone effort. And after 10 years of Tony Stark onscreen in numerous MCU titles, Downey Jr.’s portrayal of him is still as strong as ever. There’s never been a moment in the decade where it felt like Downey was slumming it. He’s the heart of this franchise.

The conclusion of Infinity War leaves a lot open for the sequel that will arrive next year. When the credits roll before the inevitable post-credits sequence, we witness something both powerful and perhaps not as powerful as it seems after careful thought (saying more would be a spoiler). There’s no doubt, however, that this comic book all-star game is a winner.

***1/2 (out of four)

Oscar Watch – Avengers: Infinity War

This weekend is all about Avengers: Infinity War at the box office as it barrels toward a potentially record-setting debut. The film looks, at the least, poised to set the all-time opening weekend record for the Marvel Cinematic Universe. This is the 19th picture in the MCU as the multi-billion dollar franchise is about to hit its ten-year anniversary. 

Infinity will certainly make its mark financially, but could Academy voters take notice? In short – probably not. The pic stands at 85% currently on Rotten Tomatoes. That’s a bit below the original Avengers from 2012 (92%) and a bit above 2015 sequel Age of Ultron (75%). No MCU title or any comic book adaptation has managed a Best Picture nomination and I see no reason to think this will.

Having said that, the Marvel folks stand their best opportunity yet to score a nod in the biggest category of them all. And that would be Black Panther, which was released in February. It stands a real shot. Looking through the Oscar history with this franchise, The Avengers scored a Best Visual Effects nomination in 2012 and lost to Life of Pi. No nominations were given to Ultron.

Bottom line: Infinity War could find itself in the mix for Visual Effects and possibly even the Sound categories. Yet any real MCU love from voters will go to King T’Challa.

Spider-Man: Homecoming Movie Review

Spider-Man: Homecoming is the third reiteration of the web slinger franchise that began a decade and a half ago. It arrives three years after the first reboot with Andrew Garfield sputtered in its second entry. That franchise faded away being plagued by the same issues that Sam Raimi and Tobey Maguire’s trilogy suffered at its end – too many villains and generally trying to cram too much superfluous material. It’s a pleasure to report that Homecoming doesn’t suffer the same problems.

In fact, our third Spidey helping soars the most when Peter Parker stays grounded. Tom Holland is the title character, getting his stand-alone pic after a brief appearance in last summer’s Captain America: Civil War. Yes, Spidey/Peter is now part of the vast Marvel Cinematic Universe and he’s a pupil of none other than Tony Stark/Iron Man (Robert Downey Jr.). Well, sort of. After assisting in one epic battle in Civil War, Peter wrongly assumes he’s part of The Avengers. Yet Stark isn’t exactly quick to enlist him, tasking his trusty bodyguard Happy Hogan (Jon Favreau) to keep tabs on him but not involve him in their day-to-day world saving activities.

That leaves Peter doing his Spidey thing on a much smaller scale, busting carjackers and ATM thieves in New York City while hiding his identity from Aunt May (Marisa Tomei) and his high school buddies. That consists mostly of just one classmate Ned (Jacob Batalon), a fellow nerd. Peter also has a serious crush on Liz (Laura Harrier), the lovely captain of the academic decathlon team. There’s another female student, played by Zendaya, that you suspect will become more important as the franchise continues. Homecoming does something that other Spidey flicks never really bothered to do. It makes Peter Parker a credible high school student. Part of the problem in the first two series was that you never bought Maguire or Garfield as underclassmen. With Holland, his youthful exuberance and awkwardness sell it. Of the trio we’ve seen thus far, he is probably the best Spider-Man. He’s definitely the best Peter Parker.

One of Spidey’s busts while waiting for Tony Stark to call with bigger projects leads him to Toomes (Michael Keaton), whose backstory is explained in the opening sequence. He’s a former small business owner gone disgruntled after more powerful interests (Mr. Stark and his empire) took his livelihood away. Toomes retaliates by using some stolen materials to develop weapons. Just as Peter is an everyday guy who becomes a superhero, Toomes is a once normal Joe who becomes a super villain. With Keaton playing him, it’s a pleasure to watch. One often deserved knock on the Marvel Cinematic Universe is that a solid villain is about as common as a Marvel Cinematic Unicorn. As with Loki, this offers an exception and Keaton is the reason why.

The scenes in the high school are handled with a often light, humorous and believable touch. Our grand action set pieces are expertly handled, but not much different than anything else we see multiple times a year (one at the Washington Monument is pretty nifty though). Homecoming does a commendable job at remembering that our hero is a neighborhood Spider-Man. Even though we know a much larger universe awaits him, it’s a treat to watch him working in relatively more grounded reality.

*** (out of four)

https://www.youtube.com/watch?v=qJpK7RA-zhA

Captain America: Civil War Box Office Prediction

Summer 2016 kicks off in grand Disney/Marvel fashion when Captain America: Civil War debuts next Friday. It is the first weekend of May’s only wide release, as no other studio would dare try counter programming against this surefire juggernaut. This is the third entry in the Captain America franchise, but it is essentially a third Avengers feature as Robert Downey Jr.’s Iron Man, Paul Rudd’s Ant-Man, Jeremy Renner’s Hawkeye, Scarlett Johansson’s Black Widow, Don Cheadle’s War Machine, Anthony Mackie’s Falcon, Elizabeth Olsen’s Scarlet Witch, and the debuts of Chadwick Boseman’s Black Panther and Tom Holland’s Spider-Man all join Chris Evans’ Cap for this extravaganza. Sebastian Shaw, William Hurt, and Daniel Bruhl also appear. Essentially, only Thor and Hulk are missing here.

The Marvel Cinematic Universe has been a multi-billion dollar bonanza for Disney and Marvel Studios. This 13th picture in the MCU has been greeted with terrific buzz and trailers and its critical response stands at 98% on Rotten Tomatoes. Some critics have gone as far to call it the best MCU movie thus far and this has led to expectations for its opening being understandably sky-high.

How high are we talking? Civil War seems primed to have at least the fifth largest domestic debut of all time. To do so, it would need to top Iron Man 3 and its $174 million opening and $175M seems to be on the lower end of expectations. The current #4 record belongs to summer 2015’s first flick, Avengers: Age of Ultron, which made $191 million. #3 is the original Avengers at $207 million with last summer’s Jurassic World second at $208 million.

The only record I don’t see this competing for is the big daddy – Star Wars: The Force Awakens, which earned $247 million in December. I believe Civil War, with buzz hotter than Ultron, will manage have a larger start and I really wouldn’t be surprised if it does indeed top $200 million. I’m going to peg it at just below what 2012’s Avengers accomplished to make it the second largest MCU debut and fourth highest all-time opening.

Captain America: Civil War opening weekend prediction: $205.6 million