Tag: robert de niro

98th Academy Awards Nominations Reaction

After months of forecasting and scores of individual posts on the movies vying for the attention of Oscar voters, nominations for the 98th Academy Awards were unveiled this morning. The ceremony airs March 15th with Conan O’Brien returning to host.

There is an undeniable headline in that Sinners shattered the record for most noms ever with 16. The previous holders of that title were a three-way tie between All About Eve, Titanic, and La La Land at 14 apiece. Even without a new race (Casting), Ryan Coogler’s vampire tale still would have broken the record. It is a remarkable achievement that could change the narrative in Best Picture (and others).

A secondary headline? The complete shutout of Wicked: For Good. Its predecessor from just a year ago landed 10 nominations. No one had it goose egging. I had it marked for four mentions and at one time weeks ago, I think I had it landing 10.

Overall I went 87 out of 110 in my feature-length projections (or 79%). Documentary Feature, as it has before, was the bane of my prognosticating existence while Visual Effects also tripped me up.

Some quick fun facts: Stellan Skarsgård is (somehow) the first Supporting Actor contender from a foreign film. The BP nod for One Battle After Another gives Leonardo DiCaprio his 12th BP hopeful. That ties with a record with his This Boy’s Life and Killers of the Flower Moon costar Robert De Niro.

In a second, we’ll walk through each race with some initial thoughts and how I did. First – a reminder that my Case Of posts will be arriving on the blog in short order. As readers may recall, I do individual posts on each Best Picture contender and the 25 hopefuls in Director and the four acting derbies. With each write-up, I give the case for their victory and against it along with a verdict. Those posts will start with the 10 BP nominees and then alternate alphabetically between the directing and acting personnel.

Best Picture

Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Train Dreams

How I Did: 9/10

F1, my 2nd runner-up, makes the cut over It Was Just an Accident. My Case Of posts will delve deeper, but I do believe Sinners is now a strong possibility to win in a showdown with fellow Warner Bros release One Battle After Another.

Best Director

Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)

How I Did: 4/5

Runner-up Trier is in over Jafar Panahi (It Was Just an Accident). Like BP, this should be between PTA (Battle) and Coogler (Sinners). The former probably has an edge even if Sinners manages the BP victory.

Best Actress

Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)

How I Did: 4/5

Hudson lands her second nomination 25 years after her supporting nod for Almost Famous. I went with Chase Infiniti for Battle. Buckley is the frontrunner.

Best Actor

Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent)

How I Did: 5/5 (!)

The expected quintet materializes with Chalamet hoping the third time is the charm.

Best Supporting Actress

Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)

How I Did: 4/5

Taylor might be the favorite. However, if Sinners takes BP, I wouldn’t sleep on Mosaku. And I’m saying that having not predicted her though she was my runner-up. I had Marty Supreme‘s Odessa A’Zion in her place. There’s Madigan to consider as well as the Sentimental actresses should vote split.

Best Supporting Actor

Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Delroy Lindo (Sinners), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)

How I Did: 4/5

Lindo is in over Paul Mescal as Hamnet had a couple high profile omissions. Penn may be the only one without a convincing win narrative and this could come down to the wire.

Best Original Screenplay

Blue Moon, It Was Just an Accident, Marty Supreme, Sentimental Value, Sinners

How I Did: 4/5

Moon, which I didn’t list as either of my runner-ups, is in over The Secret Agent. Value is viable though Sinners is the safer bet.

Best Adapted Screenplay

Bugonia, Frankenstein, Hamnet, One Battle After Another, Train Dreams

How I Did: 5/5 (!)

The five Adapted works from BP are in. A pretty easy call for Battle.

Best International Feature Film

It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab

How I Did: 4/5

Second runner-up Rajab instead of No Other Choice, which was blanked. This is a fascinating category as Agent vs. Value could be the showdown.

Best Animated Feature

Arco, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2

How I Did: 5/5 (!)

This has been the anticipated lineup for several weeks with KPop in the pole position.

Best Documentary Feature

The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor

How I Did: 1/5 (ugh)

The Doc race strikes again and hurts my numbers. I only had Neighbor (the frontrunner… I guess) correctly named as I went with Apocalypse in the Tropics, Cover-Up, My Undesirable Friends: Part I – Last Air in Moscow, and 2000 Meters to Andrivka.

Best Casting

Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sinners

How I Did: 4/5

Hamnet (my runner-up) instead of Frankenstein. This should also come down to Battle v. Sinners and I’m leaning toward the latter.

Best Cinematography

Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams

How I Did: 4/5

Marty Supreme (my runner-up) instead of Hamnet (another notable miss). A broken record as this is also between Battle and Sinners.

Best Costume Design

Avatar: Fire and Ash, Frankenstein, Hamnet, Marty Supreme, Sinners

How I Did: 4/5

A genuine shocker with Avatar in. Its two predecessors didn’t even make this category. I had Wicked: For Good instead (get used to hearing that). Frankenstein is out front, but a Sinners over performance could happen.

Best Film Editing

F1, Marty Supreme, One Battle After Another, Sentimental Value, Sinners

How I Did: 4/5

Value instead of Hamnet. Once again, Battle or Sinners.

Best Makeup and Hairstyling

Frankenstein, Kokuho, Sinners, The Smashing Machine, The Ugly Stepsister

How I Did: 4/5

2nd runner-up Stepsister is in contention over Wicked. Frankenstein shouldn’t have any trouble here.

Best Original Score

Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners

How I Did: 4/5

Bugonia, which I didn’t list in the runners-up, over Sirāt. This is likely to be a Sinners prize.

Best Original Song

“Dear Me” from Diane Warren: Relentless, “Golden” from KPop Demon Hunters, “I Lied to You” from Sinners, “Sweet Dreams of Joy” from Viva Verdi!, “Train Dreams” from Train Dreams

How I Did: 4/5

The Verdi! is very much an unexpected inclusion. I had “Salt Then Sour Then Sweet” from Come See Me in the Good Light. I’ll also note neither shortlisted Wicked track made it. Unless the Academy decides to finally honor Diane Warren in a competitive race or a Sinners sweep happens, KPop should be golden.

Best Production Design

Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners

How I Did: 4/5

Runner-Up Battle over (you got it) Wicked. Another potential W for Frankenstein.

Best Sound

F1, Frankenstein, One Battle After Another, Sinners, Sirāt

How I Did: 4/5

Runner-up Frankenstein instead of Avatar. This could be between F1 and Sinners with Sirāt as an upset possibility.

Best Visual Effects

Avatar: Fire and Ash, F1, Jurassic World Rebirth, The Lost Bus, Sinners

How I Did: 2/5 (ugh)

Like Documentary, the VE voters can be unpredictable and they went with Jurassic (first nod in the franchise since 1997’s The Lost World), Bus, and Sinners (getting that historic 16th mention) over Frankenstein, Superman, and (say it with me!) Wicked. The winner isn’t hard to project as Avatar looks to go 3 for 3.

Besides the aforementioned Wicked and No Other Choice, two other notable pics that you won’t find among the nominees are Jay Kelly and The Testament of Ann Lee.

Here is how the nominations did shake out:

16 Nominations (!)

Sinners

13 Nominations

One Battle After Another

9 Nominations

Frankenstein, Marty Supreme, Sentimental Value

8 Nominations

Hamnet

4 Nominations

Bugonia, F1, The Secret Agent, Train Dreams

2 Nominations

Avatar: Fire and Ash, Blue Moon, It Was Just an Accident, KPop Demon Hunters, Sirāt

1 Nomination

The Alabama Solution, Arco, Come See Me in the Good Light, Cutting Through Rocks, Diane Warren: Relentless, Elio, If I Had Legs I’d Kick You, Jurassic World Rebirth, Kokuho, Little Amélie or the Character of Rain, The Lost Bus, Mr. Nobody Against Putin, The Perfect Neighbor, The Smashing Machine, Song Sung Blue, The Ugly Stepsister, Viva Verdi!, The Voice of Hind Rajab, Weapons, Zootopia 2

Keep an eye out for the Case Of posts as we march toward final predictions in March!

Best Picture 2023: The Final Five

As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.

What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?

For the 96th Academy Awards, we know Christopher Nolan’s Oppenheimer would have been one of them. It dominated the show by winning Best Picture, Director, Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr.), Cinematography, Film Editing, and Original Score.

Picking the other 4 of 9 for the final five is less obvious. And I really mean it this time because, with one exception, selecting the others was tough. Here’s my best speculation.

American Fiction

Cord Jefferson’s dramedy performed better than anticipated with five nominations including a win in Adapted Screenplay over heavy hitters Barbie, Oppenheimer, Poor Things, and The Zone of Interest. Other nods were Jeffrey Wright in Actor, Sterling K. Brown for supporting, and Original Score.

Does It Make the Final Five?

Yes, but I went back and forth on this one and came very close to saying no. Gods and Monsters from 1998 is the last Adapted Screenplay winner to not be nominated for BP so that’s what gives this a slight edge.

Anatomy of a Fall

The French legal drama was inexplicably not selected for International Feature Film, but nabbed a quintet of nods that included Director (Justine Triet), Actress (Sandra Hüller), Film Editing, and a victory in Original Screenplay (over The Holdovers and Past Lives).

Does It Make the Final Five?

No, but I went back and forth on this one and came very close to saying yes. Like with Fiction, there’s a screenplay component at play. Eternal Sunshine of the Spotless Mind from 2004 was the previous Original Screenplay winner to not be nominated for BP. In this case, the case for some other pics was just a tad stronger.

Barbie

Greta Gerwig’s smash hit had six other nods in Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, 2 Original Songs, and Production Design. The sole victory was for Billie Eilish’s ballad “What Was I Made For?”.

Does It Make the Final Five?

I went back and forth on this one… you get the idea. I’m going with no with its glaring omission for Gerwig’s direction and Margot Robbie’s snub to a lesser degree. That said, it is certainly feasible that AMPAS could’ve made room had this been a quintet.

The Holdovers

Alexander Payne’s dramedy was a winner in Supporting Actress for Da’Vine Joy Randolph with Paul Giamatti nominated in Actor and nods for Film Editing and Original Screenplay.

Does It Make the Final Five?

No. If Giamatti had taken lead actor or the screenplay been victorious, this would be a tougher choice. I think it’d be on the outside looking in.

Killers of the Flower Moon

Martin Scorsese’s historial epic had ten overall nominations behind Oppenheimer and Poor Things – directing, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. It went 0 for 10 on the night.

Does It Make the Final Five?

Yes, but I don’t think it’s automatic. No nods for the adapted screenplay or Leonardo DiCaprio in Actor make me questions its inclusion. So do the zero trophies. Yet Scorsese’s clout causes me to grant it a spot.

Maestro

Bradley Cooper’s biopic of Leonard Bernstein is a seven-time nominee for Actor (Cooper), Actress (Carey Mulligan), Original Screenplay, Cinematography, Makeup and Hairstyling, and Sound. It did not pick up any of the hardware.

Does It Make the Final Five?

No, but it did perform quite well as far as nods. Cooper’s exclusion from Best Director was my deciding factor.

Past Lives

Celine Song’s romance was the least nominated of the BP contestants with Original Screenplay as its only other nom.

Does It Make the Final Five?

No and this was the easiest of the five to decide considering the amount of nominations.

Poor Things

The multi-genre experience from Yorgos Lanthimos was second only to Oppenheimer in terms of mentions with 11 including wins for Emma Stone in Actress, Costume Design, Makeup and Hairstyling, and Production Design. Other nods: director, Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Film Editing, and Original Score.

Does It Make the Final Five?

Yes and this was the easiest of the nine to leave in due to its volume of noms and victories.

The Zone of Interest

The wartime drama from Jonathan Glazer, with Anatomy of a Fall out of competition, easily took International Feature Film while also grabbing a Sound win and noms for direction and Adapted Screenplay.

Does It Make the Final Five?

I don’t think it is automatic, but yes. I nudged it just past Fall considering the IFF gold.

And that means my final 2023 five would be:

American Fiction

Killers of the Flower Moon

Oppenheimer

Poor Things

The Zone of Interest

I plan to post my selection for 2024 in the near future!

March 28-30 Box Office Predictions

A quartet of newcomers hope to populate spots 2-5 this weekend with Snow White looking to cling to first place after a muted debut. We have the Jason Statham action pic A Working Man, Paul Rudd and Jenna Ortega in the horror comedy Death of a Unicorn, more serious scary movie The Woman in the Yard with Danielle Deadwyler, and the first two episodes of the popular faith-based program The Chosen: Last Supper – Part 1. You can peruse my detailed prediction posts on the newcomers here:

A Working Man Box Office Prediction
Death of a Unicorn Box Office Prediction
The Woman in the Yard Box Office Prediction
The Chosen: Last Supper – Part 1 Box Office Prediction

Snow White had the lowest modern-day premiere for any of the Mouse House live-action adaptations (more on that below). To add insult to injury, its B+ Cinemascore grade is also the worst of the sub genre. The similarly performing Dumbo from 2019 plummeted 60% in its sophomore frame. I would expect a similar result for Snow White and that should mean a mid-teens gross.

That might keep it in first place as I have A Working Man in the low teens for a runner-up showing (it has an outside shot of being #1). I am placing Unicorn just below $10 million with Yard and Chosen both in the mid single digits. Considering the sad state of affairs at multiplexes financially, that should mean 80% of the high 5 is fresh product.

Here’s how I see it playing out:

1. Snow White

Predicted Gross: $16.4 million

2. A Working Man

Predicted Gross: $13.9 million

3. Death of a Unicorn

Predicted Gross: $8.8 million

4. The Woman in the Yard

Predicted Gross: $6.7 million

5. The Chosen: Last Supper – Part 1

Predicted Gross: $6.4 million

Box Office Results (March 21-23)

Pick your cliched headline – it was a sleepy opening… it was a ho-hum debut…

They apply to Snow White which, as mentioned, experienced the weakest unveiling of any Disney live-action rendering at $42.2 million. That’s below my $49.6 million take and it’s a pretty impossible spin job for its studio to attempt. Some articles have correctly pointed out that Mufasa: The Lion King premiered to lower numbers but legged out nicely. The difference is that Mufasa rolled out over the holidays where drop-offs are insignificant. I don’t expect that to be the case here.

As I suspected, slots 2-6 were separated by just over a million bucks. That made it tricky to know where the pics would land. Black Bag stayed in second place with $4.2 million, on target with my $4 million prediction. Steven Soderbergh’s spy tale sits at $14 million after ten days.

Captain America: Brave New World was third with $4 million, in line with my $4.1 million call. The MCU entry is nearing $200 million with $192 million in the bank after six weeks.

Novocaine slid from 1st to 4th with $3.6 million, a tad below my $4.1 million projection. The two-week take is $15 million.

Mickey 17 rounded out the top five with $3.6 million. My estimate? $3.6 million! The three-week earnings are an underwhelming $40 million.

Finally, critically panned Robert De Niro (and Robert De Niro) Mob saga The Alto Knights was flat in sixth with $3.1 million (I said $3.7 million).

And that does it for now, folks! Until next time…

Oscar Predictions: The Alto Knights

Robert De Niro plays the dual roles of real-life Mafiosos Vito Genovese and Frank Costello in The Alto Knights, premiering this weekend. The crime drama reunites the star with Barry Levinson, who directed him in Sleepers, Wag the Dog, and The Wizard of Lies. Costars include Debra Messing, Cosmo Jarvis, Kathrine Narducci, and Michael Rispoli.

Critics are not singing Alto‘s praises. The Rotten Tomatoes score is 39% with Metacritic at 47. The March release date should’ve been a tipoff that De Niro won’t be receiving his ninth (or tenth) acting nominations. Same goes for any other categories. My Oscar Prediction posts will continue…

March 21-23 Box Office Predictions

Hollywood hopes that Disney’s live-action remake of Snow White can wake up a sleepy box office this weekend while The Alto Knights with a double dose of Robert De Niro also debuts. You can peruse my detailed prediction posts on the newcomers here:

Snow White Box Office Prediction
The Alto Knights Box Office Prediction

With Rachel Zegler in the title role and Gal Gadot as the Evil Queen, there’s no doubt Snow White will dwarf all competitors. The question is by how much. A best case scenario might be around $60 million though it could bottom out in the mid to high 30s. I’m giving it high 40s. While that’s nothing to sneeze at, it’s not that happy a result for the Mouse House considering most of their other live-action retellings far outpaced that figure.

Mr. De Niro portrays two real-life gangsters in the period piece Knights. Warner Bros hasn’t given it much of a marketing push. My lower to mid single digits forecast could put it anywhere from second to sixth.

Holdovers Novocaine (the current champ), Black Bag, Captain America: Brave New World, and Mickey 17 should all generate similar earnings. In fact, I have #2 and #6 separated by only half a million bucks. That’s with Novocaine dwindling just over 50% and Black Bag falling in the high 40s in its sophomore frame. Captain America is likely to experience the smallest decline.

Here’s how I have the top 6 playing out:

1. Snow White

Predicted Gross: $49.6 million

2. Novocaine

Predicted Gross: $4.1 million

3. Captain America: Brave New World

Predicted Gross: $4.1 million

4. Black Bag

Predicted Gross: $4 million

5. The Alto Knights

Predicted Gross: $3.7 million

6. Mickey 17

Predicted Gross: $3.6 million

Box Office Results (March 14-16)

It was a painful weekend in multiplexes as no feature topped $10 million. Novocaine with Jack Quaid had muted bragging rights in 1st with $8.8 million. Failing to match my $9.8 million prediction, look for this to fade quickly with a meh B Cinemascore.

Also sporting a B Cinemascore was Steven Soderbergh’s Black Bag with Cate Blanchett and Michael Fassbender. The spy thriller was second with $7.6 million, just over my $7.3 million projection.

Bong Joon-ho’s Mickey 17 suffered a considerable 61% drop and was third with $7.4 million. I was a tad more generous to the Robert Pattinson sci-fi satire at $8.1 million. The two-week tally is an unimpressive $33 million.

Captain America: Brave New World was fourth at $5.6 million (I said $5.7 million) for a five-week total of $185 million and $200 million domestic looking achievable.

The Day the Earth Blew Up: A Looney Tunes Movie rounded out the top five with a mere $3.1 million compared to my $3.8 million estimate for the animated offering.

And that does it for now, folks! Until next time…

The Alto Knights Box Office Prediction

Robert De Niro pulls double duty as real-life mobsters Vito Genovese and Frank Costello in The Alto Knights on March 21st. The crime drama from director Barry Levinson rolls into approximately 2500 venues with Debra Messing, Cosmo Jarvis, Kathrine Narducci, and Michael Rispoli in the supporting cast. Nicholas Pileggi, who wrote the source material for De Niro’s classic GoodFellas, penned the screenplay.

Warner Bros isn’t putting much marketing muscle behind this. Originally slated for February of last year, this is Levinson’s first theatrical project since the 2015 Bill Murray flop Rock the Kasbah. He did direct his star in HBO’s The Wizard of Lies back in 2017. Though De Niro is back in his most known genre, I’ll say Alto struggles to even hit $5 million as I analyze this.

The Alto Knight opening weekend prediction: $3.7 million

For my Snow White prediction, click here:

Snow White Box Office Prediction

The Top 50 SNL Cast Members of All Time: Number 24 – Jimmy Fallon

Prior to taking over the Late Night and Tonight Show franchises, it was on SNL that Jimmy Fallon honed his skills. The Groundlings alum quickly established himself as a crowd favorite in a fertile era for the show with terrific impressions of Jerry Seinfeld, Robert De Niro, Regis Philbin, Mick Jagger, and even former SNL cast members Adam Sandler and Chris Rock. His talents perhaps shone brightest on The Barry Gibb Show portraying a mentally unbalanced version of The Bee Gees frontman alongside his brother Robin (Justin Timberlake), who never had anything to add.

Nearly halfway into his run, Fallon nabbed the Weekend Update desk spot alongside Tina Fey. It made for one of the strongest duos to deliver the fake news. Along the way, the future talk show host tried his best not to break during classic sketches such as “More Cowbell” and Debbie Downer’s visit to Disney. #23 will be up soon!

Jimmy Fallon

Years on the Show: 1998-2004

The Fabulous Four Box Office Prediction

Out July 26th, The Fabulous Four is the latest entry in the growing number of comedies centered on senior women. The actresses making up the title quartet are Susan Sarandon, Bette Midler, Sheryl Lee Ralph, and Megan Mullaly. Jocelyn Moorhouse directs with a supporting cast including Bruce Greenwood, Timothy V. Murphy, and Michael Bolton (!).

From Book Club and its recent sequel to Queen Bees and 80 for Brady, this sub genre continues to expand. The first Club and Brady both managed to exceed expectations at the box office, but Four faces a significant challenge. Distributor Bleecker Street is not known for opening their pictures to impressive grosses.

I have yet to see a screen count for this, but recent Bleecker releases like What Happens Later with Meg Ryan and Ezra with Robert De Niro rolled out between 1300-1500 venues. Their respective starts were $1.5 million and $1.2 million. Assuming Four hits about the same number, I’ll project similar results. In fact, I’ll give it exactly what Later managed.

The Fabulous Four opening weekend prediction: $1.5 million

For my Deadpool & Wolverine prediction, click here:

Deadpool & Wolverine Box Office Prediction

Oscar Predictions: Ezra

Actor Tony Goldwyn goes behind the camera for Ezra which hits theaters Friday after screening at the Toronto Film Festival last fall. Bobby Cannavale headlines the family dramedy alongside Robert De Niro, Rose Byrne, William Fitzgerald, Vera Farmiga, Whoopi Goldberg, Rainn Wilson, and Goldwyn himself.

The project was met with muted buzz during its north of the border unveiling in September. Bleecker Street eventually picked up the distribution rights for what should be an unceremonious opening. The Rotten Tomatoes score is a so-so 65%. While some reviews are good, in order for it to get awards attention… well, it needs to be better than Ezra. My Oscar Prediction posts will continue…

97th Academy Awards: FIRST Oscar Predictions in Best Supporting Actor

And here we go! We are about three weeks removed from the 96th Academy Awards airing so that means it’s time to start speculating on the 97th. These are my initial glimpses at the four acting races, Director, and Picture and they will unfold on the blog over the next few days.

It begins with Supporting Actor. When I did my first picks on the competition in 2023, it yielded one nominee: Mark Ruffalo in Poor Things. Under the 10 other possibilities, I named the eventual winner Robert Downey Jr. for Oppenheimer as well as Robert De Niro in Killers of the Flower Moon. I did not identify Sterling K. Brown (American Fiction) or Ryan Gosling (Barbie) at the early juncture.

Let’s start with an obvious caveat… it’s early. Some movies listed are likely to be pushed back or simply not turn out as awards contenders. Actors listed here could end up being campaigned for in lead actor and vice versa when I get to Best Actor.

This premiere post previews a potential showdown of Succession actors Kieran Culkin and Jeremy Strong as well as possible spots for legends like Denzel Washington and Willem Dafoe. There’s also relative unknowns (Leigh Gill, Clarence Maclin) and a pair of Dune thespians (Javier Bardem, Austin Butler). This lineup is admittedly far less star-studded than 2023’s.

Here’s the first snapshot:

TODD’S FIRST OSCAR PREDICTIONS FOR SUPPORTING ACTOR AT THE 97TH ACADEMY AWARDS

Kieran Culkin, A Real Pain

Leigh Gill, Blitz

Brian Tyree Henry, The Fire Inside

Drew Starkey, Queer

Stanley Tucci, Conclave

Other Possibilities:

Austin Butler, Dune: Part Two

Javier Bardem, Dune: Part Two

Willem Dafoe, Kinds of Kindness

Samuel L. Jackson, The Piano Lesson

John Lithgow, Conclave

Clarence Maclin, Sing Sing

Adam Pearson, A Diffrent Man

Jeremy Strong, The Apprentice

Denzel Washington, Gladiator 2

Forest Whitaker, Megalopolis