From 9 to 5 over four decades ago to Netflix’s recent Grace and Frankie to the very recent midsize hit 80 for Brady, Jane Fonda and Lily Tomlin clearly enjoy collaborating. They’re back at it again this weekend with the limited release of Moving On. The comedy comes from filmmaker Paul Weitz, who directed Tomlin to a Golden Globe nom in 2015 for Grandma. Costars include Malcolm McDowell, Richard Roundtree, and Catherine Dent.
Moving first surfaced last fall at the Toronto Film Festival to mixed reactions. The Rotten Tomatoes score is 65%. Even though Brady has a slightly lower RT rating at the moment (62%), it has a better chance at Oscar recognition due to the song “Gonna Be You” from frequent nominee Diane Warren. This follow-up from the legendary actresses is highly unlikely to generate any Academy (or Globes) attention.
As I do every summer on the blog, I am looking back at the cinematic seasons of 30, 20, and 10 years ago and recounting the top ten hits, other notable pics, and some misfires. A week ago, I covered the summer of 1990 (when we all were “ghosted”). If you missed it, you can peruse it here:
Today brings us to the dawn of the new century. What struck me is that there weren’t a whole lot of outright flops, but the ones that were are rather significant bombs. Let’s take a trip down memory lane of 2000 and were we not entertained?!?!
10. The Patriot
Domestic Gross: $113 million
Mel Gibson and Heath Ledger teamed up with disaster flick specialist Roland Emmerich for this Revolutionary War era drama that managed to just achieve blockbuster status and barely top its reported $110 million budget stateside.
9. Big Momma’s House
Domestic Gross: $117 million
Negative reviews couldn’t prevent this Martin Lawrence comedy from nearly quadrupling its $30 million budget and spawning two eventual sequels. 30% also happens to be its Rotten Tomatoes score.
8. Nutty Professor II: The Klumps
Domestic Gross: $123 million
Eddie Murphy’s sequel to his 1996 hit certainly didn’t get the reviews of its predecessor, but it fell only $5 million short of the domestic gross of part 1 and introduced superstar Janet Jackson as his new love interest. Part 2 also greatly expanded Eddie’s work as other members of the Klump brood. As you can see from numbers 8 and 9, it was a big summer for comedians in fat suits.
7. Dinosaur
Domestic Gross: $137 million
The prehistoric Disney animated adventure is not one of their most talked about titles in recent decades, but it was still a profitable venture that grossed nearly $350 million worldwide.
6. What Lies Beneath
Domestic Gross: $155 million
Despite mixed reviews, Robert Zemeckis’s Hitchcockian thriller starring Harrison Ford and Michelle Pfeiffer landed big with audiences. Its filming schedule is a memorable one. Zemeckis was shooting Cast Away with Tom Hanks and there was a long break in filming so its star could shed weight and grow his long beard. It was enough time for the director to fit in Beneath.
5. Scary Movie
Domestic Gross: $157 million
The summer’s biggest comedy was a Scream spoof from filmmaker Keenan Ivory Wayans. Shot for less than $20 million, it spawned four sequels and became its own franchise.
4. X-Men
Domestic Gross: $157 million
I recently wrote about the 20th anniversary of X-Men here:
That post talks about its significant impact on the comic book genre that has dominated the 21st century.
3. The Perfect Storm
Domestic Gross: $182 million
Wolfgang Peterson’s fact based disaster drama with George Clooney and Mark Wahlberg was not much of a hit with critics, but crowds were swept up in the waves.
2. Gladiator
Domestic Gross: $187 million
Ridley Scott’s historical action drama kicked off summer 2000 and made a global superstar out of Russell Crowe and provided a juicy supporting part for Joaquin Phoenix. The film became an Oscar darling – winning Best Picture and Crowe taking Best Actor. This is the rare summer popcorn pic that achieved awards glory.
1. Mission: Impossible 2
Domestic Gross: $215 million
This sequel cruised to the top spot of earners for the season. Now that there’s been six editions in the franchise, this John Woo directed experience is generally (and rightfully) considered the weakest of the bunch. Yet that didn’t prevent huge grosses.
And now for some other notable features:
Chicken Run
Domestic Gross: $106 million
This still stands as the highest grossing stop-motion animated feature of all time and it doubled its budget domestically. A sequel is in development, but it was recently announced that lead voice Mel Gibson will not be part of the proceedings.
Gone in 60 Seconds
Domestic Gross: $101 million
Despite poor reviews, Nicolas Cage and Angelina Jolie’s remake of the 1970s heist pic still zoomed (barely) past $100 million and was a solid performer overseas.
Me, Myself & Irene
Domestic Gross: $90 million
The Farrelly Brothers reunited with their Dumb and Dumber star Jim Carrey for this comedy that earned mixed reaction. This was nowhere near the hit that the brothers had two years earlier with their runaway success There’s Something About Mary, but it still made money.
Space Cowboys
Domestic Gross: $90 million
Clint Eastwood guided this “old guys in space” tale alongside Tommy Lee Jones to a very respectable gross and decent critical reaction.
Hollow Man
Domestic Gross: $73 million
Paul Verhoeven’s take on the H.G. Wells novel starred Kevin Bacon and earned a Visual Effects Oscar nomination (losing to Gladiator). While it didn’t make its budget back stateside, it ended up doubling its price tag when factoring in foreign markets. A direct to video sequel followed.
Shaft
Domestic Gross: $70 million
Samuel L. Jackson took over the iconic private dick role from Richard Roundtree (who costarred here) in this sequel from the late John Singleton. Christian Bale memorably plays a villain here. Another sequel followed in 2019 and it was an outright flop.
Bring It On
Domestic Gross: $68 million
Made for only $11 million, this teen cheerleading comedy was an unexpected hit that gave Kirsten Dunst and Gabrielle Union a boost in their careers. Five direct to video sequels followed as well as a stage musical.
The Cell
Domestic Gross: $61 million
Despite so-so reviews, this twisty supernatural thriller with Jennifer Lopez easily topped its $33 million budget. It has continued to have ardent admirers including the late Roger Ebert, who awarded it four stars.
Coyote Ugly
Domestic Gross: $60 million
This tale about saloon life with Piper Perabo and John Goodman managed to take in over $100 million worldwide against a $45 million budget and has become a cult favorite since.
The Original Kings of Comedy
Domestic Gross: $38 million
A stand-up comedy pic grossing this much in theaters is notable. Spike Lee directed Bernie Mac, Steve Harvey, D.L. Hughley, and Cedric the Entertainer and audiences turned out.
As I mentioned, the total bombs aren’t plentiful here. However, they’re notable:
The Adventures of Rocky and Bullwinkle
Domestic Gross: $26 million
A pet project of Robert De Niro, this loose take on the 1960s animated series grossed a third of its budget domestically and was quickly forgotten.
Titan A.E.
Domestic Gross: $22 million
20th Century Fox had a big failure here at the start of the 21st century with this animated sci-fi tale with Matt Damon as a leading voice. The price tag was reportedly around $90 million and it made just $36 million worldwide.
Battlefield Earth
Domestic Gross: $21 million
Based on a work from Scientology founder L. Ron Hubbard, audiences and critics savaged this sci-fi tale with John Travolta. It won a then record 7 Golden Raspberry Awards and was mocked relentlessly for its poor quality.
And that does it, folks! I’ll have 2010 recounted on the blog in the coming days…
The third generation of the Shaft family debuts in theaters next weekend with Jessie Usher playing an FBI agent in the action pic. Arriving nearly 50 years after Richard Roundtree played John Shaft and almost two decades after Samuel L. Jackson played his nephew, both actors are present in the newest iteration. Tim Story (maker of the RideAlong pics) directs with a supporting cast including Alexandra Shipp, Regina Hall, and Method Man.
Reportedly made for a smallish $30 million budget, the studio behind Shaft would love to match the $21 million opening weekend debut of the 2000 Jackson led summer flick. Tracking puts in right in that range. However, we’ve seen reboots disappoint in 2019.
I’ll say this gets to mid to high teens and considering the price tag, that’s not too shabby.
Shaft opening weekend prediction: $16.8 million
For my MeninBlack: International prediction, click here:
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