Tag: Reece Shearsmith

Oscar Predictions – Wallace & Gromit Vengeance Most Fowl

Inventor Wallace and his canine pal Gromit are no strangers to the Academy Awards. Two of their tales (1994’s Wallace & Gromit: The Wrong Trousers and 1996’s A Close Shave) won the Oscar for Best Animated Film while 2010’s A Matter of Loaf and Death was nominated. 2005’s feature-length The Curse of the Were-Rabbit took home gold for Animated Feature, beating out Corpse Bride and Howl’s Moving Castle.

Nearly 20 years after the previous long form Wallace pic, Vengeance Most Fowl premiered at AFI Fest and will stream on Netflix beginning January 3rd. A limited December theatrical bow makes it Academy eligible. Early reviews are strong with 100% on Rotten Tomatoes and 82 on Metacritic. Nick Park (the legendary animator who created the W + G flicks in addition to Chicken Run and Shaun the Sheep) and Merlin Crossingham co-direct. Voiceover work comes from Ben Whitehead, Peter Kay, Reece Shearsmith, and Lauren Patel.

I’ve had this ranked fourth or fifth in my Animated Feature rankings for months and don’t see that changing after the initial reaction. I would put it behind The Wild Robot, Inside Out 2, and Memoir of a Snail in terms of victory possibility. While it’s no guarantee it makes the final cut, the past history indicates its chances are quite strong. My Oscar Prediction posts will continue…

See How They Run Review

You know a genre has made a real comeback when the passably forgettable entries pop up. That’s an apt description for Tom George’s See How They Run which features lovely production design, a few humorous bits, and a murder mystery that’s hard to get invested in. The 2017 remake of Murder on the Orient Express and 2019’s Knives Out made whodunits a valuable commodity again as Run catches up with the trend.

This one is a little meta (very much of the times) as the killing occurs in London’s West End circa 1953. The Mousetrap, a play written by Agatha Christie, is celebrating its 100th performance. Side note: for some fun research, look up how long the actual play ran. American film director Leo Köpernick (Adrien Brody), a drunken louse, is slated to make the film adaptation. His inappropriate behavior puts him at odds with the stage performance’s lead Dickie Attenborough (Harris Dickinson), producers John Woolf (Reece Shearsmith) and Petula Spencer (Ruth Wilson), and screenwriter Mervyn Cocker-Norris (David Oyelowo). Another side note as my 90s kid upbringing only left me slightly distracted that Dickie Attenborough would become a famed director who also happens to be John Hammond from Jurassic Park.

Moving on, Leo’s early narration correctly surmises that the most contemptible character in these stories usually gets offed. Therefore his time is short-lived and everyone onscreen seems to have a motive. Another drunken louse is in charge of the crime solving when Inspector Stoppard (Sam Rockwell) is assigned the case. Shadowing him is the eager but inexperienced Constable Stalker (Saoirse Ronan).

The chemistry between the two investigators is meant to carry the load for most of the snappy runtime (98 minutes). This is where the screenplay from Mark Chappell isn’t quite up to snuff. Rockwell speaks his lines in a woozy register that recalls Johnny Depp’s Jack Sparrow. Lady Bird‘s Ronan (like the rookie she’s portraying) gives it her all. Unfortunately the material is pretty thin. It might be considered a lesser tome from Christie, who factors into the plot in numerous ways. To put it simply, the case that Stoppard and his trusty Stalker are looking into isn’t that compelling.

See How They Run goes by quickly and there are a handful of inspired bits. When the action reaches a snowed in mansion in the third act, I wished the whole picture could’ve been set there. Much of it is as disposable as the victim.

**1/2 (out of four)