Tag: Ralph Ineson

Oscar Predictions – The Fantastic Four: First Steps

The Fantastic Four: First Steps stomps into multiplexes this Friday as the 37th MCU pic’s review embargo lifted today. Directed by Matt Shakman, the fourth Four feature in the 21st century (and second reboot) is easily generating the strongest reviews of the quartet. Vanessa Kirby, Pedro Pascal, Ebon Moss-Bachrach, and Joseph Quinn are the title heroes with Julia Garner, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson providing support.

The Rotten Tomatoes meter is at 86% with a 65 Metacritic. That’s slightly behind its Marvel predecessor Thunderbolts* (88% RT/68 Meta). Yet of the three MCU adventures of 2025 (Captain America: Brave New World being the other), this likely stands the best shot at Oscar attention. That’s in the Visual Effects race which are being widely praised. As we’ve discussed on the blog multiples times, MCU flicks get nominated in VE and don’t win. They are 0 for 14 beginning with 2008’s Iron Man. I don’t expect Steps to be their inaugural victor, especially with Avatar: Fire and Ash on the way.

Another aspect being singled out is Michael Giacchino’s score. Black Panther is the only MCU title that’s been nominated for Original Score (it also won). Giacchino is a two-time nominee for Ratatouille and Up for which he took gold). Fantastic might be a long shot in the musical composition competition though I wouldn’t completely discount it. Same goes for its 1960s production design. The likeliest scenario is a sole VE nod. My Oscar Prediction posts will continue…

The Fantastic Four: First Steps Box Office Prediction

The Fantastic Four: First Steps looks to set the box office ablaze when it opens July 25th. It is the 37th feature in the Marvel Cinematic Universe and fourth overall picture headlined by the superhero family that made their first comic book appearance nearly 65 years ago. Matt Shakman directs with Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach as the title characters. Costars include Julia Garner, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson.

The first FF flick since Disney’s acquisition of Fox, it arrives a decade after the failure of the previous reboot starring Miles Teller and Michael B. Jordan. This is not expected to flop with the MCU brand behind it and solid buzz building. All it needs to be the best Fantastic opening is topping 2007’s Fantastic Four: Rise of the Silver Surfer‘s $58 million. It should double that figure with room to spare.

The benchmark could be Superman‘s $125 million opening from last weekend. When this rolls around, Supes will be in its third weekend and fans could be ready for the next tentpole. Early tracking has this foursome right around the Man of Steel’s first frame. I’ll buy the hype, but say it falls a tad short.

The Fantastic Four: First Steps opening weekend prediction: $122.4 million

Nosferatu Box Office Prediction

Focus Features is hoping horror fans sink their teeth into Nosferatu when it premieres on Christmas. A remake of the 1922 German classic which adapted Bram Stoker’s Dracula, Robert Eggers directs. Bill Skarsgård takes on another classic scary villain after Pennywise in the It chapters. Costars include Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe.

Reviews are strong with 93% on Rotten Tomatoes and an 82 Metacritic score. This caps off a year filled with numerous acclaimed fright features. Nosferatu could manage the largest debut among the holiday openings considering its only real competition is A Complete Unknown.

During this season, newcomers often start out lower than they typically would and develop stronger legs into January. With 12/25 falling on a Wednesday, I’ll project Nosferatu manages low teens from Friday to Sunday with close to an equal amount when factoring in Christmas and the day after.

Nosferatu opening weekend prediction: $14.8 million (Friday to Sunday estimate); $26.4 million (Wednesday to Sunday)

For my A Complete Unknown prediction, click here:

A Complete Unknown Box Office Prediction

For my Babygirl prediction, click here:

Babygirl Box Office Prediction

For my The Fire Inside prediction, click here:

The Fire Inside Box Office Prediction

Oscar Predictions: Nosferatu

Acclaimed filmmaker Robert Eggers brings his version of Nosferatu to multiplexes on Christmas Day with Bill Skarsgård embodying the iconic vampire. Based on the 1922 classic German film which was spawned from Bram Stoker’s Dracula, this is Eggers’ fourth feature after the critically praised The Witch, The Lighthouse, and The Northman. Lily-Rose Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney, and Willem Dafoe populate his dark vision.

The review embargo lifted over three weeks before the opening and critics are (sorry…) mostly sinking their teeth into this. With 96% on Rotten Tomatoes and 81 on Metacritic, the question isn’t whether Nosferatu gets Oscar nods. It’s how many. That’s because I’m confident tech nods are coming its way. Makeup & Hairstyling, Costume Design, Cinematography, and Production Design all seem achievable and I had it nabbing those four nods in my predictions from yesterday. Sound and (to a lesser degree) Visual Effects and Original Score could be on the menu.

As for above the line mentions, that is more questionable. Lily-Rose Depp is drawing raves for her lead work, but Best Actress is probably too crowded and I don’t currently have her in my top 10. Skarsgård, who terrified us as Pennywise in It, is being lauded for his supporting role. Yet we know the Academy doesn’t warm to performances in the horror genre.

I wouldn’t completely discount Picture or Eggers in director. Nosferatu‘s stock could rise exponentially if it grabs AFI or National Board of Review best of slots. For now, I feel more comfortable having the film and its maker on the outside looking in for recognition while below the lines noms should be materializing. My Oscar Prediction posts will continue…

The First Omen Box Office Prediction

Despite being a well-known horror series that’s been around for nearly half a century, The First Omen is the first franchise entry in nearly two decades. Serving as a prequel to the 1976 original, Arkasha Stevenson makes her directorial debut with a cast including Nell Tiger Free, Tawfeek Barhom, Sônia Braga, Ralph Ineson, and Bill Nighy.

Genre fans have had plenty to feast on lately from Immaculate to Imaginary to Late Night with the Devil. 20th Century Studios is hoping the brand name helps here, but that could be a stretch. As mentioned, you have to go back 18 years to the last time we had an Omen flick. The 2006 remake premiered in the summer of 2006 and capitalized by debuting on Tuesday, June 6th of that year (get it?). Despite poor reviews, the gambit paid off at first with a $16 million start from Friday to Sunday and $36 million when factoring in those extra three days of release. However, it managed to tumble 65% in its sophomore outing and wound up with a so-so $54 million domestically.

All of that exposition is a way of saying that this franchise doesn’t have the juice of a Conjuring or Insidious or even Evil Dead, to name some. There’s always the chance that horror exceeds expectations. With that caveat, I’ll say low teens is where this lands with a famously unlucky number.

The First Omen opening weekend prediction: $13.3 million

For my Monkey Man prediction, click here:

Monkey Man Box Office Prediction

The Pope’s Exorcist Review

There’s a moment in the third act of The Pope’s Exorcist where we hear the internal monologue of a main character in the throws of their demonic experience. It got me thinking that might make for a compelling and fresh angle in a genre made famous 50 years ago with Regan and her backwards turning head. I have accurately described it as a moment. It’s over before we know it and reminded me a little of what Tom Hardy hears in Venom after his symbiotic takeover. With Russell Crowe having a ball in Julius Avery’s horror thriller, Exorcist has a few quirky moments that I appreciated before it reverts to the tropes we’re familiar with.

The screenplay’s peculiar nature is evident in the first scene. We are introduced to Father Gabriele Amorth (Crowe), who served as the Pope’s go-to exorcism guy for decades beginning in the 1970s. That’s in real life, folks! You can look it up on Wiki and it’s a fascinating read. I’m sure Amorth’s books are as well. He claims to have performed 100k+ of the purification rituals. The opening sequence finds Amorth in 1987 transferring the evil vibes to a pig, who is then violently transferred to breakfast.

Crowe proceeds to ham it up around the nuns and his superiors in Vatican City as he awaits the next assignment. Many of his fellow priests think he needs a demotion. The head pontiff (Franco Nero) believes otherwise and he’s soon riding his Vespa to an abandoned abbey in Spain.

That’s where American widow Julia (Alex Essoe), teenage daughter Amy (Laurel Marsden), and preteen Henry (Peter DeSouza-Feighoney) are residing after their departed patriarch willed them the property. The monastery holds centuries old secrets under its rickety structure and a nasty spirit soon overtakes Henry. A local Father (Daniel Zovatto) can’t figure out the invader so Amorth is assigned. The young boy’s demon proves canny at using his would-be exorcist’s previous sins against him.

One could claim that The Pope’s Exorcist offers nothing new to the frequently explored material. I could argue the opposite. After all, I hadn’t seen the pig angle and there’s also papal projectile vomiting. Avery, Crowe, and screenwriters Michael Petroni and Evan Spiliotopoulos are to be commended for its campy B-movie spirit. Amorth has a habit of exclaiming “CUCKOO!” at passersby during unexpected times. The cuckoo bits work often enough that I had little trouble putting up with the expected sections of traditional possession.

*** (out of four)

The Pope’s Exorcist Box Office Prediction

Not to be confused with The Pope’s Sous-Chef or The Pope’s Orthopedic Surgeon, Sony Pictures gives us The Pope’s Exorcist on April 14th. Julius Avery (Overlord, Samaritan) directs the supernatural horror tale with Russell Crowe as the Pontiff’s chosen demon extractor. Costars include Daniel Zovatto, Alex Essoe, Ralph Ineson, and Franco Nero. ‘

This particular genre subsection has conjured up its share of pics in recent years. Titles like 2018’s The Possession of Hannah Grace and last fall’s Prey for the Devil managed $6.5 million and $7.2 million for their respective starts. 2014’s Deliver Us from Evil made just under $10 million. Meanwhile 2012’s The Possession and 2011’s The Rite hit $17 million and $14 million out of their gates.

Exorcist has competition from Renfield, the vampiric comedy with Nicolas Cage and Nicholas Hoult, premiering directly against it. Evil Dead Rises drops a week later. I think Crowe and company can gross north of $10 million, but I’ll say it falls under.

The Pope’s Exorcist opening weekend prediction: $7.4 million

For my Renfield prediction, click here:

Renfield Box Office Prediction

For my Suzume prediction, click here:

Suzume Box Office Prediction

Oscar Predictions: Catherine Called Birdy

Catherine Called Birdy is actually Lena Dunham’s second 2022 directorial feature that she also wrote. Sharp Stick, which began streaming just last month, managed only a 47% Rotten Tomatoes score. The Girls creator might have better luck with Catherine Called Birdy. The medieval times set comedy played the Toronto Film Festival and begins its limited theatrical run tomorrow. Its Amazon Prime premiere is October 7th.

Based on a 1994 children’s novel by Karen Cushman, Bella Ramsey is the title character and the supporting cast includes Andrew Scott, Billie Piper, Joe Alwyn, Dean-Charles Chapman, Ralph Ineson, and Russell Brand. Reviews are certainly sharper than Stick with an 89% RT meter.

I don’t really see this as an Oscar contender, but I wonder if Amazon might attempt a play for Globes attention in the Musical/Comedy race. I doubt if it comes to fruition though the decent buzz doesn’t make it out of the question.My Oscar Prediction posts will continue…

Oscar Predictions: The Tragedy of Macbeth

The veil has lifted for a major awards hopeful with Joel Coen’s The Tragedy of Macbeth. This version of the Shakespearian tragedy casts Denzel Washington as Lord Macbeth and Frances McDormand as Lady Macbeth and it is kicking off the New York Film Festival. Between the two leads, they have five Oscars between them. Do they need to find more room on their shelves?

With Denzel, news from the Big Apple indicates yes. Some early reviews are calling it among his career best work. In the Best Actor derby, it’s likely that Benedict Cumberbatch (The Power of the Dog) and Will Smith (King Richard) have already punched their tickets to the dance. I believe we can add a third today with Mr. Washington.

With McDormand, it’s a bit more complicated. The answer may come down to whether distributor A24 elects for a campaign in lead or supporting. Based on the buzz, it sounds like a case could be made for either. My hunch is that Supporting Actress (which appears fairly wide open at the moment) will be the play. If so, McDormand probably stands a better chance for inclusion. I question whether her recent Best Actress victories (in 2017 for Three Billboards Outside Ebbing, Missouri and last year’s Nomadland) make her vulnerable to newcomers. Yet in Supporting Actress, I could easily see the Academy making room for her.

As for the rest of the cast, both Corey Hawkins and Kathryn Hunter are generating solid notices. However, their screen time could be a hindrance to make the cut (for Hunter, this definitely holds true if McDormand goes supporting).

Beyond Denzel, the cinematography is being heralded and it’s a safe bet Macbeth gets recognized there. Other techs like Production Design and Sound are feasible. Adapted Screenplay from Mr. Coen (making his first pic without brother Ethan) is in the cards. On the other hand, it’s said to deviate very little from the Shakespeare text and that may leave it off some ballots in that particular category.

Moving to the largest race of all, I’ve included Macbeth in my top ten for Best Picture all along. I don’t think it’s guaranteed a slot, but I don’t see myself moving it out based on the current buzz. Coen’s placement in Best Director is questionable but possible.

Bottom line: The Tragedy of Macbeth has elevated its lead actor and put itself in position for numerous other races. My Oscar Prediction posts for the films of 2021 will continue…

Oscar Watch: Everybody’s Talking About Jamie

Ahead of its September 17th bow on Amazon Prime, the musical drama Everybody’s Talking About Jamie has premiered at Outfest this weekend. Based on a London stage play, Jamie centers on a 16-year-old (Max Harwood) who dreams of becoming a drag queen.

Early reviews are positive. Yet I’m not picking up a vibe where Academy inclusion is much of a possibility. In the three Thursdays where I’ve done my weekly predictions, I thought supporting player Richard E. Grant stood the greatest chance at a nod. Three years ago, Grant nabbed a nomination as Supporting Actor for Can You Ever Forgive Me? (losing to Mahershala Ali for Green Book). However, critical praise is mostly focused on young lead Harwood. I’ve had Grant listed at #7 in possibilities. Don’t be surprised if he drops out entirely when I do my updates in five days.

So could Harwood get in? Doubtful as I see plenty of upcoming hopefuls in Best Actor. Where Jamie could show up is Original Song. The film mixes tracks from the stage with a new one titled “This Was Me”. That could be where Amazon really focuses its campaign.

Bottom line: while critics are being kind – I wouldn’t expect a whole lot of Oscar voters to be talking about Jamie a few months down the road. My Oscar Watch posts will continue…