Tag: Rachel Griffiths

Anyone but You Box Office Prediction

Sony is banking on rom com fans making a holiday trek to Anyone but You when it debuts December 22nd. A modern take on Shakespeare’s Much Ado About Nothing, Will Gluck directs Sydney Sweeney (of Euphoria fame) and Glen Powell (of Top Gun: Maverick fame). Costars include Alexandra Shipp, GaTa, Hadley Robinson, Michelle Hurd, Dermot Mulroney, Rachel Griffiths, and Bryan Brown.

The studio has been heavily promoting their product, but Sweeney and Powell (despite their previous high profile projects) aren’t exactly known to open a picture. Barring an unexpectedly heavy female turnout, this should struggle out of the gate. From its Friday start through Monday (Christmas Day), the best case scenario is probably $10 million. Mid single digits seems more likely.

Anyone but You opening weekend prediction: $5.3 million (Friday to Monday estimate)

For my Aquaman and the Lost Kingdom prediction, click here:

Aquaman and the Lost Kingdom Box Office Prediction

For my Migration prediction, click here:

Migration Box Office Prediction

For my The Iron Claw prediction, click here:

The Iron Claw Box Office Prediction

For my Poor Things prediction, click here:

Poor Things Box Office Prediction

For my The Color Purple prediction, click here:

The Color Purple Box Office Prediction

For my Ferrari prediction, click here:

Ferrari Box Office Prediction

For my The Boys in the Boat prediction, click here:

The Boys in the Boat Box Office Prediction

For my Salaar: Part 1 – Ceasefire prediction, click here:

Salaar: Part 1 – Ceasefire Box Office Prediction

The King’s Daughter Box Office Prediction

Over the past two years, we’ve become accustomed to movies experiencing significant delays. The King’s Daughter takes the crown. Not to be confused with the recently out The King’s Man, this was actually filmed before the first Kingsman was released. The principal photography was done during the early part of the fifth year of the Obama administration.

You didn’t read that incorrectly. The adventure fantasy from director Sean McNamara was completed in the spring of 2014 and has set on the shelf since. Pierce Brosnan plays King Louis XIV and the plot involves him stealing a mermaid’s life force to become immortal (you did read that correctly). Costars include Kara Scodelario, Benjamin Walker, William Hurt, Rachel Griffiths, Fan Bingbing, and Julie Andrews (who narrates).

The fact that Gravitas Ventures is even putting this out theatrically is surprising as the distributor usually goes the PVOD route. It’s reportedly not much of a release with an output of around 1000 screens. I certainly wouldn’t anticipate this making a splash. I’ll say it gets to a million bucks and that might be generous.

The King’s Daughter opening weekend prediction: $1 million

For my Redeeming Love prediction, click here:

Redeeming Love Box Office Prediction

Hacksaw Ridge Box Office Prediction

After a decade away from behind the camera, Hacksaw Ridge marks Mel Gibson’s directorial return. The World War II true-life tale casts Andrew Garfield as a conscientious objector who nevertheless ended up being awarded the Medal of Honor for his heroic exploits on the battlefield. Costars include Vince Vaughn, Sam Worthington, Luke Bracey, Hugo Weaving, Teresa Palmer, and Rachel Griffiths.

The reported $45 million production debuted at Venice Film Festival in September to very positive word of mouth. Its Rotten Tomatoes score stands at 94% and it seems to be gaining some traction as a potential awards contender. Ridge is the first war drama of November, but will be followed up quickly just a week later with Ang Lee’s Billy Lynn’s Long Halftime Walk. 

Gibson, of course, is an Oscar winner for his direction of 1995’s Braveheart and struck box office gold in 2004 with his follow-up, The Passion of the Christ. 2006’s Apocalypto was his last job as director and it grossed $50M domestic. The last decade has been an interesting one for Mr. Gibson – notable more for tabloid fodder than anything on the silver screen. His acting jobs have ranged from supporting roles in Machete Kills and The Expendables 3 to direct to On Demand action flicks like Get the Gringo and Blood Father. 

It’s a legitimate question whether or not his name adds anything here. None of its stars carry much box office potency either (though Garfield will also soon headline this fall’s eagerly awaited Martin Scorsese drama Silence). What might help is the encouraging critical buzz swirling around it. I don’t expect an opening above $15 million, yet this could be a slow burner that experiences small declines in subsequent weekends. I’ll predict the most likely scenario is a low double digits opening and potential for growth as the season wears on.

Hacksaw Ridge opening weekend prediction: $12.1 million

For my Doctor Strange prediction, click here:

https://toddmthatcher.com/2016/10/25/doctor-strange-box-office-prediction/

For my Trolls prediction, click here:

https://toddmthatcher.com/2016/10/26/trolls-box-office-prediction/

Oscar Watch: Hacksaw Ridge

It’s been a decade since Mel Gibson has been behind the camera with Apocalypto and these last 10 years have been bumpy ones for the Braveheart Oscar winner. He’s been the subject of controversies and tabloid fodder. His screen appearances have been primarily limited to B movie action flicks of varying quality.

Yet the Venice Film Festival has vaulted him back into the Oscar race with Hacksaw Ridge, his World War II drama which has screened to positive buzz and some sterling reviews. It stars Andrew Garfield, Vince Vaughn, Sam Worthington, Hugo Weaving, Teresa Palmer, and Rachel Griffiths. The Lionsgate release hits screens stateside in November.

Some of the reaction for Hacksaw has used the C word in describing it for Gibson. As in Comeback. Whether or not Academy voters are willing to overlook his personal life and past transgressions and nominate it for Picture or Director is very much an open question. Even with its solid notices, I have Hacksaw currently on the outside looking in. If the film hits with audiences in two months, that dynamic could change.