As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the fourth nominee – Hamnet from Chloé Zhao. If you missed my posts covering the previous three contenders, you can find them here:
Arriving five years after Zhao’s Nomadland took home Best Picture, Director, and Actress, the filmmaker hopes to do the same with this gut-wrenching historical drama. Besides BP, it’s up in 7 other races including Director, Actress (Jessie Buckley), Adapted Screenplay, Casting, Costume Design, Original Score, and Production Design. The ensemble is nominated at the SAG Actor awards and it made the BP cut at Critics Choice and BAFTA. Perhaps most significantly, it beat out Sinners in a slight upset for Best Drama at the Golden Globes. 3 out of the last BP Academy winners also featured the Best Actress victor and Buckley is definitely the frontrunner.
The Case Against Hamnet:
Despite some decent arguments in the case for, One Battle After Another and Sinners are still seen as the favorites. Hamnet missed some notable competitions at the Oscars – Cinematography, Editing and Supporting Actor (Paul Mescal). Even at BAFTA (where it was expected to fare even better), it wasn’t nominated in Cinematography, Editing, or Casting. The Academy could feel they just honored Zhao.
The Verdict:
Buckley is in good shape unless upcoming precursors change the narrative. The movie itself might be in third when it comes to rankings. Despite the Globe win, I’d say it’s a distant third.
My Case Of posts will continue with fifth nominee Marty Supreme…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the third nominee in the biggest race of all and that’s Guillermo del Toro’s Frankenstein. If you missed my posts covering Bugonia and F1, you can find them here:
Del Toro’s dream project, arriving eight years after The Shape of Water won BP and director, amassed an impressive nine nominations. Those additional 8 mentions are Supporting Actor (Jacob Elordi), Adapted Screenplay, Cinematography, Costume Design, Makeup and Hairstyling, Original Score, Production Design, and Sound. The Netflix production has shown up in significant precursors including SAG Actor ensemble, Critics Choice, PGA, and the Globes. Del Toro is up at DGA and Elordi won Supporting Actor at Critics Choice.
The Case Against Frankenstein:
There are no Picture wins at the aforementioned precursors and it missed the Best Film quintet at BAFTA. The omission from the Brits confirms that Frankenstein is probably 6th among the contending ten. While the nine nominations are noteworthy, Del Toro missing Director and no nod in Film Editing are significant.
The Verdict:
It’s alive in races such as Costume Design, Makeup and Hairstyling, and Production Design. Not in Best Picture.
My Case Of posts will continue with Chloé Zhao’s Hamnet…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. If you missed my post covering Bugonia, you can find it linked here:
If Academy voters wish to honor a nominee that many viewers have seen, F1 is a sensible road considering it made nearly $200 million domestically and $442 million worldwide. The racing drama with Brad Pitt made the top 10 cut for PGA and NBR. F1, from the director of 2022 BP nominee Top Gun: Maverick, was also nominated for Film Editing, Sound, and Visual Effects.
The Case Against F1:
The four total nominations ties three other movies for lowest mentions among the BP ten. F1 wasn’t nominated for the highest honor at the Golden Globes or Critics Choice. It is the only contender without a nomination in directing, screenplay, or any of the acting derbies. If Academy voters wish to honor something that did well at the box office, they have an even more viable option in Sinners.
The Verdict:
F1 is probably 10th out of the 10 possibilities in the largest race though it could manage to pick up gold in Sound.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. The first entry in the biggest race of all is Bugonia from Yorgos Lanthimos.
The Case for Bugonia:
The latest critically acclaimed multi-genre oddity from Yorgos Lanthimos made the Best Picture cut at the key precursors – Golden Globes, Critics Choice, Producers Guild. Oscar voters clearly like the filmmaker as this is his third feature up for BP (2019’s The Favourite, 2023’s Poor Things).
The Case Against Bugonia:
It has four total nominations. In addition to Picture, there’s Emma Stone in Actress, Adapted Screenplay, and Original Score. That’s tied with three other BP hopefuls for the fewest mentions. There have been no signature victories in previous ceremonies. With four nods, there’s obviously some notable misses including Lanthimos in Director and Jesse Plemons in Actor.
The Verdict:
The Favourite and Poor Things didn’t nab BP, but both of their leading ladies (Olivia Colman and Stone respectively) made podium walks and Things took home some tech prizes. Each of those contending features was in the top 5 of their top 10 BP class. Bugonia is in the bottom 5 and not really a threat to win anything on Oscar night.
My Case Of posts will continue with our second BP nominee, F1…
It has been nearly a month (!) since my last Oscar predictions on December 17th and a whole lotta activity has happened since. The Critics Choice and Golden Globe Awards aired. SAG Actor noms and BAFTA long lists were unveiled. The Directors and Producers Guild gave us their contenders. And we arrive at my penultimate picks for the 98th Academy Awards. You can expect my final predictions on Sunday or Monday.
So what’s changed since the week before Christmas? Well, you have to read below for that!
Best Picture
Predicted Nominees:
1. One Battle After Another (Previous Ranking: 1) (Even)
2. Sinners (PR: 2) (E)
3. Hamnet (PR: 3) (E)
4. Marty Supreme (PR: 4) (E)
5. Frankenstein (PR: 7) (+2)
6. Sentimental Value (PR: 5) (-1)
7. Bugonia (PR: 10) (+3)
8. The Secret Agent (PR: 8) (E)
9. It Was Just an Accident (PR: 6) (-3)
10. Train Dreams (PR: 9) (-1)
Other Possibilities:
11. Wicked: For Good (PR: 11) (E)
12. Avatar: Fire and Ash (PR: 15) (+3)
13. Sirāt (PR: 13) (E)
14. Weapons (PR: Not Ranked)
15. F1 (PR: Not Ranked)
Dropped Out:
Jay Kelly
The Testament of Ann Lee
Best Director
Predicted Nominees:
1. Paul Thomas Anderson, One Battle After Another (PR: 1) (E)
2. Ryan Coogler, Sinners (PR: 2) (E)
3. Chloé Zhao, Hamnet (PR: 3) (E)
4. Jafar Panahi, It Was Just an Accident (PR: 4) (E)
5. Joachim Trier, Sentimental Value (PR: 6) (+1)
Other Possibilities:
6. Josh Safdie, Marty Supreme (PR: 5) (-1)
7. Guillermo del Toro, Frankenstein (PR: 7) (E)
8. Kieber Mendonça Filho, The Secret Agent (PR: 8) (E)
9. Yorgos Lanthimos, Bugonia (PR: Not Ranked)
10. Oliver Laxe, Sirāt (PR: Not Ranked)
Dropped Out:
Clint Bentley, Train Dreams
Park Chan-wook, No Other Choice
Best Actress
Predicted Nominees:
1. Jessie Buckley, Hamnet (PR: 1) (E)
2. Rose Byrne, If I Had Legs I’d Kick You (PR: 3) (+1)
3. Renate Reinsve, Sentimental Value (PR: 2) (-1)
4. Chase Infiniti, One Battle After Another (PR: 4) (E)
5. Emma Stone, Bugonia (PR: 5) (E)
Other Possibilities:
6. Amanda Seyfried, The Testament of Ann Lee (PR: 6) (E)
7. Jennifer Lawrence, Die, My Love (PR: 8) (+1)
8. Cynthia Erivo, Wicked: For Good (PR: 7) (-1)
9. Kate Hudson, Song Sung Blue (PR: 9) (E)
10. Eva Victor, Sorry, Baby (PR: Not Ranked)
Dropped Out:
Tessa Thompson, Hedda
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. Leonardo DiCaprio, One Battle After Another (PR: 2) (E)
3. Ethan Hawke, Blue Moon (PR: 4) (+1)
4. Wagner Moura, The Secret Agent (PR: 3) (-1)
5. Michael B. Jordan, Sinners (PR: 5) (E)
Other Possibilities:
6. Jesse Plemons, Bugonia (PR: 7) (+1)
7. Joel Edgerton, Train Dreams (PR: 6) (-1)
8. George Clooney, Jay Kelly (PR: 8) (E)
9. Dwayne Johnson, The Smashing Machine (PR: 10) (+1)
10. Jeremy Allen White, Springsteen: Deliver Me from Nowhere (PR: 9) (-1)
Best Supporting Actress
Predicted Nominees:
1. Teyana Taylor, One Battle After Another (PR: 1) (E)
2. Amy Madigan, Weapons (PR: 5) (+3)
3. Inga Ibsdotter Lilleass, Sentimental Value (PR: 3) (E)
4. Ariana Grande, Wicked: For Good (PR: 2) (-2)
5. Odessa A’Zion, Marty Supreme (PR: 7) (+2)
Other Possibilities:
6. Elle Fanning, Sentimental Value (PR: 4) (-2)
7. Wunmi Mosaku, Sinners (PR: 9) (+2)
8. Gwyneth Paltrow, Marty Supreme (PR: 6) (-2)
9. Emily Blunt, The Smashing Machine (PR: 10) (+1)
10. Regina Hall, One Battle After Another (PR: 8) (-2)
Best Supporting Actor
Predicted Nominees:
1. Stellan Skarsgård, Sentimental Value (PR: 1) (E)
2. Benicio del Toro, One Battle After Another (PR: 2) (E)
3. Jacob Elordi, Frankenstein (PR: 5) (+2)
4. Sean Penn, One Battle After Another (PR: 3) (-1)
5. Paul Mescal, Hamnet (PR: 4) (-1)
Other Possibilities:
6. Adam Sandler, Jay Kelly (PR: 6) (E)
7. Delroy Lindo, Sinners (PR: 7) (E)
8. Andrew Scott, Blue Moon (PR: 8) (E)
9. Miles Caton, Sinners (PR: Not Ranked)
10. William H. Macy, Train Dreams (PR: 9) (-1)
Dropped Out:
Josh O’Connor, Wake Up Dead Man: A Knives Out Mystery
Best Original Screenplay
Predicted Nominees:
1. Sinners (PR: 2) (+1)
2. Sentimental Value (PR: 1) (-1)
3. It Was Just an Accident (PR: 3) (E)
4. Marty Supreme (PR: 4) (E)
5. The Secret Agent (PR: 5) (E)
Other Possibilities:
6. Sorry, Baby (PR: 8) (+2)
7. Blue Moon (PR: 7) (E)
8. Weapons (PR: 10) (+2)
9. Jay Kelly (PR: 6) (-3)
10. If I Had Legs I’d Kick You (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. One Battle After Another (PR: 1) (E)
2. Hamnet (PR: 2) (E)
3. Bugonia (PR: 3) (E)
4. Train Dreams (PR: 4) (E)
5. Frankenstein (PR: 5) (E)
Other Possibilities:
6. No Other Choice (PR: 6) (E)
7. Wake Up Dead Man: A Knives Out Mystery (PR: 7) (E)
8. Nuremberg (PR: 8) (E)
9. Pillion (PR: Not Ranked)
10. The Life of Chuck (PR: 9) (-1)
Dropped Out:
Hedda
Best International Feature Film
Predicted Nominees:
1. The Secret Agent (PR: 3) (+2)
2. Sentimental Value (PR: 2) (E)
3. It Was Just an Accident (PR: 1) (-2)
4. Sirāt (PR: 4) (E)
5. No Other Choice (PR: 5) (E)
Other Possibilities:
6. The Voice of Hind Rajab (PR: 6) (E)
7. Left-Handed Girl (PR: 7) (E)
8. Belén (PR: 8) (E)
9. Sound of Falling (PR: 10) (+1)
10. All That’s Left of You (PR: Not Ranked)
Dropped Out:
The President’s Cake
Best Animated Feature
Predicted Nominees:
1. KPop Demon Hunters (PR: 1) (E)
2. Zootopia 2 (PR: 2) (E)
3. Arco (PR: 3) (E)
4. Little Amélie or the Character of Rain (PR: 4) (E)
5. Elio (PR: 5) (E)
Other Possibilities:
6. In Your Dreams (PR: 6) (E)
7. Scarlet (PR: 9) (+2)
8. Endless Cookie (PR: 8) (E)
9. A Magnificent Life (PR: 7) (-2)
10. DemonSlayer: Kimetsu no Yaiba – The Movie: Infinity Castle (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. The Perfect Neighbor (PR: 1) (E)
2. 2000 Meters to Andrivka (PR: 2) (E)
3. Cover-Up (PR: 4) (+1)
4. My Undesirable Friends: Part I – Last Air in Moscow (PR: 3) (-1)
5. Apocalypse in the Tropics (PR: 7) (+2)
Other Possibilities:
6. Come See Me in the Good Light (PR: 5) (-1)
7. Mr. Nobody Against Putin (PR: 9) (+2)
8. The Alabama Solution (PR: 6) (-2)
9. Seeds (PR: 8) (-1)
10. Cutting Through Rocks (PR: 10) (E)
Best Casting
Predicted Nominees:
1. Sinners (PR: 2) (+1)
2. One Battle After Another (PR: 1) (-1)
3. Marty Supreme (PR: 3) (E)
4. Sentimental Value (PR: 4) (E)
5. Hamnet (PR: 5) (E)
Other Possibilities:
6. The Secret Agent (PR: 8) (+2)
7. Frankenstein (PR: 7) (E)
8. Wicked: For Good (PR: 6) (-2)
9. Sirāt (PR: 9) (E)
10. Weapons (PR: 10) (E)
Bst Cinematography
1. Sinners (PR: 1) (E)
2. One Battle After Another (PR: 2) (E)
3. Frankenstein (PR: 3) (E)
4. Train Dreams (PR: 4) (E)
5. Hamnet (PR: 5) (E)
Other Possibilities:
6. Marty Supreme (PR: 6) (E)
7. Nouvelle Vague (PR: 8) (+1)
8. Sirāt (PR: 10) (+2)
9. Bugonia (PR: 9) (E)
10. F1 (PR: 7) (-3)
Best Costume Design
Predicted Nominees:
1. Frankenstein (PR: 1) (E)
2. Sinners (PR: 3) (+1)
3. Wicked: For Good (PR: 2) (-1)
4. Hamnet (PR: 4) (E)
5. One Battle After Another (PR: 7) (+2)
Other Possibilities:
6. Marty Supreme (PR: 6) (E)
7. Hedda (PR: 5) (-2)
8. Kiss of the Spider Woman (PR: 8) (E)
9. The Testament of Ann Lee (PR: 10) (+1)
10. Downton Abbey: The Grand Finale (PR: Not Ranked)
Dropped Out:
Bugonia
Best Film Editing
Predicted Nominees:
1. One Battle After Another (PR: 1) (E)
2. Sinners (PR: 2) (E)
3. Marty Supreme (PR: 3) (E)
4. F1 (PR: 4) (E)
5. Sentimental Value (PR: 5) (E)
Other Possibilities:
6. Hamnet (PR: 6) (E)
7. Frankenstein (PR: 8) (+1)
8. The Secret Agent (PR: Not Ranked)
9. Bugonia (PR: Not Ranked)
10. It Was Just an Accident (PR: 7) (-3)
Dropped Out:
Sirāt
No Other Choice
Best Makeup and Hairstyling
Predicted Nominees:
1. Frankenstein (PR: 1) (E)
2. Wicked: For Good (PR: 2) (E)
3. Sinners (PR: 4) (+1)
4. The Smashing Machine (PR: 3) (-1)
5. Kokuho (PR: 6) (+1)
Other Possibilities:
6. One Battle After Another (PR: 5) (-1)
7. The Ugly Stepsister (PR: 10) (+3)
8. Marty Supreme (PR: 7) (-1)
9. The Alto Knights (PR: 9) (E)
10. Nuremberg (PR: 8) (-2)
Best Original Score
Predicted Nominees:
1. Sinners (PR: 1) (E)
2. One Battle After Another (PR: 2) (E)
3. Frankenstein (PR: 4) (+1)
4. Hamnet (PR: 3) (-1)
5. Sirāt (PR: 6) (+1)
Other Possibilities:
6. Marty Supreme (PR: 5) (-1)
7. F1 (PR: 7) (E)
8. Bugonia (PR: Not Ranked)
9. Train Dreams (PR: 9) (E)
10. Hedda (PR: 10) (E)
Dropped Out:
Jay Kelly
Best Original Song
Predicted Nominees:
1. “Golden” from KPop Demon Hunters (PR: 1) (E)
2. “I Lied to You” from Sinners (PR: 2) (E)
3. “Dear Me” from Diane Warren: Relentless (PR: 4) (+1)
4. “The Girl in the Bubble” from Wicked: For Good (PR: 3) (-1)
5. “Train Dreams” from Train Dreams (PR: 6) (+1)
Other Possibilities:
6. “Salt Then Sour Then Sweet” from Come See Me in the Good Light (PR: 5) (-1)
7. “Last Time (I Seen the Sun)” from Sinners (PR: 7) (E)
8. “Our Love” from The Ballad of Wallis Island (PR: Not Ranked)
9. “Highest 2 Lowest” from Highest 2 Lowest (PR: Not Ranked)
10. “No Place Like Home” from Wicked: For Good (PR: 8) (-2)
Dropped Out:
“Drive” from F1
“Dream As One” from Avatar: Fire and Ash
Best Production Design
Predicted Nominees:
1. Frankenstein (PR: 1) (E)
2. Sinners (PR: 2) (E)
3. Hamnet (PR: 4) (+1)
4. Wicked: For Good (PR: 3) (-1)
5. Marty Supreme (PR: 5) (E)
Other Possibilities:
6. Avatar: Fire and Ash (PR: 6) (E)
7. One Battle After Another (PR: 7) (E)
8. The Secret Agent (PR: Not Ranked)
9. Bugonia (PR: Not Ranked)
10. The Testament of Ann Lee (PR: Not Ranked)
Dropped Out:
The Phoenician Scheme
Hedda
The Fantastic Four: First Steps
Best Sound
Predicted Nominees:
1. F1 (PR: 2) (+1)
2. Sinners (PR: 1) (-1)
3. One Battle After Another (PR: 5) (+2)
4. Avatar: Fire and Ash (PR: 3) (-1)
5. Sirāt (PR: 7) (+2)
Other Possibilities:
6. Wicked: For Good (PR: 4) (-2)
7. Frankenstein (PR: 6) (-1)
8. Mission: Impossible – The Final Reckoning (PR: 8) (E)
9. Springsteen: Deliver Me from Nowhere (PR: 9) (E)
10. Superman (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Avatar: Fire and Ash (PR: 1) (E)
2. F1 (PR: 2) (E)
3. Frankenstein (PR: 4) (+1)
4. Superman (PR: 3) (-1)
5. The Lost Bus (PR: 9) (+4)
Other Possibilties:
6. Sinners (PR: 5) (-1)
7. Wicked: For Good (PR: 6) (-1)
8. Tron: Ares (PR: 7) (-1)
9. Jurassic World: Rebirth (PR: 8) (-1)
10. The Electric State (PR: 10) (E)
And that equates to these movies generating these numbers of nominations:
14 Nominations
One Battle After Another
13 Nominations
Sinners
10 Nominations
Hamnet
9 Nominations
Frankenstein, Sentimental Value
7 Nominations
Marty Supreme
5 Nominations
Wicked: For Good
4 Nominations
It Was Just an Accident, The Secret Agent, Train Dreams
3 Nominations
Bugonia, F1, Sirāt
2 Nominations
Avatar: Fire and Ash, KPop Demon Hunters
1 Nomination
Apocalypse in the Tropics, Arco, Blue Moon, Cover-Up, Diane Warren: Relentless, Elio, If I Had Legs I’d Kick You, Kokuho, Little Amélie or the Character of Rain, The Lost Bus, My Undesirable Friends: Part I – Last Air in Moscow, No Other Choice, The Perfect Neighbor, The Smashing Machine, Superman, 2000 Meters to Andrivka, Weapons, Zootopia 2
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP nominees and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the BP contenders and they’re readily available for your perusing pleasure. Today is our initial entry in Best Director and that’s Sean Baker for Anora.
Previous Oscar Directing Nominations:
None
The Case for Sean Baker:
After winning Best Picture at PGA and Critics Choice last weekend, Anora became the frontrunner for the same prize at the Oscars. For Mr. Baker, his chances went way up after taking the Directors Guild of America (DGA) award on Saturday. For context, 21 of the 24 DGA victors in the 21st century have taken done the same from the Academy. He scored noms at BAFTA, Critics Choice, and the Golden Globes.
The Case Against Sean Baker:
He lost that Golden Globe to Brady Corbet (The Brutalist) and Jon M. Chu (Wicked) was the unexpected recipient at Critics Choice. While Chu isn’t nominated for the Oscar, voters could opt for Corbet’s more epic in nature project and honor Baker in Original Screenplay. Since he is the editor of Anora, he could also win that gold statue so that’s another at bat.
The Verdict:
For quite some time, it looked like Baker would be a first-time Academy honoree in Screenplay and perhaps Screenplay only. Now he’s in contention for four in one night with Best Picture, Director, Screenplay, and Editing. His chances for the filmmaking competition skyrocketed after DGA.
My Case Of posts will continue with our second hopeful in Best Actress and that’s Karla Sofia Gascón in Emilia Pérez…
The Producers Guild of America (PGA) provided a weekend hat trick for Sean Baker’s Anora as it won their top award over my pick of The Brutalist. This is the same narrative that occurred Friday evening when it took Best Picture at the Critics Choice Awards over Brady Corbet’s epic immigrant drama. Also on Saturday night, Baker was selected as the Directors Guild of America recipient over Corbet. As discussed in the blog post recounting that ceremony, the DGA and Oscar’s Best Director nearly always match.
In one weekend, Anora became the Academy’s frontrunner for Best Picture. There’s no other logical way to look at it. With Emilia Pérez significantly weakened due to Karla Sofia Gascón’s recent controversies and A Complete Unknown, Conclave, and Wicked yet to grab any major BP precursors, Anora is elevated with CCA/PGA/DGA in a 48 hour period. Wicked still could win SAG in a couple of weeks and so could Conclave. I also feel the latter is a possibility for BP at BAFTA. The Brutalist is also a threat at the British equivalent of the Oscars. In other words, Best Picture isn’t over but Anora is your new leader (or continued leader if you had it in first). I have had The Brutalist in that position for months and that’s no longer the case.
As for the PGA’s other two categories, The Wild Robot is your Animated Theatrical Motion Picture while Super/Man: The Christopher Reeve Story (not up at Oscar) is the documentary victor. I correctly called those two competitions.
Keep an eye on the blog throughout the coming days as I continue to post Case Of Oscar write-ups. I’ll also have BAFTA winner predictions up later this week!
Seven of the last 10 PGA top prize winners ended up winning Best Picture at the Oscars. The 36th edition of their awards ceremony takes place Saturday and the guild also honors documentary and animated features.
Let’s walk through all 3 races with my predicted winner and a runner-up and some brief commentary.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, A Real Pain, September 5, The Substance, Wicked
In this wide open BP derby, this is where momentum could truly be achieved (coupled with Critics Choice this weekend). I believe Dune, Pain, September, and Substance are the only nominees with no real shot. I’ve been consistent with The Brutalist being slotted first in my BP rankings over the last several weeks. I’ll stay with that, but if it comes up short here… the narrative could change.
PREDICTED WINNER: The Brutalist
Runner-Up: Emilia Pérez
Outstanding Producer of Animated Theatrical Motion Pictures
Flow, Inside Out 2, Moana 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Like this category at other awards shows, this should come to Flow v. Robot and I’m giving the latter an edge (unlike the Globes where I correctly called Flow).
PREDICTED WINNER: The Wild Robot
Runner-Up: Flow
Outstanding Producer of Documentrary Theatrical Motion Pictures
Gaucho Gaucho, Mediha, Mountain Queen: The Summits of Lhakpa Sherpa, Porcelain War, Super/Man: The Christopher Reeve Story, We Will Dance Again
PGA often marches to their own drum with the docs. That’s true this year as Porcelain War is the only feature listed among this group that’s also up for Oscar. Therefore it might be the safer bet, but I’m going with Super/Man.
PREDICTED WINNER: Super/Man: The Christopher Reeve Story
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first four features for BP and if you missed them, they are linked at the bottom of the post. The fifth is Dune: Part Two.
The Case for Dune: Part Two:
If the Academy wants to honor one of the most widely seen pics, Dune is second only to Wicked in that particular race. The sci-fi sequel stands at $714 million worldwide compared to Wicked‘s $718 million (and growing). Denis Villeneuve’s epic continuation of Frank Herbert’s novels made the BP cut at PGA, Critics Choice, and Golden Globes.
The Case Against Dune: Part Two:
The misses are more glaring. Dune‘s additional Academy nods (Cinematography, Production Design, Sound, Visual Effects) bring its total to five compared to the original’s 10. For perspective, part one from 2021 won six golden guys. Villeneuve didn’t get in Best Director (like with its predecessor) and the screenplay isn’t honored. Beyond what the Academy did, Dune failed to get into the BAFTA derby and Villeneuve was snubbed at the Directors Guild (unlike what occurred three years ago).
The Verdict:
In my previous Case Of posts for Anora, The Brutalist, A Complete Unknown, and Conclave, I’ve given them all at least a shot at taking the top prize. Dune: Part Two is the first entry where I don’t believe winning is a possibility.
My final predictions for nominees at the 97th Academy Awards arrives TOMORROW prior to the announcement on Thursday, January 23rd (pushed back due to the California wildfires). Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The last post in this series is Best Picture. If you missed my write-ups for the acting derbies and director, you can access them here:
As I’ve mentioned several times lately, I believe there’s an octet of movies that have punched their ticket to the BP show. Let’s call them the easy 8. If any of these pictures miss the Best Picture cut at this point, it would be a major surprise. Four of them (Anora, A Complete Unknown, Conclave, Emilia Pérez) have shown up in five of the key precursors: Golden Globes, BAFTA, PGA, Critics Choice and SAG.
Two more (The Brutalist, Wicked) managed four.
Two more (Dune: Part Two, The Substance) were nominated in three. No other 2024 motion pictures had three or more mentions.
Now we have to consider the final two slots and that’s where it gets tricky. Before we do, let’s take a moment to recognize some efforts that won’t make the ultimate dance. Some of them could show up in tech races or see some of their actors nominated. Others didn’t cut the mustard with critics and audiences. A lot of these titles were, at some juncture, listed in my top 25 possibilities as I forecasted the race throughout the year. They won’t be seen tomorrow in my BP list. We’re talking about Joker: Folie à Deux and Gladiator II and Furiosa: A Mad Max Saga. Yes, I once saw Megalopolis as a viable candidate. There’s The Piano Lesson, The Apprentice, The Room Next Door, Saturday Night, Civil War, Kinds of Kindness, Maria, and The End.
That leaves me with 8 pictures to ponder for 2 spots. Unlike my previous posts on Best Director and the actors, I won’t be ranking these possibilities. After all, I gotta leave a little suspense for my final picks tomorrow, right? Nevertheless let’s walk through them one by one with some commentary.
All We Imagine as Light would be a threat to win Best International Feature Film had India submitted it as its contender. It was not to be and the Academy could make up for it in BP. Yet it hasn’t shown up in any of the 5 aforementioned precursors.
Challengers only has a Musical or Comedy nod from the Globes in its favor. A PGA nomination (which I wrongly predicted) didn’t materialize. This is a tough sell.
Nickel Boys has Golden Globe and Critics Choice noms on the resume. Many critics have it at the top of their 2024 best of, but it’s missed other key competitions.
Nosferatu has gotten some “spoiler” ink lately with some saying it could be this year’s Nightmare Alley. That pic from 2021 at least had the Critics Choice nod whereas Nosferatu didn’t show up in the quintet of precursors.
A Real Pain has undoubtedly had an up and down journey on the road to a potential BP nomination. It made the Globe cut and then missed Critics Choice and BAFTA. That left it down and out in the eyes of many and I dropped it from my 10. This week it popped back up at PGA and its fortunes could be stronger.
The Seed of the Sacred Fig should receive an International Feature Film nom. It has not gotten into the precursors for Picture though. Though I didn’t say I’d rank these eight, this is unquestionably at or near the bottom of these hopefuls.
September 5, like A Real Pain, has been buoyed by a PGA spot and it also made the Globes. Yet its exclusions at BAFTA and Critics Choice are noteworthy.
Sing Sing has had a rocky preseason, especially missing SAG and the Globes. While Colman Domingo seems locked in for Best Actor, the Academy will really need to fall for this. Of the five precursors, this only received Critics Choice.
There you have it. My microscope analysis of Best Picture for the 97th Academy Awards. After months of endless speculation, you’ll know my final predictions in about 24 hours!
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