Tag: Producers Guild of America

98th Academy Awards: FINAL Winner Predictions

It is time to make my final predictions for the 98th Academy Awards airing Sunday evening with Conan O’Brien returning as host. The first word that comes to mind… ugh. This is tough. Not every category. Some are quite easy to forecast as is normally the case.

The ones that aren’t? I would say five of the top six competitions could go in different directions and that’s unique. As readers of my blog know, there are scores of individual write-ups talking about the Oscar chances of various films. There are multiple posts ranking the possibilities of pics, performers, directors, writers, and all kinds of crew members. It’s now time to put pencils down and write down my selections in pen for the 21 (now that Best Casting has joined the lineup) feature-length races.

Let’s get to it as I’ll select a winner and runner-up in each! And you can bet I’ll have a recap up Sunday night with reaction and how I did!

Best Picture

Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sentimental Value, Sinners, Train Dreams

This is a head vs. gut call. The head says One Battle After Another which has taken PGA, the Golden Globe for Best Musical or Comedy, Critics Choice, and BAFTA. That kind of combo would normally be undeniable in BP. Yet Sinners is more of the gut prediction. Having just won Best Ensemble at SAG Actor, Ryan Coogler’s vampire tale seems to be peaking at the right time as voters finalize ballots. The record haul of 16 noms is an obvious bonus.

I cannot stress enough how much of a coin flip this is. I may look foolish on Sunday by betting against the kind of hardware that Battle has achieved in the precursors. However, for several days, the momentum of Sinners has me leaning in its direction.

WINNER: Sinners

Runner-Up: One Battle After Another

Best Director

Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)

2021 was the last year where there was a BP/Director split with CODA taking the grand prize and Jane Campion (The Power of the Dog) winning Director. Mr. Anderson has swept the precursors including the Directors Guild of America (DGA) which rarely differs from Oscar. A better night for Sinners than even I’m projecting could cause Ryan Coogler to become the first African-American to make this particular podium trip. In this case, my head and gut say PTA.

WINNER: Paul Thomas Anderson, One Battle After Another

Runner-Up: Ryan Coogler, Sinners

Best Actress

Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)

Someone other than Jessie Buckley had to win Actress in a Musical or Comedy at the Globes. That was Rose Byrne. Therefore she gets runner-up status. Make no mistake. Of the major categories, this is by far the easiest as Buckley has won everything else.

WINNER: Jessie Buckley, Hamnet

Runner-Up: Rose Byrne, If I Had Legs I’d Kick You

Best Actor

Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Wagner Moura (The Secret Agent)

For a while, Critics Choice and Globe winner Timothée Chalamet was looking almost as certain as Buckley. BAFTA and SAG changed that dynamic and they are the last two precursors heading into Oscar voting. At the British ceremony, the not Academy nominated Robert Aramayo (I Swear) was triumphant. At SAG, it was Michael B. Jordan. There’s also Golden Globe Best Drama in a Drama recipient Wagner Moura. All three are viable. Heck there’s even prognosticators making arguments for DiCaprio and Hawke. This is an example where I’m ultimately buying the Sinners mojo though Chalamet still has a stronger shot than some are giving him credit for.

WINNER: Michael B. Jordan, Sinners

Runner-Up: Timothée Chalamet, Marty Supreme

Best Supporting Actress

Elle Fanning (Sentimental Value), Inga Ibsdotter Lilleass (Sentimental Value), Amy Madigan (Weapons), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another)

This one has been all over the place. The Globe went to Teyana Taylor, Amy Madigan took Critics Choice and SAG Actor, and Wunmi Mosaku grabbed BAFTA. Madigan’s performance is so singularly memorable that a win makes plenty of sense. Like Actor, I’m going with where I think the winds are blowing.

WINNER: Wunmi Mosaku, Sinners

Runner-Up: Amy Madigan, Weapons

Best Supporting Actor

Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Delroy Lindo (Sinners), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)

Like Supporting Actress, a head scratcher. Critics Choice went to Jacob Elordi with Stellan Skarsgård getting the Globe. The latter seems more probable and, yes, Sinners love could extend to Lindo. BAFTA and SAG flipped the script by going with Sean Penn who would be picking up the rare third Oscar. This is a case where Battle has the late breaking momentum.

WINNER: Sean Penn, One Battle After Another

Runner-Up: Stellan Skarsgård, Sentimental Value

Best Original Screenplay

Blue Moon, It Was Just an Accident, Marty Supreme, Sentimental Value, Sinners

While most of the races above are tricky, the screenplay ones are not. Value stands the best chance at an upset but Sinners is the easy pick.

WINNER: Sinners

Runner-Up: Sentimental Value

Best Adapted Screenplay

Bugonia, Frankenstein, Hamnet, One Battle After Another, Train Dreams

Repeat everything I said for Original Screenplay and replace Battle for Sinners and Hamnet for Value.

WINNER: One Battle After Another

Runner-Up: Hamnet

Best International Feature Film

It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab

At one time, Accident was seen as a potential frontrunner. The competition has morphed to a showdown between Value and Agent. This could definitely go either way, but I’ll give the edge to Value achieving something with its nine nominations.

WINNER: Sentimental Value

Runner-Up: The Secret Agent

Best Animated Feature

Arco, Elio, KPop Demon Hunters, Little Amélie or the Character of Rain, Zootopia 2

Zootopia 2 becoming 2025’s largest grossing blockbuster right as voting was occurring cannot hurt. It’s just hard to ignore the cultural juggernaut that KPop is.

WINNER: KPop Demon Hunters

Runner-Up: Zootopia 2

Best Documentary Feature

The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor

This is a category capable of surprises and I could see Alabama, Good Light, and especially BAFTA winner Putin getting called up. Neighbor got lots of attention via its Netflix release and I’ll say the true crime doc squeaks through.

WINNER: The Perfect Neighbor

Runner-Up: Mr. Nobody Against Putin

Best Casting

Hamnet, Marty Supreme, One Battle After Another, The Secret Agent, Sinners

The inaugural year of the Casting contest is consists of five BP nominees and I’m going with the one I’m seledting as the winner.

WINNER: Sinners

Runner-Up: One Battle After Another

Best Cinematography

Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams

Train Dreams has notched some precursors and is a real threat and the same logic certainly applies to Battle. Either could win. So could Sinners with that BP momentum. This is one I think Battle could manage to get and I’ll give it a slight edge over my BP selection

WINNER: One Battle After Another

Runner-Up: Sinners

Best Costume Design

Avatar: Fire and Ash, Frankenstein, Hamnet, Marty Supreme, Sinners

While we’re still wondering what Avatar is doing here, this is one of three races that Frankenstein is likely to collect.

WINNER: Frankenstein

Runner-Up: Sinners

Best Film Editing

F1, Marty Supreme, One Battle After Another, Sentimental Value, Sinners

F1 could zoom past the competition and Battle might be the safer bet. I’ll go with my BP pick for this one.

WINNER: Sinners

Runner-Up: One Battle After Another

Best Makeup and Hairstyling

Frankenstein, Kokuho, Sinners, The Smashing Machine, The Ugly Stepsister

This is the second Frankenstein victory unless Sinners has a truly amazing evening.

WINNER: Frankenstein

Runner-Up: Sinners

Best Original Score

Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners

Sinners is anticipated to emerge here rather easily.

WINNER: Sinners

Runner-Up: One Battle After Another

Best Original Song

“Dear Me” from Diane Warren: Relentless; “Golden” from KPop Demon Hunters; “I Lied to You” from Sinners; “Sweet Dreams of Joy” from Viva Verdi!; “Train Dreams” from Train Dreams

The Sinners tune could score the upset though “Golden” should be just that.

WINNER: “Golden” from KPop Demon Hunters

Runner-Up: “I Lied to You” from Sinners

Best Production Design

Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners

Frankenstein Oscar #3 expected with Sinners looming.

WINNER: Frankenstein

Runner-Up: Sinners

Best Sound

F1, Frankenstein, One Battle After Another, Sinners, Sirāt

One of the trickiest down the line categories as Sinners could absolutely prevail and a Sirāt upset is feasible. I do think the autotunes of F1 gets it by a nose.

WINNER: F1

Runner-Up: Sinners

Best Visual Effects

Avatar: Fire and Ash, F1, Jurassic World Rebirth, The Lost Bus, Sinners

The first two Avatar flicks nabbed VE as should the third.

WINNER: Avatar: Fire and Ash

Runner-Up: F1

That equates to these movies generating these numbers in terms of victories:

7 Wins

Sinners

4 Wins

One Battle After Another

3 Wins

Frankenstein

2 Wins

KPop Demon Hunters

1 Win

Avatar: Fire and Ash, F1, Hamnet, The Perfect Neighbor, Sentimental Value

32nd Actor Awards Reaction

Some Oscar categories may have become more solidified (Supporting Actor) while others remain unsettled (Actor and Supporting Actor and perhaps Best Picture) courtesy of tonight’s 32nd Actor Awards. Formerly known as SAG, Kristen Bell returned to host the Netflix aired ceremony where Sinners remained a viable alternative to One Battle After Another for Best Picture in two weeks.

It was the only film to take 2 prizes as I correctly called it for Best Ensemble. Ryan Coogler’s vampire tale did take an acting honor, but not the one I forecasted. In Best Actor, Michael B. Jordan is the winner over Timothée Chalamet (Marty Supreme) and this opens up the real possibility of him grabbing the Oscar. After Robert Aramayo (I Swear) took BAFTA, Chalamet is looking truly vulnerable.

On a night where I went 4 for 6, the other miss was projecting BAFTA victor Wunmi Mosaku’s work in Sinners for Supporting Actress. Instead the Screen Actors Guild went with Critics Choice winner Amy Madigan in Weapons. That race is legit looking like an open contest between Madigan (who now has 2 key precursors) and Mosaku and Teyana Taylor (One Battle After Another).

Battle‘s Sean Penn is your Supporting Actor honoree and he’s grabbed 2 trophies in a row (BAFTA). I wouldn’t want to bet against him on Oscar night for what would be a third gold statue.

Jessie Buckley’s sweep continued in Best Actress for Hamnet. With all preceding ceremonies going her way, she is unquestionably the easiest acting derby to predict for the Academy.

In the Stunt Ensemble race, the voters predictably went with Mission: Impossible – The Final Reckoning.

From a pure precursor standpoint, Battle has won top honors at the Globes, Critics Choice, BAFTA, and PGA. That mix is hard to deny. Yet late breaking momentum certainly makes Sinners the easy runner-up and a threat to be the Academy’s BP.

Stay tuned to the blog for final Oscar predictions in a few days!

The Producers Pick Their Battle

The Producers Guild of America (PGA) followed the Golden Globes, Critics Choice, and BAFTA and bestowed their best picture honors to Paul Thomas Anderson’s One Battle After Another last night. It occurred during a weekend where Ryan Coogler’s Sinners has two shots to interrupt Battle‘s momentum. The second comes tonight at the Actor Awards (formerly known as SAG) where Sinners has a stronger chance to win the top Ensemble prize.

Even if it does, Battle‘s road to Oscar glory could be undeniable at this point with victories at the aforementioned precursors. A reminder that PGA and the Academy’s BP have matched five times in a row. I correctly called the biggest category and did the same in the animated race with KPop Demon Hunters. That Netflix phenomenon has also landed trophies at earlier ceremonies including the Globes and Critics Choice. The only place it didn’t was BAFTA where it wasn’t eligible and Zootopia 2 emerged. Yet that Disney sequel will likely be #2 to KPop in Academy tabulations.

The only surprise at PGA came in documentary where My Mom Jayne, Mariska Hargitay’s exploration of her relationship with mother Jayne Mansfield, was the winner. I went with another Netflix hit The Perfect Neighbor. Jayne is not among the doc quintet at the Oscars. Neighbor, seen as the Academy favorite, definitely looks vulnerable and I wouldn’t discount BAFTA recipient Mr. Nobody Against Putin or The Alabama Solution.

Keep an eye on the blog for my recap of the Actor Awards later tonight!

37th PGA Awards Winner Predictions

The 37th Producers Guild of America (PGA) Awards take place this Saturday and their best of prize has become a rather reliable bellwether for the Academy’s Best Picture. The two have matched 7 out of the last 8 years with 2019 being the exception when PGA chose 1917 and Oscar went with Parasite.

PGA also honors documentaries and animated features. Let’s walk through each race with a winner and runner-up selection.

Daryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Bugonia, F1, Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners, Train Dreams, Weapons

PGA and the Academy have a 9 for 10 match this year. Weapons makes the cut on this list with The Secret Agent replacing it at the Oscars. This is expected to come down to Warner Bros offerings One Battle and Sinners. While I am predicting the latter to get Best Ensemble at Sunday’s Actor Awards, I still see Battle as the Oscar frontrunner and therefore am picking it here. That said, if Sinners gets this, the momentum will have shifted.

WINNER: One Battle After Another

Runner-Up: Sinners

Outstanding Producer of Documentary Theatrical Motion Pictures

The Alabama Solution, Cover-Up, Mr. Nobody Against Putin, My Mom Jayne, Ocean with David Attenborough, The Perfect Neighbor, The Tale of Silyan

At BAFTA over the weekend, Nobody rose above favored The Perfect Neighbor. In this doc derby, PGA has often shown a lean toward the most high profile project and that would be Neighbor. I’ll go with it with the caveat that this category can be unpredictable.

WINNER: The Perfect Neighbor

Runner-Up: The Alabama Solution

Outstanding Producer of Animated Theatrical Motion Pictures

The Bad Guys 2, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle, Elio, KPop Demon Hunters, Zootopia 2

I find myself tempted to go with Zootopia 2 in an upset, but I can’t bet against juggernaut KPop.

WINNER: KPop Demon Hunters

Runner-Up: Zootopia 2

Oscar Nominations: The Case of Train Dreams

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the final film in BP and that’s Clint Bentley’s Train Dreams. If you missed my posts covering the previous nominees, you can find them here:

Oscar Nominations: The Case of Bugonia
Oscar Nominations: The Case of F1
Oscar Nominations: The Case of Frankenstein
Oscar Nominations: The Case of Hamnet
Oscar Nominations: The Case of Marty Supreme
Oscar Nominations: The Case of One Battle After Another
Oscar Nominations: The Case of The Secret Agent
Oscar Nominations: The Case of Sentimental Value
Oscar Nominations: The Case of Sinners

The Case for Train Dreams:

Since premiering at Sundance over a year ago, the period drama has been seen an awards player. In addition to the BP nod, it’s up for Adapted Screenplay, Cinematography, and Original Song. Precursor BP nominations for the Netflix release include the Globes and PGA.

The Case Against Train Dreams:

Note the noms it didn’t get including directing and or any mentions for its cast (Joel Edgerton, Felicity Jones, or William H. Macy). BAFTA almost completely ignored it where it received a sole cinematography nom and it was blanked at SAG Actor.

The Verdict:

Of the two Netflix entries up in the biggest race, Dreams is below Frankenstein as far as victory chances and Frankenstein is definitely not going to win.

My Case Of posts will continue with the first Best Actress write-up and that’s Jessie Buckley in Hamnet…

Oscar Nominations: The Case of Sinners

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the ninth candidate in BP and that’s Sinners from Ryan Coogler. If you missed my posts covering the previous nominees, you can find them here:

Oscar Nominations: The Case of Bugonia
Oscar Nominations: The Case of F1
Oscar Nominations: The Case of Frankenstein
Oscar Nominations: The Case of Hamnet
Oscar Nominations: The Case of Marty Supreme
Oscar Nominations: The Case of One Battle After Another
Oscar Nominations: The Case of The Secret Agent
Oscar Nominations: The Case of Sentimental Value

The Case for Sinners:

The 16 (yes, sixteen) nominations for the vampire saga set a record. Even if the Academy had not added the new Casting race, it still would’ve set the all-time high as the previous best was 14 in a three-way tie between All About Eve, Titanic, and La La Land. Besides Picture, it is up for Coogler’s direction and original screenplay, Actor (Michael B. Jordan), Supporting Actress (Wunmi Mosaku), Supporting Actor (Delroy Lindo), Casting, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Original Song, Production Design, Sound, and Visual Effects. Sinners has seen BP nods at all important precursors including the Globes, PGA, BAFTA, Critics Choice, and best ensemble at SAG Actor. At $280 million in domestic earnings, it is easily the largest grosser of the 10 nominees.

The Case Against Sinners:

The movie with the most nominations has only taken BP three out of the past 10 shows (2017’s The Shape of Water, 2022’s Everything Everywhere All at Once, and Oppenheimer in 2023). Sinners has yet to have a signature victory as Hamnet took Best Drama at the Globes and One Battle After Another was victorious at Critics Choice. The Academy has shown reluctance to honor horror flicks.

The Verdict:

The 16 nominations changed the dynamic from One Battle being seen as the fairly sturdy frontrunner to what’s now considered a legitimate showdown between Warner Bros properties. If Sinners takes this weekend’s DGA for its maker Coogler, look for this to become the favorite. If it doesn’t achieve that prize, it could still be honored with ensemble as SAG Actor and its momentum could result in Oscar glory. With all that said, Battle is still a strong competitor that may not be denied.

My Case Of posts will wrap up the BP hopefuls with Train Dreams…

Oscar Nominations: The Case of Hamnet

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the fourth nominee – Hamnet from Chloé Zhao. If you missed my posts covering the previous three contenders, you can find them here:

Oscar Nominations: The Case of Bugonia
Oscar Nominations: The Case of F1
Oscar Nominations: The Case of Frankenstein

The Case for Hamnet:

Arriving five years after Zhao’s Nomadland took home Best Picture, Director, and Actress, the filmmaker hopes to do the same with this gut-wrenching historical drama. Besides BP, it’s up in 7 other races including Director, Actress (Jessie Buckley), Adapted Screenplay, Casting, Costume Design, Original Score, and Production Design. The ensemble is nominated at the SAG Actor awards and it made the BP cut at Critics Choice and BAFTA. Perhaps most significantly, it beat out Sinners in a slight upset for Best Drama at the Golden Globes. 3 out of the last BP Academy winners also featured the Best Actress victor and Buckley is definitely the frontrunner.

The Case Against Hamnet:

Despite some decent arguments in the case for, One Battle After Another and Sinners are still seen as the favorites. Hamnet missed some notable competitions at the Oscars – Cinematography, Editing and Supporting Actor (Paul Mescal). Even at BAFTA (where it was expected to fare even better), it wasn’t nominated in Cinematography, Editing, or Casting. The Academy could feel they just honored Zhao.

The Verdict:

Buckley is in good shape unless upcoming precursors change the narrative. The movie itself might be in third when it comes to rankings. Despite the Globe win, I’d say it’s a distant third.

My Case Of posts will continue with fifth nominee Marty Supreme…

Oscar Nominations: The Case of Frankenstein

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the third nominee in the biggest race of all and that’s Guillermo del Toro’s Frankenstein. If you missed my posts covering Bugonia and F1, you can find them here:

Oscar Nominations: The Case of Bugonia
Oscar Nominations: The Case of F1

The Case for Frankenstein:

Del Toro’s dream project, arriving eight years after The Shape of Water won BP and director, amassed an impressive nine nominations. Those additional 8 mentions are Supporting Actor (Jacob Elordi), Adapted Screenplay, Cinematography, Costume Design, Makeup and Hairstyling, Original Score, Production Design, and Sound. The Netflix production has shown up in significant precursors including SAG Actor ensemble, Critics Choice, PGA, and the Globes. Del Toro is up at DGA and Elordi won Supporting Actor at Critics Choice.

The Case Against Frankenstein:

There are no Picture wins at the aforementioned precursors and it missed the Best Film quintet at BAFTA. The omission from the Brits confirms that Frankenstein is probably 6th among the contending ten. While the nine nominations are noteworthy, Del Toro missing Director and no nod in Film Editing are significant.

The Verdict:

It’s alive in races such as Costume Design, Makeup and Hairstyling, and Production Design. Not in Best Picture.

My Case Of posts will continue with Chloé Zhao’s Hamnet…

Oscar Nominations: The Case of F1

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. If you missed my post covering Bugonia, you can find it linked here:

Oscar Nominations: The Case of Bugonia

The second BP contender is Joseph Kosinski’s F1.

The Case for F1:

If Academy voters wish to honor a nominee that many viewers have seen, F1 is a sensible road considering it made nearly $200 million domestically and $442 million worldwide. The racing drama with Brad Pitt made the top 10 cut for PGA and NBR. F1, from the director of 2022 BP nominee Top Gun: Maverick, was also nominated for Film Editing, Sound, and Visual Effects.

The Case Against F1:

The four total nominations ties three other movies for lowest mentions among the BP ten. F1 wasn’t nominated for the highest honor at the Golden Globes or Critics Choice. It is the only contender without a nomination in directing, screenplay, or any of the acting derbies. If Academy voters wish to honor something that did well at the box office, they have an even more viable option in Sinners.

The Verdict:

F1 is probably 10th out of the 10 possibilities in the largest race though it could manage to pick up gold in Sound.

My Case Of posts will continue with Frankenstein…

Oscar Nominations: The Case of Bugonia

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. The first entry in the biggest race of all is Bugonia from Yorgos Lanthimos.

The Case for Bugonia:

The latest critically acclaimed multi-genre oddity from Yorgos Lanthimos made the Best Picture cut at the key precursors – Golden Globes, Critics Choice, Producers Guild. Oscar voters clearly like the filmmaker as this is his third feature up for BP (2019’s The Favourite, 2023’s Poor Things).

The Case Against Bugonia:

It has four total nominations. In addition to Picture, there’s Emma Stone in Actress, Adapted Screenplay, and Original Score. That’s tied with three other BP hopefuls for the fewest mentions. There have been no signature victories in previous ceremonies. With four nods, there’s obviously some notable misses including Lanthimos in Director and Jesse Plemons in Actor.

The Verdict:

The Favourite and Poor Things didn’t nab BP, but both of their leading ladies (Olivia Colman and Stone respectively) made podium walks and Things took home some tech prizes. Each of those contending features was in the top 5 of their top 10 BP class. Bugonia is in the bottom 5 and not really a threat to win anything on Oscar night.

My Case Of posts will continue with our second BP nominee, F1…