As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second filmmaker in Best Director and that’s Yorgos Lanthimos for Poor Things. Let’s get to it!
Previous Directing Nominations:
The Favourite (2018)
The Case for Yorgos Lanthimos:
From his 2009 Greek psychological drama Dogtooth to the 2015 pitch black satire The Lobster and 2017 medical thriller The Killing of a Sacred Deer, Lanthimos has emerged as one of the most acclaimed directors of the 21st century (with some comparisons to Kubrick). Absurdist costume period piece The Favourite was his awards breakout with 10 nods and an Actress victory for Olivia Colman. His follow-up absurdist costume period piece Poor Things did that one better with 11 and it has its hardcore supporters. He’s picked up DGA, Critics Choice, and Globe mentions.
The Case Against Yorgos Lanthimos:
That all important DGA precursor went to Christopher Nolan for Oppenheimer and he also received the Globe and Critics Choice. It looks like it’s simply his year. Lanthimos was also snubbed for BAFTA.
The Verdict:
Actress for Emma Stone and Production Design are Oscar things his film could get. Not this category.
My Case Of posts will continue with Sandra Hüller in Anatomy of a Fall…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second performer in Best Actress and that’s Lily Gladstone in Killers of the Flower Moon. Let’s get to it!
Previous Oscar Acting Nominations:
None
The Case for Lily Gladstone:
After critically appreciated roles in Kelly Reichardt’s Certain Women and First Cow, Gladstone has been in the awards conversation since Martin Scorsese’s Killers of the Flower Moon was announced. Her work as Mollie Kyle in the historical epic won her the Golden Globe for Actress in Drama and the National Board of Review prize. That’s in addition to nominations at Critics Choice and SAG. Gladstone could make history as the first Native-American thespian to emerge victorious in the category.
The Case Against Lily Gladstone:
Any possibility of a sweep ended when Emma Stone took Critics Choice for Poor Things. Then there’s the shocking BAFTA omission. Gladstone did not make the cut for that show. Since 2010, only one Best Actress Oscar winner (Jessica Chastain for 2021’s The Eyes of Tammy Faye) has missed BAFTA. Killers also underperformed a bit with misses in Actor (Leonardo DiCaprio) and Adapted Screenplay.
The Verdict:
SAG on February 24th could offer a gigantic clue as to whether Gladstone or Stone are the soft frontrunner. That BAFTA snub sticks out. That said, Gladstone is a real contender.
My Case Of posts will continue with Colman Domingo in Rustin…
The 76th DGA Awards take place this Saturday and it’s a key indication to which filmmaker will emerge with the Oscar for direction. How much so? 9 out of the previous 10 DGA recipients have taken the Academy’s gold. The only deviation in the last ten years is Sam Mendes (1917) winning DGA while Bong Joon-Ho was victorious on Oscar night.
There is usually a 4 out of 5 match between DGA and Oscar nominees in the big race. 2023 diverted from that. There are just 3 DGA contenders vying for the Academy prize: Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) are up for DGA while Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) look for Academy love.
Let’s walk through that contest as well as the ones for Documentaries and First-Time Feature Film with predictions for the winner and a runner-up selection.
Feature Film
Nominees: Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Martin Scorsese (Killers of the Flower Moon)
Even if Oppenheimer doesn’t win BP at the Oscars (and that seems unlikely right now), Nolan appears to be in the driver’s seat for the Academy statue. If he doesn’t take DGA, it would frankly be a shocker. Don’t count on it.
Predicted Winner: Christopher Nolan, Oppenheimer
Runner-Up: Martin Scorsese, Killers of the Flower Moon
First-Time Feature Film
Nominees: Cord Jefferson (American Fiction), Manuela Martelli (Chile ’76), Noora Niasari (Shayda), A.V. Rockwell (A Thousand and One), Celine Song (Past Lives)
This is clearly a showdown between the makers of the two BP nominees in Jefferson and Song. Fiction actually had a stronger showing than Lives from the Academy – 5 nominations to 2. Yet I think Song gets this by a nose.
Predicted Winner: Celine Song, Past Lives
Runner-Up: Cord Jefferson, American Fiction
Documentaries
Moses Bwayo and Christopher Sharp, Bobi Wine: The People’s President, Mstyslav Chernov, 20 Days in Mariupol, Madeleine Gavin, Beyond Utopia, Davis Guggenheim, Still: A Michael J. Fox Movie, D. Smith, Kokomo City
Even though it wasn’t nominated for Doc Feature at the Academy Awards, Guggenheim’s work in Still could score the hardware (the editing alone could earn it the win). However, I’ll go with Chernov and his likely Oscar frontrunner.
Predicted Winner: Mstyslav Chernov, 20 Days in Mariupol
Runner-Up: Davis Guggenheim, Still: A Michael J. Fox Movie
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at the Actress quintet and it starts with Annette Bening in Nyad. Let’s get to it!
Previous Oscar Acting Nominations:
The Grifters (1990, Supporting Actress); American Beauty (1999, Actress), Being Julia (2004, Actress), The Kids Are All Right (2010, Actress)
The Case for Annette Bening:
SAG and Globe nominations preceded this, but Bening’s potential ace in the hole could be the overdue factor. While costar Jodie Foster (up for Supporting Actress) is a two-time Oscar recipient, Bening is 0 for 4.
The Case Against Annette Bening:
She’s swimming upstream for the victory with Nyad. The picture itself is not an awards player beyond its two leads. Bening missed the cut at BAFTA and Critics Choice. Emma Stone (Poor Things) vs. Lily Gladstone (Killers of the Flower Moon) appears to be the showdown for the gold.
The Verdict:
The strong likelihood is Bening will be 0 for 5 come March 10th.
My Case Of posts will continue with our first write-up in Actor. That’s Bradley Cooper in Maestro…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered eight of the BP nominees. They are linked at the bottom of the post. Next up is Poor Things from Yorgos Lanthimos.
The Case for Poor Things:
After The Favourite generated 10 nominations in 2018, Lanthimos’s follow-up bested that by 1 with 11. The multi-genre affair scored the second most nods overall for this year’s ceremony behind Oppenheimer‘s 13. The others are for the direction, Actress (Emma Stone), Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, and Production Design. Truth be told, it didn’t really miss anywhere (though Willem Dafoe was probably close to getting in for Supporting Actor alongside his costars). It’s been nominated for top honors at key precursors like BAFTA and Critics Choice and won Musical/Comedy (over Barbie) at the Globes.
The Case Against Poor Things:
Poor Things might be a little too out there for even the Academy. More importantly, you have to place it in at least second position (maybe third after The Holdovers) behind strong frontrunner Oppenheimer.
The Verdict:
Just as The Favourite wasn’t, this isn’t the favorite for BP. Like The Favourite and Olivia Colman, it might yield a Best Actress winner in Emma Stone and some tech victories. This might also go home empty-handed.
My Case Of posts will continue with The Zone of Interest…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered six of the BP nominees. They are linked at the bottom of the post. Next up is Christopher Nolan’s Oppenheimer.
The Case for Oppenheimer:
Since it debuted last summer, the biopic of the “father of the atomic bomb” stood out as a massive awards player. It has a director who’s considered overdue for Oscar recognition. There’s widespread critical acclaim. And it’s an opportunity for the Academy to recognize a pic that general audiences flocked to (nearly a billion worldwide). The 13 nominations are the most of any film and it has already taken top honors at the Golden Globes and Critics Choice. The other nods are for Nolan in Director, Actor (Cillian Murphy), Supporting Actress (Emily Blunt), Supporting Actor (Robert Downey Jr.), Adapted Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Production Design, and Sound. I would contend it has a real shot at picking up gold for at least 8 of them, in addition to BP.
The Case Against Oppenheimer:
There’s no doubt that it’s the frontrunner. And sometimes being the frontrunner causes a backlash that begets an upset. Usually the movie with the most nods doesn’t take BP (it’s only happened 3 out of the last 10 years with Birdman, The Shape of Water, and Everything Everywhere All at Once).
The Verdict:
Yes, there’s always the chance for a shocker. The Holdovers looms as a spoiler and perhaps the huge press generated by the Barbie snubs could propel it to a BP victory. Poor Things has its ardent supporters. That said, Oppenheimer is the far and away favorite for this and other prizes on March 10th.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered our first four pics with American Fiction, Anatomy of a Fall, Barbie, and The Holdovers. They are linked at the bottom of the post. Martin Scorsese’s Killers of the Flower Moon is up next for your consideration. Let’s get into it.
The Case for Killers of the Flower Moon:
Ranking third in number of nominations with 10 (behind Oppenheimer and Poor Things), Scorsese’s sprawling epic has earned BP mentions at BAFTA, Critics Choice, the Globes, and for its Ensemble at SAG. The other nominations are for Scorsese in Director, Actress (Lily Gladstone), Supporting Actor (Robert De Niro), Cinematography, Costume Design, Film Editing, Original Score, Original Song, and Production Design. The legendary filmmaker achieves his 10th movie up for the big prize with 2006’s The Departed being the sole victor. Perhaps voters will feel it’s time to honor his work again.
The Case Against Killers of the Flower Moon:
The precursors certainly haven’t treated this as any sort of career achievement prize. Oppenheimer took the highest honors at Critics Choice and the Globes. Additionally, Moon experienced some loud snubs with Leonardo DiCaprio in Actor and especially Adapted Screenplay.
The Verdict:
Once seen as a serious threat for the gold, Killers might be lucky to win anything. The best chance lies with Gladstone. Everything else is a long shot.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered American Fiction and Anatomy of a Fall and you missed them, they are linked at the bottom of the post. Our third contestant for BP glory is a little picture called Barbie. Perhaps you’ve heard of it. Let’s get into it.
The Case for Barbie:
If Oscar voters go with the most popular and seen choice, Greta Gerwig’s fantasy dramedy based on the Mattel doll is your selection. The pic became 2023’s largest earner last summer to the tune of nearly $1.5 billion worldwide and $636 million domestically. It landed BP nods at key precursors including SAG, the Globes, and Critics Choice. In addition to BP, there are seven other nods: Supporting Actress (America Ferrera), Supporting Actor (Ryan Gosling), Adapted Screenplay, Costume Design, Production Design, and 2 possibilities in Original Song (“I’m Just Ken” and “What Was I Made For?”), making it the fourth most nominated feature behind Oppenheimer, Poor Things, and Killers of the Flower Moon.
The Case Against Barbie:
Despite the 8 total nominations, there were significant snubs (in case you haven’t read the news this week). Greta Gerwig did not make the quintet in Director and Margot Robbie (despite making all the major precursors) missed in Actress. It is rare (only thrice this century) for a BP recipient to have its filmmaker not even nominated. Barbie didn’t turn up in the final five at BAFTA.
The Verdict:
One could argue that the widely publicized news of Gerwig and Robbie’s exclusions could cause Academy voters to honor it here. I wouldn’t bank on it. Barbie is unlikely to go home empty-handed (victories in Production Design and Original Song are probably happening and Costume Design and Adapted Screenplay are doable). As for BP, Barbie‘s roadblock is the movie it will forever be linked with: Christopher Nolan’s Oppenheimer. They opened the same day, crushed the box office charts together, and coined the Barbenheimer phenomenon. It is Oppenheimer way out in front in the big race.
My Case Of posts will continue with The Holdovers…
And they’re out! After a year of speculation, nominees for the 96th Academy Awards have been released. It was a morning where it felt weird that the 10 Best Picture contenders were relatively easy to project… and that it went according to script. However, the Academy’s picks veered off-script elsewhere as they always do.
I went 84 for 105 overall. Let’s walk through each race one by one with who got in, how I did, and some quick initial thoughts. As I have every year, I will do individual Case Of posts for the hopefuls in Picture, Director, and the four acting derbies. That will kick off very soon…
Picture
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
How I Did: 10/10
Oscar BP matches the PGA ten, as we all suspected. This was, frankly, one of the easiest lineups to project in years. That said, there was a sneaking suspicion that voters would surprise us with a sleeper pick or two. It didn’t materialize and Oppenheimer (leading the charge with 13 noms) is out front.
Director
Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)
How I Did: 4/5
Triet makes the cut over Greta Gerwig for Barbie. Now would be a good time to mention that Barbie underperformed. It was anticipated to land double digit noms and managed 8. Nolan is the favorite.
Actress
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)
How I Did: 4/5
Bening as Nyad jumps into the Actress pool instead of Margot Robbie as Barbie in another high profile omission for 2023’s biggest blockbuster. This should come down to Gladstone vs. Stone, but I wouldn’t completely discount a Hüller upset.
Actor
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
How I Did: 5/5
Leonardo DiCaprio in Killers of the Flower Moon seemed to lose steam in the last couple of weeks and that played out as I anticipated. Despite its 10 mentions, Killers had some significant misses this morning. As for those in contention, Giamatti vs. Murphy with Cooper as a potential spoiler.
Supporting Actress
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
How I Did: 3/5
Blunt, Brooks, and Randolph all seemed safe and those last two slots were a bear to figure. Ferrera and Foster are in over Penelope Cruz (Ferrari) and Sandra Hüller (The Zone of Interest), who missed the chance to become the Academy’s 13th double acting nominee. Randolph will be tough to beat.
Supporting Actor
Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)
How I Did: 5/5
I’ll pat myself on the back for this one since this was arguably as tricky as Supporting Actress. Downey Jr. is in the lead.
Original Screenplay
Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives
How I Did: 4/5
Maestro (which had a good morning) over Saltburn (which came up empty-handed). I’d look for Holdovers to take this though Anatomy is a threat.
Adapted Screenplay
Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 4/5
In one of the more unexpected developments, Killers misses this in favor of Zone. This is a difficult race to project. I would say everything but Zone has a chance.
International Feature Film
Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest
How I Did: 3/5
Capitano and Lounge instead of Fallen Leaves and Tótem. Since Zone is the sole contender for BP, this is one of the simplest categories to call.
Animated Feature
Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse
How I Did: 4/5
Dreams over Suzume as the animated race should come down to Heron and Spider-Man.
Documentary Feature
Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol
How I Did: 3/5
This is always a tricky competition to figure out. Bobi and Tiger make the quintet over Beyond Utopia (a surprising miss) and Still: A Michael J. Fox Movie. Projecting the winner is easier as Mariupol is the odds on favorite.
Cinematography
Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things
How I Did: 4/5
Conde over Zone of Interest as Oppenheimer looks to emerge.
Costume Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
How I Did: 4/5
Napoleon instead of The Color Purple (which can only claim 1 nomination for Supporting Actress). Barbie vs. Poor Things is the contest.
Film Editing
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
How I Did: 4/5
I thought Maestro might make it and left off Poor Things. Worth noting that this is another Barbie miss. Oppenheimer is the one to pick.
Makeup and Hairstyling
Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow
How I Did: 4/5
I had Killers and not Snow. This category represents Maestro‘s strongest shot at a victory.
Original Score
Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things
How I Did: 3/5
Fiction and Destiny over Society of the Snow and The Zone of Interest. Now would be a good time to mention that Fiction had a nice haul today with 5. This is Oppenheimer‘s to lose.
Original Song
Nominees: “The Fire Inside” from Flamin’ Hot, “I’m Just Ken” from Barbie, “It Never Went Away” from American Symphony, “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon, “What Was I Made For?” from Barbie
How I Did: 4/5
Despite missing Documentary Feature, the tune from American Symphony is nominated over “Road to Freedom” from Rustin. This category may represent Barbie‘s likeliest trophy as it has a double shot. “What Was I Made For?” has the edge. And, of course, “Flamin’ Hot” marks yet another nom for Diane Warren.
Production Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
How I Did: 5/5
Another Barbie vs. Poor Things derby.
Sound
Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
How I Did: 3/5
The Creator and Mission are unexpected double nominees. For Sound, they’re in over Ferrari (which was blanked) and Napoleon. This is one of the easiest ones to call… Oppenheimer.
Visual Effects
Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon
How I Did: 3/5
Unlike Sound, this is one of the hardest categories to project. Mission and Napoleon make the five instead of Indiana Jones and the Dial of Destiny and Spider-Man: Across the Spider-Verse (which was held to just Animated Feature). Maybe The Creator is the pick, but I could easily change my mind.
All this activity means these movies ended up with these numbers of nominations:
13 Nominations
Oppenheimer
11 Nominations
Poor Things
10 Nominations
Killers of the Flower Moon
8 Nominations
Barbie
7 Nominations
Maestro
5 Nominations
American Fiction, Anatomy of a Fall, The Holdovers, The Zone of Interest
3 Nominations
Napoleon
2 Nominations
The Creator, Mission: Impossible – Dead Reckoning, Nyad, Past Lives, Society of the Snow
1 Nomination
American Symphony, Bobi Wine: The People’s President, The Boy and the Heron, The Color Purple, El Conde, Elemental, The Eternal Memory, Flamin’ Hot, Four Daughters, Godzilla Minus One, Golda, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, Io Capitano, May December, Nimona, Perfect Days, Robot Dreams, Rustin, Spider-Man: Across the Spider-Verse, The Teachers’ Lounge, To Kill a Tiger, 20 Days in Mariupol
Starting about 365 days ago with the Sundance Film Festival, my speculation of the nominees for the 96th Academy Awards kicked off. As it does each year, dozens of predictions posts followed.
And now… after clues from the Golden Globes, SAG, PGA, DGA, Critics Choice, BAFTA, regional critics groups, and good ole fashioned gut feelings, my FINAL projections are here! They will be out Tuesday and I’ll have a recap up that evening.
The speculations ends here. With each race, I’m giving you my selections along with a runner-up and a second runner-up. Let’s get to it!
Best Picture
American Fiction
Anatomy of a Fall
Barbie
The Holdovers
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
Poor Things
The Zone of Interest
1st Alternate: The Color Purple
2nd Alternate: Saltburn
Best Director
Jonathan Glazer, The Zone of Interest
Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
1st Alternate: Alexander Payne, The Holdovers
2nd Alternate: Justine Triet, Anatomy of a Fall
Best Actress
Lily Gladstone, Killers of the Flower Moon
Sandra Hüller, Anatomy of a Fall
Carey Mulligan, Maestro
Margot Robbie, Barbie
Emma Stone, Poor Things
1st Alternate: Greta Lee, Past Lives
2nd Alternate: Aunjanue Ellis-Taylor, Origin
Best Actor
Bradley Cooper, Maestro
Colman Domingo, Rustin
Paul Giamatti, The Holdovers
Cillian Murphy, Oppenheimer
Jeffrey Wright, American Fiction
1st Alternate: Leonardo DiCaprio, Killers of the Flower Moon
2nd Alternate: Going to Mars: The Nikki Giovanni Project
Best Cinematography
Killers of the Flower Moon
Maestro
Oppenheimer
Poor Things
The Zone of Interest
1st Alternate: Barbie
2nd Alternate: El Conde
Best Costume Design
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Poor Things
1st Alternate: Napoleon
2nd Alternate: Maestro
Best Film Editing
Anatomy of a Fall
The Holdovers
Killers of the Flower Moon
Maestro
Oppenheimer
1st Alternate: Poor Things
2nd Alternate: Barbie
Best Makeup and Hairstyling
Golda
Killers of the Flower Moon
Maestro
Oppenheimer
Poor Things
1st Alternate: Society of the Snow
2nd Alternate: The Last Voyage of the Demeter
Best Original Score
Killers of the Flower Moon
Oppenheimer
Poor Things
Society of the Snow
The Zone of Interest
1st Alternate: Spider-Man: Across the Spider-Verse
2nd Alternate: Indiana Jones and the Dial of Destiny
Best Original Song
“The Fire Inside” from Flamin’ Hot
“I’m Just Ken” from Barbie
“Road to Freedom” from Rustin
“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon
“What Was I Made For?” from Barbie
1st Alternate: “It Never Went Away” from American Symphony
2nd Alternate: “Quiet Eyes” from Past Lives
Best Production Design
Barbie
Killers of the Flower Moon
Napoleon
Oppenheimer
Poor Things
1st Alternate: The Zone of Interest
2nd Alternate: Asteroid City
Best Sound
Ferrari
Maestro
Napoleon
Oppenheimer
The Zone of Interest
1st Alternate: Killers of the Flower Moon
2nd Alternate: Mission: Impossible – Dead Reckoning
Best Visual Effects
The Creator
Godzilla Minus One
Guardians of the Galaxy Vol. 3
Indiana Jones and the Dial of Destiny
Spider-Man: Across the Spider-Verse
1st Alternate: Poor Things
2nd Alternate: Mission: Impossible – Dead Reckoning
And that means I’m predicting these movies generate these numbers in terms of nominations:
13 Nominations
Oppenheimer
12 Nominations
Killers of the Flower Moon
10 Nominations
Poor Things
9 Nominations
Barbie
7 Nominations
Maestro, The Zone of Interest
5 Nominations
The Holdovers
4 Nominations
American Fiction, Anatomy of a Fall
2 Nominations
The Color Purple, Ferrari, Napoleon, Past Lives, Rustin, Society of the Snow, Spider-Man: Across the Spider-Verse
1 Nomination
20 Days in Mariupol, Beyond Utopia, The Boy and the Heron, The Creator, Elemental, The Eternal Memory, Fallen Leaves, Flamin’ Hot, Four Daughters, Godzilla Minus One, Golda, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, May December, Nimona, Perfect Days, Saltburn, Still: A Michael J. Fox Movie, Suzume, Tótem
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