Tag: Pixar

97th Academy Awards Predictions: June 23rd Edition

It has been two weeks since my previous Oscar predictions in the eight major categories of Picture, Director, the four acting derbies, and the two screenplay competitions.

Perhaps the biggest development in that time frame (nothing really significant happened via the Tribeca Film Festival) is the massive box office performance for Disney/Pixar’s Inside Out 2. Not only did it land the second highest animated feature debut of all time, it just scored the biggest second weekend ($100 million) for its genre in history. As it is easily exceeding expectations at multiplexes, could it sneak into the Best Picture race?

I doubt it. There have only been 3 animated pics up for the grand prize (all Disney): 1991’s Beauty and the Beast, 2009’s Up, and 2010’s Toy Story 3. You’ll notice that 2015’s Inside Out is not on the list and it garnered stronger reviews than its sequel. Part 2 is a shoo-in for an Animated Feature nom and it could even make an appearance in Adapted Screenplay (though you’ll see its toward the bottom of my hopefuls).

As far as rankings, there is movement to discuss. I’ve vaulted Amy Adams to #1 in my Best Actress quintet for Nightbitch. It was announced earlier this week that it will screen at the Toronto Film Festival in September and that Adams will receive the Tribute Performer Award while there. Other recent takers of that prize are Joaquin Phoenix (Joker), Anthony Hopkins (The Father), Jessica Chastain (The Eyes of Tammy Faye), and Brendan Fraser (The Whale). Wanna take a wild guess what they all have in common?

Oh… there’s more. I am now putting Sing Sing atop the charts for Best Picture over Steve McQueen’s Blitz. The buzz for the former has been steady since its Toronto unveiling in 2023 and it sounds like the type of crowdpleaser that the Academy could eat up. Like CODA from 2021, it could be a BP recipient where its director fails to get nominated. Speaking of that category, I’m elevating Denis Villeneuve to the top spot for Dune: Part Two over McQueen.

You can read all the movement below and I’ll have another update posted in two weeks!

Best Picture

Predicted Nominees:

1. Sing Sing (Previous Ranking: 4) (+3)

2. Dune: Part Two (PR: 2) (E)

3. Blitz (PR: 1) (-2)

4. Conclave (PR: 3) (-1)

5. Anora (PR: 5) (E)

6. Queer (PR: 6) (E)

7. Emilia Pérez (PR: 7) (E)

8. The Seed of the Sacred Fig (PR: 10) (+2)

9. The Piano Lesson (PR: 9) (E)

10. The End (PR: 8) (-2)

Other Possibilities:

11. Nightbitch (PR: 15) (+4)

12. Joker: Folie à Deux (PR: 11) (-1)

13. The Apprentice (PR: 12) (-1)

14. A Real Pain (PR: 18) (+4)

15. The Fire Inside (PR: 17) (+2)

16. Nickel Boys (PR: 14) (-2)

17. His Three Daughters (PR: 13) (-4)

18. The Room Next Door (PR: Not Ranked)

19. Maria (PR: 16) (-3)

20. Here (PR: 23) (+3)

21. All We Imagine as Light (PR: 22) (+1)

22. Hit Man (PR: 19) (-3)

23. Dídi (PR: 20) (-3)

24. Gladiator II (PR: 25) (+1)

25. Nosferatu (PR: Not Ranked)

Dropped Out:

Bird

Kinds of Kindness

Best Director

Predicted Nominees:

1. Denis Villeneuve, Dune: Part Two (PR: 2) (+1)

2. Steve McQueen, Blitz (PR: 1) (-1)

3. Edward Berger, Conclave (PR: 3) (E)

4. Sean Baker, Anora (PR: 4) (E)

5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 5) (E)

Other Possibilities:

6. Jacques Audiard, Emilia Pérez (PR: 6) (E)

7. Greg Kwedar, Sing Sing (PR: 10) (+3)

8. Luca Guadagnino, Queer (PR: 7) (-1)

9. Joshua Oppenheimer, The End (PR: 8) (-1)

10. Marielle Heller, Nightbitch (PR: 13) (+3)

11. Todd Phillips, Joker: Folie à Deux (PR: 9) (-2)

12. Malcolm Washington, The Piano Lesson (PR: 11) (-1)

13. Payal Kapadia, All We Imagine as Light (PR: 12) (-1)

14. Pedro Almodóvar, The Room Next Door (PR: Not Ranked)

15. Ridley Scott, Gladiator II (PR: 15) (E)

Dropped Out:

Pablo Larrain, Maria

Best Actress

Predicted Nominees:

1. Amy Adams, Nightbitch (PR: 3) (+2)

2. Angelina Jolie, Maria (PR: 1) (-1)

3. Mikey Madison, Anora (PR: 2) (-1)

4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)

5. Saoirse Ronan, The Outrun (PR: 5) (E)

Other Possibilities:

6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)

7. Natasha Lyonne, His Three Daughters (PR: 7) (E)

8. Tilda Swinton, The Room Next Door (PR: Not Ranked)

9. Ryan Destiny, The Fire Inside (PR: 10) (+1)

10. Tilda Swinton, The End (PR: 8) (-2)

11. Marianne Jean-Baptiste, Hard Truths (PR: 9) (-2)

12. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (-1)

13. Tessa Thompson, Hedda (PR: Not Ranked)

14. Zendaya, Challengers (PR: 12) (-2)

15. Florence Pugh, We Live in Time (PR: 13) (-2)

Dropped Out:

Noemie Merlant, Emmanuelle

Demi Moore, The Substance

Best Actor

Predicted Nominees:

1. Colman Domingo, Sing Sing (PR: 1) (E)

2. Ralph Fiennes, Conclave (PR: 2) (E)

3. Daniel Craig, Queer (PR: 3) (E)

4. André Holland, The Actor (PR: 4) (E)

5. Sebastian Stan, The Apprentice (PR: 5) (E)

Other Possibilities:

6. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (+1)

7. John David Washington, The Piano Lesson (PR: 8) (+1)

8. Jesse Plemons, Kinds of Kindness (PR: 9) (+1)

9. Paul Bettany, The Collaboration (PR: Not Ranked)

10. Glen Powell, Hit Man (PR: 6) (-4)

11. Sebastian Stan, A Different Man (PR: 11) (E)

12. Tom Hanks, Here (PR: 14) (+2)

13. Andrew Garfield, We Live in Time (PR: 13) (E)

14. Paul Mescal, Gladiator II (PR: 15) (+1)

15. Jesse Eisenberg, A Real Pain (PR: Not Ranked)

Dropped Out:

George MacKay, The End

Kingsley Ben-Adir, Bob Marley: One Love

Best Supporting Actress

Predicted Nominees:

1. Isabella Rossellini, Conclave (PR: 1) (E)

2. Zoe Saldaña, Emilia Pérez (PR: 3) (+1)

3. Danielle Deadwyler, The Piano Lesson (PR: 5) (+2)

4. Aunjanue Ellis-Taylor, Nickel Boys (PR: 4) (E)

5. Saoirse Ronan, Blitz (PR: 2) (-3)

Other Possibilities:

6. Carrie Coon, His Three Daughters (PR: 7) (+1)

7. Lesley Manville, Queer (PR: 10) (+3)

8. Valeria Golino, Maria (PR: 6) (-2)

9. Julianne Moore, The Room Next Door (PR: Not Ranked)

10. Joan Chen, Dídi (PR: 8) (-2)

11. Elizabeth Olsen, His Three Daughters (PR: 12) (+1)

12. Selena Gomez, Emilia Pérez (PR: Not Ranked)

13. Erin Kellyman, Blitz (PR: 15) (+2)

14. Toni Collette, Juror No. 2 (PR: 13) (-1)

15. Catherine Keener, Joker: Folie à Deux (PR: 11) (-4)

Dropped Out:

Emily Watson, Small Things like These

Naomi Watts, Emmanuelle

Best Supporting Actor

Predicted Nominees:

1. Clarence Maclin, Sing Sing (PR: 1) (E)

2. Samuel L. Jackson, The Piano Lesson (PR: 2) (E)

3. Stanley Tucci, Conclave (PR: 3) (E)

4. Kieran Culkin, A Real Pain (PR: 4) (E)

5. Brian Tyree Henry, The Fire Inside (PR: 5) (E)

Other Possibilities:

6. Jeremy Strong, The Apprentice (PR: 6) (E)

7. John Lithgow, Conclave (PR: 8) (+1)

8. Drew Starkey, Queer (PR: 7) (-1)

9. Adam Pearson, A Different Man (PR: 9) (E)

10. Michael Shannon, The End (PR: 10) (E)

11. Denzel Washington, Gladiator II (PR: Not Ranked)

12. Harris Dickinson, Blitz (PR: 11) (-1)

13. Scoot McNairy, Nightbitch (PR: Not Ranked)

14. Stephen Graham, Blitz (PR: 12) (-2)

15. Barry Keoghan, Bird (PR: 14) (-1)

Dropped Out:

Brendan Gleeson, Joker: Folie à Deux

Javier Bardem, Dune: Part Two

Best Original Screenplay

Predicted Nominees:

1. Anora (PR: 1) (E)

2. Blitz (PR: 2) (E)

3. The End (PR: 4) (+1)

4. The Seed of the Sacred Fig (PR: 3) (-1)

5. A Real Pain (PR: 8) (+3)

Other Possibilities:

6. Emilia Pérez (PR: 7) (+1)

7. His Three Daughters (PR: 5) (-2)

8. The Room Next Door (PR: Not Ranked)

9. Hard Truths (PR: 6) (-3)

10. Kinds of Kindness (PR: 10) (E)

11. The Apprentice (PR: 9) (-2)

12. Dídi (PR: 14) (+2)

13. Maria (PR: 13) (E)

14. Challengers (PR: 12) (-2)

15. All We Imagine as Light (PR: 11) (-4)

Dropped Out:

We Live in Time

Best Adapted Screenplay

Predicted Nominees:

1. Conclave (PR: 1) (E)

2. Sing Sing (PR: 3) (+1)

3. Queer (PR: 2) (-1)

4. The Piano Lesson (PR: 4) (E)

5. Nightbitch (PR: 8) (+3)

Other Possibilities:

6. Dune: Part Two (PR: 6) (E)

7. Nickel Boys (PR: 7) (E)

8. Hit Man (PR: 5) (-3)

9. Joker: Folie à Deux (PR: 9) (E)

10. The Fire Inside (PR: 10 (E)

11. The Collaboration (PR: 13) (+2)

12. Here (PR: 11) (-1)

13. Inside Out 2 (PR: Not Ranked)

14. Gladiator II (PR: 14) (E)

15. The Actor (PR: 12) (-3)

Dropped Out:

Small Things like These

June 21-23 Box Office Predictions

**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million

The Bikeriders and The Exorcism enter a marketplace in which Inside Out 2 greatly exceeded expectations last weekend. The summer box office is finally looking up, but the two new entries could struggle for exposure. My detailed prediction posts on them can be accessed here:

The Bikeriders Box Office Prediction
The Exorcism Box Office Prediction

There’s no doubt that Inside Out 2 will be perched in 1st for a second weekend. A high 30s to low 40s decline would put it in the low to mid 90s. A sequel in its third frame – Bad Boys: Ride or Die – should remain in the runner-up slot with a mid 30s to 40% ease.

Now we get to the newbies. With decent reviews and the star power of Austin Butler, Tom Hardy, and Jodie Comer, The Bikeriders could still sputter with a third place showing. I think the big question is whether it reaches double digits and I have it barely accomplishing that minor goal.

As for The Exorcism, Russell Crowe’s second horror pic in as many years dealing with the subject matter probably won’t reach the $10 million that The Pope’s Exorcist did in April of 2023.

The five spot may go to holdover Kingdom of the Planet of the Apes in its seventh week of release and here’s how I have the high five playing out:

1. Inside Out 2

Predicted Gross: $93.6 million

2. Bad Boys: Ride or Die

Predicted Gross: $21.3 million

3. The Bikeriders

Predicted Gross: $10.5 million

4. Kingdom of the Planet of the Apes

Predicted Gross: $4.1 million

5. The Exorcism

Predicted Gross: $3.2 million

Box Office Results (June 14-16)

Disney/Pixar were feeling all the happy emotions as Inside Out 2 blasted past forecasts for the 2nd best animated opening of all time. That would also be the 2nd largest Pixar haul behind record holder Incredibles 2. The sequel to the 2015 Oscar winning blockbuster posted $154.2 million, way beyond my $92.4 million call. It’s also the biggest 2024 premiere thus far.

Bad Boys: Ride or Die only fell 40% after its huge start with $33.7 million, riding past my $29.8 million take. The fourth entry in the three-decade old franchise has amassed $113 million.

Kingdom of the Planet of the Apes actually rose 2% to $5.5 million in third, dwarfing my $3.1 million projection as this sequel’s six-week tally is $158 million.

The over performance of Inside Out 2 caused other family friendly titles to plummet. The Garfield Movie was fourth with $4.7 million (I said $6.1 million) for $78 million in four weeks. IF was fifth with $3.6 million (I said $4.9 million) for $101 million in five weeks.

Finally, The Watchers was sixth in its sophomore frame with $3.5 million compared to my $2.9 million prediction. The two-week total is $13 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Inside Out 2

Of the 23 Best Animated Feature Oscar winners (the category didn’t start until 2001), Disney/Pixar has taken 11 of them. The Mouse Factory itself has picked up an additional four through their traditionally animated tales. One of the Pixar winners is 2015’s Inside Out and the sequel is out this weekend. Kelsey Mann makes his directorial debut with a voice cast including Amy Poehler, Phyllis Smith, Lewis Black, Tony Hale, Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, Kensington Tallman, Diane Lane, and Kyle MacLachlan.

Due to Disney and Pixar’s aforementioned track record, it’s no surprise that Inside Out 2 was the frontrunner for gold sight unseen. With the review embargo lifted, is that still true? Probably, but it’s not a slam dunk.

Reviews are unsurprisingly positive with a 91% RT score. Some of the reaction has critics in their feels as they say it’s on par with the original that managed a 98% Fresh rating. Other write-ups, while mainly of the thumbs up variety, say it doesn’t match its predecessor.

Disney has lost the Academy’s animated prize for two years running. In 2022, Guillermo del Toro’s Pinocchio defeated Turning Red. Last year, The Boy and the Heron flew by Elemental. If the Oscars were held today, Inside Out 2 would likely emerge victorious. However, the year is only half over and other contenders are hoping to challenge it in the months to come. My Oscar Prediction posts will continue…

June 14-16 Box Office Predictions

Disney/Pixar looks to dominate the box office charts in a way they haven’t for some time with Inside Out 2. The sequel to the 2015 hit is the only newcomer in the marketplace and you can peruse my detailed prediction post on it here:

Inside Out 2 Box Office Prediction

After some fairly underwhelming grosses for the studio, Out could exceed the $90 million premiere achieved by its predecessor nine summers ago. I have it just doing so for what would be the fifth largest Pixar opening in its nearly three decade history.

Bad Boys: Ride or Die got off to a sizzling start (more on that below) and a mid to high 40s decline would have it in the $30 million range for its sophomore outing.

Spots 3 and 4 are likely to be a family friendly zone with The Garfield Movie and IF. Both will probably see slightly heftier declines than this past weekend considering the Mouse Factory competition.

Ishana Night Shyamalan’s horror debut The Watchers failed to attract genre viewers and I suspect its second weekend will see a dip in the 60% region. That could mean Kingdom of the Planet of the Apes stays in fifth with The Watchers in sixth.

Here’s how I see it playing out:

1. Inside Out 2

Predicted Gross: $92.4 million

2. Bad Boys: Ride or Die

Predicted Gross: $29.8 million

3. The Garfield Movie

Predicted Gross: $6.1 million

4. IF

Predicted Gross: $4.9 million

5. Kingdom of the Planet of the Apes

Predicted Gross: $3.1 million

6. The Watchers

Predicted Gross: $2.9 million

Box Office Results (June 7-9)

Will Smith can breathe a sigh of relief as Bad Boys: Ride or Die topped estimates with a boisterous $56.5 million. While that’s under the $62 million that 2020 predecessor Bad Boys for Life achieved, it’s still an impressive number considering this summer of underachievers. I didn’t give it enough credit with a $47.3 million forecast. For Smith, it’s a sign that moviegoers are willing to shell out their bucks after The Slap. Don’t be surprised to see him and Martin Lawrence back for a fifth adventure.

The Garfield Movie was second with a meager 29% slide at $10 million, ahead of my $8.9 million call. The three-week total is $68 million as it hopes to reach $100 million domestically.

IF only fell 25% for third at $7.8 million, in range with my $7.4 million projection. It is approaching nine digits with $93 million after four weeks.

The aforementioned The Watchers couldn’t capitalize on the Shyamalan family name as poor reviews sunk it. The gross was just $7 million for fourth compared to my $10.2 million estimate.

Kingdom of the Planet of the Apes rounded out the top five with $5.4 million (I said $6 million) for five-week earnings of $149 million.

Lastly, Furiosa: A Mad Max Saga plummeted another 61% in sixth with $4.2 million. I was kinder at $5.7 million as the prequel has only hit $58 million after three weeks.

And that does it for now, folks! Until next time…

Inside Out 2 Box Office Prediction

Disney/Pixar hope for a reversal of recent fortunes when Inside Out 2 arrives in theaters June 14th. A sequel to the 2015 megahit Animated Feature Oscar winner, Kelsey Mann takes over directorial duties from Pete Docter. Returning voices include Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan. Replacing Bill Hader from the original is Tony Hale while Liza Lapira, Maya Hawke, Ayo Edebiri, Adéle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman as the now teenage Riley join the cast.

Nine summers ago, the original made $90 million in its premiere frame with an eventual domestic tally of $356 million. That stands as the fifth largest opening of all time for Pixar and the sixth heftiest overall final take.

As mentioned, the studio has dealt with its own emotional rollercoasters as of late. 2022’s Lightyear was a high profile flop with a lowly (for Pixar) $118 million total. Last summer, Elemental fared better with $154 million while that’s still a ways from their typical numbers.

This sequel should brighten their emotions. Part 1 is well-regarded and family audiences should be primed for a second helping. Estimates have this making around what the predecessor accomplished out of the gate. It might manage slightly more. Each Toy Story, for instance, improved with the first weekend figures. Incredibles 2 and Finding Dory dwarfed the starts of their precursors.

I’ll go glass half full and say this just manages to outdo the original while not reaching nine digits in its first three days.

Inside Out 2 opening weekend prediction: $92.4 million

Oscar Predictions: Orion and the Dark

Orion and the Dark is streaming as of today on Netflix. Produced by DreamWorks Animation and marking the directorial debut of Sean Charmatz, the animated fantasy deals with themes of existentialism and fear. This is not too surprising considering the script comes from Charlie Kaufman, adapting Emma Yarlett’s children’s book. The voice cast includes Jacob Tremblay, Colin Hanks, Paul Walter Hauser, Angela Bassett, Ike Barinholtz, Natasia Demetriou, Nat Faxon, Carla Gugino, and Werner Herzog.

Kaufman is no stranger to the genre. He wrote and directed 2015’s Anomalisa. That critically acclaimed effort was up for Animated Feature at the Oscars, ultimately losing to Pixar’s Inside Out. Netflix knows how to get their animated material awards attention. Recent nominees include The Mitchells vs. the Machines, The Sea Beast, the victorious Guillermo del Toro’s Pinocchio, and Nimona.

Orion is getting a warm reception so far with 88% on Rotten Tomatoes. We don’t know yet what this category’s landscape will look like several months down the road. However, I wouldn’t underestimate the chances for this to make it in. My Oscar Prediction posts will continue…

Best Picture 2007: The Expanded Ten

Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in. It started with 2008 and that post can be accessed here:

Best Picture 2008: The Expanded Ten

We now move to 2007. And we, of course, know five movies that would make the cut. That would be the quintet of pics that got nominated. No Country for Old Men from the Coen Brothers was the night’s big winner with four victories: Picture, Director, Supporting Actor (Javier Bardem), and Adapted Screenplay. It also nabbed four additional nominations.

Tying Country for the most mentions is Paul Thomas Anderson’s There Will Be Blood with 8 nods and two wins for Actor (Daniel Day-Lewis) and Cinematography.

The other three contenders all took home one Oscar. Joe Wright’s Atonement received 7 noms and was victorious for the Original Score. Jason Reitman’s Juno tallied 4 mentions and a win in Original Screenplay. Tony Gilroy’s Michael Clayton achieved 7 nods with Tilda Swinton taking Supporting Actress.

Moving to the five pictures that I believe would’ve joined an expanded cut, Pixar strikes again. For 2008, I picked Wall-E as an addition. For 2007, the acclaimed Ratatouille had five nominations and a win for Animated Feature. I believe that’s enough that we would’ve seen it included.

The same goes for Julian Schnabel’s The Diving Bell and the Butterfly. Schnabel was in the mix for Best Director and it was also up in heavy hitter races Adapted Screenplay, Cinematography, and Film Editing. It could’ve been #6 on the board.

After that, it gets a little tricky. There are a few films that generated a couple of important nods, but didn’t manage to break out elsewhere. Away from Her saw Julie Christie in contention for Actress plus an Adapted Screenplay mention. The Savages saw Laura Linney in Best Actress along with Original Screenplay. The Assassination of Jesse James by the Coward Robert Ford made two lists for Supporting Actor (Casey Affleck and Cinematography). Yet its reputation has grown in time. Elizabeth: The Golden Age saw Cate Blanchett in Actress and it won Costume Design. 3:10 to Yuma was up for Original Score and Sound Mixing. Ultimately I decided none of these would make the dance.

The hardest film to leave off was The Bourne Ultimatum. The third chapter in Matt Damon’s action franchise went 3 for 3 by taking both Sound races (they’ve since been combined) and Film Editing. However, I just couldn’t pull the trigger on it finding a spot among the ten.

The second toughest to leave off is La Vie en Rose for which Marion Cotillard took home Best Actress (as well as a Makeup victory). It didn’t, on the other hand, score well in precursors.

So what other three pictures get in? Tim Burton’s Sweeney Todd: The Demon Barber of Fleet Street won Art Direction and was up for Actor (Johnny Depp) and Costume Design. It also nabbed a Critics Choice nod and won the Golden Globe for Musical/Comedy (over Juno).

The Globes and Critics Choice also found room for Ridley Scott’s American Gangster. It underperformed at Oscar with two inclusions for Supporting Actress and Art Direction. Yet I suspect it might’ve just made it.

Into the Wild from Sean Penn is my final pick. It was another underwhelming performer with two spots for Supporting Actor (Hal Holbrook) and Film Editing. The Critics Choice inclusion puts it barely over some of the aforementioned hopefuls.

There you have it! That means my expanded ten 2007 lineup consists of:

American Gangster

Atonement

The Diving Bell and the Butterfly

Into the Wild

Juno

Michael Clayton

No Country for Old Men

Ratatouille

Sweeney Todd: The Demon Barber of Fleet Street

There Will Be Blood

2006 will be up next!

Best Picture 2008: The Expanded Ten

Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.

We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.

David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).

Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).

The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.

Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.

I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.

For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.

Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.

All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).

Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.

So there you have it! That means my 2008 Best Picture expanded to ten is:

The Curious Case of Benjamin Button

The Dark Knight

Doubt

Frost/Nixon

Frozen River

Milk

The Reader

Revolutionary Road

Slumdog Millionaire

Wall-E

I’ll have 2007 up for your reading pleasure soon!

Oscar Predictions – Teenage Mutant Ninja Turtles: Mutant Mayhem

In what might be the most egregious Oscar snub in the history of the ceremony, Vanilla Ice’s iconic jam “Ninja Rap” was not (I repeat not) nominated for Original Song with 1991’s Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Therefore the six previous features in the TMNT franchise have had zero presence with the Academy in the 30 years+ of its existence.

That could very well change with Teenage Mutant Ninja Turtles: Mutant Mayhem. The animated pic that includes Seth Rogen and Evan Goldberg among its cowriters opens Wednesday, August 2nd. With the review embargo lifted, the Rotten Tomatoes score is a boisterous and rather shocking 98%! Many critics are saying this is the best Turtles offering the series has seen.

Best Animated Feature is absolutely in play. The catch could be the competition. Spider-Man: Across the Spider-Verse is guaranteed a slot and perhaps the win. Japan’s The Boy and the Heron is probably in and don’t discount Pixar’s Elemental. Disney also has this fall’s Wish and other hopefuls could pop up in the second half of the year.

Yet it’s hard to ignore the positivity for Donatello, Michelangelo, Raphael, and Leonardo. My hunch is that this quartet could make the quintet of animated features in contention. My Oscar Prediction posts will continue…

Summer 2013: The Top 10 Hits and More

This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.

Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.

Let the countdown begin!

10. The Great Gatsby

Domestic Gross: $144 million

Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.

9. We’re the Millers

Domestic Gross: $150 million

Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.

8. The Heat

Domestic Gross: $159 million

Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.

7. World War Z

Domestic Gross: $202 million

Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.

6. Star Trek Into Darkness

Domestic Gross: $228 million

JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.

5. Fast & Furious 6

Domestic Gross: $238 million

Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.

4. Monsters University

Domestic Gross: $268 million

The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.

3. Man of Steel

Domestic Gross: $291 million

The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.

2. Despicable Me 2

Domestic Gross: $368 million

Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.

1. Iron Man 3

Domestic Gross: $409 million

Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.

Now for some others worthy of discussion:

The Conjuring

Domestic Gross: $137 million

It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.

Now You See Me

Domestic Gross: $117 million

The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.

The Butler

Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.

Pacific Rim

Domestic Gross: $101 million

Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.

This Is the End

Domestic Gross: $101 million

This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.

The Purge

Domestic Gross: $64 million

This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.

Blue Jasmine

Predicted Gross: $33 million

That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.

Fruitvale Station

Domestic Gross: $16 million

Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.

There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.

The Hangover Part III

Domestic Gross: $112 million

Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.

Elysium

Domestic Gross: $93 million

Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.

The Lone Ranger

Domestic Gross: $89 million

I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.

White House Down

Predicted Gross: $73 million

Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).

After Earth

Predicted Gross: $60 million

Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.

The Internship

Domestic Gross: $44 million

Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.

R.I.P.D.

Predicted Gross: $33 million

It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.

And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…