Two new features vie for audience attention as romantic drama Reminders of Him and low-budget Canadian horror flick Undertone make their way to multiplexes. You can peruse my detailed prediction posts on them here:
It is highly unlikely that either comes close to bouncing Hoppers from a repeat performance in first. Reminders, based on a Colleen Hoover novel, should be second though I have it just topping $10 million for a subpar start.
I’m not expecting much from Undertone, but it could manage a 4th or 5th place showing considering The Bride! should plummet out of the top 5 after a dismal debut (more on that below).
Hoppers, as mentioned, should be #1 assuming a slide in the high 30s or low 40s with Scream 7 and Goat placing third and fourth.
Here’s how I see the top 6 shaking out:
1. Hoppers
Predicted Gross: $27.2 million
2. Reminder of Him
Predicted Gross: $10.4 million
3. Scream 7
Predicted Gross: $6.9 million
4. Undertone
Predicted Gross: $4.9 million
5. Goat
Predicted Gross: $4.3 million
6. The Bride!
Predicted Gross: $2.6 million
Box Office Results (March 6-8)
Disney/Pixar had a commendable opening for an original title as Hoppers earned $45.3 million, slightly topping my $43.6 million prediction. That’s a cut above recent studio originals Elemental and Elio which both failed to reach $30 million in their unveilings.
Scream 7 was runner-up and dropped a severe 73% in weekend #2 to $17 million, under my $19.5 million call. The latest franchise entry is up to $93 million.
The Bride!, Maggie Gyllenhaal’s monster mash with Jessie Buckley and Christian Bale, failed to collect RSVPs with only $7 million in third. I projected more at $10.3 million. With a reported $85 million price tag, this is a costly dud for Warner Bros.
Goat was fourth with $6.4 million (I said $5.8 million) as the animated tale has amassed $83 million in four weeks.
Wuthering Heights rounded out the top five with $3.7 million, in range with my $3.4 million forecast. The period romance, in its fourth week, stands at $78 million.
Disney/Pixar looks to jump to the top of the box office charts with Hoppers while Warner Bros hopes moviegoers RSVP for The Bride!, Maggie Gyllenhaal’s take on The Bride of Frankenstein starring Jessie Buckley and Christian Bale. You can peruse my detailed prediction posts on the newcomers here:
Recent original Pixar titles (Elemental, Elio) have struggled out of the gate with openings below $30 million. With encouraging reviews, I suspect that won’t be the case with Hoppers and I’m going with a start in the mid 40s.
As for The Bride!, I am forecasting a subpar premiere barely topping $10 million. As I mentioned in my post, the second weekend of Scream 7 and especially similar subject matter being covered in Guillermo del Toro’s Frankenstein on Netflix could hinder this.
Speaking of Scream 7, it had a terrific debut (more on that below) that easily set a franchise record. The horror genre usually sees substantial declines in their second frames and I envision a mid to high 60s plummet for the latest adventures of Ghostface. Goat and Wuthering Heights should round out the top five.
Here’s I how I envision it shaking out:
1. Hoppers
Predicted Gross: $43.6 million
2. Scream 7
Predicted Gross: $19.5 million
3. The Bride!
Predicted Gross: $10.3 million
4. Goat
Predicted Gross: $5.8 million
5. Wuthering Heights
Predicted Gross: $3.4 million
Box Office Results (February 27-March 1)
As mentioned, Scream 7 had no trouble making loud noises at multiplexes with a series best $63.6 million, trouncing the $44 million that 2023 predecessor Scream VI pulled in. It also eclipsed my meager $47.6 million prediction for the best start yet in 2026.
Goat dropped to second with $12 million, down only 29% for a three-week tally of $73 million. I went a little lower at $10.8 million.
Wuthering Heights was third with $6.7 million (I said $6.9 million) and its three-week total is $72 million. The Margot Robbie-Jacob Elordi romance should fall a bit short of nine digits.
I did not have the rest of the high five being populated with music docs, but that was the result. Twenty One Pilots: More Than We Ever Imagined was fourth with $3.7 million. The King was fifth as EPiC: Elvis Presley in Concert made $3.5 million to bring its earnings to nearly $8 million. Crime 101 was sixth with $3.7 million. I didn’t do a prediction for it and it’s made $30 million after three weeks.
I Can Only Imagine 2 fell a sharp 59% after a disappointing debut to $3.1 million in seventh. I forecasted a bit more at $4 million. The faith-based sequel stands at $13 million after ten days.
Send Help was eighth with $2.8 million (I went with $2.6 million) for a five-week gross of $59 million.
We are less than two weeks away from KPop Demon Hunters likely giving Netflix a Best Animated Feature victory at the Oscars for the 98th Academy Awards. This Friday, Disney/Pixar is releasing a sci-fi comedy that could easily make the quintet at the 99th. Daniel Chong’s Hoppers features a voice cast including Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, and Dave Franco.
With 96% on Rotten Tomatoes and a 77 Metacritic, reviews are strong enough that it should become the 21st Pixar title to nab a spot among the contending five. It should have competition from its own studio in the form of this summer’s Toy Story 4. Parts 3 and 4 won the prize and the first two probably would’ve had the category existed when they were released.
Hoppers also features an original song titled “Save the Day” from SZA and the Mouse House will probably mount a campaign for it in Original Song. Besides the fifth edition of Woody and Buzz, there will be other animated fare vying for the votes of Academy members in the coming months. Pixar’s first 2026 offering has already staked its claim for attention. My Oscar Prediction posts will continue…
On March 6th, Hoppers looks to jumpstart Disney/Pixar’s fortunes after the underwhelming Elio and before the anticipated summer juggernaut Toy Story 5. The animated sci-fi comedy marks the feature-length directorial debut from Daniel Chong. Voiceover contributors include Piper Curda, Bobby Moynihan, Jon Hamm, Kathy Najimy, Dave Franco, Eduardo Franco, Aparna Nancherla, Sam Richardson, Melissa Villaseñor, Isiah Whitlock Jr., Ego Nwodim, Vanessa Bayer, and Meryl Streep.
Two of the last three Pixar big screen offerings failed to reach $30 million in their opening weekends. While 2024’s Inside Out 2 surpassed $150 million in its premiere, original material struggled. 2023’s Elemental kicked off with $29 million though it legged out impressively with $154 million domestically overall. That was not the case with last summer’s Elio. It only earned $20 million initially and $72 million when all was said and done stateside.
Projections for Hoopers are all over the place. Depending on who you read, it could fail to launch in the low 20s or get to $50 million. With decent word-of-mouth, I am forecasting it gets to mid 40s.
The box office should come down to Earth a bit this weekend after Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle smashed the opening weekend record for an anime title. We have football themed horror thriller Him starring Marlon Wayans, fantastical drama A Big Bold Beautiful Journey with Margot Robbie and Colin Farrell and football themed inspirational tale The Senior featuring Michael Chiklis opening. You can peruse my detailed prediction posts on the newcomers here:
Him, from Jordan Peele’s production house, should have bragging rights in 1st position though my low 20s take puts it well behind what other recent horror flicks have achieved.
The other newcomers might not make the top 5. Journey is a head scratcher. As I pointed out in the long post, this is Robbie’s first significant project since Barbie and you’d think there would be more hype. My mid single digits estimate has it in sixth.
As for The Senior, Angel Studios dusted it off after it premiered at a Floridian film festival two years back. Their marketing might get this to mid single digits (if they’re lucky) for seventh place.
Demon Slayer indeed slayed this past weekend (more on that below). These types of anime offerings are typically front loaded and I expect that to be case here. A sophomore drop in the mid to high 70s would give it mid teens and it certainly could repeat in 1st if Him underwhelms.
Being that I’m unconvinced about Journey and The Senior, holdovers The Conjuring: Last Rites, Downton Abbey: The Grand Finale and The Long Walk could populate the rest of the high five.
Here’s how I see the top 7 shaking out:
1. Him
Predicted Gross: $20.3 million
2. Demon Slayer: Kimsetsu no Yaiba – The Movie: Infinity Castle
Predicted Gross: $16.2 million
3. The Conjuring: Last Rites
Predicted Gross: $12.4 million
4. Downton Abbey: The Grand Finale
Predicted Gross: $6.5 million
5. The Long Walk
Predicted Gross: $6.2 million
6. A Big Bold Beautiful Journey
Predicted Gross: $4.8 million
7. The Senior
Predicted Gross: $3.3 million
Box Office Results (September 12-14)
Demon Slayer (I’ve tired of writing the rest of its name) lived up to its late breaking hype with a gargantuan haul of $70.6 million, above my $64.6 million projection. The Crunchyroll release capitalized on unprecedented domestic interest in the genre as it attained the status of an event picture.
The Conjuring: Last Rites, after its own huge start, dropped an understandable 69% to second with $25.6 million. I predicted a tad more at $28.5 million. The two-week tally is a scary good $130 million as it nears the $137 million franchise record held by 2013’s original.
Downton Abbey: The Grand Finale managed to slightly outdo its 2022 predecessor in third with $18.1 million. My guesstimate? $18.1 million! This should also be front loaded and I’m thinking a low to mid 60s fall for this weekend.
Stephen King adaptation The Long Walk was fourth with $11.7 million compared to my $8.7 million call. Solid critical reaction likely helped push it past double digits.
The 30th anniversary re-release of Pixar’s inaugural effort Toy Story rounded out the top five with $3.4 million. I didn’t do a prediction for it. The additional dollars brought its three decade old total to $195 million (or over $400 million stateside adjusted for inflation).
Finally, mockumentary sequel Spinal Tap II: The End Continues flopped in ninth (at least it didn’t go to 11th) with $1.6 million. I was more generous at $3.4 million as interest wasn’t present for the sequel to the classic 1984 original.
Jurassic World Rebirth achieved the third best debut of 2025, but Superman will attempt to do the same on Friday. James Gunn’s DC reboot of the iconic superhero franchise is the only new wide release this weekend and you can peruse my detailed prediction post here:
In order to reach that third best mark, it’ll need to top Rebirth‘s low 90s start (more on that below). I’m projecting it’ll do so with plenty of room to spare while not reaching the heights of A Minecraft Movie or Lilo & Stitch. My mid to high 120s projection puts it just ahead of 2013’s Man of Steel which kicked off the previous iteration of the series.
As for Rebirth, I’m estimating a sophomore drop around 60%. That would it in line with the second weekend dips for Jurassic Park III, Jurassic World: Fallen Kingdom, and Jurassic World: Dominion. It is possible that the Superman competition and the ho-hum B Cinemascore could mean a more precipitous fall.
Holdovers F1, How to Train Your Dragon, and Elio should populate the rest of the top 5 and here’s how I envision it shaking out:
1. Superman
Predicted Gross: $128.6 million
2. Jurassic World Rebirth
Predicted Gross: $34.2 million
3. F1
Predicted Gross: $13.3 million
4. How to Train You Dragon
Predicted Gross: $6.8 million
5. Elio
Predicted Gross: $3.5 million
Box Office Results (July 4-6)
Jurassic World Rebirth didn’t match the grosses of the three previous Jurassic World experiences. The dino adventure from Gareth Edwards did, however, manage to outdo most expectations including mine. It ruled over the holiday frame with $92 million from Friday to Sunday and $147.8 million since its Wednesday bow. That exceeds my respective forecasts of $80.8 million and $133 million. The long-running franchise is certainly not extinct and we can anticipate future sequels.
I miscalculated the staying power of F1 in its second lap. The racing drama was second with $25.7 million (a 55% ease). My $39.7 million estimate was obviously far more generous as I assumed word-of-mouth would carry it to a sturdier hold. The ten-day take is still a commendable $109 million and the overseas earnings are impressive.
How to Train Your Dragon was third with $11.2 million, a bit below my $12.9 million call. The live-action remake of the animated pic is up to $224 million in four weeks.
Disney/Pixar’s woes continued as the disappointing Elio was fourth with $5.7 million (I said $6.2 million). The three-week total is just $55 million.
28 Years Later rounded out the top five with $4.5 million. My prediction? $4.5 million! It’s made $60 million in three weeks.
KPop Demon Hunters hit Netflix a couple weeks back and the animated feature’s title is accurate. The musical fantasy finds an all-girl group moonlighting as crime fighters. Maggie Kang and Chris Applehans direct with a voice cast including Arden Cho, Ayn Hyo-seop, May Hong, Ji-young Yoo, Yunjin Kim, Daniel Dae Kim, Ken Jeong, and Lee Byung-hun.
Midway through 2025, we don’t have any slam dunks in the Animated Feature race. Pixar’s Elio is a box office disappointment with good but not great reviews. Potential heavy hitters like Zootopia 2 from the Mouse House and Little Amélie or The Character of Rain from GKIDS await.
However, Hunters has surprised with strong reviews and high viewing numbers on the streamer. The Rotten Tomatoes score is 97% with Metacritic at 77. That’s certainly solid enough for it to play in Animated Feature. It might come down to the campaign that Netflix mounts as their upcoming In Your Dreams will vie for the prize as well. My Oscar Prediction posts will continue…
Dinosaurs seek to rule the Independence Day weekend courtesy of the seventh feature in the 32-year-old franchise with Jurassic World Rebirth. It is the only wide release newcomer stomping into multiplexes over the holiday and you can peruse my detailed prediction post on it here:
The Jurassic series has proven itself to be critic proof in recent years and that should come into play with the new installment starring Scarlett Johansson. An opening weekend in nine figures is unlikely since it premieres on Wednesday (the last three World‘s achieved $100M+ out of the gate but debuted on traditional Friday to Sunday frames). I’m projecting a three-day in the $80 million ballpark with $130M+ when factoring in Wednesday and Thursday.
After a sizzling start, F1 with Brad Pitt will drop to second. With an A Cinemascore grade and appeal to adult moviegoers, you can expect impressive holds in the weekends to come. This may only ease around 30% and don’t be shocked if it’s even a little less for a strong runner-up position.
Holdovers will populate 3-6 with How to Train Your Dragon firmly in third and the lackluster Elio in fourth. Numbers five and six could be close between sequels 28 Years Later and M3GHAN 2.0, which short-circuited over the weekend.
Here’s how I see it playing out:
1. Jurassic World Rebirth
Predicted Gross: $80.8 million (Friday to Sunday); $133 million (Wednesday to Sunday)
2. F1
Predicted Gross: $39.7 million
3. How to Train Your Dragon
Predicted Gross: $12.9 million
4. Elio
Predicted Gross: $6.2 million
5. 28 Years Later
Predicted Gross: $4.5 million
6. M3GAN 2.0
Predicted Gross: $4.2 million
Box Office Results (June 27-29)
F1 or F1: The Movie, Joseph Kosinski’s follow-up to Top Gun: Maverick, revved up impressive results with $57 million, lapping my $46.2 million prediction. It also performed with top-notch earnings overseas. As mentioned, word-of-mouth should keep this in the zeitgeist over the weekends to come. A sequel is already in the planning stages.
How to Train Your Dragon, after two weeks atop the charts, was second with $19.5 million. That’s in line with my $19.1 million forecast as the live-action remake has fired up $200 million in three weeks.
Elio, after a worst ever Pixar premiere, didn’t hold up well in third with $10.4 million. I was more generous at $13 million as its sophomore plunge was a steep 50% (especially for its studio). This is undoubtedly one of the summer’s most significant flops.
Same goes for M3GAN 2.0. The sequel eschewed horror for a campier sci-fi tone and audiences rejected it. The fourth place showing was a DOA $10.2 million compared to the original’s $30 million. There’s no spinning that result for Blumhouse.
Finally, zombie threequel 28 Years Later plummeted 67% in its second outing with $9.7 million compared to my $12.6 million take. The ten-day tally is $50 million.
Previously on the blog, I wrote a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 in recently years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned numerous posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them! Also – I still need to write these posts for 2023 and 2024. They’re coming.**
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five movies that I believe would’ve gotten in. I’ve already covered 2005-08 and you can peruse my posts on them here:
We move to 2004. There’s an obvious five pictures that would’ve made the cut and that’s the group that were nominated. It begins with Clint Eastwood’s Million Dollar Baby. That boxing drama made a late surge 21 years back and took four trophies – Picture, Director, Actress (Hilary Swank), and Supporting Actor and was nominated for three more.
Martin Scorsese’s The Aviator scored a ceremony high 11 nods and won five – Cate Blanchett in Supporting Actress, Art Direction, Cinematography, Costume Design, and Film Editing. Finding Neverland from Marc Forster landed 7 nominations with a victory in Original Score. Taylor Hackford’s musical biopic Ray made Jamie Foxx a Best Actor victor and won Sound Editing in addition to nods in BP, Director, and two tech races. Alexander Payne’s Sideways was also up for Director, two acting races (though notably not Paul Giamatti in lead actor), and was the recipient of Adapted Screenplay.
That’s the quintet we know. Now we can speculate. And that begins with an unlikely contender in Michael Moore’s Fahrenheit 9/11. Moviegoers of a certain younger age may not recall. but the documentarian’s critical look at George W. Bush’s presidency and the Iraq War was a Palme d’Or winner at Cannes, a critical smash, and became the highest grossing documentary of all time in the summer of 2004. However, Moore chose not to submit Fahrenheit for consideration in Documentary Feature where it probably would’ve been a lock to win that prize.
Fahrenheit was, however, eligible for BP. And this is the rare place on the blog where I will speak of politics coming into play. Had President Bush lost reelection in 2004, Fahrenheit might’ve been seen as a contributing factor. And in Hollywood, that might’ve been enough to earn it a spot among the theoretical 10 nominees. That did not happen and I’m therefore not including it among the expanded contenders.
While Fahrenheit is a question mark, there are some features that I feel strongly would have made the longer list. Mike Leigh’s Vera Drake was up for Director, Actress (Imelda Staunton), and Original Screenplay. Michel Gondry’s Eternal Sunshine of the Spotless Mind was the winner in Original Screenplay while Kate Winslet was up in Actress (though Jim Carrey was notably snubbed in Actor). Hotel Rwanda was also nominated in Original Screenplay along with performers Don Cheadle and Sophie Okenedo.
In previous posts covering2007-2008, Ratatouille and Wall-E made the expanded 10. For 2004, same goes for The Incredibles. The Pixar property was the Animated Feature and Sound Editing honoree and it had nominations in (you guessed it) Original Screenplay and Sound Mixing.
That leaves one spot and there’s lots of contenders. Mel Gibson’s The Passion of the Christ was a box office smash that was up for Original Score, Cinematography, and Makeup. Yet I question whether the Academy would’ve gone for it even with five added possibilities.
Collateral from Michael Mann saw Jamie Foxx as a double nominee in Supporting Actor and a Film Editing nod. Closer had supporting nominations for Clive Owen and Natalie Portman. If it had managed a Screenplay nomination, I might’ve included it. Various tech nominations were bestowed upon Harry Potter and the Prisoner of Azkaban, Lemony Snicket’s A Series of Unfortunate Events, The Phantom of the Opera, Spider-Man 2, and A Very Long Engagement. If this were a do-over list, Azkaban probably would get in considering many believe it’s the best of the franchise. I don’t believe you’d see it at the time. Same goes for the second Spidey adventure.
For the tenth spot (and it’s admittedly a tricky one), I’m settling on The Motorcycle Diaries from Walter Salles. Diaries was subject to controversy at the Oscars in the Best Foreign Language Film (now International Feature Film) competition. The Academy ruled it ineligible in that race because “it didn’t have sufficient elements from any of the countries to qualify” (huh?). It still picked up nods in Adapted Screenplay and won Original Song. With a doubling of nominees, I think voters would’ve found room for it. That’s especially since it should have been a lock in the foreign derby.
Racing drama F1: The Movie starring Brad Pitt looks to finish first this weekend while campy horror sequel M3GAN 2.0 aims for a strong second. You can peruse my detailed prediction posts on the newbies here:
The range for F1 could be wide and it wouldn’t surprise me if it topped $50 million. The low bar appears to be in the mid 30s. With mostly solid reviews and fans of the sport likely to turn up (that could be more significant overseas), I’m going with a mid 40s premiere.
I’m definitely going on the lower end of the spectrum for M3GAN 2.0, the follow-up to 2023’s surprise hit. As I wrote in my post, I’m not convinced audiences are clamoring for the title character’s return. My low 20s projection puts it in the runner-up spot though not by much.
Current two-week champ How to Train Your Dragon could lose close to half its sophomore frame crowd for high teens in third. The four and five spot could be close between Elio and 28 Years Later in their second outings. The former had a historically weak debut (more on that below) while 28 Years also kicked off at the bottom portion of its anticipated spread. I suspect Elio will have a much better hold than Danny Boyle’s zombie threequel.
Here’s how I envision the top 5 playing out:
1. F1: The Movie
Predicted Gross: $46.2 million
2. M3GAN 2.0
Predicted Gross: $21.7 million
3. How to Train Your Dragon
Predicted Gross: $19.1 million
4. Elio
Predicted Gross: $13 million
5. 28 Years Later
Predicted Gross: $12.6 million
Box Office Results (June 20-22)
How to Train Your Dragon managed to stay atop the charts, but it did have a heftier decline that I figured. The live-action remake of the DreamWorks animated original brought in $36.5 million compared to my $41.6 prediction for $160 million in its initial ten days.
28 Years Later was second with $30 million, not matching my $33.7 million call. While that’s easily the strongest debut of the trilogy (it’s been eighteen years since its predecessor), some prognosticators had this pegged at $35-$40 million. With a so-so B Cinemascore, the dip this weekend could be pronounced.
Pixar experienced its smallest debut ever courtesy of Elio at $20.8 million. I was slightly more generous with $24.5 million. Despite mostly solid reviews, the original story struggled to find its family audience as remakes and sequels dominate the season. It will hope for smallish declines in the weekends to come (something that occurred with 2023’s Elemental after its uninspired beginning).
Lilo & Stitch was fourth with $9.7 million, eclipsing my $8.1 million take. This live-action remake of an animated property now sits at $386 million after five weeks with $400M+ firmly in its sights.
Mission: Impossible – The Final Reckoning rounded out the top five with $6.4 million (I said $6.5 million) as the franchise finale(?) has made $178 million in five weeks.
Finally, Materialists was sixth in weekend #2 with $5.8 million, a bit under my $6.6 million forecast. The ten-day tally is $23 million.
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