Two significant Academy precursors are coming our way tomorrow when the Directors and Producers Guilds of America reveal nominees. Both groups could shed major light on who and what we will see on Oscar nomination morning in less than two weeks.
The DGA nominates five directors for their top prize and it is a reliable preview for usually 4 of the 5 eventual hopefuls at the big show. In the past five years, the DGA’s list corresponds with the Academy’s on the 4 of 5 ratio. The exception was 2018 when it was 3/5. You have to go back to 2009 to find the last year in which there was a perfect match.
For weeks, my Oscar projections in Best Director has remained consistent: Paul Thomas Anderson (Licorice Pizza), Kenneth Branagh (Belfast), Jane Campion (The Power of the Dog), Steven Spielberg (West Side Story), and Denis Villeneuve (Dune). That’s probably the safest lineup to predict for DGA as well, but I’m hesitant to do so since it’s been over a decade with the two corresponding.
So who’s vulnerable and who could rise up? It’s hard to see Campion (the Oscar frontrunner), Villeneuve, or Spielberg missing. Same generally goes for Branagh though there’s whispers that Belfast could be slipping a bit (still not enough for me to take him out). That leaves Anderson and there’s some precedent. In 2017, the Academy nominated him for Phantom Thread while DGA omitted him. He’s the easiest to leave off their ballot.
Who takes his place? I doubt that it’s Ryusuke Hamaguchi for Drive My Car. In recent times, the Academy has been more generous with nods for filmmakers and their international features. Last year, they nominated Thomas Vinterberg (Another Round) and in 2018 they did the same for Pawel Pawlikowski (Cold War) while DGA ignored them.
If there’s a surprise fifth nominee in store, watch out for Guillermo del Toro (Nightmare Alley), Maggie Gyllenhaal (The Lost Daughter) or Sian Heder (CODA). However, I think it could come down to Joel Coen (The Tragedy of Macbeth) and Adam McKay (Don’t Look Up). The latter is a two-time DGA nominee (The Big Short and Vice) and Don’t Look Up is a buzzy streaming success story that’s been widely viewed. Coen, on the other hand, could be honored for the technical mastery of Macbeth.
This is a close call, but I’m ever so slightly leaning toward McKay and I’ll go that route. Therefore – my official DGA predictions are:
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Adam McKay, Don’t Look Up
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Runner-Up: Paul Thomas Anderson, Licorice Pizza
Second Alternate: Joel Coen, The Tragedy of Macbeth
Let’s move to the PGA, shall we? Over the last five years, these are the matches between the Producers and the Academy when it comes to their Best Picture awards:
2016: 9/9
2017: 7/9
2018: 8/8
2019: 9/9
2020: 7/8
It’s important to keep in mind that the Academy, for the past several years, can have anywhere between 5-10 BP contenders (the magic number has been 8 or 9). Yet in 2021, the Oscars are reverting back to a set 10 (the PGA always nominates 10 except for 2017 when they had 11 for some inexplicable reason).
That means there’s only been three films (Darkest Hour and Phantom Thread in 2017 and The Father in 2020) that received Oscar nods and didn’t materialize on the PGA list.
My current 10 selections for BP from the Academy are as follows: Belfast, CODA, Don’t Look Up, Dune, House of Gucci, King Richard, Licorice Pizza, The Power of the Dog, The Tragedy of Macbeth, West Side Story.
I’m estimating that only Gucci and Tragedy could be truly vulnerable to miss the PGA cut (anything else being left off would constitute a pretty big surprise). If that happens, CODA or Richard might be the ones.
In my view, Tragedy is exactly the kind of feature that PGA may not recognize. Gucci is more of a question mark as the Producers generally like to nominate pictures that performed well at the box office. To that point, the PGA has a history of honoring moneymakers that the Academy does not. Recent examples include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, Crazy Rich Asians, A Quiet Place, and Knives Out.
That could absolutely open the door for No Time to Die or Spider-Man: No Way Home… or both. I’m slightly more hesitant to include Spidey being that neither Avengers: Infinity War or Endgame got PGA love. However, I’m not oblivious to the fact that this guild may want to mention the picture that broke pandemic era box office records.
Outside of the blockbuster mold, you could also see titles like Being the Ricardos, Drive My Car, The Lost Daughter, Nightmare Alley, or Tick, Tick… Boom! factor in.
I’m keeping Gucci in (with extreme uncertainty) and projecting 007 in the mega-earner slot so here’s my PGA ten:
Belfast
CODA
Don’t Look Up
Dune
House of Gucci
King Richard
Licorice Pizza
No Time to Die
The Power of the Dog
West Side Story
Runner-Up: Spider-Man: No Way Home
Second Alternate: The Tragedy of Macbeth
So there you have it! I’ll have reaction up on both DGA and PGA tomorrow on the blog…
In the previous decade, the winner of the Producers Guild of America (PGA) best motion picture ended up matching with the eventual Oscar recipient 70% of the time. So it’s no wonder that all eyes of prognosticators were on tonight’s ceremony. Would the PGA do anything to interrupt the narrative that Chloe Zhao’s Nomadland is a sturdy favorite to take the Academy’s gold?
The answer? No. Nomadland received yet another honor from the PGA to go with its Golden Globe for Best Drama, Critics Choice Award, and numerous regional group best pic designations. Had Minari or Promising Young Woman or The Trial of the Chicago 7 won, it might have created more suspense for the Oscar ceremony happening on April 25th. Yet the PGA victory is another arrow in the quiver for Zhao’s achievement.
If you’re another movie hoping to best Nomadland, the PGA and the Academy have differed three times in the last five years. In 2015, the Guild picked The Big Short over Spotlight. In 2016, it was La La Land instead of Moonlight. Last year – 1917 over Parasite.
As for other races, Disney/Pixar’s Soul, as expected, took animated feature and it remains a major frontrunner at the big show. The documentary category went to My Octopus Teacher and that certainly puts it in serious contention in one month.
Bottom line: Nomadland is rolling and nothing may be able to stop it.
February 21st was the last date I published Oscar predictions and a lot has changed since then. We have had the Golden Globes and Critics Choice Awards. The PGA nominations came out today. All of those events have altered categories below. This also serves as the penultimate estimates as the actual nominations come out a week from today!
Let me break down the big changes in the major races:
In Best Picture, it’s Judas and the Black Messiah in my projected nine nominees. I have finally eliminated Spike Lee’s Da 5 Bloods from the mix. Contrary to several prognosticators and despite its notable PGA omission, I still have News of the World on my board. Titles like Sound of Metal and The Father still lurk.
Emerald Fennell (Promising Young Woman) makes her first appearance for Best Director and that drops Regina King (One Night in Miami)
Steven Yeun (Minari) vaults into the Actor race with Delroy Lindo (Da 5 Bloods) falling. In fact, I now only have Bloods getting one nomination and that’s Chadwick Boseman in Supporting Actor. I’m not super confident in that anymore since he appears to a heavy favorite to win Best Actor for Ma Rainey’s Black Bottom
The fifth slot for Supporting Actor is now filled by David Strathairn (Nomadland) over Mark Rylance (The Trial of the Chicago 7)
Maria Bakalova’s comedic work in Borat Subsequent Moviefilm nabs the fifth Supporting Actress spot over Helena Zengel (News of the World).
In addition to these changes, we have new number ones in Best Picture (Nomadland over Trial), Supporting Actor (Daniel Kaluuya from Judas and the Black Messiah over Sacha Baron Cohen in Trial), and Supporting Actress (The Father‘s Olivia Colman over Hillbilly Elegy‘s Glenn Close).
Now… about Supporting Actress. While Boseman, Carey Mulligan (Promising Young Woman), and Kaluuya can rightly be called front runners in their respective categories, I’ve never seen Supporting Actress more wide open. I have Colman listed at #1 because she’s the only performer that I’m saying gets a nod with relative confidence. There’s no favorite (or favourite if you will) at the moment. Maybe the SAG Awards will help clear it up. Doubtful.
You can peruse all the activity below and I’ll have my final predictions up this Friday!
Best Picture
Predicted Nominees:
1. Nomadland (Previous Ranking: 2)
2. The Trial of the Chicago 7 (PR: 1)
3. Mank (PR: 3)
4. Minari (PR: 6)
5. Ma Rainey’s Black Bottom (PR: 4)
6. One Night in Miami (PR: 5)
7. Promising Young Woman (PR: 7)
8. News of the World (PR: 8)
9. Judas and the Black Messiah (PR: 10)
Other Possibilities:
10. Sound of Metal (PR: 12)
11. The Father (PR: 11)
12. Da 5 Bloods (PR: 9)
13. Soul (PR: 13)
14. Borat Subsequent Moviefilm (PR: Not Ranked)
15. The Mauritanian (PR: Not Ranked)
Dropped Out:
First Cow
Another Round
Best Director
Predicted Nominees:
1. Chloe Zhao, Nomadland (PR: 1)
2. David Fincher, Mank (PR: 2)
3. Aaron Sorkin, The Trial of the Chicago 7 (PR: 3)
4. Lee Isaac Chung, Minari (PR: 5)
5. Emerald Fennell, Promising Young Woman (PR: 6)
Other Possibilities:
6. Regina King, One Night in Miami (PR: 4)
7. Florian Zeller, The Father (PR: 7)
8. George C. Wolfe, Ma Rainey’s Black Bottom (PR: 9)
9. Shaka King, Judas and the Black Messiah (PR: 10)
10. Spike Lee, Da 5 Bloods (PR: 8)
Best Actress
Predicted Nominees:
1. Carey Mulligan, Promising Young Woman (PR: 1)
2. Frances McDormand, Nomadland (PR: 3)
3. Viola Davis, Ma Rainey’s Black Bottom (PR: 2)
4. Andra Day, The United States vs. Billie Holiday (PR: 5)
5. Vanessa Kirby, Pieces of a Woman (PR: 4)
Other Possibilities:
6. Sophia Loren, The Life Ahead (PR: 8)
7. Rosamund Pike, I Care a Lot (PR: Not Ranked)
8. Amy Adams, Hillbilly Elegy (PR: 6)
9. Zendaya, Malcolm & Marie (PR: 7)
10. Michelle Pfeiffer, French Exit (PR: 10)
Dropped Out:
Sidney Flanigan, Never Rarely Sometimes Always
Best Actor
Predicted Nominees:
1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 1)
2. Anthony Hopkins, The Father (PR: 2)
3. Riz Ahmed, Sound of Metal (PR: 3)
4. Gary Oldman, Mank (PR: 4)
5. Steven Yeun, Minari (PR: 6)
Other Possibilities:
6. Delroy Lindo, Da 5 Bloods (PR: 5)
7. Mads Mikkelsen, Another Round (PR: 7)
8. Tahar Rahim, The Mauritanian (PR: 8)
9. Kingsley Ben-Adir, One Night in Miami (PR: 9)
10. Tom Hanks, News of the World (PR: 10)
Best Supporting Actress
Predicted Nominees:
1. Olivia Colman, The Father (PR: 3)
2. Glenn Close, Hillbilly Elegy (PR: 1)
3. Youn Yuh-jung, Minari (PR: 4)
4. Amanda Seyfried, Mank (PR: 2)
5. Maria Bakalova, Borat Subsequent Moviefilm (PR: 7)
Other Possibilities:
6. Maria Bakalova, Borat Subsequent Moviefilm (PR: 7)
6. Jodie Foster, The Mauritanian (PR: 8)
7. Helena Zengel, News of the World (PR: 5)
8. Ellen Burstyn, Pieces of a Woman (PR: 6)
9. Saoirse Ronan, Ammonite (PR: 9)
10. Dominique Fishback, Judas and the Black Messiah (PR: 10)
Best Supporting Actor
Predicted Nominees:
1. Daniel Kaluuya, Judas and the Black Messiah (PR: 3)
2. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 1)
3. Leslie Odom, Jr., One Night in Miami (PR: 2)
4. Chadwick Boseman, Da 5 Bloods (PR: 4)
5. David Strathairn, Nomadland (PR: 9)
Other Possibilities:
6. Mark Rylance, The Trial of the Chicago 7 (PR: 5)
7. Paul Raci, Sound of Metal (PR: 6)
8. Jared Leto, The Little Things (PR: 8)
9. Bill Murray, On the Rocks (PR: 7)
10. Alan Kim, Minari (PR: Not Ranked)
Dropped Out:
Glynn Turman, Ma Rainey’s Black Bottom (PR: 10)
Best Original Screenplay
Predicted Nominees:
1. The Trial of the Chicago 7 (PR: 1)
2. Promising Young Woman (PR: 2)
3. Mank (PR: 3)
4. Minari (PR: 4)
5. Judas and the Black Messiah (PR: 6)
Other Possibilities:
6. Sound of Metal (PR: 5)
7. Da 5 Bloods (PR: 7)
8. Soul (PR: 9)
9. Never Rarely Sometimes Always (PR: 8)
10. Palm Springs (PR: 10)
Best Adapted Screenplay
Predicted Nominees:
1. Nomadland (PR: 1)
2. One Night in Miami (PR: 2)
3. Ma Rainey’s Black Bottom (PR: 3)
4. The Father (PR: 4)
5. News of the World (PR: 6)
Other Possibilities:
6. First Cow (PR: 5)
7. Borat Subsequent Moviefilm (PR: 10)
8. I’m Thinking of Ending Things (PR: 7)
9. The Mauritanian (PR: Not Ranked)
10. The White Tiger (PR: 8)
Dropped Out:
Emma
Best Animated Feature
Predicted Nominees:
1. Soul (PR: 1)
2. Wolfwalkers (PR: 2)
3. Onward (PR: 4)
4. Over the Moon (PR: 3)
5. The Croods: A New Age (PR: 5)
Other Possibilities:
6. The Willoughbys (PR: 6)
7. Shaun the Sheep Movie: Farmageddon (PR: 7)
8. Trolls World Tour (PR: Not Ranked)
9. Bombay Rose (PR: 8)
10, Earwig and the Witch (PR: 10)
Dropped Out:
Demon Slayer
Best Documentary Feature
Predicted Nominees:
1. Time (PR: 1)
2. All In: The Fight for Democracy (PR: 2)
3. Dick Johnson Is Dead (PR: 3)
4. Welcome to Chechnya (PR: 5)
5. Boys State (PR: 4)
Other Possibilities:
6. Collective (PR: 6)
7. Crip Camp (PR: 7)
8. The Truffle Hunters (PR: 8)
9. 76 Days (PR: 9)
10. The Mole Agent (PR: 10)
Best International Feature Film
Predicted Nominees:
1. Another Round (PR: 1)
2. Quo Vadis, Aida? (PR: 2)
3. Collective (PR: 5)
4. Two of Us (PR: 4)
5. A Sun (PR: 3)
Other Possibilities:
6. La Llorona (PR: 9)
7. I’m No Longer Here (PR: 7)
8. Dear Comrades! (PR: 8)
9. Night of the Kings (PR: 6)
10. The Mole Agent (PR: 10)
Best Cinematography
Predicted Nominees:
1. Nomadland (PR: 2)
2. Mank (PR: 1)
3. News of the World (PR: 3)
4. Judas and the Black Messiah (PR: 5)
5. Minari (PR: 4)
Other Possibilities:
6. Tenet (PR: 7)
7. The Trial of the Chicago 7 (PR: 8)
8. Da 5 Bloods (PR: 6)
9. Ma Rainey’s Black Bottom (PR: 9)
10. The Midnight Sky (PR: 10)
Best Costume Design
Predicted Nominees:
1. Ma Rainey’s Black Bottom (PR: 1)
2. Mank (PR: 2)
3. Emma (PR: 3)
4. Mulan (PR: 4)
5. The Trial of the Chicago 7 (PR: 6)
Other Possibilities:
6. News of the World (PR: 9)
7. Promising Young Woman (PR: 10)
8. The United States vs. Billie Holiday (PR: 5)
9. The Glorias (PR: 8)
10. The Personal History of David Copperfield (PR: 7)
Best Film Editing
Predicted Nominees:
1. The Trial of the Chicago 7 (PR: 1)
2. Nomadland (PR: 3)
3. Mank (PR: 2)
4. News of the World (PR: 4)
5. Sound of Metal (PR: Not Ranked)
Other Possibilities:
6. The Father (PR: 6)
7. Promising Young Woman (PR: 8)
8. Tenet (PR: 7)
9. Da 5 Bloods (PR: 5)
10. Judas and the Black Messiah (PR: 9)
Dropped Out:
One Night in Miami
Best Makeup and Hairstyling
Predicted Nominees:
1. Ma Rainey’s Black Bottom (PR: 1)
2. Hillbilly Elegy (PR: 2)
3. Emma (PR: 4)
4. Mank (PR: 3)
5. Birds of Prey (PR: 5)
Other Possibilities:
6. Pinocchio (PR: 6)
7. The Glorias (PR: 7)
8. Jingle Jangle: A Christmas Journey (PR: 10)
9. The Little Things (PR: 9)
10. One Night in Miami (PR: 8)
Best Original Score
Predicted Nominees:
1. Soul (PR: 1)
2. Mank (PR: 2)
3. News of the World (PR: 3)
4. The Midnight Sky (PR: 4)
5. Tenet (PR: 6)
Other Possibilities:
6. Minari (PR: 5)
7. The Trial of the Chicago 7 (PR: 7)
8. Da 5 Bloods (PR: 9)
9. Ammonite (PR: 10)
10. The Little Things (PR: 8)
Best Original Song
Predicted Nominees:
1. “Speak Now” from One Night in Miami (PR: 1)
2. “lo Si” from The Life Ahead (PR: 2)
3. “Fight for You” from Judas and the Black Messiah (PR: 4)
4. “Hear My Voice” from The Trial of the Chicago 7 (PR: 3)
5. “Turntables” from All In: The Fight for Democracy (PR: 5)
Other Possibilities:
6. “Never Break” from Giving Voice (PR: 7)
7. “Husavik” from Eurovision Song Contest: The Story of Fire Saga (PR: 10)
8. “Free” from The One and Only Ivan (PR: 6)
9. “Rain Song” from Minari (PR: 8)
10. “The Wuhan Flu” from Borat Subsequent Moviefilm (PR: 9)
Best Production Design
Predicted Nominees:
1. Mank (PR: 1)
2. Ma Rainey’s Black Bottom (PR: 3)
3. News of the World (PR: 4)
4. Mulan (PR: 9)
5. The Midnight Sky (PR: 6)
Other Possibilities:
6. Tenet (PR: 7)
7. Emma (PR: 2)
8. The Trial of the Chicago 7 (PR: 5)
9. The Personal History of David Copperfield (PR: 8)
10. Jingle Jangle: A Christmas Journey (PR: Not Ranked)
Dropped Out:
Judas and the Black Messiah
Best Sound
Predicted Nominees:
1. Sound of Metal (PR: 1)
2. Tenet (PR: 2)
3. News of the World (PR: 4)
4. Mank (PR: 3)
5. Greyhound (PR: 9)
Other Possibilities:
6. The Trial of the Chicago 7 (PR: 7)
7. The Midnight Sky (PR: 5)
8. Ma Rainey’s Black Bottom (PR: 6)
9. Soul (PR: 8)
10. Mulan (PR: 10)
Best Visual Effects
Predicted Nominees:
1. Tenet (PR: 1)
2. The Midnight Sky (PR: 2)
3. Mank (PR: 3)
4. Mulan (PR: 5)
5. Welcome to Chechnya (PR: 7)
Other Possibilities:
6. The One and Only Ivan (PR: 8)
7. Soul (PR: 6)
8. Birds of Prey (PR: 4)
9. Love and Monsters (PR: 9)
10. Bloodshot (PR: 10)
This equates to these pictures nabbing the following numbers:
13 Nominations
Mank
7 Nominations
Ma Rainey’s Black Bottom, News of the World, Nomadland, The Trial of the Chicago 7
6 Nominations
Minari
5 Nominations
Judas and the Black Messiah
4 Nominations
One Night in Miami, Promising Young Woman
3 Nominations
The Father, Mulan, The Midnight Sky, Sound of Metal, Tenet
2 Nominations
All In: The Fight for Democracy, Emma, Hillbilly Elegy, Soul, Welcome to Chechnya
1 Nomination
Another Round, Borat Subsequent Moviefilm, Boys State, The Croods: A New Age, Da 5 Bloods, Dick Johnson Is Dead, Greyhound, The Life Ahead, Onward, Over the Moon, Pieces of a Woman, Quo Vadis, Aida?, A Sun, Time, Two of Us, The United States vs. Billie Holiday, Wolfwalkers
It’s become significant. 1917 might be the strongest example of the nine nominees for perfect timing. The World War I epic from director Sam Mendes came to the attention of awards voters just as it was opening to better than expected box office and sterling reviews. The Rotten Tomatoes score is 89%. Mendes is a known quantity whose American Beauty won Best Picture (and Director) twenty years ago. The precursor love has been impressive with a Golden Globes victory for Best Drama and the Producers Guild of America (PGA) top prize. 13 out of the last 19 PGA winners went on to win Best Picture. The ten Academy nominations is tied for second along with The Irishman and Once Upon a Time in Hollywood.
The Case Against 1917
If it wins Best Picture, it would be the first to do so without any acting nomination since 2008’s Slumdog Millionaire (SAG ignored it as well). Additionally, it would be the extremely rare recipient to win without an Editing nod. A case could be made that the Parasite fans are more rabid.
The Verdict
Despite missing some recognition in key races, there is no doubt that 1917 could absolutely take the biggest race. It could even be called the soft front runner.
Up next in my Case of posts… Once Upon a Time in Hollywood!
The Screen Actors Guild (SAG) Awards remained on script for about 99% of its running time last night. And then it went ahead and made this year’s Best Picture race at the Oscars all the more interesting.
Before we get to that, I went four for four in my acting category predictions and did so by sticking with the front runners. Those would be Joaquin Phoenix in Joker and Renee Zellweger in Judy in the leads and Brad Pitt for Once Upon a Time in Hollywood and Laura Dern for Marriage Story with supporting. Let’s be clear: 2019 appears to be a year where there’s strong favorites in all four races. Anyone other than this quartet winning on Oscar night at this point would constitute an upset.
When it comes to the biggest race of all, it’s still open. One could argue that 1917 is a soft front runner after winning Best Picture at the Producers Guild of America (where 13 of 19 recipients this century took the Oscar) and Best Drama at the Golden Globes. The Sam Mendes World War I epic wasn’t nominated for SAG. And therefore the narrative going into yesterday evening is that the winner here could serve as the most viable Academy alternative.
I projected that movie would be Quentin Tarantino’s Once Upon a Time in Hollywood. Yet the SAG branch went with Bong Joon-Ho’s Parasite. Perhaps I should have suspected this when its cast (presenting clips) received raucous applause that eclipsed all others. However, I chose not to predict its win, in part, due to no actors getting individual nods for their work. The Parasite victory here is major as its the first foreign language feature to be named in this category. It certainly sets up an argument that the Best Picture derby at the Oscars has really come down to three: 1917, Hollywood, and Parasite.
So what’s next? The Directors Guild of America (DGA) announces their winner this Sunday. That feels important because 16 out of the past 19 directing winners there have taken the gold statue. It’s probably Joon-Ho vs. Mendes and the honoree could then see their film vault to the front of the Picture pack.
Bottom line: SAG solidified the four actors vying for their statues while further complicating the Picture derby.
Last night, the Producers Guild of America bestowed their honoree for best of the year and it’s a significant harbinger of what could lie ahead at the Oscars. In the 21st century, 13 of the 19 PGA winners ended up winning Best Picture from the Academy. In fact, 2018’s “surprise” PGA recipient Green Book took the prize at the big show as well.
It was the Sam Mendes World War I epic 1917 that emerged victorious. That’s another major precursor pickup after the Golden Globes named it Best Drama a couple weeks back. 1917 earned the award over nine other nominees that includes the eight pictures it’s nominated with from the Academy and Knives Out.
Let’s be clear – a solid argument can now be made that 1917 is the front runner to win the Oscar. If the Directors Guild of America names Mendes as their choice next weekend, that will serve as another huge precursor. Yet the 1917 love won’t extend to tonight’s Screen Actors Guild Awards (my predictions for that event will be on the blog later this morning). 1917 is not nominated for Best Ensemble from SAG. If The Irishman or Once Upon a Time in Hollywood or Parasite win Ensemble, the narrative may turn to that picture as its strongest competitor.
Still, one week after 1917 rode its awards buzz to impressive box office earnings, it’s established itself as perhaps the film to beat.
In a day that saw numerous Oscar precursors unveil their nominees (get ready for DGA and BAFTA posts later this evening), the Producers Guild of America named their ten nominated pictures of 2019. The winner will be named January 18.
Before we get to the analysis, let’s take a gander at the nominees:
1917
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Knives Out
Little Women
Marriage Story
Once Upon a Time in Hollywood
Parasite
In short, there are no true surprises here. What does this mean for these film’s chances at a Best Picture nod? It means a lot based on odds. Over the past five years, there’s never been less than seven PGA pics that didn’t score a Best Picture nomination from the Academy. There’s an asterisk in 2017 when 11 movies got PGA attention.
This means you can count on 70% of the movies above to hear their names called on Monday. And I’ll give you those seven right now: 1917, The Irishman, Jojo Rabbit, Joker, Marriage Story, Once Upon a Time in Hollywood, Parasite. I suspect there will be at least eight or nine for 2019.
In my latest round of Oscar estimates Monday (before final predictions this weekend), I also have Ford v Ferrari and Little Women landing spots. It’s worth noting that the PGA nod for Women might have been needed as it has missed some key earlier precursors. As for Knives Out, it’s certainly got a shot but I’m a bit skeptical it makes the final cut (pun intended).
The PGA picks in 2016 and 2018 encapsulated all of the eventual Oscar nominees. For 2014, 2015, and 2017, here is the full list of Best Picture nominees from the Academy that weren’t named by PGA: Selma, Room, Darkest Hour, Phantom Thread. In other words… small list. So it could be said that today is bad news from an oddsmakers perspective for the following hopefuls: Bombshell, The Farewell, Pain and Glory, Rocketman, The Two Popes, and Uncut Gems.
Three out of the previous five PGA winners went on to win Best Picture, including 2017’s The Shape of Water and last year’s Green Book. That victor will not be announced for 11 days, but the PGA has granted us plenty to speculate about in the meantime.
The eyes of Oscar prognosticators were on the Producers Guild of America (PGA) Awards and for good reason. In this decade, the Best Picture Award has matched the Academy’s 6 out of 8 times (there’s a little fudging here because in 2013 there was a tie between Oscar recipient 12YearsaSlave and Gravity). The non matches occurred in 2015 when the PGA selected TheBigShort over Spotlight and the following year with LaLaLand winning and not Moonlight.
Two scenarios could have changed the Oscar landscape in a significant way. A victory for Roma (coming off its Critics Choice honor) could have solidified standing as a front-runner. If AStarIsBorn took the top prize, it would have marked a much-needed win after some high-profile precursor snubs.
Neither scenario happened as Peter Farrelly’s GreenBook was named. This is a surprise and it opens up an already uncertain race for Best Picture at the big dance. It certainly lessens GreenBook winning the Oscar being seen as an upset. It’s a real contender along with Roma and Star.
Tonight’s ceremony also gave yet another animation award for Spider–Man: IntotheSpider–Verse. Coupled with its Globes and Critics wins, it now appears Spidey is the Academy favorite over Incredibles2.
Bottom line: the PGA made the Oscars a bit murkier. We got ourselves a race.
The Producers Guild of America (PGA) announced their nominees today for their 10 Best Pictures of 2018 and you better believe it comes with Oscar implications. The PGA Awards are correctly looked at as a major harbinger for the films likely to make the final cut of the Academy. Let’s look at the past five years. In 2013, eight of the nominated PGA pics got Oscar nominations. In 2014, 2015, and 2017 – it was seven. In 2016, that was number was nine. The math is a little tricky considering there’s always 10 PGA nominees and it fluctuates with the Academy (usually with eight or nine being the magic number).
As you can see, it’s very safe to assume seven out of the ten PGA picks will get Oscar love. And here are those ten nominees:
BlacKkKlansman
Black Panther
Bohemian Rhapsody
Crazy Rich Asians
The Favourite
Green Book
A Quiet Place
Roma
A Star Is Born
Vice
Right off the bat, we have six flicks that appear to be sure things for the Academy. They are BlacKkKlansman, Black Panther, The Favourite, Green Book, Roma, and A Star Is Born. I would make the case that, at this point, Vice is the 7th. It got the most nods from the Hollywood Foreign Press Association for the Golden Globes and its inclusion here is important.
So there’s your seven. Yet the PGA announcements today cause me to consider the 8th. That’s Bohemian Rhapsody. In my weekly Oscar prediction posts, I haven’t included it in my projected Academy movies for Best Picture. I suspect that will change next Thursday. It managed a nod at the Globes for Best Drama. Despite mixed reviews, it’s a box office sensation and audiences dig it. I think it’s in and look for that change to be reflected next week.
Now to the omissions. The PGA selections left out If Beale Street Could Talk and First Man. Those are the two pictures that, as of yesterday, I still had being nominated by the Academy. I still feel Beale‘s road to Best Picture inclusion is fairly solid, though it’s far from a guarantee. I had it listed at #7 yesterday. Expect that to change.
As for First Man, I think it’s time for me to admit that it won’t land recognition from Oscar voters. It has simply failed to gain any significant precursor traction and that trend seems bound to continue. Other pictures could have received a boost from the PGA today and failed. They include Can You Ever Forgive Me?, First Reformed, and Eighth Grade. Also the nods today provide further evidence that Mary Poppins Returns could be in trouble. I took it out of my expected nominees two weeks ago and I don’t see that changing.
So what will be the PGA picks that don’t get Oscar nods? My guess would be Crazy Rich Asians and A Quiet Place, though it could happen. In short, we have more evidence today as to what the Academy will pick. And it’s a good day for Freddie Mercury and company.
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