As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered seven of the BP contenders and if you missed them, they are linked at the bottom of the post. The next entry is Nickel Boys from RaMell Ross.
The Case for Nickel Boys:
With 90% on Rotten Tomatoes and a 91 Metacritic, Nickel Boys has sat atop or near the top of many critics best of lists. Precursor attention in BP came from the Golden Globes and Critics Choice.
The Case Against Nickel Boys:
The Case for Nickel Boys above will be the shortest of the bunch. While it landed noms at the Globes and Critics Choice, victories are non-existent and it missed at BAFTA and didn’t make the PGA cut. It is up for only one more Oscar in Adapted Screenplay and therefore has the fewest nominations of all 10 BP hopefuls. That means no directing love for RaMell Ross and no acting contestants. This is not a recipe that equals BP.
The Verdict:
Don’t bet on Nickel as an argument could be made that it’s 10th of the 10 contenders in terms of winning possibility.
My Case Of posts will continue with The Substance…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first half of the BP contenders and if you missed them, they are linked at the bottom of the post. Next up is Jacques Audiard’s Emilia Pérez.
The Case for Emilia Pérez:
This multi-genre mashup of music and crime mixed with social commentary has been at the forefront of awards attention since it debuted at Cannes last summer and took the Jury Prize. That’s essentially second place to the Palme d’Or which went to Anora. Pérez landed an Academy ceremony leading 13 nominations including Director, Actress (Karla Sofia Gascón), Supporting Actress (Zoe Saldaña), Adapted Screenplay, International Feature Film, Cinematography, Film Editing, Makeup & Hairstyling, Original Score, two in Original Song, and Sound. Precursor nods have been in abundance for BP at Critics Choice, BAFTA, and PGA and Best Ensemble at SAG. Mr. Audiard is in contention at DGA. At the Golden Globes, Pérez beat a field in Best Motion Picture (Musical or Comedy) that included fellow BP nominees Anora, The Substance, and Wicked.
The Case Against Emilia Pérez:
While festival crowds have lauded it, general audiences have not. Pérez sports an 18% audience score on Rotten Tomatoes while the next lowest among the BP hopefuls is The Substance at 75%. If you’re not buying the Tomato measuring accuracy of that stat, the critics aren’t over the moon either. The RT score of 73% is the least of the bunch with the next lowest being A Complete Unknown at 80%. The 71 Metacritic rating is second to bottom with Unknown at 70. There’s also the Netflix factor. The distributor has yet to win Best Picture and that could be due to voter aversion to the giant streaming service. Some believe this was a major factor at the 91st Academy Awards when Green Book took top honors over Roma. The movie with the leading amount of nominations has failed to win BP more often than not in the 21st century (14 out of 24 times). Additionally, I’m Still Here (with its unexpected Pic nom) has emerged as serious competition in International Feature Film where Pérez was seen as the easy frontrunner. Then there’s the events of the last week where Karla Sofia Gascón’s troubling social media posts from a few years back resurfaced. The story has dominated headlines in the trades and beyond and could hinder the frontrunner status it has held with pundits.
The Verdict:
Obviously a lot to unpack here. I have never had Pérez 1st in my BP rankings, but it’s undeniably a major threat to win. I fully understand why many do have it above the others (especially after the Globe victory). Yet for the lengthy information contained above in Case Against, I’m highly hesitant to push the chips in for it.
My Case Of posts will continue with I’m Still Here…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first four features for BP and if you missed them, they are linked at the bottom of the post. The fifth is Dune: Part Two.
The Case for Dune: Part Two:
If the Academy wants to honor one of the most widely seen pics, Dune is second only to Wicked in that particular race. The sci-fi sequel stands at $714 million worldwide compared to Wicked‘s $718 million (and growing). Denis Villeneuve’s epic continuation of Frank Herbert’s novels made the BP cut at PGA, Critics Choice, and Golden Globes.
The Case Against Dune: Part Two:
The misses are more glaring. Dune‘s additional Academy nods (Cinematography, Production Design, Sound, Visual Effects) bring its total to five compared to the original’s 10. For perspective, part one from 2021 won six golden guys. Villeneuve didn’t get in Best Director (like with its predecessor) and the screenplay isn’t honored. Beyond what the Academy did, Dune failed to get into the BAFTA derby and Villeneuve was snubbed at the Directors Guild (unlike what occurred three years ago).
The Verdict:
In my previous Case Of posts for Anora, The Brutalist, A Complete Unknown, and Conclave, I’ve given them all at least a shot at taking the top prize. Dune: Part Two is the first entry where I don’t believe winning is a possibility.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora, The Brutalist, and A Complete Unknown for BP and if you missed those, they are linked at the bottom of the post. Our fourth hopeful is Conclave.
The Case for Conclave:
Edward Berger’s pulpy papal drama has been considered a top awards player since it debuted at Telluride in September. With 93% on Rotten Tomatoes, reviews are solid enough and it performed decently at the box office (over $30 million) for its genre. It is up for 8 statues including Actor (Ralph Fiennes), Supporting Actress (Isabella Rossellini), Adapted Screenplay, Costume Design, Film Editing, Original Score, and Production Design. Conclave has scored BP nods everywhere it needs to. It leads the BAFTAs with 12 nominations, is up at Critics Choice and PGA and for Best Ensemble at SAG, and contended at the Golden Globes in Best Drama where it won Best Screenplay. Berger’s behind the camera work also landed a DGA mention.
The Case Against Conclave:
Berger surprisingly missed the cut with the Academy in Best Director. Only three films in the 21st century (Argo, Green Book, CODA) have won BP without its maker being nominated. Berger can’t catch a break with the Academy as his 2022 war epic All Quiet on the Western Front received nine mentions but excluded his direction. The 79 Metacritic score is less than some competitors. It is possible that the only race where its the frontrunner is Adapted Screenplay and possibly Editing. Don’t expect either of its acting nominees to make podium walks. The Brutalist emerged victorious at the Globes in Best Drama.
The Verdict:
The snub of Berger looms large. I’d likely be more optimistic if he hadn’t been left out. Conclave has a slight chance in BP, but I wouldn’t put much faith in it.
My Case Of posts will continue with Dune: Part Two…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and The Brutalist for BP and if you missed those, they are linked at the bottom of the post. Our third hopeful is A Complete Unknown.
The Case for A Complete Unknown:
If you want to bet on the picture with some late breaking momentum, the Bob Dylan biopic from James Mangold might be your horse. Released in December, Unknown is doing healthy business at the box office and scored 8 total noms that include Director, Actor (Timothée Chalamet), Supporting Actress (Monica Barbaro), Supporting Actor (Edward Norton), Adapted Screenplay, Costume Design, and Sound. The journey to the better than expected nomination count began with over performances at the precursors. It really hasn’t missed anywhere with a Best Ensemble mention at SAG and BP noms at the Golden Globes, PGA, Critics Choice, BAFTA, and a DGA slot for Mangold.
The Case Against A Complete Unknown:
It didn’t win the Golden Globe in Drama (that went to The Brutalist). The 80% RT score and 71 Metacritic are below most of its competitors. There’s even a chance that it goes 0 for 8 on Oscar night. I wouldn’t say it is the favorite in any category.
The Verdict:
I don’t think it’s impossible for this to take the top prize, but I would need to see some victories at upcoming precursors such as Critics Choice or SAG.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and if you missed that, it is linked at the bottom of the post. Our second contestant is Brady Corbet’s The Brutalist.
The Case for The Brutalist:
With the exception of SAG (where it wasn’t really expected to be a strong contender for Best Ensemble), the 215 minute epic immigration period piece has landed everywhere else. This includes BAFTA, PGA, Critics Choice, and DGA. The Golden Globe performance was particularly notable as it flexed its muscle with a Best Drama victory over competitors including A Complete Unknown and Conclave. Corbet took Director and Adrien Brody won Actor. The ten nominations are tied for 2nd best with Wicked. In addition to Pic, Corbet, and Brody, there are noms in Supporting Actress and Actor (Felicity Jones and Guy Pearce), Original Screenplay, Cinematography, Film Editing, Original Score, and Production Design. The timely subject matter doesn’t hurt. Critical appreciation is present with 93% on RT and a 90 Metacritic.
The Case Against The Brutalist:
Due to its runtime and subject matter, The Brutalist will not be as widely seen as some other options. Voters may want to go for something more popular and known. There’s been some subpar showings like at SAG where Pearce and Jones missed.
The Verdict:
I’ve had The Brutalist ranked in my top spot for months. It could take Director + Actor + some down the line competitions. That’s a solid mix for BP victory. However, this is a soft top ranking as half the field has BP winning potential.
My Case Of posts will continue with A Complete Unknown…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
I will begin with the ten BP contenders and then alternate alphabetically between the hopefuls in the other five big races. Sean Baker’s Anora kicks it off!
The Case for Anora:
The dramedy from auteur Sean Baker has turned out to be his awards breakout. Nominations wise it has landed everywhere it needed to in the precursors. This includes the Golden Globes with 5 nods as well as DGA, SAG, PGA, Critics Choice, and BAFTA. With a 93% Rotten Tomatoes meter and 91 on Metacritic, it sports five other Academy mentions and Mikey Madison is a threat to win Best Actress. It is likely the frontrunner for Original Screenplay. The other three noms are for Baker’s direction, Yura Borisov in Supporting Actor, and Film Editing.
The Case Against Anora:
Anora surprisingly went 0 for 5 at the Oscars. In Best Musical or Comedy, it fell short to Emilia Pérez with Demi Moore (The Substance) emerging over Madison in Actress while Conclave took Screenplay. From a genre and content standpoint, it’s not your “typical” BP recipient.
The Verdict:
There is no doubt that a narrative exists where Anora could take the top prize. That especially holds true if it gets the combo of Actress + Original Screenplay. Yet I’ve never had Anora ranked 1st in my BP forecast while others have and I’m skeptical that’ll change.
My Case Of posts will continue with The Brutalist…
My final predictions for nominees at the 97th Academy Awards arrives TOMORROW prior to the announcement on Thursday, January 23rd (pushed back due to the California wildfires). Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The last post in this series is Best Picture. If you missed my write-ups for the acting derbies and director, you can access them here:
As I’ve mentioned several times lately, I believe there’s an octet of movies that have punched their ticket to the BP show. Let’s call them the easy 8. If any of these pictures miss the Best Picture cut at this point, it would be a major surprise. Four of them (Anora, A Complete Unknown, Conclave, Emilia Pérez) have shown up in five of the key precursors: Golden Globes, BAFTA, PGA, Critics Choice and SAG.
Two more (The Brutalist, Wicked) managed four.
Two more (Dune: Part Two, The Substance) were nominated in three. No other 2024 motion pictures had three or more mentions.
Now we have to consider the final two slots and that’s where it gets tricky. Before we do, let’s take a moment to recognize some efforts that won’t make the ultimate dance. Some of them could show up in tech races or see some of their actors nominated. Others didn’t cut the mustard with critics and audiences. A lot of these titles were, at some juncture, listed in my top 25 possibilities as I forecasted the race throughout the year. They won’t be seen tomorrow in my BP list. We’re talking about Joker: Folie à Deux and Gladiator II and Furiosa: A Mad Max Saga. Yes, I once saw Megalopolis as a viable candidate. There’s The Piano Lesson, The Apprentice, The Room Next Door, Saturday Night, Civil War, Kinds of Kindness, Maria, and The End.
That leaves me with 8 pictures to ponder for 2 spots. Unlike my previous posts on Best Director and the actors, I won’t be ranking these possibilities. After all, I gotta leave a little suspense for my final picks tomorrow, right? Nevertheless let’s walk through them one by one with some commentary.
All We Imagine as Light would be a threat to win Best International Feature Film had India submitted it as its contender. It was not to be and the Academy could make up for it in BP. Yet it hasn’t shown up in any of the 5 aforementioned precursors.
Challengers only has a Musical or Comedy nod from the Globes in its favor. A PGA nomination (which I wrongly predicted) didn’t materialize. This is a tough sell.
Nickel Boys has Golden Globe and Critics Choice noms on the resume. Many critics have it at the top of their 2024 best of, but it’s missed other key competitions.
Nosferatu has gotten some “spoiler” ink lately with some saying it could be this year’s Nightmare Alley. That pic from 2021 at least had the Critics Choice nod whereas Nosferatu didn’t show up in the quintet of precursors.
A Real Pain has undoubtedly had an up and down journey on the road to a potential BP nomination. It made the Globe cut and then missed Critics Choice and BAFTA. That left it down and out in the eyes of many and I dropped it from my 10. This week it popped back up at PGA and its fortunes could be stronger.
The Seed of the Sacred Fig should receive an International Feature Film nom. It has not gotten into the precursors for Picture though. Though I didn’t say I’d rank these eight, this is unquestionably at or near the bottom of these hopefuls.
September 5, like A Real Pain, has been buoyed by a PGA spot and it also made the Globes. Yet its exclusions at BAFTA and Critics Choice are noteworthy.
Sing Sing has had a rocky preseason, especially missing SAG and the Globes. While Colman Domingo seems locked in for Best Actor, the Academy will really need to fall for this. Of the five precursors, this only received Critics Choice.
There you have it. My microscope analysis of Best Picture for the 97th Academy Awards. After months of endless speculation, you’ll know my final predictions in about 24 hours!
The nominees for the Producers Guild of America (PGA) unveiled the ten nominees for their best motion picture and five contenders for an animated offering today. When it comes to BP nominees, the PGA has a mostly impressive track record matching with the Oscar list.
Most notably, there was a 10/10 correlation last year. It was 8/10 in 2021 and 7/10 in 2020 and 2022. Let’s walk through the nominated features with how I did in my predictions and some commentary.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, A Real Pain, September 5, The Substance, Wicked
How I Did: 8/10
When I made my projections for this race, I stated that I believe there to be 8 safe pictures for PGA and at Oscar: Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, The Substance, and Wicked. That certainly appears to hold true for the upcoming nods as the octet is up at PGA.
It’s the last two slots that are tricky to figure and the PGA just made it trickier. A Real Pain and September 5 are in over my picks of Challengers and Nickel Boys. I’ll also note that Nosferatu or Sing Sing being included here could have helped their fortunes.
This is certainly a boost for A Real Pain which has missed some key precursors lately and an unexpected slot for September 5 which has been largely absent in other lists.
Unlike last year, I don’t think we’re going to see a 10/10 match. 8 for 10 seems assured and 9 for 10 is certainly doable.
Outstanding Producer of Animated Theatrical Motion Pictures
Flow, Inside Out 2, Moana 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 4/5
Every Despicable Me predecessor made the cut at PGA, so I went with Despicable Me 4 over Wallace. It was not to be.
I’ll have winner predictions up shortly before the event which is slated for February 8th.
Though it’s been less than two weeks since my previous Oscar forecast, a lot has occurred in that relatively short time frame. The Golden Globes aired. The BAFTA long lists were unveiled. SAG Awards nominations came out as did the DGA. These developments and more (including various critics groups announcing winners) have reshaped the race as we approach Oscar nomination morning.
Those nominations will be known on Sunday, January 19th. That is two days after the planned January 17th announcement and the delay was made due to the wildfires ravaging southern California. This is no surprise as the fires have also delayed PGA nominations and the airdate of the Critics Choice Awards.
The first Oscar predictions of 2025 will be my penultimate one and the last one that ranks contenders in the various categories. My plan is to have my final predictions up on Wednesday, January 15th.
So what are the biggest developments over the last few days? Demi Moore’s Golden Globe victory in Actress (Musical or Comedy) for The Substance causes me to elevate her to #1 in my Actress rankings over Mikey Madison (Anora), who had been perched in the top position for many weeks. The Directors Guild usually matches the Oscars 4 for 5, but the fact that they left off Denis Villeneuve (Dune: Part Two) helps cement his Oscar exclusion. Kieran Culkin (A Real Pain), fresh off his Globe victory, returns to #1 position over Guy Pearce (The Brutalist) who missed at SAG.
There are performers who could benefit from SAG love. They include Pamela Anderson and Jamie Lee Curtis from The Last Showgirl, Jonathan Bailey in Wicked, and Jeremy Strong from The Apprentice. There are snubbed performers from SAG or who lost at the Globes whose Oscar inclusion seems more doubtful. The most notable example is Angelina Jolie (Maria) but the list also includes Sebastian Stan (The Apprentice), Denzel Washington (Gladiator II), and Selena Gomez (Emilia Pérez).
Indeed the Best Actress derby has been dramatically reshaped with Moore elevating from 3rd to 1st, Jolie dropping from 2nd to 6th, and Fernanda Torres (I’m Still Here) and Cynthia Erivo (Wicked) entering my predicted quintet over Jolie and Marianne Jean-Baptiste (Hard Truths).
More changes are present in Supporting Actor as Yura Borisov (Anora) enters my five with Clarence Maclin (Sing Sing) out. I have Denzel Washington (Gladiator II) still clinging to a nod though Jeremy Strong (The Apprentice) appears hot on his heels.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Brutalist (Previous Ranking: 1) (Even)
2. Conclave (PR: 2) (E)
3. Emilia Pérez (PR: 4) (+1)
4. Anora (PR: 3) (-1)
5. Wicked (PR: 5) (E)
6. A Complete Unknown (PR: 7) (+1)
7. Dune: Part Two (PR: 6) (-1)
8. The Substance (PR: 8) (E)
9. Nickel Boys (PR: 9) (E)
10. Sing Sing (PR: 10) (E)
Other Possibilities:
11. A Real Pain (PR: 11) (E)
12. All We Imagine as Light (PR: 14) (+2)
13. The Seed of the Sacred Fig (PR: 12) (-1)
14. September 5 (PR: 13) (-1)
15. Challengers (PR: Not Ranked)
Dropped Out:
Nosferatu
Best Director
Predicted Nominees:
1. Brady Corbet, The Brutalist (PR: 1) (E)
2. Jacques Audiard, Emilia Pérez (PR: 4) (+2)
3. Sean Baker, Anora (PR: 2) (-1)
4. Edward Berger, Conclave (PR: 3) (-1)
5. Coralie Fargeat, The Substance (PR: 5) (E)
Other Possibilities:
6. RaMell Ross, Nickel Boys (PR: 6) (E)
7. Denis Villeneuve, Dune: Part Two (PR: 7) (E)
8. James Mangold, A Complete Unknown (PR: 10) (+2)
9. Payal Kapadia, All We Imagine as Light (PR: 9) (E)
10. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 8) (-2)
Best Actress
Predicted Nominees:
1. Demi Moore, The Substance (PR: 3) (+2)
2. Mikey Madison, Anora (PR: 1) (-1)
3. Karla Sofia Gascón, Emilia Pérez (PR: 4) (+1)
4. Cynthia Erivo, Wicked (PR: 6) (+2)
5. Fernanda Torres, I’m Still Here (PR: 7) (+2)
Other Possibilities:
6. Angelina Jolie, Maria (PR: 2) (-4)
7. Marianne Jean-Baptiste, Hard Truths (PR: 5) (-2)
8. Pamela Anderson, The Last Showgirl (PR: Not Ranked)
9. Nicole Kidman, Babygirl (PR: 9) (E)
10. Kate Winslet, Lee (PR: 8) (-2)
Dropped Out:
Amy Adams, Nightbitch
Best Actor
Predicted Nominees:
1. Adrien Brody, The Brutalist (PR: 1) (E)
2. Timothée Chalamet, A Complete Unknown (PR: 2) (E)
3. Ralph Fiennes, Conclave (PR: 3) (E)
4. Colman Domingo, Sing Sing (PR: 4) (E)
5. Daniel Craig, Queer (PR: 5) (E)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 6) (E)
7. Hugh Grant, Heretic (PR: 9) (+2)
8. Sebastian Stan, A Different Man (PR: 8) (E)
9. Jesse Eisenberg, A Real Pain (PR: 7) (-2)
10. Glen Powell, Hit Man (PR: 10) (E)
Best Supporting Actress
Predicted Nominees:
1. Zoe Saldaña, Emilia Pérez (PR: 1) (E)
2. Ariana Grande, Wicked (PR: 2) (E)
3. Felicity Jones, The Brutalist (PR: 3) (E)
4. Isabella Rossellini, Conclave (PR: 4) (E)
5. Danielle Deadwyler, The Piano Lesson (PR: 5) (E)
Other Possibilities:
6. Margaret Qualley, The Substance (PR: 7) (+1)
7. Monica Barbaro, A Complete Unknown (PR: Not Ranked)
8. Jamie Lee Curtis, The Last Showgirl (PR: Not Ranked)
9. Aunjanue Ellis-Taylor, Nickel Boys (PR: 6) (-3)
10. Selena Gomez, Emilia Pérez (PR: 8) (-2)
Dropped Out:
Elle Fanning, A Complete Unknown
Saoirse Ronan, Blitz
Best Supporting Actor
Predicted Nominees:
1. Kieran Culkin, A Real Pain (PR: 2) (+1)
2. Guy Pearce, The Brutalist (PR: 1) (-1)
3. Edward Norton, A Complete Unknown (PR: 5) (+2)
4. Yura Borisov, Anora (PR: 6) (+2)
5. Denzel Washington, Gladiator II (PR: 4) (-1)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 7) (+1)
7. Clarence Maclin, Sing Sing (PR: 3) (-4)
8. Stanley Tucci, Conclave (PR: 8) (E)
9. Jonathan Bailey, Wicked (PR: Not Ranked)
10. Adam Pearson, A Different Man (PR: 9) (-1)
Dropped Out:
Brian Tyree Henry, The Fire Inside
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. The Brutalist (PR: 2) (E)
3. A Real Pain (PR: 3) (E)
4. The Substance (PR: 4) (E)
5. All We Imagine as Light (PR: 8) (+3)
Other Possibilities:
6. Challengers (PR: Not Ranked)
7. September 5 (PR: 5) (-2)
8. The Seed of the Sacred Fig (PR: 6) (-2)
9. Hard Truths (PR: 7) (-2)
10. Saturday Night (PR: 9) (-1)
Dropped Out:
A Different Man
Best Adapted Screenplay
Predicted Nominees:
1. Conclave (PR: 1) (E)
2. Emilia Pérez (PR: 4) (+2)
3. Nickel Boys (PR: 2) (-1)
4. Sing Sing (PR: 3) (-1)
5. A Complete Unknown (PR: 7) (+2)
Other Possibilities:
6. Wicked (PR: 9) (+3)
7. Dune: Part Two (PR: 5) (-2)
8. I’m Still Here (PR: 8) (E)
9. The Room Next Door (PR: 6) (-3)
10. The Piano Lesson (PR: Not Ranked)
Dropped Out:
Hit Man
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. I’m Still Here (PR: 3) (+1)
3. The Seed of the Sacred Fig (PR: 2) (-1)
4. Kneecap (PR: 6) (+2)
5. Vermiglio (PR: 5) (E)
Other Possibilities:
6. The Girl with the Needle (PR: 4) (-2)
7. Flow (PR: 9) (+2)
8. Universal Language (PR: 7) (-1)
9. Dahomey (PR: 10) (+1)
10. From Ground Zero (PR: Not Ranked)
Dropped Out:
How to Make Millions Before Grandma Dies
Best Animated Feature
Predicted Nominees:
1. The Wild Robot (PR: 1) (E)
2. Flow (PR: 2) (E)
3. Inside Out 2 (PR: 3) (E)
4. Memoir of a Snail (PR: 4) (E)
5. Wallace & Gromit: Vengeance Most Fowl (PR: 5) (E)
Other Possibilities:
6. Piece by Piece (PR: 7) (+1)
7. Moana 2 (PR: 6) (-1)
8. Chicken for Linda! (PR: 8) (E)
9. Transformers One (PR: 9) (E)
10. Spellbound (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. No Other Land (PR: 1) (E)
2. Sugarcane (PR: 2) (E)
3. Will & Harper (PR: 3) (E)
4. Daughters (PR: 4) (E)
5. Porcelain War (PR: 9) (+4)
Other Possibilities:
6. Black Box Diaries (PR: 6) (E)
7. Soundtrack to a Coup d’Etat (PR: 5) (-2)
8. Dahomey (PR: 7) (-1)
9. Union (PR: 8) (-1)
10. Hollywoodgate (PR: Not Ranked)
Dropped Out:
The Remarkable Life of Ibelin
Best Cinematography
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Conclave (PR: 6) (+3)
4. Nickel Boys (PR: 3) (-1)
5. Nosferatu (PR: 7) (+2)
Other Possibilities:
6. The Girl with the Needle (PR: 5) (+1)
7. Emilia Pérez (PR: 8) (+1)
8. A Complete Unknown (PR: 10) (+2)
9. The Substance (PR: Not Ranked)
10. Maria (PR: 4) (-6)
Dropped Out:
Wicked
Best Costume Design
1. Wicked (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. Nosferatu (PR: 3) (-1)
5. Conclave (PR: 6) (+1)
Other Possibilities:
6. Maria (PR: 5) (-1)
7. Beetlejuice Beetlejuice (PR: 7) (E)
8. A Complete Unknown (PR: 9) (+1)
9. The Brutalist (PR: 8) (-1)
10. Blitz (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Conclave (PR: 2) (+1)
2. Anora (PR: 3) (+1)
3. The Brutalist (PR: 1) (-1)
4. Emilia Pérez (PR: 5) (+1)
5. A Complete Unknown (PR: Not Ranked)
Other Possibilities:
6. Dune: Part Two (PR: 4) (-2)
7. The Substance (PR: 9) (+2)
8. Challengers (PR: 8) (E)
9. Wicked (PR: 6) (-3)
10. September 5 (PR: 7) (-3)
Dropped Out:
Nickel Boys
Best Makeup & Hairstyling
Predicted Nominees:
1. The Substance (PR: 1) (E)
2. Wicked (PR: 2) (E)
3. Nosferatu (PR: 6) (+3)
4. A Different Man (PR: 4) (E)
5. Emilia Pérez (PR: 6) (+1)
Other Possibilities:
6. Dune: Part Two (PR: 3) (-3)
7. Beetlejuice Beetlejuice (PR: 7) (E)
8. Waltzing with Brando (PR: 8) (E)
9. Maria (PR: 9) (E)
10. The Apprentice (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Challengers (PR: 4) (+2)
3. Conclave (PR: 2) (-1)
4. Emila Pérez (PR: 3) (-1)
5. The Wild Robot (PR: 6) (+1)
Other Possibilities:
6. Wicked (PR: 7) (+1)
7. Nosferatu (PR: 9) (+2)
8. Blitz (PR: 10) (+2)
9. The Room Next Door (PR: 5) (-4)
10. Sing Sing (PR: 8) (-2)
Best Original Song
Predicted Nominees:
1. “El Mal” from Emilia Pérez (PR: 1) (E)
2. “Mi Camino” from Emilia Pérez (PR: 2) (E)
3. “Kiss the Sky” from The Wild Robot (PR: 3) (E)
4. “The Journey” from The Six Triple Eight (PR: 4) (E)
5. “Harper and Will Go West” from Will & Harper (PR: 5) (E)
Other Possibilities:
6. “Compress/Repress” from Challengers (PR: 7) (+1)
7. “Like a Bird” from Sing Sing (PR: 6) (-1)
8. “Never Too Late” from Elton John: Never Too Late (PR: Not Ranked)
9. “Sick in the Head” from Kneecap (PR: 10) (+1)
10. “Piece by Piece” from Piece by Piece (PR: 9) (-1)
Dropped Out:
“Tell Me It’s You” from Mufasa: The Lion King
Best Production Design
Predicted Nominees:
1. Wicked (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. The Brutalist (PR: 3) (E)
4. Gladiator II (PR: 4) (E)
5. Nosferatu (PR: 6) (+1)
Other Possibilities:
6. Conclave (PR: 5) (-1)
7. A Complete Unknown (PR: 10) (+3)
8. Emila Pérez (PR: 9) (+1)
9. Maria (PR: 7) (-2)
10. Blitz (PR: 8) (-2)
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Wicked (PR: 2) (E)
3. A Complete Unknown (PR: 4) (+1)
4. Emilia Pérez (PR: 3) (-1)
5. Blitz (PR: 5) (E)
Other Possibilities:
6. Gladiator II (PR: 6) (E)
7. The Wild Robot (PR: 8) (+1)
8. Alien: Romulus (PR: 7) (-1)
9. Deadpool & Wolverine (PR: 9) (E)
10. Joker: Folie à Deux (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Wicked (PR: 4) (+1)
4. Gladiator II (PR: 3) (-1)
5. Better Man (PR: 7) (+2)
Other Possibilities:
6. Alien: Romulus (PR: 5) (-1)
7. Mufasa: The Lion King (PR: 8) (+1)
8. Twisters (PR: 6) (-2)
9. Deadpool & Wolverine (PR: 9) (E)
10. Civil War (PR: 10) (E)
That works out to these movies receiving these numbers of nominations:
12 Nominations
Emilia Pérez
10 Nominations
The Brutalist
9 Nominations
Conclave
8 Nominations
Wicked
6 Nominations
Anora, A Complete Unknown, Dune: Part Two
5 Nominations
The Substance
4 Nominations
Gladiator II, Nosferatu
3 Nominations
Nickel Boys, Sing Sing, The Wild Robot
2 Nominations
I’m Still Here, A Real Pain, Will & Harper
1 Nomination
All We Imagine as Light, Better Man, Blitz, Challengers, Daughters, A Different Man, Flow, Inside Out 2, Kingdom of the Planet of the Apes, Kneecap, Memoir of a Snail, No Other Land, The Piano Lesson, Porcelain War, Queer, The Seed of the Sacred Fig, Sugarcane, Vermiglio, Wallace & Gromit: Vengeance Most Fowl
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