Glenn Close in Hillbilly Elegy is next up in my Case Of posts for Supporting Actress contenders. If you missed my first entry covering Maria Bakalova in Borat Subsequent Moviefilm, it is right here:
Three Supporting Actress nominations for The World According to Garp, The Big Chill, and The Natural. Four Actress nods for Fatal Attraction, Dangerous Liaisons, Albert Nobbs, and The Wife. And no victories thus far. With her 8th nomination for the Netflix drama, Glenn Close has tied Peter O’Toole for the most Academy mentions with zero podium trips. So there’s clearly an overdue factor for one of the most celebrated actresses. Her career includes three each of the following: Golden Globes, Tonys, and Emmys. There is no clear favorite to emerge here as previous precursor recipients have included Maria Bakalova at the Critics Choice Awards, Yuh-jung Youn (Minari) at SAG, and Jodie Foster (The Mauritanian) at the Globes (she missed Academy inclusion). In other words, anything could happen.
The Case Against Glenn Close
On paper, Close was looked at as a frontrunner all year. However, poor reviews for the picture itself stunted that momentum. In fact, she received a Razzie nod (honoring the worst in 2020) here and is only the third performer ever with that dubious distinction. For trivia completists, the other two are James Coco for Supporting Actor in 1981’s Only When I Laugh and Amy Irving in Supporting Actress for 1983’s Yentl. And while I mentioned the open nature of this particular contest, Close has yet to attain a precursor.
The Verdict
The 8th time is probably not the charm for Close unless the Academy really leans into the overdue sentiment.
My Case Of posts will continue with Daniel Kaluuya in Judas and the Black Messiah…
The Venice Film Festival is underway and something very British has premiered in the form of The Duke. The 1960s set true life heist dramedy comes from Notting Hill director Roger Michell, who also steered Peter O’Toole to his final Oscar nod in 2006’s Venus. The pic is headlined by two gold statue recipients with Jim Broadbent (Supporting Actor for 2001’s Iris) and Helen Mirren (Actress for 2006’s The Queen).
Initial word of mouth is strong. Based on a handful of reviews, the Rotten Tomatoes score stands at 100% with critics calling this heartfelt… and very British. The Duke is slated to open in the UK in November and it’s likely to hit stateside prior to the Academy’s February deadline.
Distributor Neon will need to work its marketing mojo to get this on the radar of awards voters, but it’s feasible. The best hope could be with Broadbent’s performance and that could play out more with the Golden Globes if the film is submitted in the Musical/Comedy section. The Oscars could be a taller order. My Oscar Watch posts will continue…
The family drama Blackbird has screened at the Toronto Film Festival to fairly decent critical reaction so far. It’s a remake of the 2014 Danish pic SilentHeart from director Billie August. Roger Michell (he made NottingHill and directed Peter O’Toole to his final Academy nod in Venus) is behind the camera.
Playing a dying woman who gathers her brood for a weekend gathering, it appears Susan Sarandon has the showcase role here over costars Kate Winslet, Mia Wasikowska, Sam Neil, and Rainn Wilson. She’s been Oscar nominated five times and her last inclusion was the one year she won all the way back in 1995 for DeadManWalking.
Blackbird is still seeking stateside 2019 distribution. If it gets that, I’ll predict this flies under the radar for awards voters and that includes Sarandon’s work. My Oscar Watch posts will continue…
Rocky over Taxi Driver. Ordinary People over Raging Bull. Dances with Wolves over GoodFellas. These are all examples where, in hindsight, pictures directed by Martin Scorsese and the auteur himself probably should have received Oscars wins and not just nominations. In 2002, Scorsese’s Gangs of New York was seen as a Best Picture frontrunner until Chicago stole its thunder. The same held true two years later with The Aviator until Clint Eastwood’s Million Dollar Baby had a late surge and took the prize. By 2006, Scorsese was undoubtedly the most acclaimed director whose films had never won the gold statue. And neither had he.
This would finally come to an end with The Departed, his crime thriller that won Best Picture and this kicks off my 2006 Oscar History.
The other four nominees were Alejandro Gonzales Inarritu’s Babel, Clint Eastwood’s Letters from Iwo Jima, Jonathan Dayton and Valerie Feris’s Little Miss Sunshine, and Stephen Frears’s The Queen. The voters got it right. The Departed was the Best Picture of the year.
As for other pictures I would’ve considered: Alfonso Cuaron’s terrific Children of Men, Guillermo del Toro’s visual feast Pan’s Labyrinth, the Ryan Gosling drama Half Nelson, and Todd Field’s Little Children. And for an outside the box pic – why not Casino Royale, which brought the Bond franchise back in grand fashion and ranks as my 2nd all-time 007 pic after From Russia with Love?
Scorsese, as mentioned before, would win Director over Inarritu, Eastwood, Frears, and Paul Greengrass for United 93. Once again – my list would’ve found room for Cuaron and del Toro.
In the Best Actor race, Forest Whitaker expectedly won for his performance as Idi Amin in The Last King of Scotland. Other nominees: Leonardo DiCaprio for Blood Diamond (many thought he’d get nominated instead for Departed), Ryan Gosling for Half Nelson, Peter O’Toole for Venus (his final nomination), and Will Smith for The Pursuit of Happyness.
Once again, my ballot might’ve listed Daniel Craig for his electric take on James Bond. Others to consider: Clive Owen (Children of Men), Aaron Eckhart (Thank You for Smoking), or Matt Damon’s work in The Departed.
No surprise in the Best Actress race as Helen Mirren’s work as Queen Elizabeth II was honored in The Queen over Penelope Cruz (Volver), Judi Dench (Notes on a Scandal), Meryl Streep (The Devil Wears Prada), and Kate Winslet (Little Children).
That’s a strong Actress category, but I would’ve also had Natalie Portman’s fine performance in V for Vendetta included.
The only true surprise at the 2006 Oscars occurred in the Supporting Actor category where Eddie Murphy’s acclaimed work in Dreamgirls was expected to win. Instead the Academy honored Alan Arkin’s performance in Little Miss Sunshine. Other nominees: Jackie Earle Haley (Little Children), Djimon Hounsou (Blood Diamond), and Mark Wahlberg (The Departed).
Instead of Wahlberg, many believed it would be Jack Nicholson for Departed that received the nomination. I was cool with it – considering Nicholson had already won three times before and this marked Wahlberg’s first nod. Other names I would have possibly included: Steve Carell (Little Miss Sunshine), Stanley Tucci (The Devil Wears Prada), Michael Sheen (The Queen), and for his brilliant comedic work – John C. Reilly in Talladega Nights: The Ballad of Ricky Bobby.
Jennifer Hudson had the distinction of being the first “American Idol” contestant turned Oscar winner with her lauded role in Dreamgirls – winning out over Babel actresses Adriana Barraza and Rinko Kikuchi, young Abigail Breslin from Little Miss Sunshine, and Cate Blanchett in Notes on a Scandal.
My list would have absolutely included Shareeka Epps with her fabulous work in Half Nelson and probably Vera Farmiga in The Departed.
And that’s your 2006 Oscar history! I’ll be back soon with 2007 where another beloved director (s) would take home their first Oscar gold.
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