Tag: Paul Sparks

Oscar Predictions: Eric Larue

As the mom of a school shooter preparing to meet with family members of the departed, Judy Greer stars in Michael Shannon’s directorial debut Eric Larue. Brett Neveu adapts his own play with a supporting cast including Paul Sparks, Alison Pill, Tracy Letts, and Alexander Skarsgård. It premiered at the Tribeca Film Festival and is seeking domestic distribution for later this year.

Reviews for the picture itself are a mixed bag with 70% on Rotten Tomatoes. Some of the critical reaction compares it to 2021’s similarly themed Mass. That film received more acclaim and came up empty at the Oscars.

The story should be the same for Larue with one possible exception. Greer is generating career best notices. She’s one of those performers that you’ll recognize from many projects on the big and small screen. The lengthy list includes Adaptation, 13 Going on 30, The Village, 27 Dresses, The Descendants, Dawn of the Planet of the Apes, Jurassic World, Ant-Man, Halloween and sequel Halloween Kills.

Normally I’d say that Larue might be too minor a project for Greer to contend for Best Actress attention. However, Andrea Riseborough’s surprise nom a few months back for To Leslie at least has me wondering. Greer is well-respected with two decades of character actor work. I wouldn’t count on her getting in, but the right campaign could change the dynamic. My Oscar Prediction posts will continue…

The Greatest Showman Movie Review

Michael Gracey’s The Greatest Showman doesn’t burden itself with much historical accuracy or being a full-fledged look at its title subject. Its pleasures are of the surface level variety. At one point, a stuffy critic begrudgingly tells P.T. Barnum that his show has succeeded in bringing joy to people. So does this musical in many moments.

Hugh Jackman is Barnum, an endless promoter who grew up poor and never forgot how he was treated by New York’s elite. He marries his childhood sweetheart Charity (Michelle Williams), who came up with wreath and privilege. After some career misfortune in the 19th century era Big Apple, Barnum develops his greatest idea: a stage experience featuring society’s freaks. This includes a bearded lady (Keala Settle) with a beautifully booming voice and a dwarf (Sam Humphrey) who dresses as a general. He teams up with playwright Phillip Carlyle (Zac Efron), who also hails from the aristocracy but feels more at home among these outcasts. Phillip also finds love of the forbidden kind with the show’s trapeze artist (Zendaya).

While Barnum finally finds the financial success he’s longed for, it doesn’t buy him respect and that’s a consistent through line in the screenplay. Both the wealthy class and hecklers who lurk around the theater believe the freak show atmosphere is a disgrace. Barnum tries to combat this by touring with famed European opera star Jenny Lind (Rebecca Ferguson). Both his family and circus employees feel the neglect.

The brisk 105 minute running time features 11 song and dance numbers that move the plot along, often in montage fashion. Even a cursory Wiki read of Barnum’s grand life reveals that Jenny Bicks and Bill Condon’s script aren’t making a biopic. Like the man it’s about, this picture is style over substance. The message of inclusion and acceptance is unmistakable and frequently touching. Most importantly, the musical numbers (from the team behind La La Land) produce plentiful happy feels.

With his theater background, Jackman is more than well suited to play the man in the top hat. He’s the focal point in many of the song and dance interludes. Yet it’s “Rewrite the Stars”, a gorgeously choreographed sequence with Efron and Zendaya, that proved most memorable for me.

A stuffy critic could gripe that a rewrite should have explored more of Barnum’s real existence. However, the joyous vibe while I was watching is enough to justify admission here.

*** (out of four)