Summer 2014: The Top 10 Hits and More

In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).

Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.

Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.

10. How to Train Your Dragon 2

Domestic Gross: $177 million

While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.

9. Teenage Mutant Ninja Turtles

Domestic Gross: $191 million

With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.

8. 22 Jump Street

Domestic Gross: $191 million

Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.

7. Godzilla

Domestic Gross: $200 million

It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick

6. The Amazing Spider-Man 2

Domestic Gross: $202 million

While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.

5. Dawn of the Planet of the Apes

Domestic Gross: $208 million

The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.

4. X-Men: Days of Future Past

Domestic Gross: $233 million

This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.

3. Maleficent

Domestic Gross: $241 million

After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.

2. Transformers: Age of Extinction

Domestic Gross: $245 million

Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.

1. Guardians of the Galaxy

Domestic Gross: $233 million

This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.

And now let’s cover some other flicks from ’14 that had crowds and critics chatting.

Neighbors

Domestic Gross: $150 million

The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.

Lucy

Domestic Gross: $126 million

Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.

The Fault in Our Stars

Domestic Gross: $124 million

John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.

Edge of Tomorrow

Domestic Gross: $100 million

Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.

Let’s Be Cops

Domestic Gross: $82 million

This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.

Chef

Domestic Gross: $31 million

After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.

Boyhood

Domestic Gross: $25 million

Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.

Snowpiercer

Domestic Gross: $4 million

Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.

OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.

Hercules

Domestic Gross: $72 million

Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?

Jersey Boys

Domestic Gross: $47 million

The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.

Blended

Domestic Gross: $46 million

The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.

A Million Ways to Die in the West

Domestic Gross: $43 million

Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.

The Expendables 3

Predicted Gross: $39 million

The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.

Sex Tape

Predicted Gross: $38 million

Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.

Sin City: A Dame to Kill For

Domestic Gross: $13 million

The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.

And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!

New York Circles Tár

The New York Film Critics Circle have made their selections for the year’s best and that kicks off a flurry of regional awards coming our way in the days and weeks ahead. This particular critics group (as is the case with most) isn’t much of a barometer on who and what will win. It is, however, a decent glimpse of who and what could contend.

Todd Field’s Tár and Martin McDonagh’s The Banshees of Inisherin each earned two honors. The former was named Best Film with Cate Blanchett taking the Actress award. Eight of the last 10 NYFCC victors in Film went on to receive a BP Oscar nomination. Yet none of those movies won the big prize from the Academy. The last one that did was 2011’s The Artist. And that make sense here. Tár appears highly likely to make the BP cut though it isn’t much of a threat to take the gold. Five of the past 10 Actress recipients were nominated with only one winner. Who was that winner? Cate Blanchett for 2013’s Blue Jasmine. She could certainly do so again. This won’t be the only critics branch to name her.

Colin Farrell was Best Actor for Banshees and After Yang. Like Actress, half of the previous ten New York honorees made the Oscar quintet with two winners – Daniel Day-Lewis (Lincoln) and Casey Affleck (Manchester by the Sea). Farrell appears to be locked in a tight three-way race with Brendan Fraser (The Whale) and Austin Butler (Elvis). Every precursor like this helps a little. Banshees also won Best Screenplay. That’s another Academy three-way battle in Original Screenplay with Everything Everywhere All at Once and The Fabelmans.

The supporting fields are a bit more predictive as far as Academy matches. Eight of 10 Supporting Actor NYFCC takers were at the Oscars. That includes four winners in Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), Mark Rylance (Bridge of Spies), and Mahershala Ali (Moonlight). We could see another match with Ke Huy Quan (Everything Everywhere All at Once). Expect to hear his name a lot.

Supporting Actress, on the contrary, was more of a surprise. Keke Palmer’s work in Nope topped all rivals in a wide open field that’s hard to peg for Oscar prognosticating. 7 of 10 winners here made the big dance including the victorious Patricia Arquette (Boyhood), Regina King (If Beale Street Could Talk), and Laura Dern (Marriage Story). I’ve yet to have Palmer in my top ten. I’m starting to wonder if she could get in the mix for her memorable performance in the sci-fi horror tale. I should note that NYFCC named Lupita Nyong’o Best Actress for Peele’s Us from 2019 and she came up short with Oscar voters.

The rest of the categories all showcased viable contenders in their respective competitions. Marcel the Shell with Shoes On picked up Animated Feature and I expect it to get love from the critics. Same with Non-Fiction Film and All the Beauty and the Bloodshed (I have it ranked first in Oscar’s Documentary Feature). Poland’s EO was a slightly unexpected choice in Foreign Film over Decision to Leave (which I have pegged as the soft frontrunner for the Academy). Finally, Top Gun: Maverick aced Cinematography and it should get an Oscar nod there for the thrilling aerial camerawork.

Keep coming to the blog for all your awards news and I’ll have updated Oscar predictions up this Sunday!

Oscar History: 2014

Six years ago in Oscar history began an impressive two year run for filmmaker Alejandro Gonzalez Inarritu with Birdman emerging as the big winner of the evening. The film took Best Picture and Director over its major competitor – Richard Linklater’s Boyhood. This was a ceremony in which the largest category did have some suspense. Birdman took the prize over the aforementioned Boyhood and six other pics: American Sniper (the year’s top grosser), The Grand Budapest Hotel (marking Wes Anderson’s first and only Picture nominee), The Imitation Game, Selma, The Theory of Everything, and Whiplash.

In this blogger’s perfect world, Dan Gilroy’s Nightcrawler would have been recognized. It was my favorite movie of that year so get used to seeing it pop up in this post. Other notable selections from 2014 left on the cutting room floor: David Fincher’s Gone Girl, Bong Joon-ho’s Snowpiercer, and Bennett Miller’s Foxcatcher.

Mr. Miller did have the notable distinction of being nominated for Best Director despite his work not showing up in Best Picture (very rare these days). As mentioned, Inarritu took the gold over Miller as well as Linklater, Anderson, and Morten Tyldum (The Imitation Game). Gilroy, Fincher, and Joon-ho might have warranted consideration in my view as well as Chazelle’s bravura debut in Whiplash.

One could argue that Nightcrawler isn’t your prototypical Picture contender. However, Jake Gyllenhaal being left out of the five Actor contenders stands as one of the noteworthy snubs in recent history. It was Eddie Redmayne emerging victorious for The Theory of Everything over his closest competitor Michael Keaton (Birdman). Other nominees: the three C’s of Steve Carell (Foxcatcher), Bradley Cooper (American Sniper, picking up his third nomination in a row), and Benedict Cumberbatch (The Imitation Game).

There is a voluminous list of solid performances beyond just Gyllenhaal’s that were left wanting. It includes Ben Affleck (Gone Girl), Chadwick Boseman (Get On Up), Bill Murray (St. Vincent), David Oyelowo (Selma), Joaquin Phoenix (Inherent Vice), Timothy Spall (Mr. Turner), and Miles Teller (Whiplash).

In Best Actress, Julianne Moore triumphed for Still Alice after four previous nominations without a win. She took the honor over Marion Cotillard (Two Days, One Night), Felicity Jones (The Theory of Everything), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild). Moore’s selection was one of the easiest to project as she’d been a sturdy frontrunner all season.

Looking back, how about Emily Blunt in Edge of Tomorrow? Its action genre trappings probably prevented consideration, but she might have made my quintet. Amy Adams won the Golden Globe for Actress in Musical/Comedy, but missed here.

Another easy (and absolutely deserved) winner was J.K. Simmons in Supporting Actor for Whiplash over Robert Duvall (The Judge), Ethan Hawke (Boyhood), Edward Norton (Birdman), and Mark Ruffalo (Foxcatcher).

https://www.youtube.com/watch?v=xDAsABdkWSc

I will yet again mention Nightcrawler as I might have considered Riz Ahmed. There’s also Josh Brolin in Inherent Vice.

Boyhood nabbed its major race victory in Supporting Actress with Patricia Arquette. Other nominees were Laura Dern (Wild), Keira Knightley (The Imitation Game), Emma Stone (Birdman), and the always in contention Meryl Streep for Into the Woods.

As for others, I’ll start with (surprise) Rene Russo in Nightcrawler. Others include both Melissa McCarthy and Naomi Watts for St. Vincent in addition to Jessica Chastain (A Most Violent Year) and Katherine Waterston (Inherent Vice).

My Oscar History will continue soon with 2015 as Mr. Inarritu will dominate the director race yet again while the Academy chose to spotlight something in Best Picture!

Will The Indie Spirits Nominees Showcase Oscar Gems?

This afternoon, the nominations for the 35th Independent Spirit Awards were released as we prepare for the onslaught of Oscar precursors to follow. And make no mistake – the Indie Spirits are indeed a precursor. In this decade from 2010-2018, five of the nine Best Feature winners emerged victorious with the Academy for Best Picture: 2011’s The Artist, 2013’s 12 Years a Slave, 2014’s Birdman, 2015’s Spotlight, and 2016’s Moonlight. Some of these years have three or four of the five nominees get Oscar nods in the big race.

However, 2018 marked the first year of this decade when none of the five nominated pictures at the Indies garnered any Academy love. I don’t expect that to occur for a second year in a row.

In this post, I’ll break down Feature, Director, and the four acting races and what it might mean for Oscar:

Best Feature

Nominees: A Hidden Life, Clemency, The Farewell, Marriage Story, Uncut Gems

First things first: Marriage Story is going to get a Best Picture nomination and probably wins here. And it might be the only one here that does. The Farewell has a decent shot and Uncut Gems is a potential sleeper (though I wouldn’t bet on it).

That said, Gems did tie The Lighthouse for most Indie mentions (5). And that brings us back to Marriage Story. The voters here chose to give it a special Robert Altman award honoring the team behind it. That includes cast members Adam Driver, Scarlett Johansson, Laura Dern, and Alan Alda. They all probably would’ve heard their names here had that not occurred and same goes for director Noah Baumbach. If that seems like a bit of a cheat (taking out probable winners like Driver and Baumbach), I wouldn’t argue. The silver lining is that it does make some of these categories more interesting.

Best Director

Nominees: Robert Eggers (The Lighthouse), Alma Hor’el (Honey Boy), Julius Onah (Luce), Ben and Josh Safdie (Uncut Gems), Lorene Scafaria (Hustlers)

Like Best Feature, 2018 saw no directors recognized get Academy attention. With Baumbach getting his Altman award and out of the running, that could certainly happen again as I don’t even have any of these directors in my top ten Oscar possibilities. Perhaps this could help spur chatter for the Safdies or Scafaria. Again… I wouldn’t bet on it.

Best Female Lead

Nominees: Karen Allen (Colewell), Hong Chau (Driveways), Elisabeth Moss (Her Smell), Mary Kay Place (Diane), Alfre Woodard (Clemency), Renee Zellweger (Judy)

Six out of nine winners here from 2010-2018 went onto win the Best Actress statue: Natalie Portman (Black Swan), Jennifer Lawrence (Silver Linings Playbook), Cate Blanchett (Blue Jasmine), Julianne Moore (Still Alice), Brie Larson (Room), and Frances McDormand (Three Billboards Outside Ebbing, Missouri).

Even with Johansson not included, it could be 7/10 as Zellweger is my current Oscar front runner. Woodard and Moss stand shots at nods. The other three need not shop for red carpet dresses.

One noticeable omission is Awkwafina in The Farewell, who many are predicting for Oscar attention. I currently had her on the outside looking in at sixth. That could slide when I update my estimates on Monday.

Best Male Lead

Nominees: Chris Galust (Give Me Liberty), Kelvin Harrison, Jr. (Luce), Robert Pattinson (The Lighthouse), Adam Sandler (Uncut Gems), Matthias Schoenarts (The Mustang)

Jean Dujardin (The Artist), Matthew McConaughey (Dallas Buyers Club), and Casey Affleck (Manchester by the Sea) are the three Indie/Oscar recipients. Only in 2015 and (yes) 2018 did no nominees get Oscar nods…

I expect that to occur again. I believe only Sandler stands a chance, but it’s a reach based on severe competition.

Best Supporting Female

Nominees: Jennifer Lopez (Hustlers), Taylor Russell (Waves), Lauren Spencer (Give Me Liberty), Octavia Spencer (Luce), Shuzhen Zhou (The Farewell)

Four winners here have picked up Academy trophies – Lupita Nyong’o (12 Years a Slave), Patricia Arquette (Boyhood), and the past two winners Allison Janney (I, Tonya) and Regina King (If Beale Street Could Talk).

With soft front runner Laura Dern in the Marriage Story special category thing, we could still see a third year in a row match with Lopez. Zhou and Spencer (to a lesser degree) may also find themselves in the Oscar mix.

And with Taylor Russell’s nod here, it’s a good time to mention that Waves really came up short with the Indies today. That doesn’t help its Oscar viability.

Best Supporting Male

Nominees: Willem Dafoe (The Lighthouse), Noah Jupe (Honey Boy), Shia LaBeouf (Honey Boy), Jonathan Majors (The Last Black Man in San Francisco), Wendell Pierce (Burning Cane)

This category is another ultra crowded one for Oscar attention, but Dafoe and LaBeouf are legit contenders for nods. Not so with the other three. The omission of Sterling K. Brown in Waves is a surprise.

There have been four Indie/Oscar victors this decade: Christopher Plummer (Beginners), Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), and Sam Rockwell (Three Billboards Outside Ebbing, Missouri). With Brad Pitt (Once Upon a Time in Hollywood) and Al Pacino (The Irishman) as likely favorites for the Academy, I wouldn’t expect a fifth match.

And there you have it, folks! My take on the Indies and which Oscar gems they could produce…

Best Supporting Actress: A Look Back

Today begins a new blog series where I’m looking back at five of the major Oscar categories from 1990 to the present: the four acting races and Best Picture. This is essentially the time period where I’ve closely watched and analyzed. My charge? Picking the three largest upsets in each said category and the three least surprising winners… a film or performer where it truly would have been a shock if they didn’t emerge victorious.

We begin with Best Supporting Actress and this is one in which there have been some genuine upsets over the past quarter century plus. Unlike some other races we’ll get to later, it was not a challenge to pick three unexpected winners.

The other agenda item here is I’m picking my personal selections for strongest and weakest overall field among the five nominees in the acting derby’s and five-ten for Best Picture.

For starters, here’s the list of women that won gold statues in the supporting race from 1990 to now:

1990 – Whoopi Goldberg, Ghost

1991 – Mercedes Ruehl, The Fisher King

1992 – Marisa Tomei, My Cousin Vinny

1993 – Anna Paquin, The Piano

1994 – Dianne Wiest, Bullets Over Broadway

1995 – Mira Sorvino, Mighty Aphrodite

1996 – Juliette Binoche, The English Patient

1997 – Kim Basinger, L.A. Confidential

1998 – Judi Dench, Shakespeare in Love

1999 – Angelina Jolie, Girl, Interrupted

2000 – Marcia Gay Harden, Pollock

2001 – Jennifer Connelly, A Beautiful Mind

2002 – Catherine Zeta-Jones, Chicago

2003 – Renee Zellweger, Cold Mountain

2004 – Cate Blanchett, The Aviator

2005 – Rachel Weisz, The Constant Gardner

2006 – Jennifer Hudson, Dreamgirls

2007 – Tilda Swinton, Michael Clayton

2008 – Penelope Cruz, Vicky Christina Barcelona

2009 – Mo’Nique, Precious

2010 – Melissa Leo, The Fighter

2011 – Octavia Spencer, The Help

2012 – Anne Hathaway, Les Miserables

2013 – Lupita Nyong’o, 12 Years a Slave

2014 – Patricia Arquette, Boyhood

2015 – Alicia Vikander, The Danish Girl

2016 – Viola Davis, Fences

2017 – Allison Janney, I, Tonya

I’ll begin with the least surprising winners. Truthfully, there are plenty of selections (and will be in each race) to pick from here. It’s normal procedure for the front runner to actually win. Here’s three that did just that:

3. Dianne Wiest, Bullets Over Broadway

Of the 28 recipients to choose from, note that 3 of them were under the direction of Woody Allen. None were surprise winners. That’s most evident with Wiest’s showcase work as an aging diva here. Her win here came just eight years following her Oscar winning role in another Allen pic, Hannah and Her Sisters.

2. Jennifer Hudson, Dreamgirls

Fans of the Broadway play this is based upon knew Ms. Hudson could have a legitimate breakthrough part here. She nailed it and her win was never in much doubt.

1. Anne Hathaway, Les Miserables

Similar to Hudson’s victory, Hathaway’s casting as Fantine and her “I Dreamed a Dream” dramatic solo made her the odds-on favorite from the moment the project was announced. That never changed.

Now we get to the upsets and there were four to choose from. I could easily include Anna Paquin in The Piano, who became the second youngest winner when she beat out favorite Winona Ryder for The Age of Innocence. Here’s 3 I rank as even more surprising:

3. Marcia Gay Harden, Pollock

Harden had won no significant precursors and Kate Hudson was expected to have her name called for Almost Famous. She wasn’t even nominated for a Golden Globe or SAG.

2. Juliette Binoche, The English Patient

While the film itself was the anticipated winner for Picture (which it did), the Oscars were expected to select the legendary Lauren Bacall for her work in Barbra Streisand’s The Mirror Has Two Faces. Yet it was Binoche’s performance that was unexpectedly honored.

1. Marisa Tomei, My Cousin Vinny

For starters, comedic roles are rarely nominated and wins are even more unheard of. Tomei was a newcomer in a picture that wasn’t a factor in any other category. Her competition was a list of venerable actresses: Judy Davis (Husbands and Wives), Joan Plowright (Enchanted April), Vanessa Redgrave (Howards End), and Miranda Richardson (Damages). The victory here was so shocking that conspiracy theories emerged that presenter Jack Palance had accidentally read the wrong name. That’s been debunked, but Tomei’s trip to the stage remains one of Oscar’s largest jaw droppers.

As for the fields, I’m going with 1991 for the weakest link in the chain. I probably would have given the award to Juliette Lewis in Cape Fear. However, the group was not particularly strong:

Mercedes Ruehl, The Fisher King (Winner)

Diane Ladd, Rambling Rose

Juliette Lewis, Cape Fear

Kate Nelligan, The Prince of Tides

Jessica Tandy, Fried Green Tomatoes

For the strongest field overall, I went with 2004 when Cate Blanchett won for her portrayal of Katherine Hepburn in Martin Scorsese’s The Aviator. The other nominees:

Laura Linney, Kinsey

Virginia Madsen, Sideways

Sophie Okonedo, Hotel Rwanda

Natalie Portman, Closer

And there you have it! I’ll have Supporting Actor up soon…

Oscar Recap 2014

Well it’s been nearly 24 hours since the 87th edition of the Academy Awards reached its conclusion and somewhere Neil Patrick Harris is still trying to make that “secret Oscar ballot” gag work. The show was, as usual, a mixed bag that went on far too long. It featured some solid musical numbers (Common and John Legend, Tim McGraw) and a truly memorable one with Lady Gaga paying tribute to the 50 year old Sound of Music, complete with a Julie Andrews cameo at the end.

Being the host is largely a thankless job but NPH did OK. I don’t think his performance was strong enough to warrant a return engagement, but you never know. I still say let Fallon and Timberlake do it or bring in Louis C.K. to really make things unpredictable.

There were some genuinely humorous bits like John Travolta making nice with Idina Menzel after butchering her name last year, but not close to enough to justify its laborious length which ran past midnight.

It was a mediocre ceremony that was truly made fascinating only by the real suspense generated with the top awards. OK, it was a given that Julianne Moore, J.K. Simmons and Patricia Arquette would take home acting trophies and they did. I admittedly let my heart and not mind pick Michael Keaton over Eddie Redmayne and was unsurprisingly proved wrong.

The genuine suspense came with Best Picture and Director where there was a real coin flip between Birdman and Boyhood. It got even more confusing when both The Grand Budapest Hotel and Whiplash started winning in categories they weren’t expected to. Could a massive upset be brewing with one of them?

Yet when Birdman took the Original Screenplay award over expected winner Budapest, it started to look like a good night for Alejandro Gonzalez Inarritu’s movie. He would win the Director prize and the film would win the biggest race of all.

This left Boyhood as the evening’s loser, picking up only Supporting Actress for Arquette. Birdman and Budapest won four awards with Whiplash at three. Interestingly, this Oscars had the rare occasion of all eight nominated features winning at least one race. My predictions were as uneven as the show… 12 for 20 and that is on the low end for this humble blogger.

So, all in all, a ho hum affair with some solid moments sprinkled throughout. By the end of the show, however, it wasn’t only Octavia Spencer that appeared exasperated by that flat NPH ballot gag.

http://youtu.be/m5tpec1Y78c

Boyhood Movie Review

Much has been ballyhooed about the method in which Richard Linklater’s Boyhood was filmed and with legitimate reason. The 11 year period chronicling the life of Mason (Ellar Coltrane) and his family was indeed shot during that same period of time. From a visual standpoint, it’s remarkable to witness our actors aging in real time. This especially holds true for our central character who we follow from age 6 through his entrance to college.

Boyhood is grand and innovative in its shooting schedule approach and yet small and intimate and simple in the approach of the storytelling. We see Mason grow over time from a kid mostly disinterested in school to a lover of photography who may someday figure out a way to use his talents wisely. There’s a lot of the items young men (and women) may recognize from their own time in those pre-teen and teenage years. Embellishing your sexual history before having one. Experimenting with drugs and alcohol. There’s a scene in which Dad attempts the birds and bees talk with his children and it is probably the most realistic one committed to film. Since our tale takes us from 2002 to 2013, we also see the progression of video games and Apple products and also music. Mason’s sister Samantha (Lorelai Linklater) starts out singing hits by Britney Spears, but as our characters mature – Wilco and mixed tapes featuring Beatles members factor in. As a side note, there’s an amusing discussion at one point about whether another Star Wars would be made long before Linklater and company could have known there would be one. And I’ll be damned if little Ellar Coltrane doesn’t grow up to kind of look like Hayden Christensen.

In some ways, Boyhood is as much about Mason’s family. His parents had their two children young and they didn’t stay together. Mom is played by Patricia Arquette and Dad is Ethan Hawke. Like Mason, we see them grow. Hot rod vehicles become minivans. We see their screw ups too including bad relationships. What is notable about the screenplay is that we see it through the lens of Mason at the age he happens to be in. For instance, we don’t know what Mom does for a living until Mason would be at an age when he would care.

The picture is strongest in the first half of its deliberate two hour and forty five minute running time. One reason: the performances of Coltrane and Linklater work best at that juncture. They are kids acting like real kids and written that way. You don’t always have that in movies and it is refreshing here. We see them competing for their Dad’s affection because they only see him every once in a while. The groundwork that’s layed in the early stages here pave the way for understanding how the principal actors interact with one another later. Much credit is due to the performers. Arquette and Hawke do fine work here and a scene towards the end with Arquette in particular justifies the Oscar buzz.

The quibble with the second half is as follows: sadly, age doesn’t improve the acting of Coltrane and it shows. Linklater is going for something remarkable in his method of directing with the time gaps. His screenplay is aiming for nothing so grand. This is life filled with small moments and very occasional big ones. It’s certainly more grounded in realism than most others and we remain highly involved in the family’s story well beyond watching Mason’s hairstyle change. Still, I can’t pretend as if the limited acting ability of Coltrane isn’t sometimes a distraction because it was for me.

Boyhood takes its time with its characters and isn’t foolish enough to try some big reveal about the “meaning of it all.” It doesn’t try to wrap everything in a tidy bow at the conclusion either. Life will go on. Sometimes it’ll be boring. Sometimes you’ll get to have a moment where you may even realize it’s a meaningful one. The picture itself is one in which I’ll remember mostly for the cool way it was made and the occasional moments where it rises to near greatness. I’ll go ahead and admit that I believe some critics have overrated what my Boyhood experience was. I’m glad I got to spend time with these people though.

*** (out of four)

Todd’s FINAL Oscar Winner Predictions

Well here we go! The Oscars honoring the best of 2014 in film air this Sunday and after many round of predictions, it’s time to man up and pick up the winners for the final time in all major categories, minus documentary and short film contenders. For each race, I will predict the winner and a runner-up. On Sunday evening or Monday, I’ll post a recap of how I did.

Let’s get to it:

BEST PICTURE

Predicted Winner: Boyhood

Runner-Up: Birdman

BEST DIRECTOR

Predicted Winner: Alejandro Gonzalez Inarritu, Birdman

Runner-Up: Richard Linklater, Boyhood

BEST ACTOR

Predicted Winner: Michael Keaton, Birdman

Runner-Up: Eddie Redmayne, The Theory of Everything

BEST ACTRESS

Predicted Winner: Julianne Moore, Still Alice

Runner-Up: Reese Witherspoon, Wild

BEST SUPPORTING ACTOR

Predicted Winner: J.K. Simmons, Whiplash

Runner-Up: Edward Norton, Birdman

BEST SUPPORTING ACTRESS

Predicted Winner: Patricia Arquette, Boyhood

Runner-Up: Emma Stone, Birdman

BEST ORIGINAL SCREENPLAY

Predicted Winner: The Grand Budapest Hotel

Runner-Up: Birdman

BEST ADAPTED SCREENPLAY

Predicted Winner: The Imitation Game

Runner-Up: Whiplash

BEST FOREIGN LANGUAGE FILM

Predicted Winner: Ida

Runner-Up: Leviathan

BEST ANIMATED FEATURE

Predicted Winner: Big Hero 6

Runner-Up: How to Train Your Dragon 2

BEST PRODUCTION DESIGN

Predicted Winner: The Grand Budapest Hotel

Runner-Up: Into the Woods

BEST CINEMATOGRAPHY

Predicted Winner: Birdman

Runner-Up: Unbroken

BEST COSTUME DESIGN

Predicted Winner: Into the Woods

Runner-Up: The Grand Budapest Hotel

BEST EDITING

Predicted Winner: Boyhood

Runner-Up: Whiplash

BEST MAKEUP AND HAIRSTYLING

Predicted Winner: The Grand Budapest Hotel

Runner-Up: Guardians of the Galaxy

BEST SOUND MIXING

Predicted Winner: American Sniper

Runner-Up: Birdman

BEST SOUND EDITING

Predicted Winner: Birdman

Runner-Up: American Sniper

BEST VISUAL EFFECTS

Predicted Winner: Insterstellar

Runner-Up: Dawn of the Planet of the Apes

BEST SCORE

Predicted Winner: The Theory of Everything

Runner-Up: The Imitation Game

BEST SONG

Predicted Winner: “Glory” from Selma

Runner-Up: “I’m Not Gonna Miss You” from Glen Campbell: I’ll Be Me

My predictions reflect a belief that the following pictures will win multiple awards: Birdman (4) and Boyhood and The Grand Budapest Hotel with 3.

And there you have it…. My final Oscar predictions! We shall see how I do come Sunday evening.

Oscar Winner Predictions: Todd’s Take

We are officially ten days away from Neil Patrick Harris hosting the Oscars and it seems like a perfect time to chime in with an update on what and who I believe will win in the eight major categories. Next weekend – I’ll provide final predictions in all of the races. Here we go:

BEST PICTURE

Of the eight movies nominated here, it now appears only two have a legit shot at becoming 2014’s Best Picture: Richard Linklater’s Boyhood and Alejandro Gonzalez Inarritu’s Birdman. The momentum still appears to be on the side of Linklater’s 12 years in the making family drama.

Predicted Winner: Boyhood

Runner-Up: Birdman

Other Nominees: American Sniper, The Grand Budapest Hotel, The Imitation Game, Selma, The Theory of Everything, Whiplash

BEST DIRECTOR

Like the Picture race, it’s between Linklater and Inarritu. This practically seems like a coin flip at this point, but I’ll give the Birdman maker the slight edge since he just won the Director’s Guild of America award (often a solid predictor of who wins here).

Predicted Winner: Alejandro Gonzalez Inarritu, Birdman

Runner-Up: Richard Linklater, Boyhood

Other Nominees: Wes Anderson (The Grand Budapest Hotel), Bennett Miller (Foxcatcher), Morten Tyldum (The Imitation Game)

BEST ACTOR

While Michael Keaton remains the front runner for his Birdman comeback, don’t sleep on the chances of Eddie Redmayne in The Theory of Everything, especially following his somewhat surprising SAG Awards victory. I’m still clinging to Keaton winning though.

Predicted Winner: Michael Keaton, Birdman

Runner-Up: Eddie Redmayne, The Theory of Everything

Other Nominees: Steve Carell (Foxcatcher), Bradley Cooper (American Sniper), Benedict Cumberbatch (The Imitation Game)

BEST ACTRESS

Julianne Moore’s work in Still Alice is widely expected to nab the celebrated actress her first golden statue. Any other winner here would be a rather big surprise.

Predicted Winner: Julianne Moore, Still Alice

Runner-Up: Felicity Jones, The Theory of Everything

Other Nominees: Marion Cotillard (Two Days One Night), Rosamund Pike (Gone Girl), Reese Witherspoon (Wild)

BEST SUPPORTING ACTOR

Another easy race to predict as J.K. Simmons’ turn as the sadistic music teacher in Whiplash has won essentially all precursors. Only a Birdman sweep could mean Edward Norton is victorious and that’s a long shot.

Predicted Winner: J.K. Simmons, Whiplash

Runner-Up: Edward Norton, Birdman

Other Nominees: Robert Duvall (The Judge), Ethan Hawke (Boyhood), Mark Ruffalo (Foxcatcher)

BEST SUPPORTING ACTRESS

Like the two previous acting categories, Patricia Arquette’s Boyhood performance has scored at other awards shows and anyone but her winning would be a massive upset.

Predicted Winner: Patricia Arquette, Boyhood

Runner-Up: Emma Stone, Birdman

Other Nominees Laura Dern (Wild), Keira Knightley (The Imitation Game), Meryl Streep (Into the Woods)

BEST ORIGINAL SCREENPLAY

This is one heckuva category but again should come down to Birdman and Boyhood. Like in the Director race, Birdman gets a small edge. Watch out for Budapest as a potential spoiler.

Predicted Winner: Birdman

Runner-Up: Boyhood

Other Nominees: Foxcatcher, The Grand Budapest Hotel, Nightcrawler

BEST ADAPTED SCREENPLAY

This would appear to be the best chance for The Imitation Game to win a major award, but Theory of Everything may be hot on its heels.

Predicted Winner: The Imitation Game

Runner-Up: The Theory of Everything

Other Nominees: American Sniper, Inherent Vice, Whiplash

And that’ll do it. Keep an eye out for final predictions next weekend!

2014 Oscar Nominations Reaction

And they’re out!

The Oscar nominations for the 2014 movie year were released this morning. As readers of the blog know, I made my final predictions yesterday evening in the eight major categories. So how did I do?

Well… not too shabby as I see it. Of the 44 nominations predicted, I correctly got 38 which equates to 86% overall and perfect scores in three of the races. Let’s take a look at the categories one by one and, for the first time, I’ll offer my initial thoughts on what and who will win:

BEST PICTURE

As mentioned last night, I finally got on the Nightcrawler bandwagon. Frankly, I should have been thinking more about the American Sniper bandwagon. It’s the only movie that received a nod that I didn’t predict. There were eight nominees instead of my estimated nine, which meant my Foxcatcher and Nightcrawler calls were left off. So overall – 7 out of 9 on Best Picture.

Nominees

American Sniper

Birdman

Boyhood

The Grand Budapest Hotel

The Imitation Game

Selma

The Theory of Everything

Whiplash

This appears to be a three film race between Boyhood, Birdman, and The Imitation Game with Boyhood appearing to have the edge. Selma was once thought to be in that mix, but today’s lack of nods in other categories render its chances virtually non-existent.

Current Predicted Winner: Boyhood

BEST DIRECTOR

Went 4 out of 5 here. Bennett Miller’s nomination for Foxcatcher was only surprising because the picture itself wasn’t recognized. I included Ana DuVernay for Selma yet her exclusion isn’t that shocking since Selma has been losing steam.

Nominees

Wes Anderson, The Grand Budapest Hotel

Alejandro Gonzalez Inarritu, Birdman

Richard Linklater, Boyhood

Bennett Miller, Foxcatcher

Morten Tyldum, The Imitation Game

For the last two years, Oscar has split their Picture and Director winners. I could easily see a scenario where Boyhood takes top prize with Inarritu’s virtuoso work in Birdman victorious in this category. This is a tough call, but for now I’ll go with Linklater’s heralded and long gestating accomplishment in Boyhood.

Predicted Winner: Linklater

BEST ACTOR

4 for 5 again. This race had turned into a seven man showdown and two were going to be left out. They were David Oyelowo in Selma (who I predicted wouldn’t be nominated) and Jake Gyllenhall in Nightcrawler (I predicted he would). The Sniper love meant Bradley Cooper picked up his third consecutive nomination and he’s the one I left out.

Nominees

Steve Carell, Foxcatcher

Bradley Cooper, American Sniper

Benedict Cumberbatch, The Imitation Game

Michael Keaton, Birdman

Eddie Redmayne, The Theory of Everything

We’ll keep this short and sweet. Cumberbatch or Redmayne could spoil, but this is Keaton’s race to lose.

Predicted Winner: Keaton

BEST ACTRESS

5 for 5 here! I’ll pat myself on the back for including Marion Cotillard’s “surprise” nom for Two Days One Night. Some were surprised at Jennifer Aniston’s exclusion for Cake, but the film was so small and reviews so not solid that I wasn’t.

Nominees

Marion Cotillard, Two Days One Night

Felicity Jones, The Theory of Everything

Julianne Moore, Still Alice

Rosamund Pike, Gone Girl

Reese Witherspoon, Wild

Like the Best Actor race, we have a big front runner here and it’s Moore (a celebrated and often nominated actress who’s never won). It’s simply hard to imagine any of the other four topping her.

Predicted Winner: Moore

BEST SUPPORTING ACTOR

5 for 5 again!! Not much to add here as these five actors were the expected nominees and that’s how it panned out.

Nominees

Robert Duvall, The Judge

Ethan Hawke, Boyhood

Edward Norton, Birdman

Mark Ruffalo, Foxcatcher

J.K. Simmons, Whiplash

I’m starting to sound like a broken record, but again there’s a major front runner. J.K. Simmons has won most of the precursors. Only an extremely good night for Birdman and a Norton upset seems plausible… but not that plausible.

Predicted Winner: Simmons

BEST SUPPORTING ACTRESS

4 for 5 here as Laura Dern’s work in Wild (which I’d predicted previously but took her off) was included and Jessica Chastain’s in A Most Violent Year was excluded.

Nominees

Patricia Arquette, Boyhood

Laura Dern, Wild

Keira Knightley, The Imitation Game

Emma Stone, Birdman

Meryl Streep, Into the Woods

The broken record continues as Stone could reap the benefit of a Birdman love fest. However, Arquette seems to be in a solid position for gold.

Predicted Winner: Arquette

Best Original Screenplay

Perfection again – 5 for 5!!! ‘Nuff said…

Nominees

Birdman

Boyhood

Foxcatcher

The Grand Budapest Hotel

Nightcrawler

This would appear to be the race where Birdman has an ever so slight edge over Boyhood. If there’s a spoiler, it could be Grand Budapest.

Predicted Winner: Birdman

Best Adapted Screenplay

4 for 5. The American Sniper props continued as I didn’t include it. That meant Gillian Flynn’s adaptation of her book Gone Girl was left off… which was a bit of a surprise.

Nominees

American Sniper

The Imitation Game

Inherent Vice

The Theory of Everything

Whiplash

Here, The Imitation Game seems the most likely to win and it’ll likely represent its only victory in the main races.

Predicted Winner: The Imitation Game

As for surprises in the down ticket categories, there were a couple of big ones. In the Animated Feature category, The LEGO Movie was seen to many as a potential winner and it wasn’t even nominated. In the Documentary race, the Roger Ebert pic Life Itself was shockingly left out.

Please note that my current winner predictions are not my final ones and I will have a post up the weekend before the ceremony to make those picks in all categories.

Stay tuned!