Tag: Parasite

31st Critics’ Choice Awards Nomination Predictions

Nominations for the 31st Critics’ Choice Awards will be unveiled tomorrow morning before its telecast on January 4th. With Chelsea Handler returning to host, it is one of the higher profile Oscar precursors. This awards branch is traditionally hesitant to honor international titles though titles No Other Choice and The Secret Agent popped up on their shortlists for consideration and recent pics like Roma, Parasite, and RRR made the cut. Speaking of, this is the first year where CCA unveiled shortlists for a number of below the line races.

Like the Oscars, there are 10 nominees for Best Picture. Last year, 9 out of 10 CCA nominees got a BP nod from the Academy. It was 8 the previous two years so this is a decent barometer for what’s to come. Unlike the Oscars, there were 8 nominated Directors (at least there was last year), but apparently only six this time around and 6 hopefuls in other categories.

Here are my predictions with an alternate for each competition:

Best Picture

Avatar: Fire and Ash

Frankenstein

Hamnet

Jay Kelly

Marty Supreme

One Battle After Another

Sentimental Value

Sinners

Train Dreams

Wicked: For Good

Alternate – Bugonia

Best Director

Paul Thomas Anderson, One Battle After Another

Ryan Coogler, Sinners

Guillermo del Toro, Frankenstein

Jafar Panahi, It Was Just an Accident

Josh Safdie, Marty Supreme

Chloé Zhao, Hamnet

Alternate – Joachim Trier, Sentimental Value

Best Actress

Jessie Buckley, Hamnet

Rose Byrne, If I Had Legs I’d Kick You

Cynthia Erivo, Wicked: For Good

Chase Infiniti, One Battle After Another

Renate Reinsve, Sentimental Value

Emma Stone, Bugonia

Alternate – Amanda Seyfried, The Testament of Ann Lee

Best Actor

Timothée Chalamet, Marty Supreme

Leonardo DiCaprio, One Battle After Another

Joel Edgerton, Train Dreams

Ethan Hawke, Blue Moon

Michael B. Jordan, Sinners

Wagner Moura, The Secret Agent

Alternate – George Clooney, Jay Kelly

Best Supporting Actress

Elle Fanning, Sentimental Value

Ariana Grande, Wicked: For Good

Inga Ibsdotter Lilleass, Sentimental Value

Amy Madigan, Weapons

Wunmi Mosaku, Sinners

Teyana Taylor, One Battle After Another

Alternate – Regina Hall, One Battle After Another

Best Supporting Actor

Benicio Del Toro, One Battle After Another

Delroy Lindo, Sinners

Paul Mescal, Hamnet

Sean Penn, One Battle After Another

Adam Sandler, Jay Kelly

Stellan Skarsgård, Sentimental Value

Alternate – Jacob Elordi, Frankenstein

Best Original Screenplay

It Was Just an Accident

Jay Kelly

Marty Supreme

Sentimental Value

Sinners

Weapons

Alternate – The Secret Agent

Best Adapted Screenplay

Bugonia

Frankenstein

Hamnet

No Other Choice

One Battle After Another

Train Dreams

Alternate – Wake Up Dead Man: A Knives Out Mystery

Best Comedy

Bugonia

Jay Kelly

Marty Supreme

The Phoenician Scheme

Wake Up Dead Man: A Knives Out Mystery

Alternate – The Naked Gun

Best Ensemble

Hamnet

Jay Kelly

Marty Supreme

One Battle After Another

Sinners

Wicked: For Good

Alternate – A House of Dynamite

Best Foreign Language Film

It Was Just an Accident

No Other Choice

The Secret Agent

Sentimental Value

Sirât

The Voice of Hind Rajab

Alternate – Left-Handed Girl

Best Animated Film

Arco

KPop Demon Hunters

Little Amélie or the Character of Rain

Ne Zha 2

Scarlet

Zootopia 2

Alternate – Elio

Best Cinematography

Frankenstein

Hamnet

Marty Supreme

One Battle After Another

Sinners

Train Dreams

Alternate – Jay Kelly

Best Costume Design

Frankenstein

Kiss of the Spider Woman

Marty Supreme

One Battle After Another

Sinners

Wicked: For Good

Alternate – Hamnet

Best Editing

A House of Dynamite

F1

Marty Supreme

No Other Choice

One Battle After Another

Sinners

Alternate – Hamnet

Best Hair and Makeup

28 Years Later

Frankenstein

Sinners

The Smashing Machine

Weapons

Wicked: For Good

Alternate – Kiss of the Spider Woman

Best Production Design

Avatar: Fire and Ash

Frankenstein

Hamnet

Marty Supreme

Sinners

Wicked: For Good

Alternate – Hedda

Best Original Score

A House of Dynamite

Bugonia

Hamnet

Marty Supreme

One Battle After Another

Sinners

Alternate – Frankenstein

Best Original Song

“Dear Me” from Diane Warren: Relentless

“The Girl in the Bubble” from Wicked: For Good

“Golden” from KPop Demon Hunters

“Highest 2 Lowest” from Highest 2 Lowest

“I Lied to You” from Sinners

“Train Dreams” from Train Dreams

Alternate – “Last Time (I Seen the Sun)” from Sinners

Best Sound

Avatar: Fire and Ash

F1

Frankenstein

One Battle After Another

Sinners

Wicked: For Good

Alternate – Warfare

Best Stunt Ensemble

Ballerina

F1

Mission: Impossible – The Final Reckoning

One Battle After Another

Sinners

Wicked: For Good

Alternate – Superman

Best Visual Effects

Avatar: Fire and Ash

The Fantastic Four: First Steps

F1

Frankenstein

Superman

Wicked: For Good

Alternate – Mickey 17

Best Young Actor/Actress

Everett Blunck, The Plague

Miles Caton, Sinners

Cary Christopher, Weapons

Aidan Delbis, Bugonia

Chase Infiniti, One Battle After Another

Jacobi Jupe, Hamnet

Alternate – Alfie Williams, 28 Years Later

That means I am predicting the following number of nominations for these films:

17 Nominations

Sinners

16 Nominations

One Battle After Another

11 Nominations

Marty Supreme, Wicked: For Good

10 Nominations

Hamnet

9 Nominations

Frankenstein

8 Nominations

Sentimental Value

5 Nominations

Bugonia, Jay Kelly, Train Dreams

4 Nominations

Avatar: Fire and Ash, F1, Weapons

3 Nominations

It Was Just an Accident, No Other Choice

2 Nominations

A House of Dynamite, KPop Demon Hunters, The Secret Agent

1 Nomination

28 Years Later, Arco, Ballerina, Blue Moon, Diane Warren: Relentless, The Fantastic Four: First Steps, Highest 2 Lowest, If I Had Legs I’d Kick You, Kiss of the Spider Woman, Little Amélie or the Character of Rain, Mission: Impossible – The Final Reckoning, Ne Zha 2, The Phoenician Scheme, The Plague, Scarlet, Sirât, The Smashing Machine, Superman, The Voice of Hind Rajab, Wake Up Dead Man: A Knives Out Mystery, Zootopia 2

Oscar Predictions – Wake Up Dead Man: A Knives Out Mystery

With Daniel Craig anchoring for the third time as eccentric sleuth Benoit Blanc, Wake Up Dead Man: A Knives Out Mystery continues the mystery franchise. It premiered at the Toronto Film Festival with a limited theatrical engagement slated for November 26th and Netflix release on December 12th. Rian Johnson returns as writer/director with the considerable supporting cast including Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church.

2019’s Knives Out was up for Original Screenplay and 2022 follow-up Glass Onion vied for Adapted Screenplay. They respectively lost to Parasite and Women Talking. Several critics in Canada are making the case that Wake is the strongest overall of the three pictures. Rotten Tomatoes is at 92% with Metacritic at 82. It’s probably a safe bet that it’ll make the cut in Adapted Screenplay at the 98th ceremony. As for the cast, O’Connor and Close are being labeled as best in show. I’d say the latter, due to her infamous history of being nominated and not winning, stands a better chance with the Academy. Don’t be surprised if the sole nom for this is in its writing race.

The Golden Globes should should offer different opportunities. Both predecessors were nominated for Best Motion Picture – Musical/Comedy – with the original falling short to Once Upon a Time in Hollywood and The Banshees of Inisherin taking the prize over Glass. Craig was nominated for Best Actor in a Musical/Comedy for both. It was Taron Egerton (Rocketman) and Inisherin‘s Colin Farrell hearing their names called instead. I would suspect Craig will get in again (as will the film) and hope the third time is the charm. My Oscar Prediction posts will continue…

Neon Lights Up Cannes

No one can do Cannes like Neon. The indie film production company has ruled the French festival for six years straight when it comes to the Palme d’Or winner. That list consists of Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. The first and last movies in that quintet went onto win Best Picture at the Oscars with Triangle and Anatomy nabbing nominations.

Neon once again had contenders to spare at this year’s competition and many assumed the grand prize would go to Joachim Trier’s Sentimental Value. That acclaimed family drama immediately established itself as an Oscar contender. Yet the Cannes jury (headed by Juliette Binoche) instead chose another Neon property in Jafar Panahi’s It Was Just an Accident. It marks another festival triumph for the Iranian filmmaker. His 2000 feature The Circle took top honors in Venice while 2015’s Taxi was awarded best of at the Berlin Fest. Accident now enters the conversation for a BP mention from the Academy and it certainly is a major contender for International Feature Film.

As for the more favored Value, it settled for the Grand Prix designation which is basically runner-up (it went to BP nominee The Zone of Interest in 2023). As mentioned, Neon has high hopes for its future in the coming months.

The Jury Prize (which Emilia Pérez took last time around) was shared between Spanish/French coproduction Sirât from Oliver Laxe and Mascha Schilinski’s German generational tale Sound of Falling (which is also a sturdy hopeful in IFF).

Another major player for Neon is The Secret Agent, the 1970s set Brazilian political thriller. Kieber Mendonça Filho received the Director trophy while Wagner Moura is Best Actor. Look for Agent to have a potential presence in IFF while Moura’s lead campaign could be a real threat for Academy inclusion.

Nadia Melliti is your Best Actress for the French coming-of-age drama The Little Sister. The young actress emerged over heavy hitter Jennifer Lawrence from Die, My Love. Nevertheless Lawrence did strengthen her shot at a fifth Oscar play months down the road.

Some had pegged Richard Linklater’s Nouvelle Vague (which recounts the shooting of French classic Breathless) for some Riviera prizes, but it wasn’t to be. Other high profile premieres not found among the victors are Iranian drama Woman and Child (where Parinaz Izadyar was considered viable in Actress), Wes Anderson’s The Phoenician Scheme, and Julia Ducournau’s Titane follow-up Alpha.

Keep an eye on the blog as I continue to write individual posts for movies screened at Cannes. I hadn’t even gotten to Accident yet! As for next year, look to see what Neon’s backing when figuring out the favorites…

Oscar Predictions: Sentimental Value

Distributor Neon has shined brightly at the Cannes Film Festival by releasing the previous five Palme d’Or recipients: Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. Only Titane missed a Best Picture nod from the Academy. Parasite and Anora won. That’s one of the reasons Joachim Trier’s family drama Sentimental Value is considered to be a serious contender for the top prize in France. Another is because it’s the filmmaker’s follow-up to his acclaimed 2021 effort The Worst Person in the World which reunites him with star Renate Reinsve. The supporting cast includes Stellan Skarsgård, Inga Ibsdotter Lilleass, Elle Fanning, Anders Danielsen Lie, and Cory Michael Smith.

Early festival reaction is effusive and points to Value indeed being a major Palme threat. Neon could guide this to numerous Oscar nods including Picture, Director, Reinsve in Actress, Skasrgård in Supporting Actor, and Original Screenplay. Then there’s Supporting Actress and according to reviews, Neon may have a decision to make as Lilleass and Fanning are both being praised. The latter would be a higher profile campaign, but let’s see how it plays out.

Bottom line: there is no doubt that Sentimental has quickly established itself a potential force at Cannes and beyond. Expect to hear a lot about it this awards season. My Oscar Prediction posts will continue…

March 7-9 Box Office Predictions

Mickey 17, Bong Joon-ho’s follow=up to his Oscar juggernaut Parasite, looks to rule the charts this weekend and end the three-week reign of Captain America: Brave New World. We also have Rule Breakers from Angel Studios and you can peruse my prediction posts on the newcomers here:

Mickey 17 Box Office Prediction
Rule Breakers Box Office Prediction

With a forecast in the upper teens (which isn’t oh so fine), I’m not as optimistic as some others on Mickey 17. The sci-fi satire with Robert Pattinson should benefit from the Joon-ho goodwill, but I’m not convinced that equates to a gross north of $20 million.

As for Rule Breakers with Phoebe Waller-Bridge, lower to mid single digits could place it in fourth or fifth with third being the best case scenario if it exceeds my projection.

Captain America: Brave New World should slide to second with a low to mid 40s dip while Last Breath and The Monkey populate the remainder of the top five.

Here’s how I see it playing out:

1. Mickey 17

Predicted Gross: $17.9 million

2. Captain America: Brave New World

Predicted Gross: $8.4 million

3. Last Breath

Predicted Gross: $4.6 million

4. Rule Breakers

Predicted Gross: $3.7 million

5. The Monkey

Predicted Gross: $3.4 million

Box Office Results (February 28-March 2)

It was a three-peat for the MCU’s Captain America: Brave New World with $14.8 million added to its coffers. That’s ahead of my $11.8 million guesstimate as the superhero tale has taken in $163 million with $200 million in its domestic sights (though it might fall a little short of that).

Survival thriller Last Breath starring Woody Harrelson and Simu Liu was runner-up with $7.8 million and that tops my glass half empty prediction of $4.8 million. That’s at the better end of its anticipated range.

The Monkey was third in its sophomore outing with $6.4 million, a tad ahead of my $5.7 million call. The horror comedy stands at $24 million after ten days.

Paddington in Peru was fourth with $4.5 million (I said $3.9 million) for $31 million overall after three weeks.

Dog Man rounded out the top five with $4.2 million (I went with $3.7 million). The five-week tally is $84 million as it will try and reach $100 million stateside.

And that does it for now, folks! Until next time…

Mickey 17 Box Office Prediction

Bong Joon-ho’s follow-up to his 2019 Oscar juggernaut Parasite hits multiplexes via Mickey 17 on March 7th. Robert Pattinson plays multiple roles in the sci-fi satire which premiered at the Berlin Film Festival. Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo costar.

Sporting the acclaimed auteur’s biggest budget, Mickey certainly arrives with higher expectations than he’s seen before. Most reviews are solid with 88% on Rotten Tomatoes and 75 on Metacritic. That said, it probably won’t be the awards player that Parasite was save for some tech races.

Originally slated for theaters in March 2024, some estimates have Mickey in the $25 million region. I’m not convinced it will do that fine. Had it arrived just a couple of years after Joon-ho’s predecessor, I might be projecting more. I’ll say higher teens with low 20s as the best case scenario.

Mickey 17 opening weekend prediction: $17.9 million

For my Rule Breakers prediction, click here:

Rule Breakers Box Office Prediction

Oscar Predictions: Mickey 17

Prior to its March 7th domestic release, Mickey 17 has debuted overseas at the Berlin Film Festival. The sci-fi satire is Bong Joon-ho’s eagerly awaited follow-up to 2019’s Parasite which dominated the 92nd Academy Award by taking Best Picture, Director, Original Screenplay, and International Feature Film. Originally slated for spring 2024, Mickey stars Robert Pattinson, Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo.

Early reviews suggests this is more in line with Joon-ho’s Okja as opposed to Parasite. With 81% on Rotten Tomatoes and 74 on Metacritic, the acclaim isn’t as universal as the multiple Oscar winner. The release date would further suggest that Warner Bros won’t make this a major awards play (though this pattern did work for Dune: Part Two).

That said, some reaction is quite effusive. While Best Picture, Director, and Adapted Screenplay (it’s based on a 2022 Edward Ashton novel) could be a stretch, down the line tech races like Sound and Visual Effects could happen. My Oscar Prediction posts will continue…

AFI Awards 2024: Reaction

Each year the American Film Institute (AFI) names their ten best films of the year and it’s become a reliable bell weather for 7-8 Best Picture nominees at the Oscars. How about a look at the past 15 years and their track record since the Academy expanded to more than five BP contenders?

2009: 5/10 match

2010: 9/10

2011: 7/9

2012: 8/9

2013: 7/9

2014: 6/8

2015: 6/8

2016: 7/9

2017: 7/9

2018: 5/8

2019: 7/9

2020: 6/8

2021: 8/10

2022: 7/10

2023: 8/10

There’s an important caveat as this is the American Film Institute. Therefore movies considered international do not make the cut. They often get a “special” award and that was the case with Roma, Parasite, and The Banshees of Inisherin.

Today’s AFI announcement was surprising in the sense that there was only one. Emilia Pérez was thought by most to be ineligible for the 10 due to its foreign flavor, but it managed to make the cut. The AFI list is as follows:

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

Nickel Boys

A Real Pain

Sing Sing

Wicked

Not a shocker in the group. This seems like a key inclusion for Nickel Boys and A Real Pain in solidifying their status as legit BP players. I suspect that if some prognosticators knew Emilia would be eligible, several of them would’ve gone 10/10.

Let’s analyze, shall we? The AFI has a habit of naming mainstream pics that the Academy ignores. Examples in the last decade include Into the Woods, Inside Out, Star Wars: The Force Awakens, Straight Outta Compton, Zootopia, Wonder Woman, Mary Poppins Returns, A Quiet Place, Knives Out, Soul, Nope, and Spider-Man: Across the Spider-Verse.

Note the amount of animated features. This is where a nod for The Wild Robot wouldn’t have been unexpected. The fact that it didn’t land here is an indication of its chances in the Academy’s BP derby… none. The same might be said for Gladiator II. It’s been out of my top 10 and I had it placed 13th in Other Possibilities last weekend. Don’t be surprised it drops out of the top 15 in my next update.

Other features that could have benefitted from a spot here include The Substance, September 5, Nosferatu, Blitz, The Room Next Door, and recent Gotham recipient A Different Man.

That said… we don’t expect this to be the Oscar top ten…

Do we?!? It sure could be. Yes, that would be the first time AFI and the Academy match 10/10. Yet the only difference I have right now is The Substance over A Complete Unknown and the latter seems to be picking up some steam. We still have Critics Choice and their top ten en route. They’re another pretty reliable barometer. I’ll say right now, though, that at least 8 of AFI’s picks will be the Academy’s and perhaps more…

Keep an eye on this blog for all Oscar precursor chatter!

The NBR Gets Wicked

The National Board of Review often marches to the beat of its own awards drum when it comes to selecting their annual pictures and performers. In 2014, only four of their eleven top movies ended up generating an Academy nomination for Best Picture. In the past decade, there’s been one other year with just four and three years where it was five and two where it was six. There’s three other years where it’s seven and that’s as high as it gets. In most years, NBR names a Best Film with ten other favorite movies listed alphabetically. During that time period, here’s just a sampling of NBR top films that probably never came close to an Oscar BP nod: Fury, The LEGO Movie, Hail, Caesar!, Patriots Day, Baby Driver, Downsizing, Waves, The Forty-Year-Old Version, Red Rocket, and Ferrari.

I give all that context because there were some unexpected selections in their list today… but not really given their history. Jon M. Chu’s Wicked is Best Film. That one is anticipated to generate an Academy BP slot. This particular group often goes with blockbuster material like Wicked for their winner. Recent examples include Mad Max: Fury Road in 2015 (guess we should’ve seen that Furiosa nod coming) and Top Gun: Maverick in 2022.

Some others… not so much. The other ten are as follows: Anora, Babygirl, A Complete Unknown, Conclave, Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, and Sing Sing. Only half of those features (Wicked, Anora, Conclave, A Real Pain, Sing Sing) are currently in my Oscar BP ten. Babygirl, Furiosa, Juror #2, and Queer likely stand little chance at the big dance while A Complete Unknown and Gladiator II have better shots.

There are some notable omissions from the list like The Brutalist, Emilia Pérez, and Dune: Part Two. That said, recent BP victors The Shape of Water, Parasite, and CODA were nowhere to be found with NBR.

The Wicked love continued in Director with Jon M. Chu being named. You have to go all the way to Martin Scorsese and 2006’s The Departed for the last NBR/Oscar match.

Nicole Kidman is your Best Actress for Babygirl and Daniel Craig is Best Actor for Queer. Both are considered bubble candidates for Oscar (I currently have Craig in and Kidman out). I will note that 8 of the last 10 NBR Actress winners have achieved an Academy spot. In Actor, it’s also 8.

Kieran Culkin racked up another Supporting Actor prize (right after the New York Film Critics Circle) for A Real Pain and Elle Fanning is Supporting Actress (a bit of an out of nowhere pick) for A Complete Unknown. The previous 10 Supporting Actor victors for NBR received Oscar attention as Culkin is expected to. For Supporting Actress, it’s 8.

In other NBR news for categories that correlate to the Academy Awards, Hard Truths and Sing Sing are your respective Original and Adapted Screenplay recipients. Flow snatched another Animated Feature trophy while The Seed of the Sacred Fig is their #1 International Feature. The Documentary prize went to Sugarcane with Nosferatu triumphant in Cinematography.

Keep an eye on this blog for all precursor Oscar chatter!

Toronto Gives Awards Life to Chuck

The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.

In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.

All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.

First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.

Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.

Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.

Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.

Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.