Mixing sci-fi, comedy, and government conspiracies, Juel Taylor’s directorial debut They Cloned Tyrone arrives on Netflix tomorrow. It premiered at the American Black Film Festival last month to glowing reviews and that has continued to the tune of a 98% Rotten Tomatoes rating. John Boyega, Teyonah Parris, Jamie Foxx, David Alan Grier, and Kiefer Sutherland star.
Despite the acclaim, its premiere seems a tad inconspicuous. It might not help that it is streaming in the same frame as the Barbie and Oppenheimer unveilings. However, a limited theatrical output last weekend does make it Academy eligible.
If Netflix were to mount a serious campaign for Original Screenplay (penned by the director and Tony Rettenmaier), perhaps Tyrone could be called up there. I’m guessing the streamer will be focused on different campaigns. My Oscar Prediction posts will continue…
A prominent cinematic subgenre in 2023 has been origin stories for various products that captured our attention. Think BlackBerry and Tetris and Flamin’ Hot. You can add The Beanie Bubble to the list. Hitting theaters in limited capacity on Friday before its Apple streaming debut on July 28th, the comedy-drama focuses on the craze that was Beanie Babies. The cast is led by Zach Galifianakis, Elizabeth Banks, Succession‘s Sarah Snook, and Geraldine Viswanathan.
Based on a 2015 novel, the behind the camera talent is a notable duo. Co-director and writer Kristin Gore is the daughter of former Vice President Al Gore. Her fellow filmmaker and real life husband is Damian Kulash, lead singer of the band OK Go.
When it comes to the aforementioned features, the 82% Rotten Tomatoes score matches Tetris, is ahead of Hot‘s 68%, and behind the impressive 98% that BlackBerry rang up. The reviews do not indicate that Bubble will be a factor in the awards mix down the line. My Oscar Prediction posts will continue…
When it comes to Academy love for Christopher Nolan and his filmography, the magic number appears to be 8. That’s how many nominations happened for 2008’s The Dark Knight, 2010’s Inception, and 2017’s Dunkirk. The filmmaker looks to exceed that figure with Oppenheimer. The three-hour epic biopic starring Cillian Murphy as the father of the atomic bomb opens this weekend and the review embargo lapsed today. The massive supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie (among others). Seriously when I say among others. As in, Gary Oldman plays Harry Truman and that’s far down on the Wiki list of familiar faces.
The Academy has a checkered history with Mr. Nolan. While The Dark Knight managed those eight mentions and won two, it famously missed Best Picture. Many believe the expansion to 10 features from five a year later was due to the Dark snub. Nolan himself has only been up for Best Director once with Dunkirk. His omission for Inception was a surprise. As far as actors who’ve competed in his works, that list consists of only one: Heath Ledger in The Dark Knight. He, of course, posthumously won.
Based on the critical reaction to Oppenheimer, Nolan’s record for nods may be broken and the acting list should expand. The Rotten Tomatoes meter is at 93% and while not all write-ups are raves, I believe enough are so that Best Picture and Director are likely happening. In fact, I see both of them occurring before an Adapted Screenplay spot (which could still materialize).
It’s no surprise that this should play in tech races. From Cinematography to Film Editing and Original Score and Production Design. Those might be givens as is Sound. Costume Design, Makeup and Hairstyling, and certainly Visual Effects are all feasible too.
If you’re keeping score, we’re already potentially above 8. Then there’s the performances. Murphy (obviously in lead) was assumed to be a surefire contender (his first at bat) and that’s bearing out. The bigger question was which supporting players would emerge. The answer it seems is Blunt and Downey Jr. For Blunt, it somehow would mark her first nomination. For Downey Jr., it would be the third – 31 years after Chaplin in lead and 15 years following Tropic Thunder in Supporting.
Bottom line: Oppenheimer appears positioned to be Nolan’s personal best showing at the big dance. It should be right up there with Killers of the Flower Moon and perhaps Dune: Part Two as far as numerical possibilities. My Oscar Prediction posts will continue…
One of 2023’s most anticipated titles is out Friday with Greta Gerwig’s Barbie and the review embargo has lifted for the Mattel property. The box office expectations have steadily risen in recent weeks and I’ve got it nearly reaching $130 million out of the gate. Margot Robbie is, of course, the title character with Ryan Gosling as Ken. The sprawling supporting players include America Ferrera, Rhea Perlman, Will Ferrell, Kate McKinnon, Issa Rae, Alexandra Shipp, Emma Mackey, Dua Lipa, Kingsley Ben-Adir, Simu Liu, Michael Cera, Ariana Greenblatt, and Helen Mirren.
It could be said that the embargo has been eagerly awaited as well. With 70 write-ups in at publication press, the Rotten Tomatoes meter stands at a robust 90%. Even when the trailers debuted, we could see awards potential in a few technical races. This includes Production Design, Makeup and Hairstyling, and Costume Design. Expect it to be in contention for all three.
The bigger question is whether it plays beyond the down the line races. Gerwig cowrote wrote the screenplay with her partner Noah Baumbach. Many reviews hone in on the clever take for the iconic IP and Adapted Screenplay seems like the most likely major category nod. If Barbie is a moneymaking behemoth (and especially if it holds decently after an expected humongous start), Best Picture and Director mentions are feasible. I’ll note that Gerwig’s two previous pics – 2017’s Lady Bird and 2019’s Little Women – both landed BP slots.
As for the performances, both Robbie in Actress and Gosling in Supporting Actor are doable. This would be the former’s third nod after 2017’s I, Tonya and 2019’s Bombshell (for supporting) and the latter’s third behind 2006’s Half Nelson and 2016’s La La Land. Based on early buzz, I see Gosling as more probable than Robbie. However, we need to see how much competition emerges in the fall. There should be plenty considering that’s when the bulk of Oscar hopefuls debut. America Ferrera is also drawing some raves for her work so we shall see if WB makes a push for her in Supporting Actress.
Lastly, Billie Eilish has the tune “What Was I Made For?” and it may be the soundtrack’s entry in Original Song. As you may recall, she won the gold statue in that race in 2021 for her title track “No Time to Die”. It will be interesting to see if Warner Bros also mounts a campaign for “I’m Just Ken”, sung by Gosling.
Bottom line: the right combo of critical praise and box office bucks could propel Barbie to plenty of nominations. Another path could involve some tech stuff and the script. My Oscar Prediction posts will continue…
With backing from upstart Angel Studios and a budget below $15 million, action thriller Sound of Freedom has unquestionably become the summer’s sleeper hit. When it was released on July 4th, it came in under the radar screens of many prognosticators (including this one). The marketing campaign was clever with a pay it forward angle allowing viewers to purchase tickets afterwards for their family and friends. Combine that with an emphasis on appealing to conservative and faith-based crowds and the Jim Caviezel vehicle took off in a way few anticipated. After its second weekend in release, the gross stands at over $85 million stateside. It actually increased its box office haul in weekend #2 by over 35%. That doesn’t happen often.
Moviegoers are liking what they see. The Cinemascore grade is a rare A+ and the Rotten Tomatoes score for the masses is 100%. As for the official reviews, the RT meter is a favorable though far from overwhelming 72%.
Two weeks ago, I wouldn’t have thought to do an awards write-up on Freedom. Yet I suspect the film’s target audience will push for its inclusion to Academy members in Best Picture, Actor, and Original Screenplay. It is extremely unlikely to materialize, but expect to see lots of social media chatter advocating for it in the early part of 2024. If Caviezel’s mega-grossing The Passion of the Christ nearly 20 years ago couldn’t get on Academy’s radar, this won’t either. My Oscar Prediction posts will continue…
An exploration of African-American hockey players in our neighbor to the north and the historical racism involved, the documentary Black Ice premiered at the Toronto Film Festival ten months ago. From filmmaker Hubert Davis, it is out in limited theatrical release this weekend.
Boasting executive producers including Drake and Lebron James, Ice was a critical favorite at its fest debut. The Rotten Tomatoes score is 94%. Lionsgate will need to employ a robust campaign for the Academy to consider it for one of the five spots in Documentary Feature. The review are solid enough that it’s a possibility, but other high profile docs should emerge during the imminent fall fest season. My Oscar Prediction posts will continue…
After premiering at the Tribeca Festival last month, the 1960s set family drama The Miracle Club is out in limited fashion this weekend. Thaddeus O’Sullivan directs the cast of Oscar nominees (Laura Linney and Stephen Rea), winners (Kathy Bates and Maggie Smith), and relative newcomers (Agnes O’Casey).
It’s hard to find a critic who’s over the moon on this, but plenty say the ensemble makes it worth the view. The Rotten Tomatoes meter is at an unremarkable 67%. Despite the pedigree, this Club will need a miracle to enter the awards conversation. My Oscar Prediction posts will continue…
After premiering at the Tribeca Festival last month, British thriller The Lesson is out in limited release stateside. Marking the feature length debut of Alice Troughton (who’s done her share of TV work across the pond), the cast includes Richard E. Grant, Julie Delpy, Daryl McCormack, and Stephen McMillan.
The Bleecker Street release is generating decent if rather subdued reviews with an 83% Rotten Tomatoes score. Five years back, Grant was a Supporting Actor contender for Can You Ever Forgive Me? and he may find himself in that mix for the upcoming Oscars with Emerald Fennell’s Saltburn. McCormack nabbed a BAFTA mention for Good Luck to You, Leo Grande last year.
Perhaps The Lesson could show up among the 10 nominees for Outstanding British Film at the BAFTAs. That could even be a stretch though maybe Outstanding Debut by a British Writer, Director, or Producer is feasible. Don’t look for the Academy to notice it. My Oscar Prediction posts will continue…
The first July predictions for the 96th Academy Awards shall be known as the pre Barbie and Oppenheimer edition. They are eagerly awaited efforts from Greta Gerwig and Christopher Nolan, respectively, that are hoping to become giant blockbusters and awards players. July 21st marks the release date for both. When my next forecast arrives in a couple of weeks, reviews and buzz and financial numbers for the pair will be available.
Since June 25th (my previous update), there’s not been too much news. We have some new trailers including Bob Marley: One Love with Kingsley Ben-Adir as the iconic reggae singer. Interestingly all the promotional materials are advertising a January 12th premiere. I’m still assuming it will get a December limited release to qualify for contention. It is something worth keeping an eye on. I will say that I found the trailer to be somewhat lackluster. With the release date confusion, I’ve taken it out of my top 25 in BP while keeping Ben-Adir and Lashana Lynch in their acting derbies.
Frequent readers will know that releases dates are always shifting. I’m putting The Piano Lesson back in the mix even though it might not be out until 2024. You’ll see it emerge back into several competitions below.
Festivals are beginning to tease their lineups. Luca Guadagnino’s Challengers will open Venice in September while Taika Waititi’s Next Goal Wins is tapped for Toronto. Expect plenty more announcement in the coming days and weeks.
In Best Actor, I’ve elevated Leonardo DiCaprio (Killers of the Flower Moon) to #1 over Colman Domingo. That puts Killers atop the charts in Picture, Director, Actor, Supporting Actress, Supporting Actor, and Adapted Screenplay. We’ll see how long its dominance lasts as other heavy hitters screen over the next few months.
As we await the Barbie and Oppenheimer reactions, here’s my speculation as to where everything stands for the eight top categories.
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. Past Lives (PR: 2) (E)
3. Dune: Part Two (PR: 4) (+1)
4. The Color Purple (PR: 3) (-1)
5. Oppenheimer (PR: 5) (E)
6. The Zone of Interest (PR: 6) (E)
7. Saltburn (PR: 7) (E)
8. The Holdovers (PR: 8) (E)
9. Poor Things (PR: 10) (+1)
10. Air (PR: 9) (-1)
Other Possibilities:
11. Maestro (PR: 11) (E)
12. Anatomy of a Fall (PR: 13) (+1)
13. Barbie (PR: 14) (+1)
14. Spider-Man: Across the Spider-Verse (PR: 12) (-2)
15. May December (PR: 15) (E)
16. Napoleon (PR: 18) (+2)
17. Challengers (PR: 17) (E)
18. Asteroid City (PR: 16) (-2)
19. The Piano Lesson (PR: Not Ranked)
20. Next Goal Wins (PR: Not Ranked)
21. Rustin (PR: 20) (-1)
22. The Book of Clarence (PR: 23) (+1)
23. The Nickel Boys (PR: 22) (-1)
24. Ferrari (PR: 24) (E)
25. The Killer (PR: 21) (-4)
Dropped Out:
Bob Marley: One Love
How Do You Live?
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Celine Song, Past Lives (PR: 3) (E)
4. Christopher Nolan, Oppenheimer (PR: 6) (+2)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Blitz Bazawule, The Color Purple (PR: 4) (-2)
7. Emerald Fennell, Saltburn (PR: 7) (E)
8. Yorgos Lanthimos, Poor Things (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 8) (-1)
10. Justine Triet, Anatomy of a Fall (PR: 11) (+1)
11. Greta Gerwig, Barbie (PR: 12) (+1)
12. Bradley Cooper, Maestro (PR: 10) (-2)
13. Ben Affleck, Air (PR: 13) (E)
14. Ridley Scott, Napoleon (PR: 14) (E)
15. Wes Anderson, Asteroid City (PR: Not Ranked)
Dropped Out:
David Fincher, The Killer
Best Actress
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Emma Stone, Poor Things (PR: 4) (+1)
4. Sandra Hüller, Anatomy of a Fall (PR: 3) (-1)
5. Natalie Portman, May December (PR: 5) (E)
Other Possibilities:
6. Jessica Lange, Long Day’s Journey Into Night (PR: 6) (E)
7. Carey Mulligan, Maestro (PR: 9) (+2)
8. Annette Bening, Nyad (PR: 10) (+2)
9. Margot Robbie, Barbie (PR: 7) (-2)
10. Zendaya, Challengers (PR: 8) (-2)
11. Cailee Spaeny, Priscilla (PR: 13) (+2)
12. Kate Winslet, Lee (PR: 11) (-1)
13. Regina King, Shirley (PR: 12) (-1)
14. Helen Mirren, Golda (PR: Not Ranked)
15. Judy Greer, Eric Larue (PR: 15) (E)
Dropped Out:
Teyana Taylor, A Thousand and One
Best Actor
Predicted Nominees:
1. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (+1)
2. Colman Domingo, Rustin (PR: 1) (-1)
3. Bradley Cooper, Maestro (PR: 4) (+1)
4. Cillian Murphy, Oppenheimer (PR: 7) (+3)
5. Barry Keoghan, Saltburn (PR: 3) (-2)
Other Possibilities:
6. Paul Giamatti, The Holdovers (PR: 5) (-1)
7. Teo Yoo, Past Lives (PR: 9) (+2)
8. Anthony Hopkins, Freud’s Last Session (PR: 8) (E)
9. Kingsley Ben-Adir, Bob Marley: One Love (PR: 6) (-3)
10. Joaquin Phoenix, Napoleon (PR: 12) (+2)
11. Michael Fassbender, Next Goal Wins (PR: Not Ranked)
12. Andre Holland, The Actor (PR: 15) (+3)
13. David Strathairn, A Little Prayer (PR: 11) (-2)
14. Matt Damon, Air (PR: 10) (-4)
15. Koji Yakusho, Perfect Days (PR: 13) (-2)
Dropped Out:
Ed Harris, Long Day’s Journey Into Night
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Julianne Moore, May December (PR: 6) (E)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Danielle Deadwyler, The Piano Lesson (PR: Not Ranked)
9. Aunjanue Ellis, The Nickel Boys (PR: 8) (-1)
10. Jodie Foster, Nyad (PR: 11) (+1)
11. Audra McDonald, Rustin (PR: 9) (-2)
12. Florence Pugh, Oppenheimer (PR: Not Ranked)
13. Tilda Swinton, The Killer (PR: 12) (-1)
14. Lashana Lynch, Bob Marley: One Love (PR: 10) (-4)
15. Rebecca Ferguson, Dune: Part Two (PR: Not Ranked)
Dropped Out:
Halle Bailey, The Color Purple
Vanessa Kirby, Napoleon
Claire Foy, Strangers
Best Supporting Actor
Predicted Nominees:
1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)
2. John Magaro, Past Lives (PR: 2) (E)
3. Samuel L. Jackson, The Piano Lesson (PR: Not Ranked)
4. Willem Dafoe, Poor Things (PR: 4) (E)
5. Charles Melton, May December (PR: 5) (E)
Other Possibilities:
6. Colman Domingo, The Color Purple (PR: 3) (-3)
7. Ryan Gosling, Barbie (PR: 6) (-1)
8. Ben Affleck, Air (PR: 7) (-1)
9. Jesse Plemons, Killers of the Flower Moon (PR: 11) (+2)
10. Mark Ruffalo, Poor Things (PR: 8) (-2)
11. Dominic Sessa, The Holdovers (PR: 9) (-2)
12. Glynn Turman, Rustin (PR: 13) (+1)
13. Richard E. Grant, Saltburn (PR: 10) (-3)
14. Glenn Howerton, BlackBerry (PR: Not Ranked)
15. Matt Bomer, Maestro (PR: Not Ranked)
Dropped Out:
Mike Faist, Challengers
Josh O’Connor, Challengers
Corey Hawkins, The Color Purple
Best Original Screenplay
Predicted Nominees:
1. Past Lives (PR: 1) (E)
2. Saltburn (PR: 3) (+1)
3. The Holdovers (PR: 2) (-1)
4. Air (PR: 4) (E)
5. May December (PR: 6) (+1)
Other Possibilities:
6. Anatomy of a Fall (PR: 5) (-1)
7. Maestro (PR: 8) (+1)
8. Challengers (PR: 10) (+2)
9. Asteroid City (PR: 7) (-2)
10. Rustin (PR: 12) (+2)
11. Fair Play (PR: Not Ranked)
12. The Book of Clarence (PR: 13) (+1)
13. Drive-Away Dolls (PR: 11) (-2)
14. Napoleon (PR: 15) (+1)
15. The Iron Claw (PR: Not Ranked)
Dropped Out:
Barbie (moved to Adapted)
Bob Marley: One Love
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Poor Things (PR: 6) (+4)
3. Oppenheimer (PR: 5) (+2)
4. Dune: Part Two (PR: 4) (E)
5. The Zone of Interest (PR: 2) (-3)
Other Possibilities:
6. The Color Purple (PR: 3) (-3)
7. Barbie (PR: Not Ranked) – moved from Original
8. Spider-Man: Across the Spider-Verse (PR: 7) (-1)
2023 is at the halfway plus mark and critics are posting their best of lists for the year thus far. Matt Johnson’s BlackBerry, a dramedy focused on the invention of the OG smartphone, shows up on plenty. Jay Baruchel and Glenn Howerton (best known for It’s Always Sunny in Philadelphia) headline with a supporting cast including the director himself, Rich Sommer, Michael Ironside, Martin Donovan, Michelle Giroux, SungWon Cho, Saul Rubinek, and Cary Elwes.
Those who first saw it at the Berlin Film Festival in February got the encouraging chatter started. Since its release in the past few weeks, the acclaim has grown as evidenced by the 98% Rotten Tomatoes meter.
Elevation Pictures is the studio behind it. Before becoming its own production company in recent years, they had awards success distributing such titles as The Imitation Game, Room, and Moonlight in Canada. They have yet to see their own financed entities have a breakout in the space.
I didn’t give BlackBerry much chance of being the one (that’s why you’re just now seeing this post). Yet the buzz seems to be getting louder. This applies to the adapted screenplay by Johnson and Matthew Miller and the supporting performance of Howerton, who is garnering best in show plaudits.
The bulk of contenders are often saved for the second six months of the calendar year, but BlackBerry could stick around in a way the product itself eventually could not. My Oscar Prediction posts will continue…
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