Luis Ortega’s Kill the Jockey is out in its native country of Argentina today after premiering at the Venice Film Festival and screening in Toronto. The sports dramedy stars Nahuel Pérez Biscayart, Úrsula Corberó, and Daniel Giménez Cacho.
Every review on Rotten Tomatoes is fresh at 100% but the degree of praise varies. Argentina has picked it as their horse for International Feature Film at the 97th Academy Awards. In the 21st century, the country has seen one victor in that category (2009’s The Secret in their Eyes). Other nominees are Son of the Bride (2001), Wild Tales (2014), and Argentina, 1985 (2022).
Jockey might make the shortlist, but I’ve yet to even list it in the top 10 candidates for a nod. It could be a sneaky pick and I wouldn’t totally discount it. It certainly won’t win and I’m skeptical it places or shows. My Oscar Prediction posts will continue…
Vermiglio premiered in its native country at the Venice Film Festival before making it to North America at Toronto’s fest. Written and directed by Maura Delpero, the drama stars Guiseppe De Domenico, Tommaso Ragno, Martina Scrinzi, and Roberta Rovelli.
The period piece has been announced at Italy’s hopeful for International Feature Film as they hope it’s their fifth pic to make the final five in the 21st century. The only winner in that time frame is 2013’s The Great Beauty while 2005’s The Beast in the Heart, 2021’s The Hand of God, and 2023’s lo capitano also vied for the prize.
With two nods in the three years, Vermiglio‘s chances are decent but far from assured. The Rotten Tomatoes score is 90% with 77 on Metacritic. Right now it seems like there will be plenty of pics fighting for the fourth and fifth spots in IFF behind Emilia Pérez, The Seed of the Sacred Fig, and I’m Still Here (though I should note this branch can be unpredictable). My Oscar Prediction posts will continue…
The nation of India has seen only one of their features (2001’s Lagaan) nominated for Best International Feature Film in the 21st century. Prior to that, you have to go back to 1988 and Salaam Bombay! Some prognosticators (including this one) thought they had a great shot at inclusion this year via All We Imagine as Light. Payal Kapadia’s acclaimed drama has a 100% on Rotten Tomatoes, 93 on Metacritic, and took the Grand Prix (essentially first runner-up) at the Cannes Film Festival behind Anora. There was some suspicion, however, that India might not go with it as their pick due to controversial subject matter.
That was proven correct today as the selection body went with Laapataa Ladies. From Kiran Rao, the dramedy originally was seen at the 2023 Toronto Film Festival. It came out in April on Netflix. The cast includes Nitanshi Goel, Pratibha Ranta, Sparsh Shrivastava, Chhaya Kadam, and Ravi Kishan.
Like Light, the Ladies Tomato meter is also perfect. While certainly positive, the reviews are not near as effusive. Last year, France was seen as dropping the ball by choosing The Taste of Things instead of Anatomy of a Fall. If India’s pick ends up making the shortlist, I’ll be singing a different tune. This does potentially appear to be their unforced error for the 97th Academy Awards. It is reminiscent of the 95th ceremony when India inexplicably decided against RRR and it probably would have made the nominated quintet. My Oscar Prediction posts will continue…
Adapting the 1967 novel by Emmanuelle Arsan and arriving 50 years after the first cinematic rendering of the adult romance source material, Emmanuelle is the opening selection of the San Sebastián International Film Festival. It is Audrey Diwan’s follow-up to 2021’s Happening which won the Golden Lion at the 2021 Venice Film Festival. Noémie Merlant, Naomi Watts, Will Sharpe, and Jamie Campbell Bower lead the cast.
Following the fest premiere, Emmanuelle hits French screens later this week. The reviews trickling out of Spain are lukewarm. There was some intrigue about which movie France would pick as its hopeful for International Feature Film. The speculation centered on Emilia Pérez and The Count of Monte Cristo with Emmanuelle seen as a dark horse. Pérez ended up as their choice. Based on the early buzz for this, it’s easy to see why this was not a viable option. My Oscar Prediction posts will continue…
The Venice, Telluride, and Toronto Film Festivals have all concluded and the Oscar landscape is looking a bit clearer for the 97th edition of the ceremony. Per usual with the festivals, there are films that rise and those that fall. No film rose more than Brady Corbet’s The Brutalist from Venice, but Toronto gave us a shocker in the form of Mike Flanagan’s The Life of Chuck. The sci-fi flick based on a Stephen King novella took People’s Choice at the Canadian event. 15 of the last 16 victors of that prize have received a Best Picture nomination including the past 12 in a row. We still don’t know which distributor will buy Chuck and it’s not confirmed to be out this year. For that matter, we also don’t know for a fact that A24’s The Brutalist will make the ’24 calendar. For now I’m assuming both will. That means I’m elevating Chuck from unranked to #11 in my BP possibilities on the outside just looking in.
There was a significant announcement that Tilda Swinton and Julianne Moore will be both be campaigned in lead actress for The Room Next Door. That means Swinton enters my quintet in that category with Amy Adams (Nightbitch) dropping. With Swinton leaving supporting, Selena Gomez (Emilia Pérez) resurfaces there. It has also been confirmed that Saoirse Ronan will vie for Actress with The Outrun and Supporting Actress in Blitz. I continue to list her a double nominee.
We have a change in Supporting Actor as I’m putting Jeremy Strong (The Apprentice) in with Denzel Washington (Gladiator II) falling out of the projected five.
For the last few months, I’ve included 25 BP contenders and 15 for Director, the four acting derbies, and the two screenplay competitions. As I typically do around this time of year, I will condense this to 15 BPs and 10 in the others. Got all that? Good!
Best Picture
Predicted Nominees:
1. The Brutalist (Previous Ranking: 1) (Even)
2. Blitz (PR: 2) (E)
3. Anora (PR: 3) (E)
4. Dune: Part Two (PR: 5) (+1)
5. Sing Sing (PR: 4) (-1)
6. Emilia Pérez (PR: 6) (E)
7. Conclave (PR: 7) (E)
8. Nickel Boys (PR: 9) (+1)
9. Saturday Night (PR: 8) (-1)
10. TheRoom Next Door (PR: 10) (E)
Other Possibilities:
11. The Life of Chuck (PR: Not Ranked)
12. A Complete Unknown (PR: 11) (-1)
13. September 5 (PR: 16) (+3)
14. The Seed of the Sacred Fig (PR: 12) (-2)
15. A Real Pain (PR: 13) (-2)
Dropped Out:
Gladiator II
Queer
Nosferatu
The Apprentice
All We Imagine as Light
Joker: Folie à Deux
The Piano Lesson
Wicked
Juror No. 2
His Three Daughters
A Different Man
Best Director
Predicted Nominees:
1. Brady Corbet, The Brutalist (PR: 1) (E)
2. Steve McQueen, Blitz (PR: 2) (E)
3. Denis Villeneuve, Dune: Part Two (PR: 3) (E)
4. Sean Baker, Anora (PR: 3) (E)
5. Jacques Audiard, Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 7) (+1)
7. Edward Berger, Conclave (PR: 9) (+2)
8. RaMell Ross, Nickel Boys (PR: 6) (-2)
9. Greg Kwedar, Sing Sing (PR: 8) (-1)
10. Pedro Almodóvar, The Room Next Door (PR: 11) (+1)
Dropped Out:
Jason Reitman, Saturday Night
James Mangold, A Complete Unknown
Ridley Scott, Gladiator II
Luca Guadagnino, Queer
Payal Kapadia, All We Imagine as Light
Best Actress
Predicted Nominees:
1. Mikey Madison, Anora (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Karla Sofia Gascón, Emilia Pérez (PR: 3) (E)
4. Saoirse Ronan, The Outrun (PR: 4) (E)
5. Tilda Swinton, The Room Next Door (PR: Not Ranked) – moved from supporting
Other Possibilities:
6. Nicole Kidman, Babygirl (PR: 7) (+1)
7. Amy Adams, Nightbitch (PR: 5) (-2)
8. Marianne Jean-Baptiste, Hard Truths (PR: 6) (-2)
9. Fernanda Torres, I’m Still Here (PR: 10) (+1)
10. Demi Moore, The Substance (PR: 9) (-1)
Dropped Out:
Julianne Moore, The Room Next Door
Pamela Anderson, The Last Showgirl
Carrie Coon, His Three Daughters
June Squibb, Thelma
Zendaya, Challengers
Florence Pugh, We Live in Time
Best Actor
Predicted Nominees:
1. Adrien Brody, The Brutalist (PR: 1) (E)
2. Colman Domingo, Sing Sing (PR: 2) (E)
3. Ralph Fiennes, Conclave (PR: 3) (E)
4. Timothée Chalamet, A Complete Unknown (PR: 4) (E)
5. Daniel Craig, Queer (PR: 5) (E)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 6) (E)
7. Glen Powell, Hit Man (PR: 9) (+2)
8. Sebastian Stan, A Different Man (PR: 7) (-1)
9. Joaquin Phoenix, Joker: Folie à Deux (PR: 8) (-1)
10. Paul Mescal, Gladiator II (PR: 10) (E)
Dropped Out:
Gabriel LaBelle, Saturday Night
Jesse Plemons, Kinds of Kindness
Ethan Herisse, Nickel Boys
John David Washington, The Piano Lesson
Jesse Eisenberg, A Real Pain
Best Supporting Actress
Predicted Nominees:
1. Zoe Saldaña, Emilia Pérez (PR: 1) (E)
2. Danielle Deadwyler, The Piano Lesson (PR: 2) (E)
3. Saoirse Ronan, Blitz (PR: 4) (+1)
4. Felicity Jones, The Brutalist (PR: 3) (-1)
5. Selena Gomez, Emilia Pérez (PR: 6) (+1)
Other Possibilities:
6. Aunjanue Ellis-Taylor, Nickel Boys (PR: 7) (+1)
7. Lady Gaga, Joker: Folie à Deux (PR: 9) (+2)
8. Isabella Rossellini, Conclave (PR: 11) (+3)
9. Natasha Lyonne, His Three Daughters (PR: 8) (-1)
10. Joan Chen, Dídi (PR: 10) (E)
Dropped Out:
Tilda Swinton, The Room Next Door – moved to lead actress
Lesley Manville, Queer
Elle Fanning, A Complete Unknown
Toni Collette, Juror No. 2
Fernanda Montenegro, I’m Still Here
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 1) (E)
2. Guy Pearce, The Brutalist (PR: 2) (E)
3. Kieran Culkin, A Real Pain (PR: 3) (E)
4. Stanley Tucci, Conclave (PR: 5) (+1)
5. Jeremy Strong, The Apprentice (PR: 6) (+1)
Other Possibilities:
6. Denzel Washington, Gladiator II (PR: 4) (-2)
7. Mark Hamill, The Life of Chuck (PR: Not Ranked)
8. Adam Pearson, A Different Man (PR: 8) (E)
9. Samuel L. Jackson, The Piano Lesson (PR: 10) (+1)
10. Edward Norton, A Complete Unknown (PR: 7) (-3)
Dropped Out:
Drew Starkey, Queer
Harris Dickinson, Blitz
Mark Eidelstein, Anora
Brian Tyree Henry, The Fire Inside
Ray Fisher, The Piano Lesson
John Lithgow, Conclave
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. The Brutalist (PR: 2) (E)
3. Blitz (PR: 3) (E)
4. Saturday Night (PR: 5) (+1)
5. A Real Pain (PR: 4) (-1)
Other Possibilities:
6. Emilia Pérez (PR: 6) (E)
7. The Seed of the Sacred Fig (PR: 7) (E)
8. The Substance (PR: 9) (+1)
9. Hard Truths (PR: 10) (+1)
10. September 5 (PR: 13) (+3)
Dropped Out:
His Three Daughters
Dídi
Kinds of Kindness
A Different Man
Juror No. 2
Best Adapted Screenplay
Predicted Nominees:
1. Conclave (PR: 2) (+1)
2. Sing Sing (PR: 1) (-1)
3. Nickel Boys (PR: 3) (E)
4. The Room Next Door (PR: 4) (E)
5. The Life of Chuck (PR: Not Ranked)
Other Possibilities:
6. Dune: Part Two (PR: 6) (E)
7. Queer (PR: 5) (-2)
8. Hit Man (PR: 7) (-1)
9. A Complete Unknown (PR: 8) (-1)
10. The Piano Lesson (PR: 9) (-1)
Dropped Out:
I’m Still Here
Gladiator II
Nightbitch
Inside Out 2
Nosferatu
The Wild Robot
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. The Seed of the Sacred Fig (PR: 2) (E)
3. I’m Still Here (PR: 3) (E)
4. All We Imagine as Light (PR: 5) (+1)
5. Grand Tour (PR: 4) (-1)
Other Possibilities:
6. Universal Language (PR: 6) (E)
7. The Girl with the Needle (PR: 7) (E)
8. Caught by the Tides (PR: 8) (E)
9. Pedro Páramo (PR: Not Ranked)
10. Kneecap (PR: 9) (-1)
Dropped Out:
Simon of the Mountain
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 3) (E)
4. Wallace & Gromit: Vengeance Most Fowl (PR: 4) (E)
5. Memoir of a Snail (PR: 5) (E)
Other Possibilities:
6. Piece by Piece (PR: 6) (E)
7. Moana 2 (PR: 7) (E)
8. Savages (PR: 9) (+1)
9. Orion and the Dark (PR: 10) (+1)
10. The Lord of the Rings: The War of the Rohirrim (PR: 8) (-2)
Best Documentary Feature
Predicted Nominees:
1. No Other Land (PR: 2) (+1)
2. Will & Harper (PR: 3) (+1)
3. Daughters (PR: 1) (-2)
4. Sugarcane (PR: 4) (E)
5. Black Box Diaries (PR: 6) (+1)
Other Possibilities:
6. Soundtrack to a Coup d’Etat (PR: 5) (-1)
7. Union (PR: 7) (E)
8. The Remarkable Life of Ibelin (PR: Not Ranked)
9. Skywalkers: A Love Story (PR: 10) (+1)
10. Apocalypse in the Tropics (PR: 8) (-2)
Dropped Out:
Super/Man: The Christopher Reeve Story
Best Cinematography
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Blitz (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. Maria (PR: Not Ranked)
7. Conclave (PR: 9) (+2)
8. Anora (PR: 7) (-1)
9. Joker: Folie à Deux (PR: 6) (-3)
10. Gladiator II (PR: 8) (-2)
Dropped Out:
The Room Next Door
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 4) (+2)
3. Wicked (PR: 2) (-1)
4. Gladiator II (PR: 3) (-1)
5. Maria (PR: 7) (+2)
Other Possibilities:
6. Blitz (PR: 5) (-1)
7. Beetlejuice Beetlejuice (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 8) (E)
9. The Brutalist (PR: Not Ranked)
10. Saturday Night (PR: 10 (E)
Dropped Out:
Furiosa: A Mad Max Saga
Best Film Editing
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Anora (PR: 2) (E)
3. Dune: Part Two (PR: 6) (+3)
4. The Brutalist (PR: 3) (-1)
5. Saturday Night (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: 7) (+1)
7. Sing Sing (PR: 4) (-3)
8. Conclave (PR: 9) (+1)
9. Nickel Boys (PR: 8) (-1)
10. Challengers (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. A Different Man (PR: 3) (E)
4. Maria (PR: 5) (+1)
5. The Substance (PR: 9) (+4)
Other Possibilities:
6. Beetlejuice Beetlejuice (PR: 4) (-2)
7. Wicked (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 7) (-1)
9. Furiosa: A Mad Max Saga (PR: 8) (-1)
10. Sasquatch Sunset (PR: Not Ranked)
Dropped Out:
Gladiator II
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. The Brutalist (PR: 2) (E)
3. Sing Sing (PR: 3) (E)
4. Gladiator II (PR: 6) (+2)
5. The Wild Robot (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: 4) (-2)
7. Conclave (PR: 7) (E)
8. Saturday Night (PR: 10) (+2)
9. The Room Next Door (PR: Not Ranked)
10. The Life of Chuck (PR: Not Ranked)
Dropped Out:
Joker: Folie à Deux
Queer
Best Original Song
Predicted Nominees:
1. “Mi Camino” from Emilia Pérez (PR: 1) (E)
2. “Like a Bird” from Sing Sing (PR: 2) (E)
3. “Harley and Joker Waltz” from Joker: Folie à Deux (PR: Not Ranked)
4. “Piece by Piece” from Piece by Piece (PR: 4) (E)
5. “Relentless” from Diane Warren: Relentless (PR: 3) (-2)
Other Possibilities:
6. “Harper and Will Go West” from Will & Harper (PR: 5) (-1)
7. “Kiss the Sky” from The Wild Robot (PR: 6) (-1)
8. “We’re Back” from Moana 2 (PR: 7) (-1)
9. “Forbidden Road” from Better Man (PR: Not Ranked)
10. “El Mal” from Emilia Pérez (PR: 8) (-2)
Dropped Out:
“The Journey” from The Six Triple Eight
“Why Am I Here” from Shirley
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. The Brutalist (PR: 5) (E)
Other Possibilities:
6. Wicked (PR: 7) (+1)
7. Maria (PR: 10) (+3)
8. Furiosa: A Mad Max Saga (PR: 8) (E)
9. Joker: Folie à Deux (PR: Not Ranked)
10. Conclave (PR: 9) (-1)
Dropped Out:
Saturday Night
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Emilia Pérez (PR: 4) (E)
5. Joker: Folie à Deux (PR: 8) (+3)
Other Possibilities:
6. Nosferatu (PR: 6) (E)
7. Wicked (PR: 9) (+2)
8. Furiosa: A Mad Max Saga (PR: 5) (-3)
9. Civil War (PR: Not Ranked)
10. The Brutalist (PR: 10) (E)
Dropped Out:
A Complete Unknown
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Gladiator II (PR: 3) (E)
4. Twisters (PR: 4) (E)
5. Here (PR: 5) (E)
Other Possibilities:
6. Blitz (PR: 6) (E)
7. Wicked (PR: 10) (+3)
8. Furiosa: A Mad Max Saga (PR: 8) (E)
9. Deadpool & Wolverine (PR: 7) (-2)
10. Better Man (PR: 9) (-1)
That equates to these movies generating these numbers of nominations:
10 Nominations
The Brutalist, Dune: Part Two
9 Nominations
Emilia Pérez
8 Nominations
Blitz
6 Nominations
Sing Sing
5 Nominations
Anora, Gladiator II
4 Nominations
Conclave, Nosferatu
3 Nominations
Maria, The Room Next Door, Saturday Night
2 Nominations
Joker: Folie à Deux, Nickel Boys, A Real Pain, The Wild Robot
1 Nomination
All We Imagine as Light, The Apprentice, Black Box Diaries, A Complete Unknown, Daughters, Diane Warren: Relentless, A Different Man, Flow, Grand Tour, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, The Life of Chuck, Memoir of a Snail, No Other Land, The Outrun, The Piano Lesson, Piece by Piece, Queer, The Seed of the Sacred Fig, The Substance, Sugarcane, Twisters, Wallace & Gromit: Vengeance Most Fowl, Wicked, Will & Harper
As a scientist stuck in a time loop, Mary-Louise Parker headlines the sci-fi dramedy Omni Loop. Out in limited release this weekend, it premiered last spring at South by Southwest. Bernardo Britto writes and directs with an ensemble including The Bear‘s Ayo Edebiri, Carlos Jacott, Harris Yulin, Hannah Pearl Utt, and Chris Witaske.
Critics are specifically heralding the central performance of Angels in America Emmy winner Parker. Notices for the movie are primarily fresh as well with 88% on Rotten Tomatoes and a 67 Metacritic. Magnolia Pictures, however, is unlikely to mount any sort of awards campaign based on their previous history. My Oscar Prediction posts will continue…
Telling the true life tale of a mid 80s scandal involving the game show Press Your Luck, Paul Walter Hauser stars in The Luckiest Man Alive. From director Samir Oliveros, it premiered at the Toronto Film Festival. Costars include Walton Goggins, David Strathairn, Maisie Williams, Haley Bennett, Shamier Anderson, and Johnny Knoxville.
Hauser first garnered acclaim as the title character in Clint Eastwood’s Richard Jewell and has since won an Emmy for the miniseries Black Bird. He is said to be the highlight of this project which is still awaiting stateside distribution (a 2024 release in up in the air). The film itself is at 60% on Rotten Tomatoes. If a heavy hitter picks up Luck, perhaps a Best Actor campaign for Hauser is possible. There is an equal and perhaps better chance it never enters the awards convo. My Oscar Prediction posts will continue…
Ron Howard is apparently a little out of his comfort zone with Eden, a survival thriller that premiered in Toronto. Said to be considerably darker and at times campier than anything from the filmmaker previously, the period piece screened to mixed results in Canada. Ana de Armas, Vanessa Kirby, Sydney Sweeney, Jude Law, Daniel Brühl, Felix Kammerer, Toby Wallace, and Richard Roxburgh are among the ensemble.
With 71% on Rotten Tomatoes and a 59 Metacritic score, reaction is all over the map. The release strategy is still undetermined. Eden might not make the 2024 calendar. Regardless of whether this is eligible for the 97th or 98th Academy Awards, this doesn’t really seem like an awards contender. Ms. de Armas (a nominee two years back for Blonde) is getting strong notices, but I wouldn’t count on her being a factor. My Oscar Prediction posts will continue…
Silver Linings Playbook. 12 Years a Slave. The Imitation Game. Room. La La Land. Three Billboards Outside Ebbing, Missouri. Green Book. Jojo Rabbit. Nomadland. Belfast. The Fabelmans. American Fiction. What do those films have in common? They are the last 12 recipients of the Toronto Film Festival’s People’s Choice Award. Another commonality? Every one of them was nominated for Best Picture at the Academy Awards. Three (Slave, Green Book, Nomadland) won the top prize.
The surprise victor of People’s Choice at TIFF this morning is Mike Flanagan’s The Life of Chuck. Based on a novella by Stephen King, it finds the writer/director once again adapting the legendary author as he’s previously done with Gerald’s Game and Doctor Sleep. Chuck is said to be more of crowdpleaser sci-fi drama. Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay lead the ensemble.
Chuck managed to outpace runners-up Anora and Emilia Pérez (both expected BP hopefuls) in Toronto. With the stats given above, Chuck has immediately entered the awards chat. That said, there are issues to consider before placing it in your BP ten.
First and foremost, Chuck has yet to acquire a stateside distributor. That will surely occur quickly. Yet we don’t know at press time whether it will release in 2024. If it does, it’s hard to argue with the power of TIFF’s biggest trophy. In 2023, American Fiction essentially became a contender in Canada and went onto 5 Academy nods with an Adapted Screenplay victory.
With 88% on Rotten Tomatoes and 66 on Metacritic, Flanagan’s flick is generating nice notices. Frankly, though, I wasn’t really considering it a true contender until this TIFF announcement.
So what are Chuck‘s prospects now? In addition to Picture, Director and especially Adapted Screenplay are in the mix. If there’s an acting play, it might be Luke Skywalker himself Mark Hamill in supporting. If it continues to gain momentum, Editing, Original Score, and Visual Effects might be down ballot categories to keep an eye on. Toronto has potentially brought good luck to Chuck. It hasn’t been mentioned in my forecasts before. This will change at the next update later this week. My Oscar Prediction posts will continue…
The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.
In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.
All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.
First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.
Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.
Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.
Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.
Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.
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