Another Cannes Film Festival screening has put two items in the same sentence that don’t really belong together: Oscar buzz and Adam Sandler. Yes, it’s true. When we think of Sandler pics premiering on Netflix over the last couple of years, quality doesn’t immediately spring to mind.
However, TheMeyerowitzStories (NewandSelected) isn’t your typical Sandler fare. The comedic drama (or dramatic comedy if you will) is from acclaimed indie director Noah Baumbach, maker of TheSquidandtheWhale and FrancesHa. Instead of David Spade and Rob Schneider, the costars here include Dustin Hoffman, Ben Stiller, and Emma Thompson.
Early reviews from France suggest this is Mr. Sandler’ finest performance since at least Punch–DrunkLove 15 years ago. And that has some folks whispering Oscar nomination. In all likelihood, even with strong notices and a current 90% rating on Rotten Tomatoes, the star of Meyerowitz is probably a bit of a long shot. Yet a weak Best Actor race could change that dynamic come autumn.
The Cannes Film Festival started this week across the pond in France and that means some likely Oscar hopefuls are receiving their first screenings. One such picture is Wonderstruck, the latest from director Todd Haynes. It’s based on a 2011 novel by Brian Selznick, the same author who wrote the Hugo series in which Martin Scorsese’s 2011 Best Picture nominee is based upon.
Wonderstruck features Julianne Moore and Michelle Williams in supporting roles and child actors Oakes Fegley and Millicent Simmonds in lead parts. Reaction from the Cannes screening has been mostly positive and it currently stands at 81% on Rotten Tomatoes. Haynes’ three previous efforts have all garnered Oscar nods – 2002’s FarfromHeaven, 2007’s I’mNotThere, and 2015’s Carol. However, none of them got Best Picture nominations. Instead, the focus was on acting. That will likely apply here with some potential for attention on down ballot categories.
Based on early buzz, I’d keep an eye out for Simmonds, the teenage deaf actress said to be a standout. Wonderstruck could also make a play for Adapted Screenplay as well as Costume Design and Original Score. The film hits theaters stateside in October.
The summer movie season has officially kicked off today with the release of Disney/Marvel’s Guardians of the Galaxy Vol. 2. The sequel to the 2014 blockbuster is expected to rake in tons of dough and reviews has mostly been solid (its Rotten Tomatoes score sits at 82%).
No superhero tale has managed a Best Picture nomination at the Academy Awards. The Dark Knight and Deadpool may have come close, but didn’t make the final cut. That certainly will not change here, but Vol. 2 could be a factor in some down the line races.
The first Guardians nabbed two nods three years ago – for Best Visual Effects and Makeup and Hairstyling. It would stand to reason that this follow-up could score nominations in both of those races once again and possibly one or two of the Sound categories. It probably won’t win any gold statues, but it could add to the variety of technical categories that the Marvel Cinematic Universe has amassed in the last few years.
The French psychologist thriller PersonalShopper from director Olivier Assayas has hit domestic theaters in limited release this weekend. It was nearly a year ago that eyeballs first saw it at the Cannes Film Festival in 2016. Assayas was honored with the Best Director Award, which he shared with another filmmaker.
Now that stateside audiences are getting a look at it, the buzz for its star Kristen Stewart is increasing. Many critics are calling it her finest work. She plays the title character – an American working for a celebrity in Paris in this pic said to have supernatural overtones. Shopper stands at 78% on Rotten Tomatoes.
Stewart has worked with Assayas before in CloudsofSilsMaria, which also whipped up some chatter for an Academy nod for the actress. It didn’t pan out then and may not here, but look for her name to be in the mix as the months roll along.
Disney’s live-action version of their acclaimed 1991 animated tale (as old as time) Beauty and the Beast is out next weekend. It’s a safe bet that it makes a killing at the box office. It could approach the $364 million territory that The Jungle Book achieved last year and will almost certainly post 2017’s biggest opening thus far, overtaking Logan.
Let’s not forget: the quarter century plus version of Belle and her Beastly beau was the first animated feature to be nominated for Best Picture. Any chance that this rendering of the classic story could follow suit?
Short answer: no. Beast currently sits at 71% on Rotten Tomatoes. That’s a decent score but way under the 95% reached by Jungle and that couldn’t get a Picture nod. That said, Beauty could be a factor in some down the line categories. Production Design, Visual Effects, and Makeup and Hairstyling are all possibilities. Where it’s most likely to show up is in Costume Design, where the studio’s recent remakes of Cinderella and Maleficent both scored nominations.
This evening, the third stand-alone Wolverine picture opens when Logan debuts. It’s reportedly Hugh Jackman’s final turn as the beloved and clawed X-Men and the film is receiving some of the greatest reviews a comic book flick has ever received.
Logan currently sits at 93% on Rotten Tomatoes and looks poised for stellar box office earnings. So now let’s turn to the crazy question. Could it end up on Oscar’s radar? Some notes of caution. No comic book adaptation has been honored with a Best Picture nod. That includes The Dark Knight and last year’s Deadpool. That said, the latter started garnering significant buzz for a nomination in recent months, but ultimately to no avail.
Even with its terrific critical notices, Logan is certainly a long shot to recognized for the big prize. Academy voters have simply shown an unwillingness to honor this genre in any meaningful way. On the other hand, perhaps Jackman could sneak into Best Actor if that race isn’t packed. That remains to be seen. He would also likely face competition from himself when he stars as P.T. Barnum in this fall’s musical The Greatest Showman.
Bottom line: previous acclaim for this genre hasn’t meant much to Oscar. Perhaps Logan could change that, but I wouldn’t bet on it.
Well… then! Who expected that ending at the Oscars?? One that involved Bonnie and Clyde, Leonardo DiCaprio, wrong envelopes, and a mild Best Picture upset! Yes, the jokes about that already infamous finale to the 89th Annual Academy Awards deserves the endless tweets about M. Night Shyamalan coming up with it and Steve Harvey being off the hook for his Miss Universe gaffe.
All in all, it was a fairly unpredictable night even up until that wild conclusion. My predictions went 14 for 21. Expect for Picture, I did get all the high-profiles race right: Damien Chazelle (La La Land) for Director, Casey Affleck (Manchester by the Sea) for Actor, Emma Stone (La La) for Actress, Mahershala Ali (Moonlight) for Supporting Actor, Viola Davis (Fences) for Supporting Actress, Moonlight for Adapted Screenplay, and Manchester for Original Screenplay. Animated Feature Zootopia and Foreign Language Film The Salesman were also rightly called. Down the line categories that I got right: Original Score and Song (La La and “City of Stars” from that film), Production Design and Cinematography (La La), and Visual Effects (The Jungle Book).
I whiffed on Documentary – O.J.: Made in America was the front runner and won over my upset pick I Am Not Your Negro. Others: Sound Editing (Arrival instead of Hacksaw Ridge), Sound Mixing (Hacksaw instead of La La), Makeup and Hairstyling (Suicide Squad over Star Trek Beyond), Costume Design (Fantastic Beasts and Where to Find Them over Jackie), and Editing (Hacksaw over La La).
And, of course, Best Picture, where La La Land won for about two minutes before the Academy’s producers pointed out a mistake and that Moonlight actually won.
The evening started on a happy note with Justin Timberlake dancing his way into the auditorium to his hit “Can’t Stop the Feeling!” from Trolls. Jimmy Kimmel did a decent job hosting for the most part. Some bits worked better than others. I enjoyed the group of tourists unknowingly being brought to the theater and his endless ribbing of Matt Damon. The candy and cookies falling down to the audience felt a little old hat. The In Memorium package was a little tough with the legends lost this year and props to Jennifer Aniston for mentioning the passing of Bill Paxton as news had just broke that morning.
Did the show feel long? Of course. It always does, but for those that stuck around… yowza! That was an Oscar ending that will not soon be forgotten.
OK folks, this is it! For months, I have been pontificating on who and what will be nominated at the 89th Annual Academy Awards that air this Sunday evening. It’s time for the final predictions on the winners.
As readers of the blog know, there’s been plenty of analysis and we’re going to keep it simple for this final predictions post. Here’s my winners in all the feature film categories. I’ll have a post up Sunday night with my thoughts on how I did and the show itself…
Good Sunday all! 15 days from today, the Oscars will air and for the next three Sundays, I’ll be giving you my take on where I see each category standing. This means my winner prediction and each nominee listed in order of likelihood to take their prize.
My final predictions will post on Sunday, February 26 prior to the broadcast the next day. Let’s get to it, shall we?
The Sundance Film Festival of 2017 has come and gone, but this blogger is still sorting out the potential Oscar buzz coming from it. Even though it’s the earliest fest, Sundance has a habit of showcasing film or two and performers that get Academy nods a year later.
Perhaps no other picture generated more buzz this time around than Luca Guadagnino’s CallMebyYourName, a gay love story set in Italy during the 1980s. Based on an acclaimed 2007 novel by Andre Aciman, Name stars Timothee Chalamet (a relative unknown who’s appeared on Showtime’s “Homeland”), Armie Hammer, and Michael Stuhlbarg, a fine character actor who’s popped up in everything from SteveJobs to Arrival to DoctorStrange to MissSloane as of late.
Buzz on this romance is terrific thus far and it sports a 100% current Rotten Tomatoes rating. It’s leaving Sundance with the strongest potential for Oscar voter notice along with Mudbound (which I already posted about). Picture, Director, Actor (Chalamet) and Supporting Actor (Hammer or Stuhlbarg) appear to be in play, as well as Adapted Screenplay.
Of course, it’s very early but Name appears to be a real contender.
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