Out today in limited release is The First Wave from documentarian Matthew Heineman. Distributed by Neon and National Geographic Documentary Films, Wave shows us the first months of the COVID-19 pandemic from a New York City hospital. Its filmmaker has been in the Oscar mix before as his 2015 doc Cartel Land was up for Best Documentary Feature.
There are plenty of high profile contenders for the race in 2021. A potential winner also comes from Nat Geo – The Rescue. That’s in addition to Flee, Summer of Soul, and others.
It’s certainly feasible that this could make the final five and mark Heineman’s second foray into the competition. It’s also possible that some voters may not want to relive the tragic times we’ve gone through.
Bottom line: if The First Wave makes the shortlist next month, a nod is questionable but possible. My Oscar Prediction posts for the films of 2021 will continue…
Even though it premiered at Sundance all the way back in January, Jockey is finally attempting to ride into Oscar contention. The drama from director Clint Bentley casts Clifton Collins, Jr. as an aging equestrian in the sunset of his career. After its festival bow, the pic received pleasing reviews to the tune of a 96% Rotten Tomatoes rating.
All the buzz, though its been fairly quiet for awhile, has been with Collins and a possible Best Actor nod. He’s never achieved Academy attention despite an acclaimed supporting turn in 2005’s Capote and other notable film and TV roles. Some critics certainly say he’s worthy of a nomination.
However, he looks to be a long shot. Sony Pictures Classics, which picked up distribution rights, is releasing it December 29th. The first trailer came out just today. The studio will need to mount a spirited campaign for Collins to make the final five. We can generally assume two spots are taken: Will Smith in King Richard and Benedict Cumberbatch for The Power of the Dog. There’s plenty of other viable hopefuls. It doesn’t help Collins that two of them (Andrew Garfield in Tick, Tick… Boom! and Leonardo DiCaprio in Don’t Look Up) have helped their cases in recent days. This is in addition to Denzel Washington (The Tragedy of Macbeth), Peter Dinklage (Cyrano), and more.
Bottom line: Collins needs some precursor love to show up at the Oscars. If that doesn’t happen, I don’t see him placing. My Oscar Prediction posts for the films of 2021 will continue…
Up until the last couple of weeks, I’ve had Adam McKay’s political satire Don’t Look Up on the outskirts of my predicted 10 Best Picture nominees. After all, just how many Netflix contenders will get in? I figured The Power of the Dog would be their main play and there’s other possibilities with Tick, Tick… Boom!, The Lost Daughter, and Passing.
I recently vaulted it into the fold of ten and (better late than never), that appears to be the right call. Before its eagerly awaited December 10th limited bow in theaters and Christmas Eve Netflix premiere, Up has screened for critics. The social media reaction is leaning toward the positive with particular shoutouts for certain elements and performers.
The star-studded cast is filled with previous Oscar winners and nominees: Leonardo DiCaprio, Jennifer Lawrence, Jonah Hill, Mark Rylance, Timothee Chalamet, Cate Blanchett, and Meryl Streep. There’s also Rob Morgan, Tyler Perry, Ron Perlman, Ariana Grande, Kid Cudi, Chris Evans, Matthew Perry, and Himesh Patel.
McKay’s last two pics (2015’s The Big Short and 2018’s Vice) were both up in the biggest race of all. His original screenplay detailing the end of the world should be recognized. I’m not as confident he’ll make it for directing though I will note that he made the cut for the previous two and it’s certainly feasible. While Dog may continue to be the Netflix flick I rank higher when I update my forecast Sunday, I don’t see Up moving down the charts and out of the 10.
As for the massive list of performers, the early word is that Leo could vie for his seventh nod (his sole win came for 2015’s The Revenant). He still needs to get past other sturdy thespians. I do like his chances better tonight than I did earlier today. With Lawrence, Best Actress is overflowing with hopefuls and I doubt she lands #5. Ms. Streep is going for her 22nd trip to the dance. Her work as the President here is being mentioned in the laudatory tweets. Supporting Actress has got its share of contenders too, but betting against Meryl is always risky. Supporting Actor is wide open at the moment yet I’m skeptical about Hill or Rylance (or the many others). If Netflix goes all in on one of them, that dynamic could shift.
Surprisingly enough, its most assured nomination could come with Ariana Grande. Not for Supporting Actress (her part is said to be brief), but for her Original Song “Just Look Up”. Editing seems a safe bet as does Score and other down the line races like Sound and Visual Effects are possible.
Bottom line: it’s looking up for Don’t Look Up to get up to a handful of nominations. My Oscar Predictions posts for the films of 2021 will continue…
Procession debuts on Netflix this Friday after premiering to solid critical notices at the Telluride Film Festival in September. From documentarian Robert Greene, the pic focuses on a group of six Catholic priest abuse survivors and their therapeutic methods for recovery. With 17 reviews up on Rotten Tomatoes, the score is 100%.
Nearly each time I do a predictions post for a doc, I feel compelled to point out that this is an unpredictable branch of Academy voters. When the shortlist is announced on December 21st featuring the 15 pictures in contention for Documentary Feature, there are bound to be surprising omissions. Procession looks like one that should make the cut.
Whether it makes makes the final five is a bigger question. As of now, I believe three competitors (The Rescue, Flee, Summer of Soul) stand the best odds of getting in. There’s a slew of others vying for the other two spots and Procession certainly has the reviews it needs to fill it. My Oscar Prediction posts for the films of 2021 will continue…
The Best Animated Feature category at the Oscars was established in 2001 and since then, Disney has won the race 14 out of 20 times (including 8 out of the past 9). It’s safe to say they have a distinct advantage in the competition and that’s why Encanto has long been seen as a frontrunner. From 2016 winner Zootopia makers Byron Howard and Jared Bush, it features the voices of Stephanie Beatriz, John Leguizamo, Diane Guerrero, and Wilmer Valderrama.
With songs by Lin-Manuel Miranda, the musical fantasy opens over Thanksgiving and the review embargo lifted today. The current 92% Rotten Tomatoes rating is encouraging. The track “Dos Oruguitas” could put Miranda in the running for an EGOT. For the unfamiliar, that’s winning an Emmy, Tony, Oscar, and Grammy and only 16 people have done it. My guess is that Beyonce and her King Richard song “Be Alive” could prevent that from occurring.
I do believe Encanto stands the best chance of the 2021 Mouse Factory offerings to take the prize over Luca and Raya and the Last Dragon (which may miss the top five altogether). Yet there is a sturdy competitor with Flee, the Danish critically lauded effort that could make history with nods in Animated Feature, Documentary Feature, International Feature Film, and maybe even Best Picture. It’s a guessing game at the moment as to which of the first three it wins (if any). My best guess is that the animated competition is where it could do so and that could leave Encanto as runner-up.
That said, betting against Disney has been the correct call just 30% of the time. My Oscar Prediction posts for the films of 2021 will continue…
When I wrote my Oscar Predictions post for The Eyes of Tammy Faye back in September and talked about Jessica Chastain’s viability in Best Actress, I penned the following passage:
Bottom line: a couple of weeks back, I boldly declared that you could write Kristen Stewart’s Best Actress inclusion in pen. Here we go again for the second pronouncement… I think you can do the same with Chastain.
Two months later, I still feel the same about Kristen Stewart in Spencer. She remains the frontrunner for a nomination and a potential victory. And a solid argument can still be made that Chastain’s performance as Tammy Faye Bakker sits in the runner-up position for inclusion for the five actresses who will be up for consideration. That said, I’m not as declarative as I once was. Given a redo, I might say a sharpened pencil over a pen.
Why? The Best Actress race is stacked in 2021 and more realistic competitors continue to pop up. Just this week, there were three pictures screened that increased or helped solidify the chances for their leading ladies: Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), and Alana Haim (Licorice Pizza). That’s in addition to Olivia Colman (The Lost Daughter), Penelope Cruz (Parallel Mothers), and Frances McDormand (The Tragedy of Macbeth). They’ve been in the mix since festival season early this autumn.
That’s eight performances thus far. We can add others to the already released fold: Jodie Comer (The Last Duel), Jennifer Hudson (Respect), Renate Reinsve (The Worst Person in the World), and Tessa Thompson (Passing). 12. I can think of four more from the unscreened column: Sandra Bullock (The Unforgivable), Jennifer Lawrence (Don’t Look Up), Rooney Mara (Nightmare Alley) and Rachel Zegler (West Side Story). 16. I’m not really feeling a Bullock nod, but any of the others could bubble up.
Add to that the off chance that a surprise nominee could materialize of those I’ve basically written off: Halle Berry (Bruised), Marion Cotillard (Annette), Emilia Jones (CODA), or Charlotte Rampling (Benedetta).
20 possibilities (though some admittedly are far fetched). Still – there’s several realistic hopefuls and that’s reason enough to doubt anyone but Stewart making the eventual quintet.
Chastain faces other challenges for her third nomination (the previous two were supporting for 2011’s The Help and lead the following year in Zero Dark Thirty). Despite widespread acclaim for her acting, audiences completely tuned out to Tammy. It earned a tiny $2.4 million at the box office. Reviews for the pic itself were just so-so (66% on Rotten Tomatoes). I’ve heard comparisons made to Renee Zellweger’s victory in 2019 for Judy as far as poor box office and critical reaction. It’s not a totally unfair comp but Zellweger’s winning work garnered 82% on RT and made $24 million domestically.
When Tammy screened up north, the idea of Chastain and her costar Andrew Garfield (in Supporting Actor) both being up seemed feasible. I don’t feel Garfield has much of a shot now (though he definitely does in lead for Tick, Tick… Boom!).
Bottom line: I still have Chastain in my five, but with considerably less assuredness than before.
Twenty years ago, Halle Berry made history as the first (and still only) African-American performer to win Best Actress at the Oscars for Monster’s Ball. It remains her only nomination from the Academy. On November 24 via Netflix, Berry stars in and makes her directorial debut with the sports drama Bruised. She plays a former MMA fighter who decides to step back in the ring. Costars include Shamier Anderson, Adan Canto, Sheila Atim, and Stephen McKinley Henderson.
Bruised held a screening this weekend at AFI Fest after a rough cut was shown last year at Toronto. Early reviews are of the so-so variety and any thoughts of it garnering nods behind Berry are a moot point. The question is: could Berry enter the Oscar ring again?
It would appear the answer is no. The word-of-mouth is simply not strong enough for her to have a puncher’s chance in an Actress race where several contenders will be duking it out. My Oscar Prediction posts for the films of 2021 will continue…
Nicole Kidman and Aaron Sorkin could be in line for their respective fifth acting and writing nods at the Oscars with Being the Ricardos. The biopic, out December 10 in limited fashion before its Amazon Prime premiere December 21, centers on Kidman’s Lucille Ball and Javier Bardem’s Desi.
After generating some casting controversy ink for its leads, an early screening this weekend has been met with positive social media reaction. It indicates Kidman has a better chance at making the top five in Best Actress than I originally anticipated. If so, this would mark her fifth nod overall after winning 19 years ago for The Hours (the others were in lead with Moulin Rouge! and Rabbit Hole and supporting for Lion).
Bardem’s inclusion could be a less likely scenario though not impossible if voters fall hard for the pic. A Supporting Actor victor for 2007’s No Country for Old Men, he’s a two-time Actor contestant with Before Nights Falls and Biutiful.
In a Supporting Actor race that’s seemingly wide open, J.K. Simmons (playing William Frawley) could be back seven years after his gold statue for Whiplash. Same goes for Nina Arianda’s Vivian Vance though it is worth noting there’s several viable possibilities in Supporting Actress.
As for the writer/director, I’d say Sorkin’s original screenplay has a far better shot at making it than his behind the camera work. That’s similar to his trajectory last year when his penmanship of The Trial of the Chicago 7 received a nomination. He’s thrice been up before with his screenplays for The Social Network (where he won), Moneyball, and Molly’s Game.
Last and certainly not least, the Academy often falls for fare about its own industry and a Best Picture nod is not out of the question. I’ve yet to list Ricardos in my top 15. Look for that to change on Thursday when I update and you can certainly anticipate its quartet of actors to rise. My Oscar Predictions for the films of 2021 will continue…
Playing at AFI Fest ahead of its December 17th streaming premiere on Apple TV, early word is out for the futuristic drama Swan Song. Marking the feature length directorial debut for Benjamin Cleary (who won the Oscar for Live Action Short Film in 2015 for Stutterer), Mahershala Ali stars as a terminally ill man faced with decision of cloning himself. Naomie Harris, Glenn Close, and Awkwafina costar.
Based on a rather small sampling of critical reaction, the buzz seems mixed. Some reviewers are hailing it as an effective weepie while others are more soft in their praise. The bulk of write-ups are quick to point out the fine work from Ali and Harris. This isn’t their first collaboration. Five years ago, Ali knocked out all competitors to win Supporting Actor for Moonlight. Two years later, he would again be victorious in the same race for Green Book. Harris made the cut in Supporting Actress for Moonlight, but ultimately lost to Viola Davis for Fences.
With two gold statues to his name, it’s hard to fathom this is Ali’s inaugural sole lead cinematic part. Apple will probably mount an awards push for him and Harris. However, I suspect it could be too late in the game for either to have a legit chance and the varied reaction to the quality of the pic itself won’t help. My Oscar Prediction posts for the films of 2021 will continue…
When Paul Thomas Anderson writes and directs, the Academy takes notice and that won’t change with Licorice Pizza. Out in limited release November 26th before a Christmas Day expansion, the social media embargo is lapsed. Early word indicates the coming-of-age dramedy set in the Valley circa 1973 is one of the filmmaker’s most accessible and lighter works. And there are certainly categories where Oscar voters may bite.
Six out of the last seven PTA pictures have nabbed nominations. Two (There Will Be Blood, Phantom Thread) contended for Best Picture and its maker made it both times for his direction. He has been nominated five times for screenwriting with the aforementioned titles as well as Boogie Nights, Magnolia, and Inherent Vice. Despite the multiple ballot appearances, PTA has yet to get his hands on a gold statue.
That could change here, but it’s no guarantee. I do believe the initial buzz suggests a Best Picture nod is likely and he could certainly be recognized for directing. I don’t foresee wins in either race.
Original Screenplay is a different story. Belfast is the main competition at the moment and that’s significant considering it’s the frontrunner for Picture. However, I could see a narrative developing where Anderson could emerge victorious partly as a career achievement/overdue honor.
Down the line recognition for Editing might be its strongest opportunity in tech derbies. For the actors, PTA’s filmography has resulted in nine nominations for its performers. There’s just one win with Daniel Day-Lewis in Blood. Interestingly, we’ve seen three nominees each in Actor, Supporting Actor, and Supporting Actress. None for Best Actress, but that’s where Pizza has perhaps the most feasible chance.
Alana Haim’s performance is already getting raves. The downside is that Best Actress looks awfully competitive in 2021 and it could be an uphill battle. She’ll need some critics awards love and precursors. Same goes for Cooper Hoffman who makes his big screen debut. He’s the son of the late Philip, who PTA featured in Hard Eight, Boogie Nights, Magnolia, Punch-Drunk Love, and The Master. He too is being lauded though breaking into Actor could be an even taller order for him.
Finally, that brings us to Bradley Cooper. Playing film producer and Barbra Streisand’s former hairdresser Jon Peters, this looked like the kind of juicy role that might finally get the four-time acting contender some hardware. I’ve had Cooper listed at #1 in my Supporting Actor predictions since I began doing them over the summer (even in my updated estimates from earlier in the evening). It seems that Cooper’s screen time is quite limited in this… enough so that he might miss the dance altogether. One bright side is that Supporting Actor is so wide open that even his brief appearance could make enough of an impression on the Academy. I do suspect that Cooper will, at the least, not be in the top spot when I update next week.
Bottom line: the Pizza party at the Oscars could involve Picture, Director, and absolutely Original Screenplay. The cast faces some challenges. My Oscar Prediction posts for the films of 2021 will continue…
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