As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the ninth candidate in BP and that’s Sinners from Ryan Coogler. If you missed my posts covering the previous nominees, you can find them here:
The 16 (yes, sixteen) nominations for the vampire saga set a record. Even if the Academy had not added the new Casting race, it still would’ve set the all-time high as the previous best was 14 in a three-way tie between All About Eve, Titanic, and La La Land. Besides Picture, it is up for Coogler’s direction and original screenplay, Actor (Michael B. Jordan), Supporting Actress (Wunmi Mosaku), Supporting Actor (Delroy Lindo), Casting, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Original Song, Production Design, Sound, and Visual Effects. Sinners has seen BP nods at all important precursors including the Globes, PGA, BAFTA, Critics Choice, and best ensemble at SAG Actor. At $280 million in domestic earnings, it is easily the largest grosser of the 10 nominees.
The Case Against Sinners:
The movie with the most nominations has only taken BP three out of the past 10 shows (2017’s The Shape of Water, 2022’s Everything Everywhere All at Once, and Oppenheimer in 2023). Sinners has yet to have a signature victory as Hamnet took Best Drama at the Globes and One Battle After Another was victorious at Critics Choice. The Academy has shown reluctance to honor horror flicks.
The Verdict:
The 16 nominations changed the dynamic from One Battle being seen as the fairly sturdy frontrunner to what’s now considered a legitimate showdown between Warner Bros properties. If Sinners takes this weekend’s DGA for its maker Coogler, look for this to become the favorite. If it doesn’t achieve that prize, it could still be honored with ensemble as SAG Actor and its momentum could result in Oscar glory. With all that said, Battle is still a strong competitor that may not be denied.
My Case Of posts will wrap up the BP hopefuls with Train Dreams…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten Best Picture contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the eighth horse in the BP derby and that’s Joachim Trier’s Sentimental Value. If you missed my posts covering the previous nominees, you can find them here:
The Norwegian drama has been on the Academy’s radar since it took home the Grand Prix (the prize for 2nd) at the Cannes Film Festival in May. It scored a better than anticipated nine nods including four of its cast members -Renate Reinsve in lead Actress, Elle Fanning and Inga Ibsdotter Lilleass in Supporting Actress, and Stellan Skarsgård in Supporting Actor plus Trier’s direction and original screenplay with Eskil Vogt. The other two mentions are for Film Editing and International Feature Film. It also nabbed BP noms at BAFTA, the Globes, and Critics Choice.
The Case Against Sentimental Value:
In addition to no BP victories at the already aired ceremonies, it has fallen short to The Secret Agent at the Globes and Critics Choice in the foreign field. Value also blanked at the SAG Actor awards. Only one Oscar winner (1995’s Braveheart) has been zeroed out by SAG previously.
The Verdict:
The overperformance of nine noms arguably makes it the favorite over Agent for International Feature Film and Skarsgård (fresh off a Globe win) is considered the frontrunner in his race. Though it could be in the top half of the 10 contenders, Value is not a real threat for the trophy.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the seventh movie in the big dance and that’s The Secret Agent from Kleber Mendonça Filho. If you missed my posts covering the previous nominees, you can find them here:
Filho’s Brazilian political thriller has become a late bloomer in awards season even though it picked up traction last summer at Cannes where it won Actor (Wagner Moura) and director prizes. Agent was still seen as behind Sentimental Value and It Was Just An Accident in International Feature Film, but then it took the foreign prizes at Critics Choice and the Globes. In addition to BP and the International race, Moura is in for lead Actor and it is up for Casting.
The Case Against The Secret Agent:
Note that in the Case for, I never spoke of it being in serious contention for Best Picture. The four nominations are tied for the lowest of the BP hopefuls with three others. It missed key nods in director and screenplay and other tech categories that usually correlate to a victory. Agent underperformed at BAFTA with only two nominations.
The Verdict:
With Value having an impressive Oscar morning, Agent could fall short in IFF and come up empty-handed at the ceremony. It is not a threat for BP.
My Case Of posts will continue with Sentimental Value…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the sixth contender – Paul Thomas Anderson’s One Battle After Another. If you missed my posts covering the previous five nominees, you can find them here:
Since Paul Thomas Anderson’s multi-genre mixup premiered in September, it vaulted to the top of the BP rankings. It impressed with 12 additional nominations – PTA in Director and Adapted Screenplay, Actor (Leonardo DiCaprio), Supporting Actress (Teyana Taylor), Supporting Actor (Benicio del Toro and Sean Penn), Casting, Cinematography, Film Editing, Original Score, Production Design, and Sound. The precursor love has been strong already with a Best Film (Musical or Comedy) trophy at the Globes and BP victory at Critics Choice. It’s also in contention for SAG Actor Ensemble and highest honors at BAFTA. This is PTA’s fourth title up for BP (the others being There Will Be Blood, Phantom Thread, and Licorice Pizza) and there could be a feeling that he’s overdue for recognition after 30 years of critically acclaimed projects.
The Case Against One Battle After Another:
Sinners. The fellow Warner Bros release raised eyebrows with a record-breaking 16 nods. That could be hard for the Academy to discount when voting for BP. There was a notable Oscar miss for Teyana Taylor missing the quintet in lead Actress.
The Verdict:
The day before nominations morning, I would have confidently called Battle for the win. The Sinners showing makes it more of a toss-up.
My Case Of posts will continue with The Secret Agent…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the nominee #5 and that’s Josh Safdie’s Marty Supreme. If you missed my posts covering the previous four contenders, you can find them here:
Academy voters would be selecting one of the most widely seen nominees (it grossed more than arguable frontrunner One Battle After Another). The sports dramedy amassed a laudable eight additional nods including Safdie’s direction, his Original Screenplay with Ronald Bronstein, Casting, Cinematography, Costume Design, Editing, and Production Design. And of course there’s the nod for Marty himself, Timothée Chalamet, in lead Actor. It has landed BP placement in all noteworthy precursors – the Globes, PGA, Critics Choice, BAFTA, for its ensemble at SAG Actor, and Safdie at DGA.
The Case Against Marty Supreme:
It wasn’t as widely seen as the other arguable frontrunner Sinners. Supreme has yet to get a BP victory anywhere and it was a slight surprise that it missed other acting nominations besides Chalamet (supporting players Gwyneth Paltrow and especially Odessa A’Zion were thought to be possibilities).
The Verdict:
Marty Supreme is reminiscent of Hamnet, my previous Case Of post. It received a bounty of mentions but its best (and probably only) chance at gold is in the lead acting field. For Hamnet, it’s with Jessie Buckley in Actress and with Supreme where the third time could definitely be the charm for Chalamet.
My Case Of posts will continue with One Battle After Another…
Olivia Colman headlines the irreverent and vulgarly romantic Sundance premiere Wicker from co-directors Alex Huston Fischer and Eleanor Wilson. As a Fisherwoman who builds herself a wooden boyfriend, the supporting cast includes Alexander Skarsgård (as said BF), Peter Dinklage, and Elizbeth Debicki.
Currently seeking distribution, Rotten Tomatoes is at 93% with 68 on Metacritic for the bawdy concoction. Three-time nominee and one-time winner Colman (for The Favourite) will probably assist in easily securing a release deal. Oscar attention will be harder to achieve though I do wonder if the Globes could bite in their Musical or Comedy competitions if a legit campaign is mounted. If nothing else, the BAFTAs are a possibility (maybe remote dependent on competition) for Colman. My Oscar Prediction posts will continue…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the fourth nominee – Hamnet from Chloé Zhao. If you missed my posts covering the previous three contenders, you can find them here:
Arriving five years after Zhao’s Nomadland took home Best Picture, Director, and Actress, the filmmaker hopes to do the same with this gut-wrenching historical drama. Besides BP, it’s up in 7 other races including Director, Actress (Jessie Buckley), Adapted Screenplay, Casting, Costume Design, Original Score, and Production Design. The ensemble is nominated at the SAG Actor awards and it made the BP cut at Critics Choice and BAFTA. Perhaps most significantly, it beat out Sinners in a slight upset for Best Drama at the Golden Globes. 3 out of the last BP Academy winners also featured the Best Actress victor and Buckley is definitely the frontrunner.
The Case Against Hamnet:
Despite some decent arguments in the case for, One Battle After Another and Sinners are still seen as the favorites. Hamnet missed some notable competitions at the Oscars – Cinematography, Editing and Supporting Actor (Paul Mescal). Even at BAFTA (where it was expected to fare even better), it wasn’t nominated in Cinematography, Editing, or Casting. The Academy could feel they just honored Zhao.
The Verdict:
Buckley is in good shape unless upcoming precursors change the narrative. The movie itself might be in third when it comes to rankings. Despite the Globe win, I’d say it’s a distant third.
My Case Of posts will continue with fifth nominee Marty Supreme…
The easiest prediction to make for the 98th Academy Awards is that the winner of Best Documentary Feature is a Sundance Film Festival premiere. Why? All five nominated titles (The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor) were initially screened at the 2025 Park City event. The year before that, it was 4 of the 5 contending Sundance docs.
Once Upon a Time in Harlem is one you’ll be hearing about. David Greaves directs a project that was started over five decades ago by his late father William (a celebrated filmmaker himself). It focuses on a 1970s gathering of 1920s/30s artists from the NYC neighborhood. Early reviews are raves with 100% on Rotten Tomatoes and 96 on Metacritic. Called a vitally important historical document, this could be nominated and it may emerge victorious.
Having said that, the documentary branch from the Academy can be a head scratching group to nail down. I only managed 1 for 5 in my forecast for this year’s race. Even with that caveat, it would be shocking if Harlem is not in the conversation for the 99th ceremony. My Oscar Prediction posts will continue…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the third nominee in the biggest race of all and that’s Guillermo del Toro’s Frankenstein. If you missed my posts covering Bugonia and F1, you can find them here:
Del Toro’s dream project, arriving eight years after The Shape of Water won BP and director, amassed an impressive nine nominations. Those additional 8 mentions are Supporting Actor (Jacob Elordi), Adapted Screenplay, Cinematography, Costume Design, Makeup and Hairstyling, Original Score, Production Design, and Sound. The Netflix production has shown up in significant precursors including SAG Actor ensemble, Critics Choice, PGA, and the Globes. Del Toro is up at DGA and Elordi won Supporting Actor at Critics Choice.
The Case Against Frankenstein:
There are no Picture wins at the aforementioned precursors and it missed the Best Film quintet at BAFTA. The omission from the Brits confirms that Frankenstein is probably 6th among the contending ten. While the nine nominations are noteworthy, Del Toro missing Director and no nod in Film Editing are significant.
The Verdict:
It’s alive in races such as Costume Design, Makeup and Hairstyling, and Production Design. Not in Best Picture.
My Case Of posts will continue with Chloé Zhao’s Hamnet…
Nominations for the 79th BAFTAs were unveiled five days after the Academy revealed their list. The Brits equivalent of the Oscars can often indicate which nominees and pictures are (or aren’t) having momentum in the general awards space.
Overall I went 92 for 122 (75%) in the feature-length categories. Let’s walk through each race with the hopefuls in contention, how I did, and some initial thoughts.
Best Film
Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
How I Did: 5/5 (!)
No surprise here as One Battle led all nominees with 14 and Sinners right behind with 13. It will probably come down to those two pics with Battle having an edge. I would say Hamnet is a spoiler but it missed some key races.
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Yorgos Lanthimos (Bugonia), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
How I Did: 6/6 (!)
The best film five and Lanthimos as I predicted. PTA is the favorite.
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
How I Did: 5/6
I gotta stop leaving out Kate Hudson. She’s in over my upset selection of Andrea Riseborough (Dragonfly). Bet on Buckley.
Best Actor
Robert Aramayo (I Swear), Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
How I Did: 5/6
Aramayo gets in over Pillion‘s Harry Melling. Chalamet could continue his sweep unless DiCaprio or Hawke upset.
Best Supporting Actress
Odessa A’Zion (Marty Supreme), Carey Mulligan (The Ballad of Wallis Island), Inga Ibsdotter Lilleass (Sentimental Value), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another), Emily Watson (Hamnet)
How I Did: 5/6
A genuine surprise as Amy Madigan (Weapons) is left out in favor of Mulligan. This is likely between Lilleass and Taylor.
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Peter Mullan (I Swear), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
How I Did: 5/6
I had Stellan’s son Alexander Skarsgård (Pillion) joining the sextet and not Mullan. It’s Stellan who probably has the best odds.
Best Original Screenplay
I Swear, Marty Supreme, The Secret Agent, Sentimental Value, Sinners
How I Did: 4/5
The Secret Agent over Blue Moon. This is a Value v. Sinners derby.
Best Adapted Screenplay
The Ballad of Wallis Island, Bugonia, Hamnet, One Battle After Another, Pillion
How I Did: 4/5
Ballad over Frankenstein with OBAA out front.
Best Animated Feature
Elio, Little Amélie or the Character of Rain, Zootopia 2
How I Did: 1/3
I whiffed here. First of all, this race typically has four nominees. I had Arco, Demon Slayer, and KPop Demon Hunters and not Elio or Amélie (which was frankly an oversight on my part). It could win and so could Zootopia 2 which is the only flick I correctly called.
Best Documentary
Apocalypse in the Tropics, Cover-Up, Mr. Nobody Against Putin, The Perfect Neighbor, 2000 Meters to Andrivka
How I Did: 4/5
Some retribution after my 1/5 showing at the Oscars. I had Ocean with David Attenborough and not Cover-Up. I wouldn’t assume Neighbor takes this even though it’s the Oscar frontrunner. I actually think all five are viable.
Best Film Not in the English Language
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
How I Did: 5/5 (!)
This matches the Academy’s quintet and, like that show, this is probably Agent or Value.
Best Casting
I Swear, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
How I Did: 3/5
Hamnet (in a notable miss) or Sirāt are out with I Swear and Supreme in. A likely Sinners trophy.
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
How I Did: 4/5
Frankenstein and not Hamnet in another interesting omission. I’ll note this is the only nom for Train Dreams as this should come down to Battle or Sinners.
Best Costume Design
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
How I Did: 4/5
Unlike Oscar, Wicked managed to get some BAFTA attention (albeit limited). I had Downton Abbey: The Grand Finale and not Supreme (which had a solid day). Frankenstein may take this.
Best Editing
F1, A House of Dynamite, Marty Supreme, One Battle After Another, Sinners
How I Did: 3/5
Another Battle/Sinners race as F1 and Dynamite show up over Bugonia and (you guessed it) Hamnet.
Best Make Up and Hair
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
How I Did: 3/5
A strange quintet as Hamnet gets an unexpected mention as does Supreme and not One Battle or (more surprisingly) The Smashing Machine. This should go to Frankenstein.
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
How I Did: 5/5 (!)
Sinners is the frontrunner.
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
How I Did: 3/5
I had Bugonia and Wicked instead of Marty and Battle. Another probable win for Frankenstein.
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Warfare
How I Did: 3/5
Frankenstein/Warfare over Avatar: Fire and Ash/Wicked. Think Sinners with F1 spoiler possibility.
Best Special Visual Effects
Avatar: Fire and Ash, F1, Frankenstein, How to Train Your Dragon, The Lost Bus
How I Did: 4/5
Dragon, not Superman as Avatar is ahead.
Outstanding British Film
28 Years Later, The Ballad of Wallis Island, Bridget Jones: Mad About the Boy, Die, My Love, Hamnet, H is for Hawk, I Swear, Mr. Burton, Pillion, Steve
How I Did: 7/10
I went with Ballad of a Small Player, The Choral, and Warfare over Jones, Burton, and Steve. One would think Hamnet takes this though I Swear is viable as an upset pick.
Outstanding Debut by a British Writer, Director, or Producer
The Ceremony, My Father’s Shadow, Pillion, A Want in Her, Wasteman
How I Did: 3/5
Ceremony/Want over Oceans with David Attenborough and Urchin. Pillion should win.
Best Children’s + Family Film
Arco, Boong, Lilo + Stitch, Zootopia 2
How I Did: 2/4
Grow and How to Train Your Dragon miss and not Boong and Lilo with Zootopia out front.
That works out to the following movies getting these numbers of nominations:
14 Nominations
One Battle After Another
13 Nominations
Sinners
11 Nominatons
Hamnet, Marty Supreme
8 Nominations
Frankenstein, Sentimental Value
5 Nominations
Bugonia, I Swear
3 Nominations
The Ballad of Wallis Island, F1, Pillion
2 Nominations
The Secret Agent, Wicked: For Good, Zootopia 2
1 Nomination
28 Years Later, 2000 Meters to Andrivka, Apocalypse in the Tropics, Arco, Avatar: Fire and Ash, Bridget Jones: Mad About the Boy, Cover-Up, Blue Moon, Boong, The Ceremony, Die, My Love, Elio, H is for Hawk, A House of Dynamite, How to Train Your Dragon, If I Had Legs I’d Kick You, It Was Just an Accident, Lilo & Stitch, Little Amélie or the Character of Rain, The Lost Bus, Mr. Burton, Mr. Nobody Against Putin, My Father’s Shadow, The Perfect Neighbor, Sirāt, Song Sung Blue, Steve, Train Dreams, The Voice of Hind Rajab, A Want in Her, Warfare, Wasteman
The BAFTAs air February 22nd and you can expect a recap on the blog when that happens.
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