The Burial saw its awards prospects rise a bit after premiering at the Toronto Film Festival. The courtroom drama from Maggie Betts boasts previous Oscar winners Jamie Foxx and Tommy Lee Jones headlining. Costars include Jurnee Smollett, Mamoudou Athie, and Bill Camp. It hits theaters in limited fashion on October 6th before its Amazon Prime streaming bow the following week.
The word crowdpleaser has been used more than once with its 100% Rotten Tomatoes rating (from 10 reviews thus far). Foxx’s performance is getting the most attention and that could give Amazon Prime a tough choice. It sounds like his work could be campaigned for in lead or supporting. If the decision is Best Actor, Foxx faces what looks like an impossibly crowded field. Supporting Actor isn’t a whole lot better, but there could be wiggle room. My Oscar Prediction posts will continue…
Um Tae-hwa’s disaster pic Concrete Utopia has been doing brisk business in its home country of South Korea as it also played the Toronto Film Festival this week. Lee Byung-hun, Park Seo-joon, and Park Bo-young are among the cast.
The Rotten Tomatoes score is 100% while many reviews aren’t overly effusive in their praise. South Korea has had an interesting recent history in the International Feature Film category at the Academy Awards. In 2019, the nation nabbed its first ever nomination with Bong Joon-ho’s Parasite. Not only did it win that race, but it became the first foreign entry to be crowned Best Picture.
Last year, Park Chan-wook’s Decision to Leave was widely expected to grab one of the five spots in IFF and be the only feasible competitor to All Quiet on the Western Front. While it made the shortlist, it was shockingly omitted from the quintet.
Utopia could make the cut and certainly the shortlist. Yet if voters decided to leave off Decision to Leave, this faces longer odds. My Oscar Prediction posts will continue…
Kristoffer Borgli’s dark comedy Dream Scenario premiered at the Toronto Film Festival prior to its November 10th theatrical release. The A24 effort casts Nicolas Cage as a nerdy professor who inexplicably starts showing up in people’s dreams. Julianne Nicholson, Michael Cera, Tim Meadows, Dylan Gelula, and Dylan Baker costar.
The Dream reviews are mostly on the plus side with an 84% Rotten Tomatoes rating. There’s really only two categories where I see Oscar possibilities. Mr. Cage is being praised for his work. He could be in line for a third Best Actor nod behind 1995’s Leaving Las Vegas (for which he won) and 2002’s Adaptation. He likely came close to his third nod for 2021’s Pig. Yet as I’ve already discussed on this blog, there’s a quintet of contenders who already look strong in the race. That would be Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). It almost seems too easy, right? That’s why I figure at least one of those gentlemen get snubbed. Cage could fill the gap, but there’s other hopefuls in the mix. I think his chances to be named in the Musical/Comedy competition at the Golden Globes is stronger.
Original Screenplay is feasible and perhaps even more so if A24 campaigns hard for it. Nominations in those two derbies are the dream scenario with the Academy. My Oscar Prediction posts will continue…
My closer looks at six of the major Oscar categories turns to Best Actress. If you missed my posts covering the other three acting derbies, you can access them right here:
The Venice, Telluride, and Toronto Film Festivals have made a couple of things clearer, as they usually do. While reviews for her were solid, I think Kate Winslet in Lee is now a long shot for inclusion in the final five. On the other hand, Aunjanue Ellis-Taylor in Origin is more of a possibility than I would’ve originally thought. I do, however, think the film will need to make its mark elsewhere and I’m a little skeptical at the moment.
In Venice, the Best Actress prize went to Cailee Spaeny as Priscilla and that certainly helps her stock. I’m not prepared to put her into the final quintet. The soft frontrunner is probably Emma Stone in the rapturously received Poor Things. It could put her in line to take this race seven years after her victory in La La Land. She skyrockets to fifth to first.
Other strong hopefuls are Sandra Hüller for Anatomy of a Fall, Carey Mulligan in Maestro, Natalie Portman in May December, and Greta Lee for Past Lives. Annette Bening could find herself in the mix as Nyad. An “overdue for a win” narrative could give her statue, but I could also see her being left out completely.
Then there’s Margot Robbie who is, of course, headlining 2023’s largest hit with Barbie. Some might say there’s no way she gets left out. I would remind people about Tom Cruise’s non-nomination for Top Gun: Maverick. Yet she could absolutely end up making the cut.
I’ve included Fantasia Barrino (The Color Purple) in the quintet since I began predicting months ago. Her work is the only one mentioned here still unseen. She clings to the five spot for now.
As with the other acting races, I’m winnowing the field from 15 possibilities to 10 and here’s how I see it right now:
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 5) (+4)
2. Sandra Hüller, Anatomy of a Fall (PR: 1) (-1)
3. Carey Mulligan, Maestro (PR: 2) (-3)
4. Greta Lee, Past Lives (PR: 3) (-1)
5. Fantasia Barrino, The Color Purple (PR: 4) (-1)
Plenty of movies solidify their awards status as they play the fall festivals while others decimate their prospects. That would be the case with Pain Hustlers, which debuted at the Toronto Film Festival prior to its October 20th limited theatrical release and October 27th Netflix bow.
From David Yates (who’s been busy over the past decade plus making Harry Potter and Fantastic Beasts entries), this is being called a subpar Wolf of Wall Street knockoff for the pharmaceutical industry. Emily Blunt, Chris Evans, Catherine O’Hara, Andy Garcia, Brian d’Arcy James, and Chloe Coleman are among the cast members.
The Rotten Tomatoes score is only 19% and that’s no prescription for any Academy attention. Blunt is getting some nice notices and she’s somehow never received an Oscar nomination. It might happen in 2023, but it would be in Supporting Actress for Oppenheimer. My Oscar Prediction posts will continue…
At this impossibly early stage of the Oscar predicting calendar, one could actually make a decent argument that the final five of the Best Actor category could be set. That might seem like a silly thing to say, but it’s entirely possible that the quintet I have ranked 1-5 end up being the contenders. We have arrived at the leading gentlemen in my deep dives into six major categories at the 96th Academy Awards. If you missed my write-ups on the supporting derbies, you can access them here:
The Venice and Telluride fests and the ongoing one in Toronto have shed light on some hopefuls and increased their chances. They’ve also winnowed the field in my opinion. Adam Driver probably won’t be feted for Ferrari nor is Michael Fassbender looking likely for The Killer or Next Goal Wins. Barry Keoghan has a better shot than either of them for Saltburn, but the film’s divisive reaction may hurt him. On the other hand, Andrew Scott has established himself as a serious possibility for All of Us Strangers. So have Anthony Hopkins in One Life and (perhaps to a lesser degree) Jeffrey Wright for American Fiction.
Yet I can’t shake the strange feeling that the five might look like a combo of already screened and/or released titles (including one at Cannes). There’s Cillian Murphy for Oppenheimer and Leonardo DiCaprio in Killers of the Flower Moon. And the fests of the past few days have showcased the strong chances for Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). That said, I’d say there’s not a clear frontrunner of the group.
It can’t be that simple, can it? Probably not. Yet it’s a sturdy group to bet on at the moment. We’re still waiting to see about Joaquin Phoenix as Napoleon or Kingsley Ben-Adir in Bob Marley: One Love. And perhaps Teo Yoo (Past Lives) or Matt Damon (Air) could materialize for the duo’s already released efforts.
I’m shortening my possible nominees from 15 to 10 and here’s my snapshot of the race right now!
One Life has had its world premiere at the Toronto Film Festival as it seeks one nomination in particular from awards voters. From director James Hawes, it stars Anthony Hopkins as the real-life rescuer of Jewish children before the atrocities of the Holocaust. Johnny Flynn plays the hunger version of his character with Helena Bonham Carter, Lena Olin, and Jonathan Pryce in the supporting cast.
Early reviews put it at 86% on Rotten Tomatoes. The stateside release date is TBD though it should be out by year’s end. The bulk of the reaction indicates this is not a BP contender. However, much praise is being heaped on Hopkins. This seems like the type of role that might be bait for the Academy.
As has been discussed in the past couple of weeks, the lead actor race is shaping up to be a barnburner. Surefire contenders (to name just five) include Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). Had Hopkins not won Best Actor just three years ago for The Father (his second after 1991’s The Silence of the Lambs), I might list him with that quintet. As of now, he could get in but I think he’s on the outside. My Oscar Prediction posts will continue…
Ellen Kuras is best known for her cinematography (including Eternal Sunshine of the Spotless Mind) and she makes her directorial debut with Lee. Kate Winslet stars in the true life tale of a model turned WWII war photographer. The supporting cast includes Alexander Skarsgård, Andrea Riseborough, Marion Cotillard, Josh O’Connor, Noémie Merlant, and Andy Samberg.
Reaction from its premiere at the Toronto Film Festival is mostly complimentary though not effusive. The Rotten Tomatoes meter is 75%. Winslet and surprisingly Samberg are getting the lions share of kudos. The only real awards play is Winslet, who would be gunning for nomination #8 (her sole Actress win came for 2008’s The Reader). She could make the cut, but the lead category is already packed. Winslet is already behind others like Emma Stone (Poor Things), Sandra Hüller (Anatomy of a Fall), and Carey Mulligan (Maestro) in my view. My Oscar Prediction posts will continue…
Taika Waititi’s Next Goal Wins is finally coming out. Seriously. After multiple COVID delays and other postponements (like reshooting Armie Hammer’s parts with Will Arnett), the true life sports dramedy hits theaters November 17th and has been unveiled at the Toronto Film Festival. Michael Fassbender stars as a down on his luck coach tasked with leading the winless American Samoa soccer squad. Oscar Kightley, Kaimana, David Fane, Rachel House, the aforementioned Arnett, Uli Latukefu, and Elisabeth Moss costar.
Four years ago, the director/writer’s Jojo Rabbit was an awards player with six Oscar nominations and a victory for Waititi in Adapted Screenplay. Goal is being called a crowd pleaser based on Canadian reaction. However, the reviews are mixed with 71% currently on Rotten Tomatoes. Based on a 2014 documentary, I doubt we’ll see Adapted Screenplay mentions this time or any other nominations for that matter. My Oscar Prediction posts will continue…
No, I’m not rethinking my 2022 decision to forego an Oscar Predictions post on the Liam Neeson action flick Memory. This is the write-up for the same monikered Michel Franco drama that premiered at the Venice Film Festival. The somber drama is led by Jessica Chastain (2021’s Actress winner for The Eyes of Tammy Faye) and Peter Sarsgard with a supporting cast including Merritt Wever, Jessica Harper, Elsie Fisher, and Josh Charles.
The Rotten Tomatoes meter stands at 88% with critics particularly complimenting the performances of the two leads. The Italian fest jury took notice as Sarsgard received the Best Actor award.
Assuming this makes the domestic release calendar by year’s end (release date is still TBD), its distributor MUBI has their work cut for them to break Chastain and Sarsgard into the lead conversations. Some critics prize attention could help and I’m taking a wait and see attitude with Memory‘s prospects. My Oscar Prediction posts will continue…
All My Life... I Wanted To Be A Blogster 