Tag: Oscar Predictions

Oscar Predictions: Good Fortune

Angelic comedy Good Fortune will hope for just that when it opens on October 17th. Marking the directorial debut of comedian Aziz Ansari, it premiered at the Toronto Film Festival to mostly satisfied reaction. The body swap tale stars Seth Rogen and Ansari with Keanu Reeves as a “budget guardian angel”. The supporting cast includes Keke Palmer and Sandra Oh.

Rotten Tomatoes is at 81% with 66 on Metacritic. Plenty of critics particularly dig the Reeves casting. While the Academy won’t consider this, could Fortune make a play in Musical/Comedy at the Golden Globes? I don’t think the reviews are quite there for it to have a legit shot unless divine intervention is involved. My Oscar Prediction posts will continue…

Oscar Predictions: Steve

As a teacher at a school for troubled youth, Cillian Murphy is the title character in Steve. It reunites the Oppenheimer Best Actor winner with the director of his previous effort – last year’s Small Things like These. The supporting ensemble includes Tracey Ullman, Jay Lycurgo, Simbi Ajikawo and Emily Watson. After a premiere at the Toronto Film Festival, it’s out in limited release September 19th before an October 3rd Netflix bow.

The streamer’s involvement should ensure plenty of views. With 70 on Metacritic and 65% on Rotten Tomatoes, the reviews probably aren’t strong enough to warrant a major awards push from Netflix. That’s despite some critics particularly championing Murphy and Lycurgo. My Oscar Prediction posts will continue…

Oscar Predictions: Rental Family

Three years after winning Best Actor for his performance in The Whale (capping a remarkable career comeback), Brendan Fraser could find himself in contention again courtesy of Rental Family. Directed by Hikari (best known for making episodes of the acclaimed Netflix series Beef), the Japan set dramedy has premiered at the Toronto Film Festival prior to its November 21st domestic bow. The supporting cast includes Takehiro Hira, Mari Yamamoto, Shannon Mahina Gorman and Akira Emoto.

Canadian reaction indicates this a crowdpleaser with 100% on Rotten Tomatoes and a 72 Metacritic. This might be a trendy pick for the People’s Choice Award at TIFF which often correlates to a BP nod at the Academy Awards. Family could certainly snag one of the ten spots though I don’t see Hikari as a threat in director. His original screenplay with Stephen Blahut is more of a possibility.

In an Actor race that is starting to look crowded, Fraser will certainly be in the mix. In recent weeks, I have predicted Yamamoto in Supporting Actress and Emoto in Supporting Actor. Word-of-mouth suggests their inclusion (while not out of the question) could face tougher odds than Fraser (who I’ve yet to place in the Actor quintet). Let’s see if that changes in my next update that is coming soon. If his costars miss the cut, the new Casting race could be a place where this snags another mention. My Oscar Prediction posts will continue…

Oscar Predictions: In the Hand of Dante

Julian Schnabel has Oscar history with Before Night Falls from 2000 (in which Javier Bardem was up for lead Actor), 2007’s The Diving Bell and the Butterfly (four noms including Director), and At Eternity’s Gate (Willem Dafoe contending for Actor). His latest is the period piece drama In the Hand of Dante, sporting an eclectic cast headlined by Oscar Isaac and including Gal Gadot, Gerard Butler, John Malkovich, Jason Momoa, Louis Cancelmi, Sophia Impacciatore, Franco Nero, and Al Pacino.

Stateside release is undetermined at press time. Despite the star power, distributors might not be lining up since this was generally considered one of the misfires at the Venice Film Festival. While some critics tipped their cap to its ambition, most say it wasn’t brimming with overall quality. The Rotten Tomatoes score is 35% and that should ensure Dante doesn’t fire up awards voters. My Oscar Prediction posts will continue…

Oscar Predictions: Roofman

Before it drops in theaters on October 10th, Roofman has played the Toronto Film Festival. While reactions aren’t through the first portion of its title, they’re overwhelmingly positive. Based on the true story of a military man turned thief, Channing Tatum headlines the dramedy with Kirsten Dunst as his love interest. Costars include Ben Mendelsohn, Peter Dinklage, Uzo Abuda, Juno Temple, Emory Cohen, Melonie Diaz, and LaKeith Stanfield.

While this seems like an unconventional choice for Blue Valentine and The Place Beyond the Pines director Derek Cianfrance, critics are mostly thumbing it up. Rotten Tomatoes is at 90% with 74 on Metacritic. Some reviews are saying this is a career best performance from Tatum and complimenting the chemistry with Dunst. They could both be long shots for Academy attention. If Paramount slots this in Musical/Comedy instead of Drama (sounds like both are feasible) and campaigns Dunst in Best Actress as opposed to supporting at the Golden Globes, the odds could be improved for that ceremony. My Oscar Prediction posts will continue…

Oscar Predictions – Wake Up Dead Man: A Knives Out Mystery

With Daniel Craig anchoring for the third time as eccentric sleuth Benoit Blanc, Wake Up Dead Man: A Knives Out Mystery continues the mystery franchise. It premiered at the Toronto Film Festival with a limited theatrical engagement slated for November 26th and Netflix release on December 12th. Rian Johnson returns as writer/director with the considerable supporting cast including Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church.

2019’s Knives Out was up for Original Screenplay and 2022 follow-up Glass Onion vied for Adapted Screenplay. They respectively lost to Parasite and Women Talking. Several critics in Canada are making the case that Wake is the strongest overall of the three pictures. Rotten Tomatoes is at 92% with Metacritic at 82. It’s probably a safe bet that it’ll make the cut in Adapted Screenplay at the 98th ceremony. As for the cast, O’Connor and Close are being labeled as best in show. I’d say the latter, due to her infamous history of being nominated and not winning, stands a better chance with the Academy. Don’t be surprised if the sole nom for this is in its writing race.

The Golden Globes should should offer different opportunities. Both predecessors were nominated for Best Motion Picture – Musical/Comedy – with the original falling short to Once Upon a Time in Hollywood and The Banshees of Inisherin taking the prize over Glass. Craig was nominated for Best Actor in a Musical/Comedy for both. It was Taron Egerton (Rocketman) and Inisherin‘s Colin Farrell hearing their names called instead. I would suspect Craig will get in again (as will the film) and hope the third time is the charm. My Oscar Prediction posts will continue…

Oscar Predictions: The Lost Bus

The Lost Bus found its way to the Toronto Film Festival prior to its September 19th limited theatrical release and October 3rd Apple TV streaming debut. The true life wildfire survival tale comes from Paul Greengrass (the Bourne franchise, United 93, Captain Phillips) with Matthew McConaughey and America Ferrara headlining. Yul Vazquez and Ashlie Atkinson costar.

The 100% Rotten Tomatoes rating is a little deceiving with the 66 on Metacritic more accurately reflecting the critical consensus. McConaughey (a 2013 Best Actor victor for Dallas Buyers Club) and Ferrera (a Supporting Actress nominee in 2023 for Barbie) are being appreciated for their performances, but not enough to anticipate their second tries at gold. Where Bus could be in sole contention is in Visual Effects. If it manages to make the shortlist, it might be a trendy pick for inclusion. My Oscar Prediction posts will continue…

Oscar Predictions: Father Mother Sister Brother

Jim Jarmusch’s Father Mother Sister Brother is your surprise Venice Golden Lion winner (top prize) for 2025. The dramedy anthology from the veteran indie filmmaker boasts a cast featuring Cate Blanchett, Adam Driver, Tom Waits, Vicky Krieps, Mayim Bialik, Charlotte Rampling, Indya Moore, Luka Sabbat, and Sarah Greene.

The three act pic is being distributed by Mubi with a stateside release on Christmas Eve. While Italian reaction was positive, it would seem the jury’s verdict was even more effusive. Rotten Tomatoes is at 100% with 79 on Metacritic.

Five of the last 10 Lion recipients have gone onto a Best Picture nomination from the Academy – The Shape of Water (which won), Roma, Joker, Nomadland (which also won), and Poor Things. Jarmusch has never been a fixture with Oscar voters. Despite the Venice boost, I doubt that will change with Original Screenplay perhaps being the only realistic possibility. My Oscar Prediction posts will continue…

Oscar Predictions: Christy

Most recently in headlines for an American Eagle jeans ad controversy, the narrative should be shifting for Sydney Sweeney after Christy‘s premiere at the Toronto Film Festival. The true life boxing biopic casts the 27-year-old as ring champion Christy Martin. Animal Kingdom maker David Michôd directs with a supporting cast including Ben Foster, Merritt Wever, Katy O’Brian, and Ethan Embry.

Ahead of its planned November 7th theatrical release, early reviews are certainly mixed with 65 on Metacritic and 68% on Rotten Tomatoes. However, praise for Sweeney is high. In a year where she’s appeared in a string of underwhelming features (Echo Valley, Americana, Eden), critics are lauding her work and the makeup artists who render her appearance far different than those denim advertisements. She is now in the mix for Best Actress as is the Makeup and Hairstyling department. It should be noted, however, that Actress appears to be stocked with contenders in films with better critical reaction. Playing her trainer turned abusive husband, ink for Foster is impressive. A Supporting Actor bid could materialize though the attention could be trained on the lead. My Oscar Prediction posts will continue…

Oscar Predictions – John Candy: I Like Me

The 2025 Toronto Film Festival is officially underway and it opened with a documentary about Canadian comedic royalty. John Candy: I Like Me (borrowing a great line from his arguable career highlight Planes, Trains and Automobiles) recounts the actor’s personal and professional life life prior to his death at age 43 in 1994. Colin Hanks directs with Ryan Reynolds serving as a producer. It is slated for an Amazon Prime streaming debut on October 10th.

Early word-of-mouth from up north indicates this an affectionate and worthwhile (if conventional) experience that will satisfy fans of the legendary SCTV and silver screen performer. Nevertheless I’ve written scores of prediction posts on celebrity centered docs and it is rare for any of them to contend in Documentary Feature at the Academy Awards. Don’t look for this to buck the trend. My Oscar Prediction posts will continue…