Germany has an impressive history of International Feature Film nods at the Academy Awards in the 21st century. This includes wins for 2002’s Nowhere in Africa, 2006’s The Lives of Others, and 2022’s All Quiet on the Western Front with nominations for Downfall, Sophie Scholl – The Final Days, The Baader Meinhof Complex, The White Ribbon, Toni Erdmann, Never Look Away, The Teachers’ Lounge, and The Seed of the Sacred Fig.
Sound of Falling could certainly be the country’s 12th pic to contend in this past two decades plus. Slated for release in Germany this September with stateside distribution pending, the time shifting drama premiered at Cannes. Mascha Schilinski directs her sophomore effort after 2017’s Dark Blue Girl. The cast includes Hanna Heckt, Lena Urzendowsky, Laenie Geiseler, Susanne Wuest, and Lea Drinda.
The Rotten Tomatoes and Metacritic numbers currently match at an eye catching 91. Reviews particularly praise the direction and camerawork. If Germany submits this as the hopeful for IFF (and that would appear to be a wise move), a spot among the quintet is a major possibility.
Could it garner more attention than that? That might depend on which distributor picks this up for U.S. release and whether Schilinski and the cinematography are focuses of their attention. In a best case scenario, a BP nod could be on the table, but I wouldn’t expect that call when I update my predictions shortly on the blog. My Oscar Prediction posts will continue…
Deaf President Now! is available for streaming this weekend as the documentary recounts a 1988 protest at Gallaudet University, the world’s sole college for Deaf people. The Apple TV product is co-directed by Nyle DiMarco, who gained fame as an activist for the community while winning reality shows America’s Next Top Model and Dancing with the Stars back to back. His copilot behind the camera is Davis Guggenheim, Oscar winner for 2006’s An Inconvenient Truth whose last effort was the acclaimed Still: A Michael J. Fox Movie (also for Apple).
Now! is certified very fresh with 100% on Rotten Tomatoes and 79 on Metacritic. The inspirational civil rights tale could factor into the Documentary Feature race if the distributor gives it a strong campaign. If this makes the shortlist months down the road, a spot in the eventual quintet is certainly achievable. My Oscar Prediction posts will continue…
A contemporary Western set during the early days of COVID, Eddington is Ari Aster’s fourth feature which has premiered at Cannes prior to its July 18th stateside release. A24’s topical tale reunites Aster with his Beau Is Afraid lead Joaquin Phoenix along with Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.
The auteur’s career kicked off with Hereditary and Midsommar, two horror experiences that are among the genre’s best reviewed in recent years. Beau had a considerably more polarizing reaction and Eddington appears to be doing the same. Early reviews have this at 59% on Rotten Tomatoes with a 67 Metacritic.
While the strongest reviews are quite strong, the varied buzz from France likely means this won’t be a serious awards contender. My Oscar Prediction posts will continue…
Mission: Impossible – The Final Reckoning is the eighth feature in the franchise that kicked off nearly 30 years ago and looks to be Tom Cruise’s closing adventure as IMF agent Ethan Hunt. Christopher McQuarrie returns to direct his fourth M:I entry in a row. The supporting cast includes Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, Angela Bassett, Esai Morales, Pom Klementieff, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Shea Whigham, Greg Tarzan Davis, Charles Parnell, and Katy O’Brian.
Opening over Memorial Day weekend, Reckoning has premiered at Cannes to mostly decent reviews with a note of caution. The Rotten Tomatoes score is 88% with Metacritic at 71. The latter score is telling as the two previous installments were at 87 (2018’s Fallout) and 81 (2023’s Dead Reckoning). While praising the action sequences, there are critical complaints about its length and excessive reliance on exposition.
Any hope that Final Reckoning could achieve above-the-line awards nominations as the series bids farewell has fallen by the wayside. On the other hand, predecessor Dead Reckoning was the first Mission to generate Oscar nods and they were in Sound and Visual Effects. This could do the same with Sound as perhaps a better possibility. As you may have seen, the Academy Awards will implement a category honoring stunt ensembles. However, that won’t be until 2028. The Mission‘s probably would’ve flourished in those competitions but it wasn’t to be. My Oscar Prediction posts will continue…
Dramedy Nonnas is available for order on Netflix this weekend with Vince Vaughn as a new restauranteur attempting to honor the legacy of his mother. Susan Sarandon, Lorraine Bracco, Talia Shire, and Brenda Vaccaro are the title characters cooking the food. Linda Cardellini, Drea de Matteo, Joe Manganiello, Michael Rispoli, and Campbell Scott are also part of the ensemble. Stephen Chbosky, known for The Perks of Being a Wallflower and Wonder, directs.
Several critics are being kind and complimenting the Nonnas’ heart. Rotten Tomatoes (which probably aren’t available for consumption in the pic’s venue) is at 79% with a more lukewarm 57 Metacritic rating. So despite some reviews saying this is likable enough, this shouldn’t be on the menu for awards prognosticators. My Oscar Prediction posts will continue…
Tim Robinson’s Netflix sketch series I Think You Should Leave with Tim Robinson has generated significant critical praise. His pic Friendship is following suit prior to its limited release on Friday and national expansion on Memorial Day weekend. Written and directed by Andrew DeYoung in his directorial debut, this was initially seen at the Toronto Film Festival last September. Robinson and Paul Rudd headline with Kate Mara, Jack Dylan Grazer, Josh Segarra, and Billy Bryk providing support.
Judging from the trailer, this looks like a comedy by way of A24 which picked up distribution following the Canadian premiere. The Rotten Tomatoes score is 93% with Metacritic at 77. Advertised as a more demented version of I Love You, Man, I don’t see this as an awards play. Despite the kudos, that notion likely extends to the Golden Globes in their Musical/Comedy races unless A24 goes all in with a campaign for Robinson. My Oscar Prediction posts will continue…
In my second update for ranked Oscar predictions covering Best Picture, Director, and the four acting derbies, confidence is growing that the force is strong with Ryan Coogler’s Sinners. It moves up two spots to third in Best Picture, Coogler rises a slot to second in Director, and Delroy Lindo is now in my Supporting Actor quintet. Michael B. Jordan, Hailee Steinfeld, and Miles Caton all rise or materialize in Other Possibilities in their respective races.
My Best Picture ten remains intact and same goes for Director, Actress, and Supporting Actress. In Best Actor, I’m putting in Jesse Plemons for Bugonia with Daniel Day-Lewis (Anemone) on the outside looking in. Mr. Lindo from Sinners replaces Colman Domingo for Michael. Domingo’s drop is due to persistent rumors that his film (a biopic of the King of Pop) will move to 2026.
You can read all the movement below and I’ll have another update up in a couple weeks!
Best Picture
Predicted Nominees:
1. After the Hunt (Previous Ranking: 1) (Even)
2. Marty Supreme (PR: 2) (E)
3. Sinners (PR: 5) (+2)
4. Wicked: For Good (PR: 4) (E)
5. The Rivals of Amziah King (PR: 6) (+1)
6. Sentimental Value (PR: 3) (-3)
7. Hamnet (PR: 7) (E)
8. Jay Kelly (PR: 8) (E)
9. The Life of Chuck (PR: 9) (E)
10. Avatar: Fire and Ash (PR: 10) (E)
Other Possibilities:
11. One Battle After Another (PR: 11) (E)
12. Bugonia (PR: 13) (+1)
13. Deliver Me from Nowhere (PR: 14) (+1)
14. Frankenstein (PR: 12) (-2)
15. No Other Choice (PR: 16) (+1)
16. Die, My Love (PR: 19) (+3)
17. The Ballad of a Small Player (PR: 17) (E)
18. Highest 2 Lowest (PR: 20) (+2)
19. Ann Lee (PR: 24) (+5)
20. Michael (PR: 18) (-2)
21. F1 (PR: 22) (+1)
22 Rental Family (PR: Not Ranked)
23. The Smashing Machine (PR: 15) (-8)
24. Alpha (PR: 25) (+1)
25. Is This Thing On? (PR: 23) (-2)
Dropped Out:
Kiss of the Spider Woman
Best Director
Predicted Nominees:
1. Luca Guadagnino, After the Hunt (PR: 1) (E)
2. Ryan Coogler, Sinners (PR: 3) (+1)
3. Josh Safdie, Marty Supreme (PR: 2) (-1)
4. Joachim Trier, Sentimental Value (PR: 5) (+1)
5. Andrew Patterson, The Rivals of Amziah King (PR: 4) (-1)
Other Possibilities:
6. Jon M. Chu, Wicked: For Good (PR: 6) (E)
7. Chloé Zhao, Hamnet (PRP 7) (E)
8. Paul Thomas Anderson, One Battle After Another (PR: 9) (+1)
9. Yorgos Lanthimos, Bugonia (PR: 10) (+1)
10. Noah Baumbach, Jay Kelly (PR: 11) (+1)
11. Guillermo del Toro, Frankenstein (PR: 8) (-3)
12. Park Chan-wook, No Other Choice (PR: 15) (+3)
13. James Cameron, Avatar: Fire and Ash (PR: 12) (-1)
14. Scott Cooper, Deliver Me from Nowhere (PR: 13) (-1)
15. Lynne Ramsay, Die, My Love (PR: Not Ranked)
Dropped Out:
Mike Flanagan, The Life of Chuck
Best Actress
Predicted Nominees:
1. Julia Roberts, After the Hunt (PR: 1) (E)
2. Cynthia Erivo, Wicked: For Good (PR: 2) (E)
3. Renate Reinsve, Sentimental Value (PR: 3) (E)
4. Jessie Buckley, Hamnet (PR: 4) (E)
5. Amanda Seyfried, Ann Lee (PR: 5) (E)
Other Possibilities:
6. Jennifer Lawrence, Die, My Love (PR: 9) (+3)
7. Emma Stone, Bugonia (PR: 6) (-1)
8. Rose Byrne, If I Had Legs I’d Kick You (PR: 7) (-1)
9. June Squibb, Eleanor the Great (PR: 8) (-1)
10. Tessa Thompson, Hedda (PR: 10) (E)
11. Emma Mackey, Ella McCay (PR: 11) (E)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)
13. Lucy Liu, Rosemead (PR: 14) (+1)
14. Eva Victor, Sorry, Baby (PR: Not Ranked)
15. Margot Robbie, A Big Bold Beautiful Journey (PR: Not Ranked)
Dropped Out:
Jodie Foster, Vie privée
Olivia Colman, The Roses
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. Matthew McConaughey, The Rivals of Amziah King (PR: 2) (E)
3. Jeremy Allen White, Deliver Me from Nowhere (PR: 3) (E)
4. George Clooney, Jay Kelly (PR: 4) (E)
5. Jesse Plemons, Bugonia (PR: Not Ranked)
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)
7. Michael B. Jordan, Sinners (PR: 10) (+3)
8. Paul Mescal, Hamnet (PR: 7) (-1)
9. Daniel Day-Lewis, Anemone (PR: 5) (-4)
10. Colin Farrell, The Ballad of a Small Player (PR: 9) (-1)
11. Willem Dafoe, Late Fame (PR: 11) (E)
12. Dwayne Johnson, The Smashing Machine (PR: 8) (-4)
13. Jaafar Jackson, Michael (PR: 13) (E)
14. Lee Byung-hun, No Other Choice (PR: Not Ranked)
15. Andrew Scott, Pressure (PR: Not Ranked)
Dropped Out:
Matthew McConaughey, The Lost Bus
Oscar Isaac, Frankenstein
Ethan Hawke, Blue Moon
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good (PR: 1) (E)
2. Gwyneth Paltrow, Marty Supreme (PR: 2) (E)
3. Angelina LookingGlass, The Rivals of Amziah King (PR: 3) (E)
4. Ayo Edebiri, After the Hunt (PR: 4) (E)
5. Teyana Taylor, One Battle After Another (PR: 5) (E)
Other Possibilities:
6. Laura Dern, Jay Kelly (PR: 8) (+2)
7. Hailee Steinfeld, Sinners (PR: Not Ranked)
8. Jennifer Lopez, Kiss of the Spider Woman (PR: 7) (-1)
9. Elle Fanning, Sentimental Value (PR: 6) (-3)
10. Emily Blunt, The Smashing Machine (PR: 9) (-1)
11. Regina Hall, One Battle After Another (PR: 11) (E)
11. Thomasin McKenzie, Ann Lee (PR: 15) (+4)
13. Emily Watson, Hamnet (PR: 12) (-1)
14. Glenn Close, Wake Up Dead Man: A Knives Out Mystery (PR: 13) (-1)
15. Greta Lee, Late Fame (PR: Not Ranked)
Dropped Out:
America Ferrera, The Lost Bus
Nia Long, Michael
Best Supporting Actor
Predicted Nominees:
1. Adam Sandler, Jay Kelly (PR: 1) (E)
2. Andrew Garfield, After the Hunt (PR: 2) (E)
3. Stellan Skarsgård, Sentimental Value (PR: 3) (E)
4. Delroy Lindo, Sinners (PR: 7) (+3)
5. Jeremy Strong, Deliver Me from Nowhere (PR: 5) (E)
Other Possibilities:
6. Colman Domingo, Michael (PR: 4) (-2)
7. Mark Hamill, The Life of Chuck (PR: 6) (-1)
8. Sean Penn, One Battle After Another (PR: 8) (E)
9. Miles Caton, Sinners (PR: Not Ranked)
10. Jonathan Bailey, Wicked: For Good (PR: 9) (-1)
On rare occasions, the need arises to update my Oscar prognosis on a particular picture if warranted. When I penned my post for Ryan Coogler’s Sinners on April 13th, I didn’t discount its awards potential. I wrote of its solid chances in down-the-line competitions including Ludwig Goransson’s lauded score and the sound and production design.
However, I also wrote this:
So could Sinners score above-the-line mentions? I think it’s possible, but I wouldn’t predict it at the moment. Best Picture, Director, and Original Screenplay could materialize depending on how competition shakes out in the months ahead.
I don’t need to wait until the months ahead to revise my remarks. Sinners has taken the box office by storm in addition to its critical acclaim. When my initial write-up was published nearly three weeks ago, the vampire drama stood at 100% on RT. It barely lost any steam with 98% at press time, a 97% audience score and 84 on Metacritic.
On the financial front, Coogler’s latest has taken in $123 million domestically after less than two weeks and it should reach $250 million or higher. Sinners has become part of the cultural zeitgeist and that’s a recipe for a strong showing this awards season.
So what’s the best case scenario for this? The ceiling has undeniably gotten higher. I now believe that Sinners will be nominated for Best Picture with Director and Original Screenplay as major possibilities. In addition to the aforementioned Score, Production Design, and Sound, there are other below the line categories where it could pop up. That includes the new Casting race, Original Song (where the track “I Lied to You” from cast member Miles Caton might stand the best shot), Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, and Visual Effects. Regarding that new casting competition, I’m confident this will be in a sturdy position to vie for Best Ensemble at the SAG Awards next year.
I didn’t discuss the actors involved in mid-April because I wasn’t seriously considering their inclusion. That has changed. Michael B. Jordan could factor into the Best Actor race. In Supporting Actress, it could be Hailee Steinfeld or Wunmi Mosaku (with the former probably having an edge to nab her second nod after 2010’s True Grit). For Supporting Actor, there’s Delroy Lindo, Caton, or Jack O’Connell. Some of this may come down to who Warner Bros mounts campaigns for. The narrative for Lindo might be tempting. Five years ago, he probably narrowly missed the cut for Spike Lee’s Da 5 Bloods. He’s a well-respected veteran actor who’s never been nominated and the Academy could look to rectify that.
Back to that best case scenario. If all went perfectly, that would be 16 nominations and the record stands at 14 (shared by Titanic, All About Eve, and La La Land). Do I think that’ll happen? No. Would 12 or 13 nods surprise me? No.
Some prognosticators may think it’s too early to think anything has secured one of the ten BP slots. And there’s always the matter of a horror movie making the cut. Yet Get Out and The Substance brought the genre into the big dance in the past decade. As for the timeline, it was rather clear that Dune: Part Two was going to be a Warner Bros hopeful at this juncture in 2024 and that turned out to be accurate. Another counterargument is that WB will focus on Paul Thomas Anderson’s One Battle After Another. Time will tell on that one, but there’s no reason the studio can’t have two contenders and I’m skeptical (based on the trailer) that Battle is a surefire play over Sinners.
Three weeks ago I wasn’t predicting Sinners for BP and beyond “at the moment”. That moment arrived quickly for me to reconsider. My Oscar Prediction posts will continue…
Thunderbolts* is generating stronger critical reaction than most of the MCU’s recent offerings. The 36th entry in the franchise (out Friday) comes from director Jake Schreier with Florence Pugh, Sebastian Stan, Wyatt Russell, Olga Kurylenko, Lewis Pullman, Geraldine Viswanathan, David Harbour, Hannah John-Kamen, and Julia Louis-Dreyfus among the cast.
2025’s summer starter sits at 87% on Rotten Tomatoes with a 69 Metacritic. Particular praise is being given to Pugh, a Supporting Actress nominee for 2019’s Little Women. Despite reviews calling Thunderbolts* full of grit and heart, don’t expect this to be a BP nominee like the MCU’s Black Panther from 2018. I also wouldn’t bank on Pugh become the second MCU acting nominee behind Angela Bassett from 2022’s Black Panther: Wakanda Forever.
So where it could score noms? The score from Son Lux (whose work in Everything Everywhere All at Once was up three years ago) could be a long shot contender. Yet as usually is the case with Marvel, Visual Effects is where this stands the best chance. As has been discussed on this blog numerous times, the MCU has been up 14 times for VE and gone 0 for 14. I wouldn’t anticipate Thunderbolts* being the first winner, but it could make the five. My Oscar Prediction posts will continue…
The Rivals of Amziah King was praised as a multi-genre crowdpleaser when it screened at Sundance earlier this year. From director Andrew Patterson (best known for 2019’s The Vast of Night), the southern set crime drama marks Matthew McConaughey’s first starring role in six years with a supporting cast including Kurt Russell, Cole Sprouse, Owen Teague, Scott Shepherd, Rob Morgan, and Tony Revolori. Playing McConaughey’s foster daughter, newcomer Angelina LookingGlass is drawing early raves.
The reaction from Park City in January has me thinking Rivals is a possibility for numerous awards. That includes McConaughey in Actor. His sole Oscar nod for 2013’s Dallas Buyers Club resulted in a victory and this could mark his second attempt. LookingGlass could contend in Supporting Actress as could Patterson’s direction and original screenplay. If it can score mentions in those categories, BP is also on the table. When I did my inaugural ranked predictions a week ago, Rivals was slotted 6th in Picture, Patterson was fourth in Director, McConaughey landed 2nd in Actor, and LookingGlass was 3rd in Supporting Actress. Down-the-line races like Cinematography and Editing are also in the mix.
King has yet to be dated for release, but I’m assuming an autumn rollout with possible spots at other fests like Telluride and/or Toronto. Its distributor will need to mount a robust campaign. Based on its buzz, I’m assuming they will and that Rivals is a title to watch out for throughout the season. My Oscar Prediction posts will continue…
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