F1 (also styled as F1: The Movie) blasts into IMAX screens and other venues on June 27th, marking Joseph Kosinski’s theatrical follow-up to Top Gun: Maverick. The exploration of the Formula One World Championship is headlined by Brad Pitt with costars including Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem.
Critics are mostly championing this an effective summer blockbuster with 84% on Rotten Tomatoes and a 67 Metacritic. There are some gripes about the screenplay and even quibbles with how the racing sequences are choreographed.
While Maverick was nominated in six categories at the 95th Academy Awards including Best Picture, F1‘s possibilities are more limited. Sound seems the most feasible with Cinematography, Editing, and Hans Zimmer’s Score having shots. BP is likely out of reach and same goes for the cast despite praise for Pitt and the relatively unknown (though not for long) Idris. My Oscar Prediction posts will continue…
Harry Melling and Alexander Skarsgård enter into an unconventional relationship in the British drama Pillion. From writer/director Harry Lighton in his feature debut, costars include Douglas Hodge, Lesley Sharp, Jack Shears, and Anthony Welsh.
After screening at Cannes last month, A24 picked up stateside distribution rights. At the French fest, the film won the Best Screenplay prize. Melling and Skarsgård are both being praised. It will be interesting to see if they’re both campaigned for in lead Actor.
A24 might be preoccupied with other titles including Marty Supreme and The Smashing Machine. I wouldn’t completely discount an Original Screenplay nod, but its distributor would need to make it a priority and that remains to be seen. Pillion should perform stronger at BAFTA where Outstanding British Film, Outstanding Debut by a British Writer, Director, or Producer, and writing and acting noms could occur. My Oscar Prediction posts will continue…
Deep Cover is available to stream on Amazon Prime Video today with Tom Kingsley directing and Jurassic World maker Colin Trevorrow among four credited with the script. The co-screenwriter’s dino lead Bryce Dallas Howard stars alongside Orlando Bloom, Nick Mohammed, Paddy Considine, Ian McShane, and Sean Bean.
This is not a remake of the 1992 Laurence Fishburne/Jeff Goldblum crime thriller that featured a banger of a title song from Dr. Dre and Snoop Dogg. Instead this British high concept action comedy is receiving decent marks with 95% on Rotten Tomatoes and a more down-to-earth 68 Metacritic. It won’t get near the Academy’s radar. I do wonder if it could get a push for BAFTA’s Best British Film. That might be a long shot, but not an impossibility. My Oscar Prediction posts will continue…
Julianne Moore is saddled with protecting her troubled daughter Sydney Sweeney in the crime thriller Echo Valley from director Michael Pearce. It begins showing on Apple TV+ tomorrow after a limited theatrical bow last weekend. Costars include Domhnall Gleeson, Kyle MacLachlan, and Fiona Shaw.
Critics are mostly not high on Valley with a 50% Rotten Tomatoes rating and 55 Metacritic. Despite the presence of five-time nominee and one-time Academy recipient Moore and the popular Ms. Sweeney, this is receiving scant buzz. Nevertheless it could do just fine via its streaming route, but this is not an awards pic. My Oscar Predictions posts will continue…
Celine Song’s 2023 debut Past Lives was a Best Picture and Original Screenplay nominee and her sophomore feature Materialists arrives in theaters this weekend. A rom com with considerable emotional heft according to reviews, it stars Dakota Johnson, Pedro Pascal, and Chris Evans.
The word-of-mouth for the A24 release indicates there’s no sophomore slump for Song with 88% on Rotten Tomatoes and a 73 Metacritic. If the Academy considers Materialists their material, Original Screenplay is a possibility. Chris Evans is also getting some of the best notices of his career.
Yet I suspect its distributor could focus more on its fall slate, namely Marty Supreme. If A24 slots this into the Musical/Comedy competitions at the Golden Globes, it could contend in that Best Picture race with Johnson as a Best Actress hopeful. My Oscar Prediction posts will continue…
All three How to Train Your Dragon features from DreamWorks Animation have received Best Animated Feature nominations and all lost to Disney. In 2010, the original fell short to Toy Story 3. Four years later, the sequel couldn’t overcome Big Hero 6. 2019’s The Hidden World didn’t get more votes than Woody and Buzz once again with Toy Story 4.
This Friday, Dean DeBlois (who directed the Dragon trilogy) returns behind the camera with the live-action rendering of part 1 with a sequel already in the works. Cast members include Mason Thames, Nico Parker, Nick Frost, Julian Dennison, Gabriel Howell, Bronwyn James, Harry Trevaldwyn, Ruth Codd, Peter Serafinowicz, Murray McArthur, and Gerard Butler.
The fantasy adventure looks to slay the box office this weekend. Could it keep the streak going of Oscar nods for the series? Reviews are mostly solid with 83% on Rotten Tomatoes and a 67 Metacritic. It is worthy of note that both numbers are lower than the three pictures preceding it. That said, Costume Design and Sound are long shot possibilities. Where DreamWorks could mount a legit campaign is in Visual Effects, but expect plenty of competition for those five spots. My Oscar Prediction posts will continue…
There are changes to discuss with my first Oscar predictions in two weeks. The headline is that we have 2 new selections in my Best Picture ten. As I mentioned in the recent aftermath of the Cannes Film Festival, distributor Neon already has a full slate of contenders to campaign for including Sentimental Value, It Was Just an Accident, The Secret Agent, and The Life of Chuck. With Chuck out in limited release, I am beginning to suspect it could get the short shrift. I am also starting to sour on The Rivals of Amziah King, which drew raves at Sundance in January. We will have to see if it plays fall festivals and can regain any momentum.
With King and Chuck falling out of my projected BP lineup, it leaves room for Netflix to join the party via Guillermo del Toro’s Frankenstein and I’m also elevating del Toro in Director with Amziah‘s Andrew Patterson out. The other pic to rise is Scott Cooper’s Bruce Springsteen biopic Deliver Me from Nowhere. In Best Actor, Matthew McConaughey from Amziah is replaced with Michael B. Jordan in Sinners. I still have Angelina LookingGlass from Amziah clinging to a Supporting Actress mention though I came close to replacing her with either Elle Fanning (Sentimental Value), Laura Dern (Jay Kelly), or Jennifer Lopez (Kiss of the Spider Woman).
Also noteworthy is the ascension of Sentimental Value in Picture, Director, Actress, and Supporting Actor with Renate Reinsve now at #1 in Actress. As a reminder, this isn’t saying the #1 pick is who/what I believe will win. It is a sign of surety of the nomination.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Sinners (Previous Ranking: 1) (Even)
2. Sentimental Value (PR: 4) (+2)
3. After the Hunt (PR: 2) (-1)
4. Marty Supreme (PR: 3) (-1)
5. Wicked: For Good (PR: 5) (E)
6. Jay Kelly (PR: 6) (E)
7. Hamnet (PR: 7) (E)
8. Frankenstein (PR: 16) (+8)
9. Avatar: Fire and Ash (PR: 9) (E)
10. Deliver Me from Nowhere (PR: 12) (+2)
Other Possibilities:
11. One Battle After Another (PR: 11) (E)
12. Bugonia (PR: 13) (+1)
13. It Was Just an Accident (PR: 14) (+1)
14. The Life of Chuck (PR: 10) (-4)
15. The Rivals of Amziah King (PR: 8) (-7)
16. The Secret Agent (PR: 15) (-1)
17. The Ballad of a Small Player (PR: 18) (+1)
18. Die, My Love (PR: 20) (+2)
19. F1 (PR: 23) (+4)
20. No Other Choice (PR: 19) (-1)
21. Ann Lee (PR: 21) (E)
22. Rental Family (PR: 22) (E)
23. Sound of Falling (PR: 17) (-6)
24. Nouvelle Vague (PR: Not Ranked)
25. The Smashing Machine (PR: 24) (-1)
Dropped Out:
Kiss of the Spider Woman
Best Director
Predicted Nominees:
1. Ryan Coogler, Sinners (PR: 1) (E)
2. Joachim Trier, Sentimental Value (PR: 3) (+1)
3. Josh Safdie, Marty Supreme (PR: 4) (+1)
4. Guillermo del Toro, Frankenstein (PR: 12) (+8)
5. Luca Guadagnino, After the Hunt (PR: 2) (-3)
Other Possibilities:
6. Chloé Zhao, Hamnet (PR: 6) (E)
7. Paul Thomas Anderson, One Battle After Another (PR: 9) (+2)
8. Jafar Panahi, It Was Just an Accident (PR: 11) (+3)
9. Yorgos Lanthimos, Bugonia (PR: 10) (+1)
10. Jon M. Chu, Wicked: For Good (PR: 7) (-3)
11. Noah Baumbach, Jay Kelly (PR: 8) (-3)
12. Scott Cooper, Deliver Me from Nowhere (PR: 14) (+2)
13. Kieber Mendonça Filho, The Secret Agent (PR: 13) (E)
14. Andrew Patterson, The Rivals of Amziah King (PR: 5) (-9)
15. James Cameron, Avatar: Fire and Ash (PR: 15) (E)
Best Actress
Predicted Nominees:
1. Renate Reinsve, Sentimental Value (PR: 2) (+1)
2. Julia Roberts, After the Hunt (PR: 1) (-1)
3. Cynthia Erivo, Wicked: For Good (PR: 3) (E)
4. Jessie Buckley, Hamnet (PR: 5) (+1)
5. Jennifer Lawrence, Die, My Love (PR: 4) (-1)
Other Possibilities:
6. Amanda Seyfried, Ann Lee (PR: 6) (E)
7. Emma Stone, Bugonia (PR: 8) (+1)
8. Rose Byrne, If I Had Legs I’d Kick You (PR: 7) (-1)
9. Tessa Thompson, Hedda (PR: 9) (E)
10. Emma Mackey, Ella McCay (PR: 10) (E)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (+1)
12. June Squibb, Eleanor the Great (PR: 11) (-1)
13. Lucy Liu, Rosemead (PR: 14) (+1)
14. Amy Adams, At the Sea (PR: 13) (-1)
15. Eva Victor, Sorry, Baby (PR: 15) (E)
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. Jeremy Allen White, Deliver Me from Nowhere (PR: 2) (E)
3. George Clooney, Jay Kelly (PR: 3) (E)
4. Michael B. Jordan, Sinners (PR: 7) (+3)
5. Wagner Moura, The Secret Agent (PR: 5) (E)
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)
7. Jesse Plemons, Bugonia (PR: 8) (+1)
8. Matthew McConaughey, The Rivals of Amziah King (PR: 4) (-4)
9. Daniel Day-Lewis, Anemone (PR: 9) (E)
10. Oscar Isaac, Frankenstein (PR: Not Ranked)
11. Colin Farrell, The Ballad of a Small Player (PR: 11) (E)
12. Dwayne Johnson, The Smashing Machine (PR: 12 (E)
In 2022, Dan Trachtenberg took over the Predator franchise after invigorating the Cloverfield series with 10 Cloverfield Lane. The result was the acclaimed Hulu prequel Prey. This November, futuristic follow-up Predator: Badlands will touch down in theaters. In the meantime, Trachtenberg has helmed the R-rated animated Predator: Killer of Killers which is available for your streaming pleasure via Hulu and Disney+ this weekend.
Prey was a pleasantly bloody surprise to most critics and Killers can proclaim the same. The Rotten Tomatoes score is 98% with Metacritic at 78 with reviewers praising the anthology tale. Is it enough that the Academy would consider this for a Best Animated Feature slot? If so, it would mark the franchise’s second nom after the 1987 original was up for Visual Effects and lost to Innerspace.
Even with the high marks, I just don’t see this contending at the moment. Let’s see how the competition shakes out for the rest of the year though. My Oscar Prediction posts will continue…
Ana de Armas headlines the John Wick franchise spinoff Ballerina this weekend with Keanu Reeves appearing in the action thriller from director Len Wiseman. Other costars include Gabriel Byrne, Catalinia Sandino Moreno, Norman Reedus, and Wick fixtures Anjelica Huston, Ian McShane, and the late Lance Reddick.
The Academy recently announced a new Achievement in Stunt Design category. However, it won’t begin until the 100th ceremony in 2028. That’s bad news for Ballerina and Mission: Impossible – The Final Reckoning in 2025. Both the Wick and Impossible series likely would’ve racked up multiple noms had that race existed over the past decade plus.
Four previous Wick pics couldn’t get into categories like Sound or Visual Effects and I doubt Ballerina will. My Oscar Predictions posts will continue…
In September of last year, Mike Flanagan’s The Life of Chuck was a surprise winner of the People’s Choice Award at the Toronto Film Festival. Yet it’s the Cannes Film Festival that may dash Chuck‘s hopes for awards love at the 98th Academy Awards.
Allow me to explain. The People’s Choice Award at TIFF has, for nearly two decades, been one of the more reliable indicators of an eventual Best Picture nomination at the Oscars. How much so? 15 of the last 16 Choice recipients achieved a BP mention including winners Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The current streak of PCA’s to BP nominees stands at 12 in a row. In 2023, American Fiction instantly became an Academy player after the People’s prize and it resulted in five nominations.
However, distributor Neon did an unexpected thing after Chuck took the Toronto prize. They chose not to release the picture in calendar year 2024 and dated it for 2025. The sci-fi drama based on a 2020 Stephen King novella arrives in limited release on June 6th with a nationwide expansion the following week. Tom Hiddleston leads a cast that includes Chiwetel Ejiofor, Karen Gillan, Jacob Tremblay, and Mark Hamill.
Leaving a nine month gap between the TIFF publicity and its release date was a gamble. At Cannes, which concluded just days ago, Neon went on a spending spree. The distributor bought up the rights to Palme d’Or winner It Was Just an Accident from Iranian filmmaker Jafar Panahi as well as Grand Prix taker Sentimental Value from Joachim Trier and acclaimed Brazilian political thriller The Secret Agent. Conventional wisdom is that Value has already reserved a slot among the ten Oscar BP contenders. Accident and Agent could also factor into the competition.
Needless to say, that leaves Neon in the mode of picking and choosing their favorites. Unless Chuck becomes a sizable sleeper hit at the box office (which seems questionable), Neon may opt to put their full weight behind their international films. Last year when they delayed Chuck, they went all in on Sean Baker’s Anora and that obviously paid off with victories in Picture, Director, Actress (Mikey Madison), and Original Screenplay.
I’ve had Chuck in my 10 predicted BP nominees for the last several weeks, including my latest update from seven days ago. When I publish my updated predictions next weekend, I suspect it will drop out. I do think it stands a solid shot at Adapted Screenplay and maybe Mark Hamill in Supporting Actor. However, Neon’s fortunes at Cannes seem to have diminished Chuck‘s exposure a few months down the line. My Oscar Prediction posts will continue…
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