As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actor and that’s Cillian Murphy in Oppenheimer.
Previous Oscar Acting Nominations:
None
The Case for Cillian Murphy:
Mr. Murphy’s sixth collaboration with Christopher Nolan earned him his first Academy nod. Oppenheimer is far and away the BP frontrunner and he is the title character. Already the victor at the Globes and BAFTA, Murphy picked up a key award last night at SAG. 17 out of the past 20 SAG recipients went on to take Actor at the Oscars.
The Case Against Cillian Murphy:
Paul Giamatti (The Holdovers) was named in Musical/Comedy at the Globes and he took Critics Choice where 16 of the last 20 winners have won Oscar.
The Verdict:
SAG has put Murphy out front in the competition. Giamatti is still viable, but the star of the future BP winner is now the likely winner.
My Case Of posts will continue with Jodie Foster in Nyad…
There were no shockers in the film races at the 30th SAG Awards as I went for 4 for 6. And indeed… four of the categories were fairly easy to predict while Actress and Actor were tossups. They went the other way from my forecasts.
Oppenheimer is your Outstanding Performance by a Cast in a Motion Picture as it seems destined for the Academy’s BP prize in a couple of weeks. Simply put, it has swept all the precursors it needs to.
Christopher Nolan’s epic won half the cinematic derbies this evening as Cillian Murphy took lead Actor. I had Paul Giamatti in The Holdovers getting this one. The general feeling (and I believe the correct one) is that if Murphy managed SAG, that makes it difficult to bet against him for Oscar. The race moves from Tossup between Murphy and Giamatti to Likely Murphy. As expected, Robert Downey Jr. continued his dominance in Supporting Actor.
In non-Oppenheimer news, Lily Gladstone was honored as lead Actress in Killers of the Flower Moon over Emma Stone in Poor Things (who I predicted). Had Stone made the podium trip, this Oscar category would be Likely Stone. Now I’d say it’s a tossup as both performers have essentially split the precursors.
Da’Vine Joy Randolph put another notch in the anticipated sweep in Supporting Actress for The Holdovers.
Finally, Mission: Impossible – Dead Reckoning is the first feature in that long running franchise to win Stunt Ensemble. I called that one.
Bottom line: SAG gave a huge boost to Gladstone giving Stone steady competition in two weeks. Meanwhile the Oppenheimer momentum keeps rolling along.
The 30th SAG Awards air this Saturday and they are rightly viewed as an often reliable barometer for the Oscars, especially in the acting derbies. The biggest prize honors the strongest ensemble and that’s a less reliable match with Best Picture. Over the past 10 ceremonies, the correlation has been 5 out of 10 and that includes the last two shows with CODA and Everything Everywhere All at Once.
On the other hand, it was four for four in Actress, Actor, and the supporting competitions last year. That also holds true for 2021.
Sunday’s program could solidify frontrunner statuses for Actress/Actor hopefuls and further potential sweeps for the supporting players. Let’s walk through all 6 categories with a winner and runner-up selection.
Outstanding Performance by a Cast in a Motion Picture
Nominees: American Fiction, Barbie, The Color Purple, Killers of the Flower Moon, Oppenheimer
You have to go back to the second SAG Awards and The Birdcage to find a nominee that wasn’t an Oscar BP nominee so you can cross The Color Purple out immediately. My hunch is this comes down to Barbenheimer. We know that Oppenheimer is the overwhelming favorite for the Academy’s BP. However, Barbie could legitimately pick this up. This is a close call and I wouldn’t totally rule out Fiction. Yet the fact is that Oppenheimer might be strong enough to nab this one in addition to all the other precursors.
Predicted Winner: Oppenheimer
Runner-Up: Barbie
Outstanding Performance by a Female Actor in a Leading Role
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)
This is where Gladstone could make the Oscar race a nail biter. Stone has taken Critics Choice and BAFTA. If she gets the victory at SAG, she’ll become the easy favorite. Arguably a coin flip, but I’m sensing Stone gets it.
Predicted Winner: Emma Stone, Poor Things
Runner-Up: Lily Gladstone, Killers of the Flower Moon
Outstanding Performance by a Male Actor in a Leading Role
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
Read what I said about Female Actor in a Leading Role. In this race, Cillian Murphy is Emma Stone. Paul Giamatti is Lily Gladstone (except Giamatti took Critics Choice). Murphy could achieve frontrunner status or Giamatti could make it a jump ball. I’m projecting the latter.
Predicted Winner: Paul Giamatti, The Holdovers
Runner-Up: Cillian Murphy, Oppenheimer
Outstanding Performance by a Female Actor in a Supporting Role
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Penélope Cruz (Ferrari), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
Randolph has been the victor everywhere important and I don’t see SAG interrupting her sweep.
Predicted Winner: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
Outstanding Performance by a Male Actor in a Supporting Role
Nominees: Sterling K. Brown (American Fiction), Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie)
Read what I said about Female Actor in a Supporting Role. Robert Downey Jr. is Da’Vine Joy Randolph.
Predicted Winner: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Nominees: Barbie, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning
The sequel heavy lineup marks the first nomination for a John Wick pic. Some prognosticators are going with it, but I’m forecasting the Mission series (in its third try) pulls through.
Predicted Winner: Mission: Impossible – Dead Reckoning
A weekend of precursors culminates on Sunday with the 35th PGA Awards. The 10 nominees in the top race at PGA happen to match the 10 that Oscar put up in Best Picture. There’s two other categories to consider with animated fare and docs. I will walk through all three with a winner prediction and a runner-up possibility.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
Let’s not make this complicated, shall we? Oppenheimer should have no trouble taking this as it’s taken all key precursors. 7 of the last 10 PGA victors have ended up as the Academy’s BP (the last diversion was 2019 when 1917 took PGA and Parasite was BP).
Predicted Winner: Oppenheimer
Runner-Up: Barbie
Outstanding Producer of Animated Theatrical Motion Pictures
Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem
The Boy and the Heron has made this category one to watch with Globe and BAFTA trophies. That being said, I think Spidey has the edge with PGA.
Predicted Winner: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
Outstanding Producer of Documentary Theatrical Motion Pictures
Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, The Disappearance of Shere Hite, The Mother of All Lies, Smoke Sauna Sisterhood, Squaring the Circle (The Story of Hipgnosis)
Mariupol has cleaned up on its way to a likely Oscar victory and it should emerge here.
Predicted Winner: 20 Days in Mariupol
Runner-Up: American Symphony
I’ll have a recap up on the blog after the show on Sunday!
In 2021, Denis Villeneuve’s vision of Dune generated 10 Oscar nods and six victories. The eagerly awaited Dune: Part Two sweeps into theaters on March 1 (this time with no simultaneous release date on Max). It is expected to outdo its predecessor in terms of box office numbers (my financial estimate is hitting the blog shortly). Part Two may also match or exceed the original’s nomination count.
The review embargo lifted today and the current RT score is a dazzling 97%. That’s up over the 83% that Dune had. Many critics claim it improves upon part one in every way. Villeneuve returns to direct. Among the sprawling cast, we have Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Charlotte Rampling, and Javier Bardem back in the mix. Newcomers to the franchise include Austin Butler, Florence Pugh, Christopher Walken, Léa Seydoux, and Anya Taylor Joy.
At the 94th Academy Awards, Dune‘s took gold in tech races Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. Had Part Two not been pushed from 2023 to 2024, it would likely be in serious competition with Oppenheimer and others in those competitions. It would have Visual Effects locked up. Dune ’21 also had nominations for Best Picture, Adapted Screenplay, Costume Design, and Makeup & Hairstyling.
Let’s be clear. Based on the reaction out today, Part Two should vie for inclusion in all those categories… and more. You may recall that Villeneuve was notably snubbed in Director three years back. The Academy might make up for that this time around.
Then there’s the actors and that’s trickier. Ferguson got a little ink as a possibility for Supporting Actress for Dune. For the sequel, expect the same for Chalamet and especially Butler as the villainous Feyd-Rautha. It is also possible the cast will be ignored. For the Lord of the Rings trilogy, only Ian McKellen ever managed a nomination for the initial chapter.
Bottom line: Part Two looks like 2024’s first surefire contender in BP and much more (it is hard to imagine it losing derbies like Cinematography and Visual Effects). The 96th ceremony hasn’t aired yet, but the 97th seems to have truly started with this embargo lapsing. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our third filmmaker in Best Director and that’s Christopher Nolan for Oppenheimer. Let’s get to it!
Previous Oscar Directing Nominations:
Dunkirk (2017)
The Case for Christopher Nolan:
Where to begin? Oppenheimer is easily the frontrunner for BP and leads all nominees with 13 overall. Nolan, one of the most visible and well-known filmmakers of the 21st century, has won all significant precursors. That includes the DGA (which has a sterling track record of matching with Oscar), the Golden Globes, Critics Choice, and BAFTA.
The Case Against Christopher Nolan:
There’s not much of one honestly. However, the Academy does have a history of snubbing Nolan. He missed the cut for Memento, The Dark Knight and Inception even though he picked up DGA nods for all three.
The Verdict:
If Nolan were to lose, it would be a jaw dropper. This is one of the easiest races to forecast. For someone whose pictures consistently deal with the concept of time… it’s his time with the Academy.
My Case Of posts will continue with Carey Mulligan in Maestro…
The top races went as I anticipated at the 77th BAFTA Awards while other races were a bit more unpredictable. That’s pretty much par for the course with the British equivalent of the Oscars as I went 13/23 (oof) in my selections.
Let’s start with Oppenheimer. As expected, Christopher Nolan’s epic took Best Film and its maker is your Best Director. Some prognosticators had this pegged for a record setting 10 BAFTAs. I had it winning 8 and it took 7. In addition to Film and Director, I correctly called Cillian Murphy in Actor, Robert Downey Jr. in Supporting Actor, Cinematography, Editing, and Original Score. I still believe Paul Giamatti in The Holdovers poses a threat to Murphy with the Academy (especially if he manages to win SAG). Oppenheimer should take those other BAFTA trophies a little less than a month away at the Oscars.
I incorrectly had Oppenheimer taking Best Sound. It instead went to The Zone of Interest. The Holocaust drama had a solid day with a victory in Best Film Not in the English Language over my predicted Anatomy of a Fall and for Outstanding British Film over my pick of Poor Things.
Despite the Poor miss in that category, it was honored with a handful of prizes. Emma Stone is your Best Actress and it won Costume Design, Makeup & Hair (over my Maestro call), Production Design, and Special Visual Effects (over my Napoleon pick).
The Holdovers was a double recipient for Supporting Actress with Da’Vine Joy Randolph and Casting (I went with All of Us Strangers instead).
Those four (Oppenheimer, Poor Things, The Zone of Interest, The Holdovers) were the only features with two victories or more. Here’s what else I got right: Anatomy of a Fall in Original Screenplay (which certainly helps its Oscar chances) and 20 Days in Mariupol for Documentary (same story).
In Adapted Screenplay, it was American Fiction continuing to make the case for Academy gold with a surprise win over Poor Things and my runner-up Oppenheimer.
The Boy and the Heron, as it did at the Globes, is Best Animated Feature over Spider-Man: Across the Spider-Verse. I went with Spidey and there could be a real showdown on March 10th.
Earth Mama is the Outstanding British Debut by a Writer, Director or Producer over the favored How to Have Sex while the lead in Sex (Mia McKenna-Bruce) is the Rising Star over Jacob Elordi (who I picked).
Some overall takeaways that shouldn’t surprise: Oppenheimer is still the overwhelming choice for BP as it’s winning everywhere it needs to. Same goes for Nolan and Downey Jr.
Randolph is bascially a lock for Supporting Actress while Emma Stone helped herself today over stiff competition from Sandra Hüller in Anatomy of a Fall. Some noteworthy pics that didn’t take a single award: Barbie, Killers of the Flower Moon, and Maestro.
Keep an eye on the blog for all Oscar speculation as we approach the big show!
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Supporting Actor and that’s Robert Downey Jr. in Oppenheimer. Let’s get to it!
It could be considered the capper for one of the most remarkable comeback stories in Hollywood history. In the mid 90s, Downey Jr.’s career appeared over due to drug abuse and legal woes. By 2008, he was starting run as star of the biggest franchise of all time with the MCU and multiple appearances as Tony Stark in the Iron Man and Avengers series. His role as the scheming AEC Chairman Lewis Strauss in Christopher Nolan’s epic biopic has swept the season thus far at the Globes, Critics Choice, and BAFTA. SAG is likely to follow suit next weekend. This could be seen as a career achievement prize and his peers are probably eager to give it to him (similar to Jamie Lee Curtis last year in Everything Everywhere All at Once).
The Case Against Robert Downey Jr.:
Frankly, it’s difficult to come up with one. Maybe the voters will look at Supporting Actor as a place to honor Barbie and give it to Ryan Gosling. The same logic could apply to Mark Ruffalo in Poor Things or Robert De Niro in Killers of the Flower Moon.
The Verdict:
At this point, anything other than a Downey Jr. victory would be a significant upset.
My Case Of posts will continue with the direction of Christopher Nolan in Oppenheimer…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Actor and that’s Paul Giamatti in The Holdovers. Let’s get to it!
Previous Oscar Acting Nominations:
Cinderella Man (Supporting Actor, 2005)
The Case for Paul Giamatti:
He has an Emmy and a Globe as the title character in HBO’s John Adams from 2008, but Paul Giamatti has just one Oscar nod for his supporting work in Cinderella Man. For that nomination, he was in the mix but came up short to George Clooney in Syriana. That means he was snubbed for 2003’s American Splendor and, most notably, 2004’s Sideways. There could be an overdue narrative brewing. As temperamental teacher Paul Hunham in his second collaboration with Alexander Payne behind Sideways, Giamatti has won the Globe for Actor in a Comedy/Musical and took the Critics Choice Award. He’s also in contention for BAFTA tomorrow and SAG next week.
The Case Against Paul Giamtti:
That the Oppenheimer love will translate to Cillian Murphy being named. He is the recipient of the Globe for Actor in a Drama. Perhaps voters will feel The Holdovers is being properly honored in Supporting Actress where Da’Vine Joy Randolph is the frontrunner.
The Verdict:
Giamatti stands an excellent chance… as does Murphy. My suspicion is that Murphy takes BAFTA and Giamatti is out front as SAG. If that pans out, we are in for a showdown on the evening of the Academy’s festivities. If either of the performers win BAFTA/SAG, consider them the strong favorite.
My Case Of posts will continue with America Ferrera in Barbie…
There’s a darn good chance that Cillian Murphy will take the Best Actor prize as Oppenheimer a little less than a month from now. A second nomination in a row is not out of the question based on buzz from the Berlin Film Festival. Tim Mielants’s 1980s set Irish drama Small Things like These has kicked off the German fest to acclaim. Costars include Eileen Walsh, Michelle Fairley, Emily Watson, and Ciaran Hinds.
Based on the smattering of reviews, the RT score is 100%. Based on a 2021 novel by Claire Keegan, much of the praise is centered on Murphy. Given that Oppenheimer appears well on its way to multiple victories, Small should have no trouble securing stateside distribution.
A smart campaign could put its lead in the mix again. The Adapted Screenplay from Enda Walsh is also being singled out. Obviously we are extraordinarily early in the season for the 97th Academy Awards. Yet this is one to keep in mind as the months roll along. My Oscar Prediction posts will continue…
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