Tag: Omar Sy

The Book of Clarence Box Office Prediction

Mixing comedy and drama with the Biblical epic genre, The Book of Clarence opens January 12th over the long MLK frame. This is Jeymes Samuel’s sophomore directorial feature after 2021’s The Harder They Fall. LaKeith Stanfield leads a sprawling cast that includes Omar Sy, RJ Cyler, Anna Diop, David Oyelowo, Micheal Ward, Alfre Woodard, Teyana Taylor, Caleb McLaughlin, Marianne Jean-Baptiste, James McAvoy, and Benedict Cumberbatch.

The unique mashup was originally slated for September 2023 before a delay to January. It was first unveiled at the London Film Festival and holds an encouraging 94% RT score.

Despite the positive reviews, this is not your typical faith-based effort that might attract a significant religious crowd. The pushback to mid-January meant Clarence forewent an awards campaign that could’ve helped with awareness.

Over the Friday to Monday portion of the MLK weekend, this probably won’t hit $10 million. Mid single digits is more likely.

The Book of Clarence opening weekend prediction: $5.5 million (Friday to Monday estimate)

For my Mean Girls prediction, click here:

Mean Girls Box Office Prediction

For my The Beekeeper prediction, click here:

The Beekeeper Box Office Prediction

Oscar Predictions: The Book of Clarence

The unconventional Biblical epic The Book of Clarence is the sophomore feature from Jeymes Samuel, who earned acclaim for his debut The Harder They Fall in 2021. It premiered at the London Film Festival prior to its planned January 12th opening stateside. LaKeith Stanfield, Omar Sy, Anna Diop, RJ Cyler, David Oyelowo, Micheal Ward, Alfre Woodard, Teyana Taylor, Caleb McLaughlin, Marianne Jean-Baptiste, James McAvoy, and Benedict Cumberbatch are included in the sprawling cast.

Originally slated for September of this year, I assumed the mid-January push included an awards qualifying run before the ball drops. That does not appear to be the case as Book should be in contention for the 97th Academy Awards.

Reviews are mostly praising its unique take on the genre with a current 91% Rotten Tomatoes score. However, while Stanfield and some of the tech work is being singled out, this is a long shot to be an Oscar player. So was the director’s first pic and it came up empty handed at the 94th ceremony. And frankly, the January release date indicates that Sony might not make a major push for it. My Oscar Prediction posts will continue…

Jurassic World: Dominion Review

When the predecessor to Jurassic World: Dominion was unveiled in the summer of 2018, it proved the franchise had indeed fallen to a new level of mediocrity. Fallen Kingdom was a huge disappointment. As much as I wanted to give it credit for trying some new things, the execution failed. Despite a couple of cool set pieces and the dinosaurs still looking cool, I found Kingdom to be the worst of the five in the series.

Dominion challenges that status. Colin Trevorrow made 2015’s Jurassic World. While many of the complaints about it were valid, I still found it to be satisfactory even if did lean hard on the nostalgia angle. After J.A. Bayona handled directorial duties for #2, Trevorrow is back behind the camera here and the nostalgic leanings are in full force. So much so that the three stars of 1993’s iconic Jurassic Park – Sam Neill’s Dr. Alan Grant, Laura Dern’s Dr. Ellie Sattler, Jeff Goldblum’s Dr. Ian Malcolm – are mixing it up with Chris Pratt, Bryce Dallas Howard, and their sort of daughter who may or may not be a clone.

In case you forgot (and I wouldn’t blame you if you did), Fallen Kingdom thrust human cloning upon us as a plot point. Isabella Sermon’s Maisie was revealed to be the recipient of such experimentation and now she’s a young teen living with Pratt’s Owen and Howard’s Claire deep in the woods. She’s not allowed to go anywhere because many would like to continue experimenting on her. Her isolation is wearing on her as she seeks to break out of her small radius. As you may also recall, dinosaurs are now roaming freely across parts of the world (including Maisie’s backyard).

There’s one corporation who’d like to snatch Maisie and her Dino friends. Biosyn Genetics is run by Dr. Lewis Dodgson (Campbell Scott). Located in the Italian mountains, the futuristic company has its greedy hands in all kinds of pots. The main one involves locusts. Yes, a significant portion of Dominion‘s plot involves these crop eating creatures and Biosyn’s plans to control the world’s food supply. If that seems like an out of nowhere storyline that has little to do with dinosaurs, you’d be correct.

However, these CG locusts do give an excuse to bring back Neill and Dern’s characters when they travel to Italy to investigate (Goldblum is already working for the company). When Maisie is snatched up, Owen and Claire find themselves trekking overseas as well for what we know will eventually be a melding of the stars of both trilogies.

There’s some new characters including DeWanda Wise’s cocky Air Force pilot and Mamoudou Athie as Dodgson’s morally conflicted right hand man. The real thrill is meant to be the return of the OG players from three decades ago. Here’s the rub – despite Jurassic Park being amazing, its one minor flaw was its human characters (with the exception of Goldblum) being a bit dull. Seeing Neill and Dern reignite their unrequited passion isn’t exactly Han showing up on the Millennium Falcon with Chewie after 30 years. I’ve already discussed the lack of passion between Owen and Claire in my review of the predecessor.

Where Dominion manages to be a very slight improvement over Kingdom is a couple of expertly constructed action sequences. A car chase involving the prehistoric creatures in Malta is legitimately thrilling. These brief moments of excitement are too often interrupted by humdrum fan service, cloning, and attacks of the locusts. In other words, there’s a couple of cool set pieces and the dinosaurs still look cool. It’s not enough. The Jurassic series veered off course with Kingdom and it doesn’t regain much footing in Dominion. 

** (out of four)

Oscar Predictions – Jurassic World: Dominion

When it comes to the nearly three decades old Jurassic franchise, only the first two (the ones directed by Steven Spielberg) have attracted Oscar attention. The 1993 classic received three nods for Sound Mixing, Sound Editing (those races have since combined), and Visual Effects. It won all three. The 1997 follow-up The Lost World: Jurassic Park managed a Visual Effects mention but lost to Titanic. 

The dinosaurs have failed to make Academy ballots for 2001’s Jurassic Park III and the initial entries in the current trilogy – 2015’s Jurassic World and 2018’s Jurassic World: Fallen Kingdom. 

Dominion is the closing chapter that reunites prominent cast members from both trilogies. It’s out Friday and the review embargo is extinct. The result? Only a 40% Rotten Tomatoes which serves as a series worst (predecessor Kingdom previously had the low point at 47%).

So while those creatures might still look cool, I don’t see any chance of a Visual Effects nomination or any others. My Oscar Prediction posts will continue…

Jurassic World: Dominion Box Office Prediction

Blogger’s Note (06/08): My prediction for Dominion has fallen… from $165.3M to $155.3M

Two generations of Jurassic actors team up for the release of Dominion on June 10th. I’m also told there are dinosaurs involved. Closing out the trilogy that began with the record breaking Jurassic World seven summers ago, Chris Pratt and Bryce Dallas Howard join forces with familiar faces that populated some of the original trilogy – Sam Neill, Laura Dern, and Jeff Goldblum. Other costars include BD Wong, Omar Sy, Isabella Sermon, Justice Smith, Daniella Pineda, DeWanda Wise, Mamoudou Athie, Campbell Scott, Scott Haze, and Dichen Lachman. Colin Trevorrow, who made the 2015 entry but not the 2018 sequel, is back in the director’s seat.

As mentioned, when the dinos came back in 2015, it set the all-time ; the domestic opening with $208 million (that held for six months until Star Wars: The Force Awakens dropped). It eventually made $652 million. Three years later, the lesser regarded Fallen Kingdom started with lesser numbers. The premiere was $148 million with an overall gross of $417 million.

My hunch is that the mixing of stars from nearly three decades ago with Pratt and Howard could push this to better earnings than its predecessor. On the flip side, I don’t see it hitting over $200 million like Jurassic World. This might debut in the middle range of its trilogy counterparts and perhaps closer to Kingdom. 

Jurassic World: Dominion opening weekend prediction: $155.3 million

The Call of the Wild Box Office Prediction

Harrison Ford and a furry friend that isn’t Chewbacca team up for The Call of the Wild next weekend. Based on Jack London’s 1903 adventure book, the wilderness tale pairing Ford with canine pal Buck comes from director Chris Sanders. It’s his live-action debut, but he’s had success making animated features including The Croods and How to Train Your Dragon. Costars include Dan Stevens, Omar Sy, Karen Gillan, and Bradley Whitford.

Coming from the newly named 20th Century Studios (now owned by Disney), Wild is a rather large gamble. The price tag reportedly tops $100 million and that’s steep considering the source material may not be as familiar to some of the young audience it is counting on. To add to that, Sonic the Hedgehog will be in its sophomore frame and that could cut into the crowd.

Older viewers turning out for Ford and the short novel it’s based on could potentially get this to top of its range ($20 million). Yet my feeling is low to mid teens is most likely.

The Call of the Wild opening weekend prediction: $14.6 million

For my Brahms: The Boy II prediction, click here:

https://toddmthatcher.com/2020/02/13/brahms-the-boy-ii-box-office-prediction/

Arctic Dogs Box Office Prediction

Entertainment Studios is hoping that family audiences warm to their animated comedy Arctic Dogs next weekend. Budgeted at around $50 million, it risks being a costly flop. From director Aaron Woodley, Dogs voice cast includes Jeremy Renner (who’s been experiencing bad publicity involved with his personal life), Heidi Klum, James Franco, John Cleese, Omar Sy, Michael Madsen, Laurie Holden, Anjelica Huston, and Alec Baldwin (pulling double duty with new releases along with Motherless Brooklyn).

The pic marks the first animated effort from the relatively new studio, which has only found success with its 47 Meters Down shark tales. I suspect they won’t find much profitability with these talking animals.

Double digits seems like an impossibility here and it could struggle to reach $5 million.

Arctic Dogs opening weekend prediction: $4.5 million

For my Terminator: Dark Fate prediction, click here:

https://toddmthatcher.com/2019/10/22/terminator-dark-fate-box-office-prediction/

For my Motherless Brooklyn prediction, click here:

https://toddmthatcher.com/2019/10/23/motherless-brooklyn-box-office-prediction/

For my Harriet prediction, click here:

https://toddmthatcher.com/2019/10/26/harriet-box-office-prediction/

Inferno Box Office Prediction

The combination of Dan Brown’s novel, Tom Hanks’s star power, and Ron Howard’s direction melds together for the third time as Inferno hits theaters next weekend. The thriller arrives a decade after The Da Vinci Code and five years after Angels & Demons. Costars for this include Felicity Jones (beginning a busy fall 2016 with A Monster Calls and Rogue One: A Star Wars Story coming up), Ben Foster, Omar Sy, and Irrfan Khan.

When Da Vinci hit theaters in the summer of 2006, it provided Hanks’s largest live-action opening of all time with $77 million and an eventual $217M domestic gross. In summer 2011, follow-up Angels couldn’t achieve those numbers, but did provide Hanks with his #2 biggest opener at $46 million and a final tally of $133M.

I don’t expect Inferno to match the numbers of either of its two predecessors. Critics haven’t been impressed. It currently stands at 23% on Rotten Tomatoes. That said, these Brown adaptations have been rather review proof (Code had 25%, Angels 37%). Many sequels in 2016 have posted middling numbers and this franchise certainly displayed a downward trend from 2006 to 2011.

Still, Hanks fans and the author’s fans should turn out to some degree. While I mentioned that this won’t approach the debuts of its aforementioned series entries, it could be in the running for its star’s third highest live-action premiere. In order to do so, it’d need to top the $35 million that Sully (out less than two months ago) achieved.

That seems right around where I expect Inferno to land opening weekend. I’ll predict it does fall a bit under that, preventing a Robert Langdon hat trick for Mr. Hanks.

Inferno opening weekend prediction: $30.6 million