Tag: Odessa Young

Springsteen: Deliver Me from Nowhere Box Office Prediction

20th Century Studios hopes that Springsteen: Deliver Me from Nowhere has a glorious first three days at the box office when it drops October 24th. Centered around the making of his 1982 album Nebraska, Jeremy Allen White plays the title character with Jeremy Strong as longtime manager Jon Landau. Scott Cooper directs the musical bio with a supporting cast including Paul Walter Hauser, Stephen Graham, Odessa Young, Gaby Hoffman, Marc Maron and David Krumholtz.

Nowhere was first seen at the Telluride Film Festival where it managed to generate awards chatter, especially for White (who’s won multiple honors for his TV work on The Bear). Overall reviews were somewhat tempered in their praise with 72% on Rotten Tomatoes and a 65 Metacritic.

Last year, A Complete Unknown (from the 20th Century umbrella under Searchlight) struck a chord with viewers to tune of $75 million. That biopic of Bob Dylan with Timothée Chalamet seemed to have more buzz prior to its release. Some estimates have Nowhere reaching $20-25 million, but I’m thinking mid teens is where its ends up.

Springsteen: Deliver Me from Nowhere opening weekend prediction: $16.1 million

For my Regretting You prediction, click here:

Regretting You Box Office Prediction

For my Chainsaw Man – The Movie: Reze Arc prediction, click here:

Chainsaw Man – The Movie: Reze Arc Box Office Prediction

Oscar Predictions – Springsteen: Deliver Me from Nowhere

Awards prospects for Springsteen: Deliver Me from Nowhere are no longer a complete unknown now that it has premiered at Telluride prior to its October 24th domestic bow. Chronicling the making of his 1982 album Nebraska during a tumultuous personal period, Jeremy Allen White headlines as the legendary Boss in the Scott Cooper directed effort. Jeremy Strong (as longtime manager Jon Landau), Paul Walter Hauser, Stephen Graham, Odessa Young, Gaby Hoffman, Marc Maron, and David Krumholtz costar.

As reviews trickle in from Colorado, some common themes have emerged. Critics are praising its focus on a particular time in Springsteen’s legendary career and avoiding musical biopic cliches. Word-of-mouth indicates this could fare well with Academy voters like last year’s Bob Dylan centered A Complete Unknown. That includes viability in Best Picture, Adapted Screenplay, and down-the-line races like Casting, Film Editing, Makeup and Hairstyling, and certainly Sound. Cooper probably is a long shot for his direction though it is worth noting that James Mangold was a bit of a surprise nominee for Unknown.

As for the performances, White (a two-time Emmy winner for The Bear) seems poised for his first Oscar recognition. In the supporting derbies, it sounds like Strong is the better bet over Graham. Prognosticators have been wondering who would emerge between the two. If the Succession thespian makes the Supporting Actor quintet, it would be his second nom in a row after last year’s The Apprentice. While Odessa Young is being singled out in some write-ups, I doubt she materializes in Supporting Actress. My Oscar Prediction posts will continue…

Oscar Predictions: Mothering Sunday

Eva Husson’s romantic British period piece Mothering Sunday sure looks like an awards contender on paper. Based on a 2016 novel by Graham Swift, the Lionsgate release (out stateside November 19) originally debuted at Cannes and has made its way to the Toronto Film Festival. Starring Odessa Young and Josh O’Connor, Sunday also features a trio of Oscar winner in its supporting cast (Olivia Colman, Colin Firth, Glenda Jackson).

Reviews thus far are pleasing with a 93% score on Rotten Tomatoes. Calling it a bleaker story set in a Downton Abbey world, this could find a niche audience. Yet even the positive critical reaction doesn’t indicate to me that it will resonate with the Academy. Competition could simply be too steep to make a play in the major races like Picture or Adapted Screenplay. Furthermore it’s said the high-profile supporting cast may not receive enough screen time to contend. Don’t cry for Colman, however. She’s already in the mix in Best Actress for The Lost Daughter.

Bottom line: perhaps Sunday could pop up in Production or Costume Design (though I doubt it) and that’s about the best hope. My Oscar Prediction posts for the films of 2021 will continue…

Oscar Watch: Shirley

In 2019, The Handmaid’s Tale lead Elisabeth Moss picked up a bit of awards buzz for Her Smell. That speculation never really went anywhere and she came up empty-handed at the majors. Moss might have another contender in 2020 with Shirley, which premiered over the weekend at the Sundance Film Festival.

Moss stars as horror novelist Shirley Jackson with a supporting cast including Michael Stuhlbarg, Odessa Young, and Logan Lerman. This is the follow-up to director Josephine Decker’s Madeline’s Madeline, which nabbed some attention on the indie awards circuit two years ago. Early reviews are encouraging.

What’s currently unknown is how much exposure Shirley receives over the course of the year. The limited visibility of Her Smell might have prevented Moss’s first real Oscar attention. If Shirley can mount a vibrant campaign, perhaps that dynamic will change. My Oscar Watch posts will continue…

Michael Stuhlbarg and Elisabeth Moss appear in Shirley by Josephine Decker, an official selection of the U.S. Dramatic Competition at the 2020 Sundance Film Festival. Courtesy of Sundance Institute | photo by Thatcher Keats.
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