Tag: NYFCC

The NBR Gets Wicked

The National Board of Review often marches to the beat of its own awards drum when it comes to selecting their annual pictures and performers. In 2014, only four of their eleven top movies ended up generating an Academy nomination for Best Picture. In the past decade, there’s been one other year with just four and three years where it was five and two where it was six. There’s three other years where it’s seven and that’s as high as it gets. In most years, NBR names a Best Film with ten other favorite movies listed alphabetically. During that time period, here’s just a sampling of NBR top films that probably never came close to an Oscar BP nod: Fury, The LEGO Movie, Hail, Caesar!, Patriots Day, Baby Driver, Downsizing, Waves, The Forty-Year-Old Version, Red Rocket, and Ferrari.

I give all that context because there were some unexpected selections in their list today… but not really given their history. Jon M. Chu’s Wicked is Best Film. That one is anticipated to generate an Academy BP slot. This particular group often goes with blockbuster material like Wicked for their winner. Recent examples include Mad Max: Fury Road in 2015 (guess we should’ve seen that Furiosa nod coming) and Top Gun: Maverick in 2022.

Some others… not so much. The other ten are as follows: Anora, Babygirl, A Complete Unknown, Conclave, Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, and Sing Sing. Only half of those features (Wicked, Anora, Conclave, A Real Pain, Sing Sing) are currently in my Oscar BP ten. Babygirl, Furiosa, Juror #2, and Queer likely stand little chance at the big dance while A Complete Unknown and Gladiator II have better shots.

There are some notable omissions from the list like The Brutalist, Emilia Pérez, and Dune: Part Two. That said, recent BP victors The Shape of Water, Parasite, and CODA were nowhere to be found with NBR.

The Wicked love continued in Director with Jon M. Chu being named. You have to go all the way to Martin Scorsese and 2006’s The Departed for the last NBR/Oscar match.

Nicole Kidman is your Best Actress for Babygirl and Daniel Craig is Best Actor for Queer. Both are considered bubble candidates for Oscar (I currently have Craig in and Kidman out). I will note that 8 of the last 10 NBR Actress winners have achieved an Academy spot. In Actor, it’s also 8.

Kieran Culkin racked up another Supporting Actor prize (right after the New York Film Critics Circle) for A Real Pain and Elle Fanning is Supporting Actress (a bit of an out of nowhere pick) for A Complete Unknown. The previous 10 Supporting Actor victors for NBR received Oscar attention as Culkin is expected to. For Supporting Actress, it’s 8.

In other NBR news for categories that correlate to the Academy Awards, Hard Truths and Sing Sing are your respective Original and Adapted Screenplay recipients. Flow snatched another Animated Feature trophy while The Seed of the Sacred Fig is their #1 International Feature. The Documentary prize went to Sugarcane with Nosferatu triumphant in Cinematography.

Keep an eye on this blog for all precursor Oscar chatter!

New York Critics Go Caroling

In 2002, the New York Film Critics Circle (NYFCC) went gaga over Todd Haynes’s drama Far From Heaven, bestowing it with their award for Best Picture, Director, Supporting Actor (Dennis Quaid), and Supporting Actress (Patricia Clarkson). Yet when it came time for Oscar nominations, none of those picks were reflected with the Academy.

Thirteen years later, could history repeat itself again for Mr. Haynes? It’s a worthy question as the NYFCC have showered love upon his latest project, Carol. The 1950s drama centering on a lesbian relationship won big at their ceremony today, taking Picture and Director. The Big Apple critics appreciation for Carol gives it a somewhat needed boost for its Oscar chances. When it screened at film festivals earlier this year, it seemed close to a lock for Picture recognition but its stock has waned some.

As I did yesterday with the National Board of Review’s selections, it’s important to show you how often each critics organization matches what the Academy ends up doing. With the NYFCC, 12 out of their last 15 selections for Best Picture (the ones in the 21st century) have gone onto Oscar nominations in the same category. The exceptions were the aforementioned Heaven, 2001’s Mulholland Drive, and 2006’s United 93.

The same 12/15 ratio extends to the Directing category in which winners were Academy snubbed. Besides Haynes, the others were Mike Leigh for 2008’s Happy Go Lucky and Kathyn Bigelow for 2012’s Zero Dark Thirty.

I believe it’s much more likely that Carol manages a slot in the Picture race come Oscar nomination time than Haynes himself, but we’ll see how that plays out well as my predictions continue to be updated on the blog.

As for the acting races – the NYFCC hit us with two surprises. The biggest was Supporting Actress where they selected Kristen Stewart for her work in the little seen Clouds of Sils Maria. While she’s been mentioned as a possibility, very few prognosticators (this one included) have picked her for a Oscar nomination. I still don’t see it happening, but this win does raise her profile for sure. It’s also worth noting that only 2 of the last 15 NYFCC recipients in this category haven’t received Academy attention (the aforementioned Clarkson for Heaven and Maria Bello in 2005’s A History of Violence). Even more surprising is that the NYFCC didn’t honor Rooney Mara’s work in Carol, since many consider her the most likely winner for the gold statue.

The other surprise was Best Actor, which went to Michael Keaton in Spotlight. The shocker was the category he won for because Mr. Keaton is being campaigned for in Supporting Actor and not lead. It’s highly likely that the Bat/Birdman will be recognized come Oscar time… just not in the race where the NYFCC feted him. Of note: three past winners in the 21st century didn’t get Oscar nods: Paul Giamatti in 2004’s Sideways and the last two recipients: Robert Redford for All is Lost and Timothy Spall as Mr. Turner.

Actress went to Saoirse Ronan for Brooklyn and her Academy nod seems pretty much assured. She joins Room‘s Brie Larson (who won the NBR yesterday), Joy‘s Jennifer Lawrence, and Carol‘s Cate Blanchett as front runners for award attention into the future. As with Actor, three winners out of the past 15 didn’t receive Academy attention: Hope Davis for 2003’s American Splendor, Sally Hawkins for 2008’s Happy Go Lucky, and Rachel Weisz for 2012’s The Deep Blue Sea. 

Supporting Actor went to Mark Rylance in Bridge of Spies and he’s also a strong contender in the big race. It is worth noting that the NYFCC has actually picked five out of their last 15 winners that never made it to the Academy’s red carpet: the previously mentioned Quaid in 2002, Steve Buscemi for Ghost World (2001), Eugene Levy in A Mighty Wind (2003), Albert Brooks in Drive (2011), and Matthew McConaughey for Magic Mike and Bernie (2012).

Bottom line: a solid day for Carol and we’ll see if the momentum keeps up as my analysis for the 2015 awards season keeps rolling along…