98th Academy Awards Predictions: November 23rd Edition

The five Best Picture winners from this decade have all seen at least one of their cast members win an acting Oscar: Frances McDormand was Best Actress for 2020’s Nomadland, Troy Kotsur took Supporting Actor for 2021’s CODA, 2022’s Everything Everywhere All at Once boasted victories in Actress (Michelle Yeoh), Supporting Actress (Jamie Lee Curtis), and Supporting Actor (Ke Huy Quan), Cillian Murphy and Robert Downey Jr. were the lead and supporting actor winners for Oppenheimer in 2023, and Mikey Madison was last year’s Actress recipient for Anora.

That’s why it felt strange not having any of the thespians from One Battle for Another listed at #1 in my possibilities. I’ve had the acclaimed Paul Thomas Anderson effort on top of my Best Picture projections for several weeks. Yet I’ve had Leonardo DiCaprio (Best Actor), Sean Penn (Supporting Actor), and Teyana Taylor (Supporting Actress) each listed 2nd behind my current frontrunners in those races.

Excellent arguments can be made for all three to be 1st in their fields. I wouldn’t be the least bit surprised to see at least two Battle ensemble members take gold. Today I am elevating one of them to the top position and that’s Teyana Taylor. She takes the spot with Ariana Grande (Wicked: For Good) slipping to second. Frankly, this is less about Taylor and more about Wicked‘s so-so critical reaction when the embargo lifted on Monday.

I still have Wicked clinging to a BP nom and Cynthia Erivo managing an Actress nod – though I am less convinced that either will happen. You will see dips in other categories below and it appears unlikely to match the 10 nominations that its predecessor achieved. To be clear, Grande is still a threat to win. She was probably runner-up to Zoe Saldaña (Emilia Pérez) last time and there could be enough goodwill for the Good Witch to prevail.

In other developments, I am putting two performers in the supporting fields in for the first time! Amy Madigan’s costume inspiring Weapons work makes the quintet in Supporting Actress. This is partly due to confusion as to which Marty Supreme costar (Gwyneth Paltrow or Odessa A’Zion) is more viable. I basically have them canceling each other out to Madigan’s benefit.

Jacob Elordi’s monstrous performance in Frankenstein is also elevated with Battle‘s Benicio del Toro now on the outside looking in. I nearly dropped Adam Sandler (Jay Kelly) but I hesitate to drop him with his costar George Clooney still in my Actor five.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. One Battle After Another (Previous Ranking: 1) (Even)

2. Hamnet (PR: 2) (E)

3. Sinners (PR: 3) (E)

4. Marty Supreme (PR: 4) (E)

5. Sentimental Value (PR: 5) (E)

6. It Was Just an Accident (PR: 6) (E)

7. Frankenstein (PR: 7) (E)

8. Jay Kelly (PR: 10) (+2)

9. Wicked: For Good (PR: 8) (-1)

10. Avatar: Fire and Ash (PR: 9) (-1)

Other Possibilities:

11. Bugonia (PR: 11) (E)

12. The Secret Agent (PR: 12) (E)

13. Train Dreams (PR: 14) (+1)

14. The Testament of Ann Lee (PR: 15) (+1)

15. No Other Choice (PR: 13) (-2)

Best Director

Predicted Nominees:

1. Paul Thomas Anderson, One Battle After Another (PR: 1) (E)

2. Chloé Zhao, Hamnet (PR: 2) (E)

3. Ryan Coogler, Sinners (PR: 3) (E)

4. Josh Safdie, Marty Supreme (PR: 4) (E)

5. Jafar Panahi, It Was Just an Accident (PR: 5) (E)

Other Possibilities:

6. Joachim Trier, Sentimental Value (PR: 6) (E)

7. Guillermo del Toro, Frankenstein (PR: 7) (E)

8. Kieber Mendonça Filho, The Secret Agent (PR: 8) (E)

9. Clint Bentley, Train Dreams (PR: Not Ranked)

10. Yorgos Lanthimos, Bugonia (PR: Not Ranked)

Dropped Out:

Park Chan-wook, No Other Choice (PR: 9) (-1)

Jon M. Chu, Wicked: For Good

Best Actress

Predicted Nominees:

1. Jessie Buckley, Hamnet (PR: 1) (E)

2. Renate Reinsve, Sentimental Value (PR: 2) (E)

3. Amanda Seyfried, The Testament of Ann Lee (PR: 4) (+1)

4. Chase Infiniti, One Battle After Another (PR: 5) (+1)

5. Cynthia Erivo, Wicked: For Good (PR: 3) (-2)

Other Possibilities:

6. Emma Stone, Bugonia (PR: 6) (E)

7. Rose Byrne, If I Had Legs I’d Kick You (PR: 7) (E)

8. Jennifer Lawrence, Die, My Love (PR: 8) (E)

9. Kate Hudson, Song Sung Blue (PR: 9) (E)

10. Tessa Thompson, Hedda (PR: 10) (E)

Best Actor

Predicted Nominees:

1. Timothée Chalamet, Marty Supreme (PR: 1) (E)

2. Leonardo DiCaprio, One Battle After Another (PR: 2) (E)

3. Wagner Moura, The Secret Agent (PR: 3) (E)

4. Ethan Hawke, Blue Moon (PR: 4) (E)

5. George Clooney, Jay Kelly (PR: 5) (E)

Other Possibilities:

6. Michael B. Jordan, Sinners (PR: 6) (E)

7. Joel Edgerton, Train Dreams (PR: 8) (+1)

8. Jeremy Allen White, Springsteen: Deliver Me from Nowhere (PR: 7) (-1)

9. Jesse Plemons, Bugonia (PR: 9) (E)

10. Daniel Day-Lewis, Anemone (PR: 10) (E)

Best Supporting Actress

Predicted Nominees:

1. Teyana Taylor, One Battle After Another (PR: 2) (+1)

2. Ariana Grande, Wicked: For Good (PR: 1) (-1)

3. Elle Fanning, Sentimental Value (PR: 3) (E)

4. Inga Ibsdotter Lilleass, Sentimental Value (PR: 4) (E)

5. Amy Madigan, Weapons (PR: 7) (+2)

Other Possibilities:

6. Gwyneth Paltrow, Marty Supreme (PR: 5) (-1)

7. Odessa A’Zion, Marty Supreme (PR: 6) (-1)

8. Regina Hall, One Battle After Another (PR: 8) (E)

9. Wunmi Mosaku, Sinners (PR: 10) (+1)

10. Jennifer Lopez, Kiss of the Spider Woman (PR: 9) (-1)

Best Supporting Actor

Predicted Nominees:

1. Stellan Skarsgård, Sentimental Value (PR: 1) (E)

2. Sean Penn, One Battle After Another (PR: 2) (E)

3. Paul Mescal, Hamnet (PR: 3) (E)

4. Adam Sandler, Jay Kelly (PR: 5) (+1)

5. Jacob Elordi, Frankenstein (PR: 6) (+1)

Other Possibilities:

6. Benicio del Toro, One Battle After Another (PR: 4) (-2)

7. Delroy Lindo, Sinners (PR: 7) (E)

8. Andrew Scott, Blue Moon (PR: 8) (E)

9. William H. Macy, Train Dreams (PR: Not Ranked)

10. Jeremy Strong, Springsteen: Deliver Me from Nowhere (PR: 9) (-1)

Dropped Out:

Jonathan Bailey, Wicked: For Good

Best Original Screenplay

Predicted Nominees:

1. Sentimental Value (PR: 1) (E)

2. Sinners (PR: 2) (E)

3. Marty Supreme (PR: 4) (+1)

4. It Was Just an Accident (PR: 3) (-1)

5. Jay Kelly (PR: 5) (E)

Other Possibilities:

6. The Secret Agent (PR: 6) (E)

7. Blue Moon (PR: 7) (E)

8. Is This Thing On? (PR: 9) (+1)

9. The Testament of Ann Lee (PR: 10) (+1)

10. Sorry, Baby (PR: 8) (-2)

Best Adapted Screenplay

Predicted Nominees:

1. One Battle After Another (PR: 1) (E)

2. Hamnet (PR: 2) (E)

3. Bugonia (PR: 3) (E)

4. Train Dreams (PR: 5) (+1)

5. No Other Choice (PR: 4) (-1)

Other Possibilities:

6. Frankenstein (PR: 7) (+1)

7. Wake Up Dead Man: A Knives Out Mystery (PR: 6) (-1)

8. The Life of Chuck (PR: Not Ranked)

9. Hedda (PR: 10) (+1)

10. Nuremberg (PR: Not Ranked)

Dropped Out:

Wicked: For Good

Springsteen: Deliver Me from Nowhere

Best International Feature Film

Predicted Nominees:

1. Sentimental Value (PR: 1) (E)

2. It Was Just an Accident (PR: 2) (E)

3. The Secret Agent (PR: 3) (E)

4. No Other Choice (PR: 4) (E)

5. Left-Handed Girl (PR: 7) (+2)

Other Possibilities:

6. The Voice of Hind Rajab (PR: 5) (-1)

7. Sirât (PR: 6) (-1)

8. The President’s Cake (PR: 8) (E)

9. Sound of Falling (PR: 10) (+1)

10. The Love That Remains (PR: 9) (-1)

Best Animated Feature

Predicted Nominees:

1. KPop Demon Hunters (PR: 1) (E)

2. Zootopia 2 (PR: 2) (E)

3. Arco (PR: 3) (E)

4. Little Amélie or the Character of Rain (PR: 4) (E)

5. Elio (PR: 5) (E)

Other Possibilities:

6. Scarlet (PR: 6) (E)

7. In Your Dreams (PR: 8) (+1)

8. A Magnificent Life (PR: 7) (-1)

9. Boys Go to Jupiter (PR: Not Ranked)

10. Lost in Starlight (PR: Not Ranked)

Dropped Out:

Ne Zha 2

Animal Farm

Best Documentary Feature

Predicted Nominees:

1. The Perfect Neighbor (PR: 1) (E)

2. 2000 Meters to Andrivka (PR: 2) (E)

3. Cover-Up (PR: 3) (E)

4. Put Your Soul on Your Hand and Walk (PR: 5) (+1)

5. Apocalypse in the Tropics (PR: 4) (-1)

Other Possibilities:

6. Mr. Nobody Against Putin (PR: 7) (+1)

7. Seeds (PR: 8) (+1)

8. The Alabama Solution (PR: 6) (-2)

9. Dead President Now! (PR: 10) (+1)

10. Cutting Through Rocks (PR: Not Ranked)

Dropped Out:

The Tale of Silyan

Best Casting

Predicted Nominees:

1. One Battle After Another (PR: 1) (E)

2. Sinners (PR: 2) (E)

3. Marty Supreme (PR: 3) (E)

4. Jay Kelly (PR: 5) (+1)

5. Hamnet (PR: 7) (+2)

Other Possibilities:

6. Wicked: For Good (PR: 4) (-2)

7. Wake Up Dead Man: A Knives Out Mystery (PR: 6) (-1)

8. Sentimental Value (PR: 8) (E)

9. Frankenstein (PR: 9) (E)

10. Rental Family (PR: 10) (E)

Best Cinematography

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. One Battle After Another (PR: 2) (E)

3. Frankenstein (PR: 3) (E)

4. Hamnet (PR: 4) (E)

5. Train Dreams (PR: 5) (E)

Other Possibilities:

6. Marty Supreme (PR: 6) (E)

7. The Testament of Ann Lee (PR: 7) (E)

8. Jay Kelly (PR: 8) (E)

9. Avatar: Fire and Ash (PR: 10) (+1)

10. Bugonia (PR: Not Ranked)

Dropped Out:

F1

Best Costume Design

Predicted Nominees:

1. Frankenstein (PR: 2) (+1)

2. Wicked: For Good (PR: 1) (-1)

3. Sinners (PR: 3) (E)

4. Hamnet (PR: 4) (E)

5. Kiss of the Spider Woman (PR: 6) (+1)

Other Possibilities:

6. Marty Supreme (PR: 5) (-1)

7. One Battle After Another (PR: 8) (+1)

8. The Testament of Ann Lee (PR: 6) (-1)

9. Hedda (PR: 9) (E)

10. Snow White (PR: 10) (E)

Best Film Editing

Predicted Nominees:

1. One Battle After Another (PR: 1) (E)

2. Sinners (PR: 2) (E)

3. Marty Supreme (PR: 3) (E)

4. Hamnet (PR: 4) (E)

5. Sentimental Value (PR: 6) (+1)

Other Possibilities:

6. F1 (PR: 7) (+1)

7. Jay Kelly (PR: 8) (+1)

8. Wicked: For Good (PR: 5) (-3)

9. Avatar: Fire and Ash (PR: 10) (+1)

10. No Other Choice (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. Frankenstein (PR: 1) (E)

2. Wicked: For Good (PR: 2) (E)

3. Sinners (PR: 3) (E)

4. The Smashing Machine (PR: 4) (E)

5. 28 Years Later (PR: 5) (E)

Other Possibilities:

6. Wolf Man (PR: 7) (+1)

7. One Battle After Another (PR: 6) (-1)

8. Bugonia (PR: 10) (+2)

9. Kiss of the Spider Woman (PR: 9) (E)

10. Weapons (PR: 8) (-2)

Best Original Score

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. One Battle After Another (PR: 2) (E)

3. Marty Supreme (PR: 3) (E)

4. Hamnet (PR: 4) (E)

5. Jay Kelly (PR: 5) (E)

Other Possibilities:

6. Frankenstein (PR: 6) (E)

7. The Testament of Ann Lee (PR: 8) (+1)

8. Sentimental Value (PR: Not Ranked)

9. Wicked: For Good (PR: 7) (-2)

10. Hedda (PR: 10) (E)

Dropped Out:

Bugonia

Best Original Song

Predicted Nominees:

1. “Golden” from KPop Demon Hunters (PR: 1) (E)

2. “I Lied to You” from Sinners (PR: 2) (E)

3. “The Girl in the Bubble” from Wicked: For Good (PR: 3) (E)

4. “Dear Me” from Diane Warren: Relentless (PR: 4) (E)

5. “Clothed by the Sun” from The Testament of Ann Lee (PR: 6) (+1)

Other Possibilities:

6. “Train Dreams” from Train Dreams (PR: 7) (+1)

7. “No Place Like Home” from Wicked: For Good (PR: 5) (-2)

8. “Last Time (I Seen the Sun)” from Sinners (PR: 9) (+1)

9. “Highest 2 Lowest” from Highest 2 Lowest (PR: 10) (+1)

10. “Dream As One” from Avatar: Fire and Ash (PR: Not Ranked)

Dropped Out:

“Salt Then Sour Then Sweet” from Come See Me in the Good Light

Best Production Design

Predicted Nominees:

1. Frankenstein (PR: 1) (E)

2. Wicked: For Good (PR: 2) (E)

3. Hamnet (PR: 4) (+1)

4. Sinners (PR: 3) (-1)

5. Marty Supreme (PR: 6) (+1)

Other Possibilities:

6. Avatar: Fire and Ash (PR: 5) (-1)

7. One Battle After Another (PR: 7) (E)

8. The Testament of Ann Lee (PR: 8) (E)

9. Kiss of the Spider Woman (PR: Not Ranked)

10. Bugonia (PR: 9) (-1)

Dropped Out:

The Phoenician Scheme

Best Sound

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. Avatar: Fire and Ash (PR: 3) (+1)

3. F1 (PR: 2) (-1)

4. One Battle After Another (PR: 4) (E)

5. Mission: Impossible – The Final Reckoning (PR: 5) (E)

Other Possibilities:

6. Wicked: For Good (PR: 6) (E)

7. Springsteen: Deliver Me from Nowhere (PR: 9) (+2)

8. Frankenstein (PR: 7) (-1)

9. Warfare (PR: 8) (-1)

10. Marty Supreme (PR: Not Ranked)

Dropped Out:

The Testament of Ann Lee

Best Visual Effects

Predicted Nominees:

1. Avatar: Fire and Ash (PR: 1) (E)

2. Wicked: For Good (PR: 2) (E)

3. Superman (PR: 3) (E)

4. F1 (PR: 4) (E)

5. Frankenstein (PR: 5) (E)

Other Possibilities:

6. Mission: Impossible – The Final Reckoning (PR: 6) (E)

7. The Fantastic Four: First Steps (PR: 7) (E)

8. Mickey 17 (PR: 9) (+1)

9. Tron: Ares (PR: 8) (-1)

10. How to Train Your Dragon (PR: 10) (E)

That equates to these movies generating these numbers of nominations:

12 Nominations

One Battle After Another, Sinners

11 Nominations

Hamnet

8 Nominations

Marty Supreme, Sentimental Value, Wicked: For Good

7 Nominations

Frankenstein

6 Nominations

Jay Kelly

4 Nominations

It Was Just an Accident

3 Nominations

Avatar: Fire and Ash

2 Nominations

F1, KPop Demon Hunters, No Other Choice, The Secret Agent, The Testament of Ann Lee, Train Dreams

1 Nomination

28 Years Later, 2000 Meters to Andrivka, Apocalypse in the Tropics, Arco, Blue Moon, Bugonia, Cover-Up, Diane Warren: Relentless, Elio, Kiss of the Spider Woman, Left-Handed Girl, Little Amélie or the Character of Rain, Mission: Impossible – The Final Reckoning, The Perfect Neighbor, Put Your Soul on Your Hand and Walk, The Smashing Machine, Superman, Weapons, Zootopia 2

98th Academy Awards: The State of the Best Picture Race (October Edition)

As October draws to a close, it’s time for a deep dive into the Best Picture race with two months left in the release calendar. I’ve done the same with the directing competition and the four acting derbies. If you missed those write-ups over the past few days, you can access them here:

I published my first preview of the Best Picture field on April 17th. In that post, I listed my initial predictions for the 10 BP hopefuls along with 15 other possibilities . At that impossibly early stage of the game, my selections were:

After the Hunt

Avatar: Fire and Ash

Hamnet

Jay Kelly

The Life of Chuck

Marty Supreme

No Other Choice

The Rivals of Amziah King

Sentimental Value

Wicked: For Good

Other Possibilities:

Alpha

Ballad of a Small Player

Bugonia

Die, My Love

F1

Frankenstein

Highest 2 Lowest

Kiss of the Spider Woman

Materialists

Michael

One Battle After Another

Sinners

The Smashing Machine

Springsteen: Deliver Me from Nowhere

The Testament of Ann Lee

Let’s dispense with the movies that are no longe viable. The Rivals of Amziah King and Michael will be 2026 releases. The following titles did not get solid enough reviews, box office, or a combo of both to truly be threats: After the Hunt (which I initially had ranked at #1 back in the spring), The Life of Chuck, (despite winning the 2024 Audience Award at the Toronto Film Festival), Alpha, Ballad of a Small Player, Die, My Love (though Jennifer Lawrence could contend in Actress), F1 (which was a critically appreciated hit and could nab some tech nods), Highest 2 Lowest, Kiss of the Spider Woman (perhaps Jennifer Lopez can sneak in Supporting Actress), Materialists, and The Smashing Machine.

Springsteen: Deliver Me from Nowhere and The Testament of Ann Lee aren’t dead in the water, but the former is a sizable box office disappointment with some less than stellar reviews and the latter is perhaps too divisive. Their leads Jeremy Allen White and Amanda Seyfried have healthier chances in the lead acting contests.

So let’s get into the 11 of the 25 aforementioned titles that do still have a decent chance and a few others worthy of mention.

The soft frontrunner appears to be Paul Thomas Anderson’s One Battle After Another with its multiple acting contenders and some of the highest critical praise of the year. Even though it disappointed a bit at the box office, the Cinemascore grade of A indicates it would be a satisfactory audience choice for voters to select. Plus PTA is generally seen as overdue for Academy affection.

Its biggest competition could be Hamnet from Chloé Zhao, who picked up a directorial prize and a BP win for 2020’s Nomadland. History could repeat five years later for her heralded historical drama.

I’m also confident that Ryan Coogler’s Sinners, the vampiric financial smash from the spring, will be remembered on BP ballots even though horror flicks often have a hard time breaking through. This should be a welcome exception.

Joachim Trier’s family drama Sentimental Value is a festival darling that has enough goodwill to make the BP cut.

Two upcoming releases have their review embargoes intact but have screened to encouraging word-of-mouth: Josh Safdie’s Marty Supreme (where Timothée Chalamet appears to be a Best Actor favorite) and Wicked: For Good, part two to Wicked which garnered BP and other nominations last year. Both should find themselves among the ten.

That’s six pics (One Battle After Another, Hamnet, Sinners, Sentimental Value, Marty Supreme, Wicked: For Good) that I’m confident are in. Twelve others are jockeying for the four additional slots.

I’ve had Guillermo del Toro’s Frankenstein in and out of my lineup at various times. I’m becoming more convinced it could be Netflix’s best chance in BP.

An argument could easily be made that the streamer’s Jay Kelly from Noah Baumbach is their strongest horse with its Hollywood friendly storyline. Some reviews have been lukewarm, but I still am leaning toward it placing in the 10.

To close the Netflix loop, Train Dreams has its ardent admirers and I wouldn’t totally discount it. Kathryn Bigelow’s A House of Dynamite seems to be fizzling a tad due to some ambivalent audience reaction, but a rebound is not out of the question.

Avatar: Fire and Ash looks to follow in the footsteps of its two predecessors. Having it in or near the selected 10 seems like a smart move but screenings will soon tell the tale.

Jafar Panahi’s It Was Just an Accident from Neon took the Palme d’Or at Cannes and I’m increasingly confident it’ll be an international contender in its own race and BP (like Neon’s Sentimental Value).

The Secret Agent (Neon) and No Other Choice (Neon) could accomplish the same dual noms though it’s rare for more than two international submissions to get into the big dance. And not every Neon distributed foreign title can make the list… can they?

Bugonia from Yorgos Lanthimos may be a touch too oddball for BP though I’d be careful to dismiss the latest from The Favourite and Poor Things maker.

Richard Linklater’s has had an impressive year with Blue Moon and Nouvelle Vague though I’m guessing neither are real threats.

Finally, Song Sung Blue (out Christmas) is said to be a crowdpleaser and Kate Hudson is a possibility in Best Actress. A Musical/Comedy BP spot at the Globes seems more feasible than Academy love.

Keep an eye on the blog with updated rankings on BP and all other feature film races hitting shortly!

98th Academy Awards: The State of the Best Director Race (October Edition)

Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. All four acting contests have been covered. If you missed my write-ups on them, they are linked here:

I published my first preview of the directing field on April 12th. In that post, I listed my initial predictions for the quintet along with ten other possibilities. At that impossibly early stage of the game, my selections were:

Park Chan-wook, No Other Choice

Luca Guadagnino, After the Hunt

Andrew Patterson, The Rivals of Amziah King

Josh Safdie, Marty Supreme

Chloé Zhao, Hamnet

Other Possibilities:

Paul Thomas Anderson, One Battle After Another

Noah Baumbach, Jay Kelly

Edward Berger, Ballad of a Small Player

James Cameron, Avatar: Fire and Ash

Jon M. Chu, Wicked: For Good

Guillermo del Toro, Frankenstein

Mike Flanagan, The Life of Chuck

Yorgos Lanthimos, Bugonia

Spike Lee, Highest 2 Lowest

Joachim Trier, Sentimental Value

The 5 eventual nominees could be found among those 15 possibilities. However, we can be confident some won’t make it in. For Andrew Patterson, The Rivals of Amziah King seems to be a 2026 release. After the Hunt was a commercial and critical disappointment and Luca Guadagnino appears to be a non-factor. The out of contention status also applies to Edward Berger, Mike Flanagan, and Spike Lee.

Let’s get into the others and other names not raised back in April. Both Josh Safdie and Chloé Zhao’s movies are probable safe bets for BP. They could certainly come along for the ride. I’m slightly more confident in Zhao contending for her second trophy after winning in 2020 for Nomadland though Safdie is definitely viable in his solo behind the camera effort.

Park Chan-wook’s fortunes should be tied to whether No Other Choice makes BP and I keep going back and forth on that. The same could be said Noah Baumbach, Jon M. Chu, Guillermo del Toro, and Yorgos Lanthimos. Their respective features Jay Kelly, Wicked: For Good (as yet unseen), Frankenstein, and Bugonia are all on the BP bubble. Same goes for the unmentioned A House of Dynamite and Kathryn Bigelow.

Even if Avatar: Fire and Ash gets into BP, I’m skeptical James Cameron is in unless the third franchise entry as universally seen as the best. We’ll know that in a few weeks.

Sentimental Value is not on the bubble. Its ticket is likely punched and that could benefit Joachim Trier for a first nomination though I don’t believe his nom is assured as the movie’s.

Who is assured? Paul Thomas Anderson. One Battle is your soft frontrunner for BP and this is a golden opportunity for the Academy to honor PTA for this and his overall body of work.

I also think Ryan Coogler (Sinners) is in for his vampire epic which is the other Warner Bros title vying for BP alongside One Battle.

A pair of foreign filmmakers could vie for a slot – Jafar Panahi (It Was Just an Accident) and Kieber Mendonça Filho (The Secret Agent). Their fortunes are also tied to BP inclusion and I feel the latter has a stronger pathway.

In conclusion, I feel safe with PTA, Coogler, and Zhao RSVP’d for the directorial dance. The other two noms could be filled by plenty of names above. My in-depth posts on the six biggest categories will conclude with Best Picture!

Oscar Predictions: Father Mother Sister Brother

Jim Jarmusch’s Father Mother Sister Brother is your surprise Venice Golden Lion winner (top prize) for 2025. The dramedy anthology from the veteran indie filmmaker boasts a cast featuring Cate Blanchett, Adam Driver, Tom Waits, Vicky Krieps, Mayim Bialik, Charlotte Rampling, Indya Moore, Luka Sabbat, and Sarah Greene.

The three act pic is being distributed by Mubi with a stateside release on Christmas Eve. While Italian reaction was positive, it would seem the jury’s verdict was even more effusive. Rotten Tomatoes is at 100% with 79 on Metacritic.

Five of the last 10 Lion recipients have gone onto a Best Picture nomination from the Academy – The Shape of Water (which won), Roma, Joker, Nomadland (which also won), and Poor Things. Jarmusch has never been a fixture with Oscar voters. Despite the Venice boost, I doubt that will change with Original Screenplay perhaps being the only realistic possibility. My Oscar Prediction posts will continue…

Oscar Predictions: Hamnet

Five years after Nomadland won her Best Picture and Director statues at the 93rd Academy Awards, Chloé Zhao looks to be contending once again at the 98th ceremony due to Hamnet. Based on the 2020 novel by Maggie O’Farrell (who cowrites the script with the filmmaker), the historical drama has premiered at Telluride prior to its late November limited release and December 12th expansion. It will also screen in Toronto. Jessie Buckley, a Supporting Actress nominee for The Lost Daughter, headlines as Agnes Shakespeare. Paul Mescal, a lead actor contender for 2022’s Aftersun, is her famous playwright husband. Costars include Joe Alwyn, Emily Watson, and Jacobi Jupe.

A fictionalized account of the Shakespeares’ relationship, Hamnet is being called an emotionally wrenching experience and is drawing raves from critics. Metacritic is at 95 with 100% thus far on Rotten Tomatoes. While the MCU’s Eternals (considered by many to be a disappointment) was Zhao’s follow-up to her BP winner, this should bring her back to the awards conversation in multiple categories.

That includes Best Picture, Director, and Adapted Screenplay where inclusion seems quite real. In down-the-line plays, there are multiple possibilities starting with Max Richter’s score. This is in addition to Costume Design, Production Design, Cinematography, and Film Editing.

As for the performances, let’s start with the fact that the new Casting race is doable. There’s no doubt that Buckley is not just a threat for a nomination, but a victory. As for Mescal, it will be interesting to see if Focus Features campaigns for him in lead or supporting. I’m sticking with him in the latter for now though it sounds like it could go either way. I don’t believe his inclusion is as assured as Buckley’s, but the pic’s overall momentum could definitely propel him to a second at bat. Bottom line: Hamnet has unquestionably upped its chances already via the festival circuit.

Oscar Predictions: The Life of Chuck (Take 2)

In September of last year, Mike Flanagan’s The Life of Chuck was a surprise winner of the People’s Choice Award at the Toronto Film Festival. Yet it’s the Cannes Film Festival that may dash Chuck‘s hopes for awards love at the 98th Academy Awards.

Allow me to explain. The People’s Choice Award at TIFF has, for nearly two decades, been one of the more reliable indicators of an eventual Best Picture nomination at the Oscars. How much so? 15 of the last 16 Choice recipients achieved a BP mention including winners Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The current streak of PCA’s to BP nominees stands at 12 in a row. In 2023, American Fiction instantly became an Academy player after the People’s prize and it resulted in five nominations.

However, distributor Neon did an unexpected thing after Chuck took the Toronto prize. They chose not to release the picture in calendar year 2024 and dated it for 2025. The sci-fi drama based on a 2020 Stephen King novella arrives in limited release on June 6th with a nationwide expansion the following week. Tom Hiddleston leads a cast that includes Chiwetel Ejiofor, Karen Gillan, Jacob Tremblay, and Mark Hamill.

Leaving a nine month gap between the TIFF publicity and its release date was a gamble. At Cannes, which concluded just days ago, Neon went on a spending spree. The distributor bought up the rights to Palme d’Or winner It Was Just an Accident from Iranian filmmaker Jafar Panahi as well as Grand Prix taker Sentimental Value from Joachim Trier and acclaimed Brazilian political thriller The Secret Agent. Conventional wisdom is that Value has already reserved a slot among the ten Oscar BP contenders. Accident and Agent could also factor into the competition.

Needless to say, that leaves Neon in the mode of picking and choosing their favorites. Unless Chuck becomes a sizable sleeper hit at the box office (which seems questionable), Neon may opt to put their full weight behind their international films. Last year when they delayed Chuck, they went all in on Sean Baker’s Anora and that obviously paid off with victories in Picture, Director, Actress (Mikey Madison), and Original Screenplay.

I’ve had Chuck in my 10 predicted BP nominees for the last several weeks, including my latest update from seven days ago. When I publish my updated predictions next weekend, I suspect it will drop out. I do think it stands a solid shot at Adapted Screenplay and maybe Mark Hamill in Supporting Actor. However, Neon’s fortunes at Cannes seem to have diminished Chuck‘s exposure a few months down the line. My Oscar Prediction posts will continue…

78th BAFTA Winner Predictions

The 78th edition of the BAFTAs, the U.K.’s version of the Academy Awards, occur this Sunday and it could help shape an already topsy-turvy awards season.

I’m going to give you a winner and runner-up prediction for each feature film race. I won’t spend much time pontificating as I do enough of that for the Oscars. However, it is worth noting BAFTA’s Best Film and the Academy’s Best Picture have matched just twice in the past 10 ceremonies (2020’s Nomadland, last year’s Oppenheimer). With victories at Critics Choice/PGA/DGA last weekend, Anora has anointed itself the Oscar frontrunner. And you could argue that it makes it easier not to select Sean Baker’s pic for BAFTA’s biggest prize.

That’s what I’m doing as I believe Conclave and The Brutalist could battle for BAFTA and I’m giving the slight edge to the former. We’re talking coin flip territory. Don’t get me wrong. Anora could take this and solidify its status even more so. I just have a hunch otherwise.

BAFTA/Oscar matches improve in other major races. For Director and Supporting Actress, it’s 7 out of the past 10. For Actor and Supporting Actor, it is 8 and we have 9/10 in Actress. The Golden Globes and Critics Choice have elevated Demi Moore, Adrien Brody, Zoe Saldaña, and Kieran Culkin to favorited status. The smart money is on that quartet and I’m not projecting an upset.

Here’s my rundown and I’ll have recap up Sunday!

BEST FILM

Anora, The Brutalist, A Complete Unknown, Conclave, Emilia Pérez

Predicted Winner: Conclave

Runner-Up: The Brutalist

BEST DIRECTOR

Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), Denis Villeneuve (Dune: Part Two)

Predicted Winner: Brady Corbet, The Brutalist

Runner-Up: Edward Berger, Conclave

BEST ACTRESS

Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Mikey Madison (Anora), Demi Moore (The Substance), Saoirse Ronan (The Outrun)

Predicted Winner: Demi Moore, The Substance

Runner-Up: Mikey Madison, Anora

BEST ACTOR

Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Hugh Grant (Heretic), Sebastian Stan (The Apprentice)

Predicted Winner: Adrien Brody, The Brutalist

Runner-Up: Ralph Fiennes, Conclave

BEST SUPPORTING ACTRESS

Jamie Lee Curtis (The Last Showgirl), Selena Gomez (Emilia Pérez), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)

Predicted Winner: Zoe Saldaña, Emilia Pérez

Runner-Up: Ariana Grande, Wicked

BEST SUPPORTING ACTOR

Yura Borisov (Anora), Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)

Predicted Winner: Kieran Culkin, A Real Pain

Runner-Up: Guy Pearce, The Brutalist

BEST ORIGINAL SCREENPLAY

Anora, The Brutalist, Kneecap, A Real Pain, The Substance

Predicted Winner: Anora

Runner-Up: The Brutalist

BEST ADAPTED SCREENPLAY

A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing

Predicted Winner: Conclave

Runner-Up: A Complete Unknown

BEST ANIMATED FILM

Flow, Inside Out 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

Predicted Winner: Wallace & Gromit: Vengeance Most Fowl

Runner-Up: Flow

BEST DOCUMENTARY

Black Box Diaries, Daughters, No Other Land, Super/Man: The Christopher Reeve Story, Will & Harper

Predicted Winner: No Other Land

Runner-Up: Daughters

BEST FILM NOT IN THE ENGLISH LANGUAGE

All We Imagine as Light, Emilia Pérez, I’m Still Here, Kneecap, The Seed of the Sacred Fig

Predicted Winner: Emilia Pérez

Runner-Up: I’m Still Here

BEST CASTING

Anora, The Apprentice, A Complete Unknown, Conclave, Kneecap

Predicted Winner: Conclave

Runner-Up: Anora

BEST CINEMATOGRAPHY

The Brutalist, Conclave, Dune: Part Two, Emilia Pérez, Nosferatu

Predicted Winner: The Brutalist

Runner-Up: Dune: Part Two

BEST COSTUME DESIGN

Blitz, A Complete Unknown, Conclave, Nosferatu, Wicked

Predicted Winner: Wicked

Runner-Up: Conclave

BEST EDITING

Anora, Conclave, Dune: Part Two, Emilia Pérez, Nosferatu

Predicted Winner: Conclave

Runner-Up: Dune: Part Two

BEST MAKE UP & HAIR

Dune: Part Two, Emilia Pérez, Nosferatu, The Substance, Wicked

Predicted Winner: The Substance

Runner-Up: Dune: Part Two

BEST ORIGINAL SCORE

The Brutalist, Conclave, Emilia Pérez, Nosferatu, The Wild Robot

Predicted Winner: The Brutalist

Runner-Up: Conclave

BEST PRODUCTION DESIGN

The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked

Predicted Winner: Wicked

Runner-Up: Conclave

BEST SOUND

Blitz, Dune: Part Two, Gladiator II, The Substance, Wicked

Predicted Winner: Dune: Part Two

Runner-Up: Wicked

BEST SPECIAL VISUAL EFFECTS

Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes, Wicked

Predicted Winner: Better Man

Runner-Up: Dune: Part Two

Outstanding British Film

Bird, Blitz, Conclave, Gladiator II, Hard Truths, Kneecap, Lee, Love Lies Bleeding, The Outrun, Wallace & Gromit: Vengeance Most Fowl

Predicted Winner: Conclave

Runner-Up: Kneecap

Outstanding Debut by a British Writer, Director or Producer

Hoard, Kneecap, Monkey Man, Santosh, Sister Midnight

Predicted Winner: Kneecap

Runner-Up: Santosh

Best Children’s & Family Film

Flow, Kensuke’s Kingdom, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

Predicted Winner: The Wild Robot

Runner-Up: Wallace & Gromit: Vengeance Most Fowl

EE Rising Star Award

Marisa Abela, Jharrel Jerome, David Jonsson, Mikey Madison, Nabhaan Rizwan

Predicted Winner: Mikey Madison

Runner-Up: Marisa Abela

And that leaves us with these pictures generating these numbers of victories:

5 Wins

Conclave

4 Wins

The Brutalist

2 Wins

Emilia Pérez, The Substance, Wicked

1 Win

Anora (two if you count Madison’s Rising Star victory), Better Man, Dune: Part Two, Kneecap, No Other Land, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

Oscars: The Case of Conclave

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora, The Brutalist, and A Complete Unknown for BP and if you missed those, they are linked at the bottom of the post. Our fourth hopeful is Conclave.

The Case for Conclave:

Edward Berger’s pulpy papal drama has been considered a top awards player since it debuted at Telluride in September. With 93% on Rotten Tomatoes, reviews are solid enough and it performed decently at the box office (over $30 million) for its genre. It is up for 8 statues including Actor (Ralph Fiennes), Supporting Actress (Isabella Rossellini), Adapted Screenplay, Costume Design, Film Editing, Original Score, and Production Design. Conclave has scored BP nods everywhere it needs to. It leads the BAFTAs with 12 nominations, is up at Critics Choice and PGA and for Best Ensemble at SAG, and contended at the Golden Globes in Best Drama where it won Best Screenplay. Berger’s behind the camera work also landed a DGA mention.

The Case Against Conclave:

Berger surprisingly missed the cut with the Academy in Best Director. Only three films in the 21st century (Argo, Green Book, CODA) have won BP without its maker being nominated. Berger can’t catch a break with the Academy as his 2022 war epic All Quiet on the Western Front received nine mentions but excluded his direction. The 79 Metacritic score is less than some competitors. It is possible that the only race where its the frontrunner is Adapted Screenplay and possibly Editing. Don’t expect either of its acting nominees to make podium walks. The Brutalist emerged victorious at the Globes in Best Drama.

The Verdict:

The snub of Berger looms large. I’d likely be more optimistic if he hadn’t been left out. Conclave has a slight chance in BP, but I wouldn’t put much faith in it.

My Case Of posts will continue with Dune: Part Two

82nd Golden Globes Awards Reaction

Before we get to the headlines (and certainly there are), let’s dispense with some quick takes on the 82nd Golden Globes Awards ceremony. Nikki Glaser did a very good job hosting and I’d expect to see her back. Seth Rogen correctly pointed out that the camera angle on the presenters tonight was awkward. And Vin Diesel made the evening awkward too when he said hi from the stage to Dwayne Johnson. They famously did not get along working together on Fast and Furious franchise features.

Back to the awards. I went 9 for 15 in my picks. Quite frankly, I would’ve been pleased with getting over half in this unpredictable ceremony and I did so I’ll take it. Emilia Pérez had a big night with four victories. So did The Brutalist with three. Anora… not so much.

Jacques Audiard’s Pérez took three prizes I predicted it would in Non-English Language Film, Supporting Actress (Zoe Saldaña), and Original Song (“El Mal”). Yet I had it falling short to Sean Baker’s Anora for Best Musical/Comedy and it prevailed. Has Pérez‘s stock risen? Probably.

Those who have followed my Oscar predictions on the blog will notice I’ve never had Anora listed in first in Best Picture. A lot of other prognosticators have. I’m not patting myself on the back. This is one of the more unpredictable seasons in memory. I’ve just never bought the narrative that Anora will take the grand prize and tonight fuels it.

A bigger surprise than Anora losing Musical/Comedy, in my view, was Mikey Madison not taking Actress. That went instead to Demi Moore in The Substance, who gave the strongest acceptance speech of the night. You have to wonder if this makes Moore the frontrunner. I have had Madison listed for weeks in 1st place for the Academy’s Actress statue and that could change when I update my picks in the next couple of days (hopefully tomorrow). Anora also didn’t get Screenplay and I thought it would. That went instead to Conclave.

After Conclave‘s screenplay award, I thought maybe it would go onto take Best Drama. However, Globe voters opted for The Brutalist (which my was pick). Its maker Brady Corbet won Director. I also had it forecasted for Original Score but that went to Challengers in a surprise call. I’ve had The Brutalist placed in 1st for months in BP for the Oscars. Interestingly, in the previous ten years, only 3 GG Drama winners correlated with Oscar (Moonlight, Nomadland, last year’s Oppenheimer). I still think it’s the odds on favorite.

Adrien Brody did give The Brutalist a third Globe in Best Actor and I went with Timothée Chalamet in A Complete Unknown. This could signal Brody’s performance will be favored in ceremonies to come. I also missed Best Actress (Drama). I went with Angelina Jolie in Maria while my runner-up Fernanda Torres (I’m Still Here) made the podium walk.

With Moore and Torres victorious over Madison and Jolie, the Oscar Best Actress is looking wide open with several hopefuls jockeying for position.

Let’s run down some races I got right. Kieran Culkin is your Supporting Actor for A Real Pain. The hard to figure out Best Actor in a Musical/Comedy derby is one I was lucky with when Sebastian Stan in A Different Man was picked. Wicked took the Cinematic and Box Office Achievement award. And I will pat myself on the back for going with Flow in Animated Feature instead of The Wild Robot.

So where do we stand now with Oscar as I prepare a new forecast? Anora is down. Emilia is up. The Brutalist holds strong. Demi Moore could be a real threat in Actress. And I think Dwayne Johnson still dislikes Vin Diesel…

A Different Man Shocks at Gotham

Tonight’s Gotham Awards were not expected to provide any major clues as to how the awards season will play out. That might hold true, but I do think the winner of Best Feature could be a preview for one picture in particular.

Adam Schimberg’s A Different Man was the surprise winner in the big race over the heavily favored Anora from Sean Baker. For those that didn’t believe Anora would away with the top prize from the New York group that honors indie movies, the runner-up pick would’ve been RaMell Ross’s Nickel Boys. Both of them are anticipated to nab BP nods (especially Anora). And while that still is the case, it does make me question all the prognosticators who have Anora ranked #1 (a lot do). I haven’t yet and have always slotted it 2nd or 3rd behind (lately) The Brutalist or Conclave. By the way, Challengers and Babygirl were the other contenders.

So… should we be thinking about A Different Man in Best Picture? I wouldn’t make that leap. However, it’s worth noting that four of the past five Gotham Feature victors managed a BP slot: 2019’s Marriage Story, 2020’s Nomadland (which won), 2022’s Everything Everywhere All at Once (another winner), and last year’s Past Lives. The exception is The Lost Daughter from 2021. Don’t expect Different to all of a sudden pop into my top 10 in BP, but you might see it between 11-15 in other possibilities when I update.

The no-show in victories for Anora continued in Director as RaMell Ross was honored for Nickel Boys. Strangely enough, this was the first year where the Gothams bestowed an individual behind the camera prize so comparisons cannot be made. That said, Ross is certainly a possibility at the Oscars though I currently don’t have him in my quintet.

The Gothams do not separate gender in their lead and supporting races as of 2021. Voters clearly were taken with Sing Sing as Colman Domingo was Outstanding Lead Performer and Clarence Maclin was Outstanding Supporting Performer.

For Domingo, he beat out his anticipated competitor in Best Actor Adrien Brody (The Brutalist) as well as plenty of Actress possibilities like Mikey Madison (Anora), Saoirse Ronan (The Outrun), Demi Moore (The Substance), Marianne Jean-Baptiste (Hard Truths), Nicole Kidman (Babygirl), and Pamela Anderson (The Last Showgirl). Since 2021, only Olivia Colman (The Lost Daughter) received an Oscar nod after winning this category.

Maclin was selected over other potential Supporting Actor rivals including Kieran Culkin (A Real Pain), Guy Pearce (The Brutalist), Yura Borisov (Anora), and A Different Man‘s Adam Pearson. Supporting Actress hopefuls Danielle Deadwyler (The Piano Lesson) and Natasha Lyonne (His Three Daughters) were also in the mix. The winners of supporting here in 2021 (Troy Kotsur for CODA) and 2022 (Ke Huy Quan in Everything Everywhere) went onto take the Supporting Actor Oscar. Last year’s recipient Charles Melton (May December) didn’t make the Academy’s cut. Both Domingo and Maclin are expected to receive Oscar nominations.

Speaking of His Three Daughters, it won Screenplay. Yet you can’t read much into that because none of the other nominees (Between the Temples, Evil Does Not Exist, Femme, Janet Planet) are expected to contend at the Academy Awards.

The precursors for Oscars are begin to roll out and keep an eye on this blog for all the coverage!