Tag: Nina Dobrev

Redeeming Love Box Office Prediction

**Blogger’s Update (01/18): Already souring on this and revising estimate from $3.2 million to $2.4 million

A historical romance set during the California gold rush, Redeeming Love will attempt to cash in with a female crowd on January 21st. It’s directed by D.J. Caruso, trying on a different genre after helming thrillers and action fare such as Disturbia and xXx: Return of Xander Cage. The cast is headlined by Abigail Cowen and Tom Lewis with a supporting cast including Logan Marshall-Green, Famke Janssen, Nina Dobrev, and Eric Dane.

Love is based on a 1991 novel by Francine Rivers (her and the director share screenplay credit). Pinnacle Peak Pictures is the distributor, known for their faith-based efforts like God’s Not Dead and Do You Believe? The production team is responsible for the sleeper hit I Can Only Imagine. 

Slated to premiere on around 1800 screens, the combo of appeal to women and the possibility of Christian audiences turning out could cause this to over perform. We’ve seen it before (Pinnacle’s Unplanned from 2019 made over $6 million in its first weekend). I do question how widely this has been promoted and the relatively small screen count could be a hindrance. Redeeming might manage a gross of over $5 million, but I’ll say $3-4 million is more likely.

Redeeming Love opening weekend prediction: $2.4 million

For my The King’s Daughter prediction, click here:

The King’s Daughter Box Office Prediction

Dog Days Box Office Prediction

Blogger’s Note (08/01/18): I am revising my estimate due to the film’s release on Wednesday next week, not Friday from $6.4 million down to $5.1 million.

An ensemble of familiar actors and an ensemble of canines come together for the family dramedy Dog Days, which hits theaters next weekend. The film is directed by Ken Marino, who last made the successful comedy How to Be a Latin Lover. Cast members include Eva Longoria, Nina Dobrev, Vanessa Hudgens, Lauren Lapkus, Thomas Lennon, Adam Pally, Rob Corddry, Tig Notaro, and Finn Wolfhard.

Movies dealing with man’s best friend can certainly post pleasing results, like Marley and Me and A Dog’s Purpose. Yet I don’t see Dog Days achieving their grosses. Its upstart studio LD Entertainment doesn’t exactly have a strong track record producing hits. A better comp here could be this May’s Show Dogs, which debuted to just $6 million.

I’ll say this manages to just outdo that number.

Dog Days opening weekend prediction: $5.1 million (Friday to Sunday), $7.6 million (Wednesday to Sunday)

For my The Meg prediction, click here:

https://toddmthatcher.com/2018/07/31/the-meg-box-office-prediction/

For my Slender Man prediction, click here:

https://toddmthatcher.com/2018/07/31/slender-man-box-office-prediction/

For my BlacKkKlansman prediction, click here:

https://toddmthatcher.com/2018/08/03/blackkklansman-box-office-prediction/

Flatliners Box Office Prediction

Blogger’s Note (09/24) – My estimate for Flatliners continues to drop. I’m now putting it at just $6.3 million.

It isn’t the only September remake of a 1990 horror pic as Flatliners debuts in theaters next weekend. The film finds 5 medical students dangerously experimenting with near-death experiences with a cast that includes Ellen Page, Diego Luna, and Nina Dobrev. This is actually more of a sequel than remake to 1990’s version that was directed by Joel Schumacher and starred Julia Roberts, fresh off breakout Pretty Woman. Kiefer Sutherland, who costarred in the first, returns.

The original Flatliners probably benefited from Julia’s mega watt star power at the time. I don’t believe there’s an enormous amount of reverance for it. Sony Pictures best hope is that horror audiences who gobbled up It might be ready for something else.

That could be a tall order. I’m predicting Flatliners doesn’t hit double digits out of the gate.

Flatliners opening weekend prediction: $6.3 million

For my American Made prediction, click here:

https://toddmthatcher.com/2017/09/20/american-made-box-office-prediction/

 

 

xXx: Return of Xander Cage Box Office Prediction

Lest ye forget, the Fast and Furious series isn’t the only franchise that Vin Diesel has been a part of and I’m not talking about Riddick or Guardians of the Galaxy. Next weekend, Mr. Diesel returns in the title role of xXx: Return of Xander Cage. 

In 2002, the star (hot off the first Fast feature) headlined summer action blockbuster xXx, which opened to $44 million with an eventual $142M domestic haul. Yet, just like the first Furious sequel, he decided to sit out the follow-up, xXx: State of the Union which featured Ice Cube instead. That one didn’t fare so well with just a $12 million debut and $26M overall gross.

Cage finds D.J. Caruso taking over the directorial duties with a supporting cast that includes Samuel L. Jackson, Donnie Yen, Toni Collette, Ruby Rose, Deepika Padukone, Nina Dobrev, and Tony Jaa. The question is: will moviegoers return to the super spy action series nearly 15 years after the original?

The answer: to an extent. Diesel has obviously gotten max exposure in recent years with the well-received Furious extravaganzas. There is the cautionary tale of 2015’s The Last Witch Hunter, which he hoped would turn into a franchise but sputtered with just $27 million domestically. xXx may earn that and then some in its first weekend of release. I’ve got it pegged in the mid to high 20s and even though that’s not reaching what the first Cage opus made a decade and a half ago, it’s OK.

xXx: Return of Xander Cage opening weekend prediction: $25.4 million

For my Split prediction, click here:

Split Box Office Prediction

For my The Founder prediction, click here:

The Founder Box Office Prediction

For my 20th Century Women prediction, click here:

20th Century Women Box Office Prediction

For my The Resurrection of Gavin Stone prediction, click here:

The Resurrection of Gavin Stone Box Office Prediction

Let’s Be Cops Movie Review

Let’s Be Cops has roughly the effect of probably watching a student film trying to mimic a decent buddy cop comedy/action flick. And that may be an unfair insult to the work of students and their films. It’s amateurish, poorly written, and gives its actors (some of them quite talented, but you don’t see it here) little to work with. Director/co-writer Luke Greenfield and Nicholas Thomas’s screenplay is mostly devoid of anything resembling originality and quite absent of many genuine laughs.

The concept is simple: two lifelong buddies have made a pact to leave Los Angeles by the time they’re 30 if they haven’t “made it”. Justin (Damon Wayans Jr.) is a struggling video game developer and Ryan (Jake Johnson) is a once promising college quarterback sidelined by a past injury. Clearly they haven’t made it and they’re prepared to return to Columbus, Ohio (I don’t know why my city had to be brought into this mess). A costume party interferes with their California split when they dress up as cops and – wouldn’t you know it! – they get mistaken for actual law enforcement. Suddenly women find them attractive! They can get into clubs easily! And they get caught up with some bad guy Albanians!

Let us count just some of the citations of mediocrity (to be kind) in this screenplay:

1) Jake’s past football glory days cause him to spend his days voluntarily teaching a bunch of young boys the game while cussing them out the majority of the time. It’s more creepy than funny.

2) Justin is supposed to be some genius video game developer whose bosses just don’t understand him, but his “genius” pitch for a game called Patrolman seems really familiar and dull.

3) The main baddie played by James D’Arcy is quite possibly the most cliched villain in a genre ripe with them.

4) Talented comic performers like Rob Riggle and Natasha Leggero are saddled with little to do.

I could go on and the same rule applies to Johnson and Wayans Jr., who can’t rise above the material despite their efforts. And there’s Andy Garcia as the time honored crooked cop (the true nature of his character is supposed to a big reveal, but you won’t care).

The screenwriters bank on this flimsy premise of watching these two play boy in blue providing consistent humor for 100 minutes. It would have been great if “Let’s Be Just A Little Original” would have made it into their game plan.

*1/2 (out of four)