Adam Sandler doesn’t have many new tricks up his sleeve with his latest Netflix “treat” in Hubie Halloween. Here he employs his Waterboy voice as a self professed holiday monitor in his hometown of Salem, Massachusetts. Hubie is a constantly bullied and goodhearted mama’s boy (also Waterboy shades) who is easily scared and easily grates on one’s nerves within moments. This is the typical streaming mediocrity we have come to expect from its star, but it’s slightly more of a letdown after the career best work we just saw from him in Uncut Gems.
Collaborating with his frequent director Steven Brill, Hubie is squarely aimed at teens and Sandler diehards. There’s familiar faces galore and many of their characters are marked not by funny dialogue, but “funny” appearances. Kevin James (the town law enforcement) has funny facial hair! Tim Meadows has funny hair! Steve Buscemi has funny arm hair because he might be a werewolf! June Squibb (as his dear mama) wears funny t-shirts! Shaquille O’Neal has a funny voice in a bit that pays homage to John Carpenter’s The Fog (one of the few that I actually chuckled at).
As for plot, Sandler’s latest weird title character has to deal with an overstuffed amount of it. There’s his romantic subplot with his Happy Gilmore love interest Julie Bowen. We have a recently escaped patient from a mental institution. There are multiple tormentors of Hubie who get plenty of screen time, including Ray Liotta and Michael Chiklis. And it all happens on one long (and 102 minutes is too long here) Halloween day and night where Hubie’s constant sidekick is an all purpose thermos which serves soup, is a megaphone, and serves every other function imaginable.
Hubie Halloween isn’t awful (some other Sandler Netflix experiences are) as much as totally disposable. It’s as childish as the central character. Sometimes that works for this comedic performer with the right screenplay. This one, with a smattering of decent jokes, is mostly stuck in its own unfocused fog.
The main issue here is a familiar one. Sandler is either playing someone obnoxious or a buffoon. It’s the latter in this case and too often this latest buffoon just isn’t that funny. Even with all that supposedly hilarious hair everywhere.
On Netflix’s popular series Ozark, the words of Julia Garner’s Ruth often speak louder than her actions. Her boisterous character serves as a de facto assistant to Jason Bateman’s beleaguered money launderer and the performance has earned her Emmys. The Assistant, written and directed by Kitty Green, finds Garner in a much different occupation in terms of duties and with her overall demeanor.
Jane works as a film production assistant to a mostly unseen and unheard big shot. She works long hours steeped in tedium as she cleans up the literal and figurative messes of her boss and his minions. From travel arrangements from their New York office to L.A. to making excuses to the whereabouts of her superior to his wife, this is not the dream job that Jane envisioned. Even her hopes that this is leading to something bigger and better seem to be diminishing.
The camera rarely leaves Jane on the Monday that the proceedings occur. Aspiring actresses flow in and a mysterious and very young new assistant is flown in from Idaho and put up in a fancy hotel. Sitting with her fellow junior staffers (Jon Orsini and Noah Robbins), they develop a strained if well-meaning support system.
Yet our title character knows she’s in a hostile work environment. When Jane approaches the company’s HR head (Matthew MacFayden), it’s made chillingly clear that her complaints are falling on deaf ears. We get the idea that if she just keeps quiet, her mundane existence in this drab office will improve. At what cost? Her words and actions don’t matter.
Like that office, The Assistant is not flashy. The Weinstein type figure feet away from Jane’s desk is left to our imagination. All we have to see is her weary but expressive face to know that he’s dangerous. It is Garner’s performance, wildly different from her Ozark persona, that kept my attention. This is essentially a horror film where the scary incidents are usually hinted at or, more sadly, joked about. They develop over Jane’s long day where it seems the next day will be just as long and with no resolution in sight. That’s pretty frightening.
After a warm reception earlier this year at the Sundance Film Festival, Kirsten Johnson’s documentary Dick Johnson Is Dead is having its streaming premiere on Netflix today. The director is the daughter of the title subject – a psychiatrist who receives a dementia diagnosis. She also made the well regarded 2016 doc Cameraperson. The picture is said to deal humorously and unconventionally with its subject matter. It received a Special Jury award at Sundance and stands at 100% on Rotten Tomatoes.
The issue of dementia has been a theme for 2020 features. The most high profile is Florian Zeller’s The Father, which appears headed for multiple nominations including its leads Anthony Hopkins and Olivia Colman. Less likely titles to contend for consideration are Supernova with Colin Firth and Stanley Tucci and The Artist’s Wife starring Lena Olin and Bruce Dern.
On the doc side, I had Johnson listed at #4 for the various hopefuls. This race is obviously quite fluid at the moment, but the acclaim already received puts it as a strong contender. My Oscar Watch posts will continue…
The buzz for Boys State began at the beginning of the year when it won the highest prize at the Sundance Film Festival for documentaries. It follows a Texas event for teenagers who build a representative form of government. The pic comes from directors Jesse Moss and Amanda McBaine. The former is responsible for the acclaimed 2014 doc The Overnighters, which didn’t manage to make the final cut in Documentary Feature at the Oscars.
State, streaming on Apple TV since August, has a strong shot at faring better. With a 94% Rotten Tomatoes score, its subject matter could resonate with voters in this highly charged political year. The documentary competition is just starting to formulate at the Academy level. Projects such as Netflix’s Crip Camp and Dick Johnson Is Dead (look for that Watch post shortly) and John Lewis: Good Trouble from CNN Films are already hopefuls and Boys State can include itself in the mix. My Oscar Watch posts will continue…
Two years ago, there was a Broadway revival of the groundbreaking play The Boys in the Band on the occasion of its 50th anniversary. History repeats itself as the cinematic version of that revival debuts on the Netflix this weekend. That is what happened a half century ago when William Friedkin directed the adaptation of the first show (this was right before Friedkin would move on to Oscar winners and contenders like The French Connection and The Exorcist).
Joe Mantello, who helmed the 2018 stage production, reunites with executive producer Ryan Murphy and screenwriter Mart Crowley (he penned the 1968 production as well). Cast members from the play including Jim Parsons, Zachary Quinto, and Matt Bomer reprise their roles. Ahead of its streaming start, Band has screened for critics and the result is a current 92% Rotten Tomatoes rating.
Both the original play and movie adaptation were considered innovational at the time due to its gay characters taking center stage. Times have progressed and critics are noting this iteration works well as a period piece and current social commentary.
That said, I’m doubtful that awards voters will take notice. As has been mentioned before in my Oscar Watch posts, Netflix has a very full slate of contenders for 2020 and they will need to be choosy about their campaigns. The 1970 pic didn’t receive any nominations. Despite generally positive reviews, the same will probably hold true again. My Oscar Watch posts will continue…
It’s a new week for Oscar predicting and there’s been some significant developments over the past seven days!
Of particular note is the news that Steven Spielberg’s remake of West Side Story has been pushed back to December 2021. You will see it drop off all the categories where I had it as a possibility and that includes Picture (where I had it the final 9), Director, Actress, Supporting Actress, and Adapted Screenplay.
I am also jumping off the Dune train for now. Part of this is uncertainty as to whether it will be released by the February deadline. The other part is general uncertainty if it’s Oscar material. Hopefully we will find out sooner than later. I still have it listed as a possibility in Picture, Director, and Adapted Screenplay, but I’m holding judgment on having it make the final cut.
Now to the pictures that look like they will be released and we begin with The Trial of the Chicago 7. The Aaron Sorkin courtroom drama held industry screenings this week and the verdict is quite positive. It appears to be a shoo-in for a Picture nomination. I’m still listing it at #3 behind the unscreened Mank and Nomadland, but Trial is a threat to win the whole thing as I see it. Sorkin moves into the top five in directing. He replaces Dune maker Denis Villeneuve.
As for the actors in Trial, early reaction appears focused on four of them in the sprawling cast: Yahya Abdul Mateen II, Sacha Baron Cohen, Frank Langella, and Mark Rylance. I’m currently assuming everyone will be campaigned for in Supporting Actor, but that could always change. For the moment, I have Cohen and Rylance getting in (I struggled with this). In my Oscar Watch post, I even mentioned that three actors could make it. If that were to occur, we would see the first Supporting Actor competition with three performers from the same feature since The Godfather Part II in 1974. My shift to thinking it’s all a supporting play by Netflix takes Eddie Redmayne out of contention in the lead derby.
My Dune drop and the West Side delay means there are two new pics in my estimated nine Best Picture nominees. The risers are Ma Rainey’s Black Bottom and Pixar’s Soul.
In other developments:
Sofia Coppola’s On the Rocks, which reunites the director with her Lost in Translation star Bill Murray, opened the New York Film Festival. Reviews were mostly positive. If Supporting Actor weren’t so potentially crowded, I may have put Murray in my five (he sits in 8th). He could get in, but I also posited the theory that Apple TV might be wise to compete for him in lead actor because the Golden Globes would likely take notice in their Musical/Comedy race.
I wrote an Oscar Watch post for the documentary John Lewis: Good Trouble, which could absolutely be a factor in Documentary Feature. You can find my Watch write-ups for Trial, Rocks, and Trouble all linked below.
My Best Actress and Actor five remain the same from last week. Same with Supporting Actress.
In Supporting Actor, the aforementioned Rylance rises and that takes out his costar Mateen II for Trial.
In Original Screenplay, it’s Minari in and Judas and the Black Messiah out. The Adapted Screenplay five stays intact.
Finally, you will see big changes next Thursday with my predictions! First off – all categories covering feature films will be added from Animated Feature to Documentary Feature and International Feature to the tech races.
There will also be a dwindling of the numbers. My 25 Picture estimates will drop to 15 with all other races shrinking to ten predictions. It’s gettin’ serious, folks!
Here are the links to this week’s individualized Oscar Watch posts:
Give me a follow on Twitter @tthizz as I’m posting Oscar related polls. For example, 90% of respondents agree with me that Trial will nab a Best Picture nod. 59% believe Bill Murray will not be nominated for Supporting Actor.
And here we go with this Thursday’s estimates!
Best Picture
Predicted Nominees:
1. Mank (Previous Ranking: 1)
2. Nomadland (PR: 2)
3. The Trial of the Chicago 7 (PR: 3)
4. News of the World (PR: 4)
5. One Night in Miami (PR: 5)
6. The Father (PR: 9)
7. Da 5 Bloods (PR: 7)
8. Ma Rainey’s Black Bottom (PR: 10)
9. Soul (PR: 12)
Other Possibilities:
10. Dune (PR: 4)
11. Judas and the Black Messiah (PR: 14)
12. Minari (PR: 16)
13. Hillbilly Elegy (PR: 11)
14. The White Tiger (PR: Not Ranked)
15. The French Dispatch (PR: 15)
16. Ammonite (PR: 13)
17. Stillwater (PR: 17)
18. The United States vs. Billie Holiday (PR: 19)
19. Respect (PR: 20)
20. The Midnight Sky (PR: 23)
21. Annette (PR: 18)
22. Next Goal Wins (PR: 21)
23. Red, White and Water (PR: 22)
24. C’Mon C’Mon (PR: 25)
25. French Exit (PR: Not Ranked)
Dropped Out:
West Side Story
Never Rarely Sometimes Always
Best Director
Predicted Nominees:
1. David Fincher, Mank (PR: 1)
2. Chloe Zhao, Nomadland (PR: 2)
3. Paul Greengrass, News of the World (PR: 3)
4. Aaron Sorkin, The Trial of the Chicago 7 (PR: 6)
5. Regina King, One Night in Miami (PR: 5)
Other Possibilities:
6. Florian Zeller, The Father (PR: 7)
7. Spike Lee, Da 5 Bloods (PR: 8)
8. George C. Wolfe, Ma Rainey’s Black Bottom (PR: 10)
9. Denis Villeneuve, Dune (PR: 4)
10. Shaka King, Judas and the Black Messiah (PR: 11)
11. Lee Isaac Chung, Minari (PR: Not Ranked)
12. Ron Howard, Hillbilly Elegy (PR: 12)
13. Wes Anderson, The French Dispatch (PR: 14)
14. Ramin Bahrani, The White Tiger (PR: Not Ranked)
15. Tom McCarthy, Stillwater (PR: 15)
Dropped Out:
Steven Spielberg, West Side Story
Francis Lee, Ammonite
Best Actress
Predicted Nominees:
1. Frances McDormand, Nomadland (PR: 1)
2. Viola Davis, Ma Rainey’s Black Bottom (PR: 2)
3. Vanessa Kirby, Pieces of a Woman (PR: 4)
4. Kate Winslet, Ammonite (PR: 3)
5. Michelle Pfeiffer, French Exit (PR: 5)
Other Possibilities:
6. Amy Adams, Hillbilly Elegy (PR: 6)
7. Jennifer Hudson, Respect (PR: 7)
8. Andra Day, The United States vs. Billie Holiday (PR: 10)
9. Meryl Streep, The Prom (PR: 11)
10. Sophia Loren, The Life Ahead (PR: 14)
11. Carey Mulligan, Promising Young Woman (PR: 9)
12. Jennifer Lawrence, Red, White and Water (PR: 13)
13. Jessica Chastain, The Eyes of Tammy Faye (PR: 12)
14. Rachel Brosnahan, I’m Your Woman (PR: Not Ranked)
15. Marion Cotillard, Annette (PR: 15)
Dropped Out:
Rachel Zeller, West Side Story
Best Actor
Predicted Nominees:
1. Anthony Hopkins, The Father (PR: 1)
2. Delroy Lindo, Da 5 Bloods (PR: 2)
3. Gary Oldman, Mank (PR: 3)
4. Daniel Kaluuya, Judas and the Black Messiah (PR: 4)
5. Tom Hanks, News of the World (PR: 5)
Other Possibilities:
6. Matt Damon, Stillwater (PR: 7)
7. Joaquin Phoenix, C’Mon C’Mon (PR: 8)
8. Steven Yeun, Minari (PR: 10)
9. Benedict Cumberbatch, The Courier (PR: 12)
10. Michael Fassbender, Next Goal Wins (PR: 11)
11. Adam Driver, Annette (PR: 9)
12. Riz Ahmed, Sound of Metal (PR: 15)
13. Trevante Rhodes, The United States vs. Billie Holiday (PR: 13)
14. Andrew Garfield, The Eyes of Tammy Faye (PR: 14)
15. Ben Affleck, The Way Back (PR: Not Ranked)
Dropped Out:
Eddie Redmayne, The Trial of the Chicago 7
Best Supporting Actress
Predicted Nominees:
1. Glenn Close, Hillbilly Elegy (PR: 1)
2. Olivia Colman, The Father (PR: 2)
3. Saoirse Ronan, Ammonite (PR: 3)
4. Helena Zengel, News of the World (PR: 4)
5. Ellen Burstyn, Pieces of a Woman (PR: 5)
Other Possibilities:
6. Amanda Seyfried, Mank (PR: 6)
7. Audra McDonald, Respect (PR: 8)
8. Abigail Breslin, Stillwater (PR: 10)
9. Natasha Lyonne, The United States vs. Billie Holiday (PR: 9)
10. Jayne Houdyshell, The Humans (PR: 11)
11. Mary J. Blige, Respect (PR: 14)
12. Toni Collette, I’m Thinking of Ending Things (PR: 12)
13. Gaby Hoffman, C’Mon C’Mon (PR: 13)
14. Lily Collins, Mank (PR: Not Ranked)
15. Kristin Scott Thomas, Rebecca (PR: 15)
Dropped Out:
Ariana Debose, West Side Story
Best Supporting Actor
Predicted Nominees:
1. Chadwick Boseman, Ma Rainey’s Black Bottom (PR: 1)
2. Kingsley Ben-Adir, One Night in Miami (PR: 3)
3. Sacha Baron Cohen, The Trial of the Chicago 7 (PR: 2)
4. Mark Rylance, The Trial of the Chicago 7 (PR: 14)
5. Lakeith Stanfield, Judas and the Black Messiah (PR: 5)
Other Possibilities:
6. Yahya Abdul-Mateen II, The Trial of the Chicago 7 (PR: 4)
7. Leslie Odom, Jr., One Night in Miami (PR: 6)
8. Bill Murray, On the Rocks (PR: 13)
9. Tom Pelphrey, Mank (PR: 10)
10. Frank Langella, The Trial of the Chicago 7 (PR: Not Ranked)
One of 2020’s most talked about Oscar contenders has screened this evening ahead of its October Netflix debut. The results are encouraging when it comes to Aaron Sorkin’s The Trial of the Chicago 7 and it retains its status a major player throughout awards season.
The true life legal drama marks the second directorial effort of Sorkin, known most for his screenwriting work on the big and small screen. He’s thrice nominated for his words with The Social Network (where he won), Moneyball, and Molly’s Game (his debut behind the camera). Buzz indicates he’ll be nominated again for Original Screenplay. A Best Picture nomination seems likely. I’m not 100% sold he makes the director cut yet, but time will tell.
Here’s where it gets tricky: Trial has a sprawling cast of acclaimed actors that includes Yahya Abdul-Mateen II, Sacha Baron Cohen, Joseph Gordon-Levitt, Michael Keaton, Frank Langella, Eddie Redmayne, Mark Rylance, and Jeremy Strong. To say that Netflix will need to be strategic in their Supporting Actor campaign is an understatement. This is the same issue faced with other hopefuls like Mank and One Night in Miami.
Early word of mouth could match my initial projections before this screened as Cohen and Mateen II are garnering attention. Yet the same can be said for Rylance (Supporting Actor winner for 2015’s Bridge of Spies) and Langella. I doubt it will happen, but the door is at least open for Trial to get 3 Supporting Actor nods. The combination? TBD. If that occurs, it would be the first pic to accomplish that feat since 1974’s The Godfather Part II.
Also noteworthy is an Original Song submission titled “Hear My Voice” from Celeste that could make the final five. The verdict so far is that Trial is a probable contender in Picture and Director and Screenplay (that one basically assured) with several actors in the mix. It also appears a given that this gets Best Ensemble attention at the SAG Awards. Like Nomadland and One Night in Miami, I suspect this (which has been in my Best Picture predictions from the get go) won’t be leaving. My Oscar Watch posts will continue…
CNN Films broke into the Oscar mix two years ago with two documentaries nominated – Three Identical Strangers and RBG, focused on the life and career of Justice Ruth Bader Ginsburg. That feature has obviously played over the weekend in the wake of her death.
Their film division should have another possibiity in 2020 with John Lewis: Good Trouble. Chronicling the Civil Rights leader and Congressman’s experiences in his decades of service, Trouble premiered just two weeks before his passing in July.
Reviews were solid and respectful with some critics saying it fell a bit short of expectations. Nevertheless the Rotten Tomatoes rating is 96% and it’s easy to imagine that awards voters will wish to include this in the Documentary Feature race. I am doubtful at this point that it wins. The Netflix doc Crip Camp, which comes from Higher Ground Productions formed by Barack and Michelle Obama, is an already released strong contender. Plus we still have plenty of time for other hopefuls to emerge. My Oscar Watch posts will continue…
In what looks to be the first of many accolades it could receive over awards season, Chloe Zhao’s Nomadland took the top prize (the Golden Lion) today at the Venice Film Festival. It screened for the first time yesterday for fest goers to the tune of rapturous reviews and a 100% Rotten Tomatoes score. I wrote about it here:
This should come as no surprise as Nomadland has been pegged as a contender and the hype now is real. It is difficult to imagine the Oscars not nominating it in Picture, Director, Actress (Frances McDormand), and Adapted Screenplay.
The Venice love did not extend to Zhao and McDormand, however. For the directing prize, it was Kiyoshi Kurosawa for the Japanese drama Wife of a Spy. In Actress, it was Vanessa Kirby’s work in Pieces of a Woman that was honored. This particular performance is one I wrote of here:
Kirby is one to watch. Her work is drawing raves and there’s the added bonus of her having another critically lauded work at the Italian festival The World to Come. If the film’s eventual stateside distributor plays its cards right, Kirby could find herself in the Oscar mix for a nod. (**Update – Netflix has picked up distribution rights to Pieces).
Speaking of cards, you may recall that last year’s Venice proceedings produced a surprise when Joker took the Golden Lion. This gave the first real glimpse that it could become an Academy contender and it went on to nab a Best Picture nod. With Nomadland, it seems like a done deal already. Also worth noting is that in addition to Joker, the two previous Lion winners (The Shape of Water and Roma) were included in the big race with Water emerging victorious. My Oscar Watch posts will continue…
The Gothic thriller The Devil All the Time, based on the 2011 bestseller by Donald Ray Pollock, is in theater this weekend in limited fashion before a Netflix release this coming Wednesday. Directed by Antonio Campos, the pic boasts an impressive cast that includes Tom Holland, Bill Skarsgard, Riley Keough, Jason Clarke, Sebastian Stan, Haley Bennett, Mia Wasikowska, and Robert Pattinson (who’s everywhere at the moment with Tenet and The Batman trailer out).
Reviews out are of the mixed variety as Devil holds a 64% Rotten Tomatoes rating. Some critics have gone out of their way to praise the performances of Holland and Pattinson. The latter, in particular, seems likely to find an awards friendly role sooner than later with his impressive post Twilight output.
However, this is highly unlikely to be it. In addition to the several negative reviews, Netflix is simply too busy this season to make this film a priority. The streamer looks to have several legitimate contenders on their hands in the near future with Mank, The Trial of the Chicago 7, Ma Rainey’s Black Bottom, and Hillbilly Elegy – all of which have actors that they’ll campaign for. My Oscar Watch posts will continue…
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