It could be time to admit that I’ve slept on My Father’s Dragon when it comes to Oscar consideration. Based on the 1948 children’s book by Ruth Stiles Gannett, the 2-D fantasy makes its way to Netflix on November 11th. It had its unveiling at the London Film Festival. Dragon is the fifth animated feature from Cartoon Saloon and their track record is, shall we say, fire.
The Irish outlet is 4 for 4 when it comes to getting their pics nominated for Best Animated Feature: 2010’s The Secret of Kells, 2014’s Song of the Sea, The Breadwinner from 2017, and 2020’s Wolfwalkers. Despite their success rate getting their product in the final quintet, they’ve yet to win.
Dragon is directed by Nora Twomey, who co-directed Kells and solo helmed The Breadwinner. The sprawling voice cast includes Jacob Tremblay, Gaten Matarazzo, Golshifteh Farahani, Jackie Earle Haley, Whoopi Goldberg, Dianne Wiest, Rita Moreno, Chris O’Dowd, Judy Greer, Alan Cumming, Yara Shahidi, Mary Kay Place, Leighton Meester, and Ian McShane.
Reviews are just beginning to trickle out of London and so far so good. The initial buzz indicates this should be a contender. Like its earlier efforts, I’d say it’s a viable film for nomination and not a victory. My last estimates had it ranked seventh… pretty low for a production company with the aforementioned history.
Yet there could be roadblocks on the Saloon’s road to five in a row. The main one is internal competition from Netflix itself. Most prognosticators (myself included) have Guillermo del Toro’s Pinocchio from the streamer listed in first place. Even though that’s sight unseen, the pedigree would suggest it’ll be Netflix’s biggest push for the gold statue. Others that the company could be focused on include this summer’s acclaimed The Sea Beast and Wendell and Wild from Jordan Peele, which debuts later this month and nabbed positive feedback at the Toronto Film Festival.
That’s four legit contenders from Netflix and Disney (for one) will have something to say about them achieving four nominations (they won’t). Something’s gotta give and we’ll see how the next few weeks play out to determine which movies from the quartet don’t make the dance. My Oscar Prediction posts will continue…
Luckiest Girl Alive tackles weighty subjects and reinforces its messages by eventually having Mila Kunis’s Ani look directly to camera to state them in case you weren’t listening. Based on a 2015 bestseller by Jessica Knoll, Mike Barker’s adaptation juggles two 1999 tragedies – the first is kept under wraps for some time. It leads to a school shooting in which Kunis’s younger self is suspected of participating. In the present day, one of the wounded parties confined to a wheelchair (Alex Barone) is monetizing such a narrative.
Ani is a talented writer penning witty relationship columns for a slightly trashy magazine. The work is noticed enough that she’s up for a gig at The New York Times. She’s engaged to Luke (Finn Wittrock), sweet and supportive and coming from money. We learn that status is important to Ani. Flashbacks (where Ani is played by Chiara Aurelia) show us a teenager attending a fancy private school. Unlike her peers, she’s not rich and her mom (Connie Britton) is constantly offering flawed advice on how to climb the societal ladder.
In addition to the story often shifting between the turn of the century and 2015, Kunis provides frequent voiceovers. Her biting inner monologue usually doesn’t match what she says out loud (expect in one humorous instance). Ani has learned to keep prior tragedies buried away. All of that is risked when a documentary filmmaker (Dalmar Abuzeid) finally convinces her to take part in his project. Its focus is to get to the bottom of everything that occurred when violence erupted in the halls. The acts of violation aren’t just unique to the shooters.
As mentioned, the screenplay (and book I assume) are told so that some crimes are slow rolled into big reveals. Perhaps it worked in novelistic form. It comes across as clunky in the adaptation and even a little cheap considering the seriousness of its themes. Characters are arbitrarily introduced like Ani’s kindly teacher (Scoot McNairy). He tends to pop up as the plot necessitates it.
Our lead strays far away from recent comedic roles and does a commendable job. Other players – like Britton as the boozy and conflicted mom – are saddled with one-note roles (that applies to Wittrock too). I wish the structure served its top actress and the others more smoothly. This meditation on trauma can feel too often like a rough draft.
In an alternative universe, Emancipation might be in my top 10 predicted Best Picture nominees. I could potentially be discussing Will Smith’s chances of being the first back to back acting winner since Tom Hanks in 1993 and 1994.
I didn’t think this alternative universe could be a potential reality in the 2022 awards season. In 2021, Apple TV beat Netflix and others to the punch as CODA was the inaugural streaming Best Picture winner. For a while, Martin Scorsese’s Killers of the Flower Moon appeared to be Apple’s best shot at making it two years in a row. That’s until it got pushed to 2023. In recent weeks, there was speculation that Ridley Scott’s Napoleon starring Joaquin Phoenix could make a jump to 2022. It wasn’t to be.
This has left Apple without a legit across the board Oscar player… until maybe today. Why? The streamer announced that Antoine Fuqua’s historical drama Emancipation will hit theaters for an awards qualifying run on December 2nd and then be available for home viewing on December 9th. The trailer was unveiled this morning.
And in case you’re still wondering why I’m skeptical… two words: The Slap. Yes, the slap heard around the globe when Chris Rock presented Best Documentary Feature at the Academy Awards and cracked a joke about Jada Pinkett Smith. And, of course, slap provider Will Smith giving his acceptance speech a few minutes later when he was victorious in Best Actor for King Richard.
Since then, many of Smith’s planned projects have entered turnaround status. Emancipation, in which he plays a slave who joins the Union Army, was already filmed. And Apple made the surprising decision in early October to get it out two months later. This surely means Smith will be subject to interviews where he’ll address The Slap sooner than later.
So… the obvious question: can Smith get nominated? Can the film itself do so in other categories? Even though the star resigned from the Academy in the aftermath of the incident, he can still be nominated (and he can attend if invited by other members). So while the short answer is yes… the real answer is more complicated.
My gut is that Smith’s work in Emancipation would have to be undeniably awards worthy to make the final five. Even that could be a stretch. Time heals controversies and not much time has passed. As for the film itself, it could surely garner nods from Best Picture on down (I’m curious if Ben Foster gets any chatter for Supporting Actor). Yet it starts off at a unique disadvantage.
We won’t know until reviews start surfacing and that could be a few weeks. I can only assume Apple will give this a major push for consideration. It’s a campaign that is an uphill battle for reasons unfathomable just a few months ago.
Documentary filmmaker Margaret Brown explores her Alabama roots through the tracking of a slave ship in Descendant, which arrives in theaters in limited fashion and streams on Netflix October 21st. This is the latest venture from Higher Ground Productions, founded by former President and First Lady Barack and Michelle Obama.
The company’s critical and awards history has been impressive. In 2019, American Factory won Best Documentary Feature. A year later, Crip Camp made the final five for consideration. Descendant, following its Sundance unveiling back in January, is garnering acclaim. The Rotten Tomatoes score is 100%.
I’ve had Descendant listed in either 2nd or 3rd place in my projections for the Doc derby. I expect it to get in and it could win. My Oscar Prediction posts will continue…
For the time being at least, I’m settling on Edward Berger’s antiwar epic All Quiet on the Western Front as Netflix’s strongest contender. It moves into my predicted BP hopefuls for the first time and that takes out Triangle of Sadness. Additionally, Berger is in the quintet for Director and it’s Park Chan-wook (Decision to Leave) that drops. The Quiet love shows up in International Feature Film where it moves to first place with Leave sliding to runner-up status.
We also have a category placement change to discuss. While nothing has been announced, it makes a lot of sense for Babylon‘s Margot Robbie to move to Supporting Actress after Michelle Williams (rather inexplicably) elevated to Best Actress for The Fabelmans. Robbie moves there (hopefully Paramount lets us know soon) so Danielle Deadwyler is back in Best Actress. Stephanie Hsu (Everything Everywhere All at Once) is now on the outside looking in for supporting.
There’s a change in Actor as I’m finally putting Diego Calva (Babylon) in over Bill Nighy (Living). In Original Screenplay, The Fabelmans is now #1 over Everything.
The New York Film Festival starts this weekend. By the time of my next update, we will know what the real prospects are for Till with She Said soon to follow.
You can read all the movement below!
Best Picture
Predicted Nominees:
1. The Fabelmans (Previous Ranking: 1) (E)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
6. Top Gun: Maverick (PR: 6) (E)
7. Tar (PR: 8) (+1)
8. The Whale (PR: 7) (-1)
9. All Quiet on the Western Front (PR: 11) (+2)
10. Decision to Leave (PR: 9) (-1)
Other Possibilities:
11. Triangle of Sadness (PR: 10) (-1)
12. The Woman King (PR: Not Ranked)
13. Elvis (PR: 15) (+2)
14. Avatar: The Way of Water (PR: Not Ranked)
15. Empire of Light (PR: 13) (-2)
Dropped Out:
She Said
Glass Onion: A Knives Out Mystery
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Sarah Polley, Women Talking (PR: 3) (E)
4. Daniels, Everything Everywhere All at Once (PR: 4) (E)
5. Edward Berger, All Quiet on the Western Front (PR: 8) (+3)
Other Possibilities:
6. Todd Field, Tar (PR: 6) (E)
7. Park Chan-wook, Decision to Leave (PR: 5) (-2)
8. Martin McDonagh, The Banshees of Inisherin (PR: 7) (-1)
9. Ruben Ostlund, Triangle of Sadness (PR: 9) (E)
10. James Cameron, Avatar: The Way of Water (PR: Not Ranked)
Dropped Out:
Darren Aronofsky, The Whale
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tar (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: 3) (E)
4. Olivia Colman, Empire of Light (PR: 5) (+1)
5. Danielle Deadwyler, Till (PR: 6) (+1)
Other Possibilities:
6. Viola Davis, The Woman King (PR: 7) (+1)
7. Ana de Armas, Blonde (PR: 9) (+2)
8. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (+1)
9. Jennifer Lawrence, Causeway (PR: 8) (-1)
10. Carey Mulligan, She Said (PR: Not Ranked)
Dropped Out:
Margot Robbie, Babylon – moved to Supporting Actress
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Diego Calva, Babylon (PR: 6) (+2)
5. Hugh Jackman, The Son (PR: 4) (-1)
Other Possibilities:
6. Bill Nighy, Living (PR: 5) (-1)
7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)
8. Song Kang-ho, Broker (PR: 8) (E)
9. Adam Driver, White Noise (PR: 9) (E)
10. Paul Mescal, Aftersun (PR: Not Ranked)
Dropped Out:
Jeremy Pope, The Inspection
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Jessie Buckley, Women Talking (PR: 2) (E)
3. Margot Robbie, Babylon (PR: Not Ranked) – moved from Best Actress
4. Kerry Condon, The Banshees of Inisherin (PR: 3) (-1)
5. Hong Chau, The Whale (PR: 4) (-1)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-1)
7. Thuso Mbedu, The Woman King (PR: Not Ranked)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 7) (-1)
9. Zoe Kazan, She Said (PR: 9) (E)
10. Sadie Sink, The Whale (PR: 10) (E)
Dropped Out:
Vanessa Kirby, The Son
Jean Smart, Babylon
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Brad Pitt, Babylon (PR: 4) (+1)
4. Paul Dano, The Fabelmans (PR: 3) (-1)
5. Barry Keoghan, The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Ben Whishaw, Women Talking (PR: 6) (E)
7. Judd Hirsch, Women Talking (PR: 7) (E)
8. Jeremy Strong, Armageddon Time (PR: Not Ranked)
9. Micheal Ward, Empire of Light (PR: 8) (-1)
10. Woody Harrelson, Triangle of Sadness (PR: 9) (-1)
Dropped Out:
Anthony Hopkins, Armageddon Time
Best Original Screenplay
Predicted Nominees:
1. The Fabelmans (PR: 3) (+2)
2. Everything Everywhere All at Once (PR: 1) (-1)
3. The Banshees of Inisherin (PR: 2) (-1)
4. Triangle of Sadness (PR: 5) (+1)
5. Babylon (PR: 4) (-1)
Other Possibilities:
6. Tar (PR: 6) (E)
7. Decision to Leave (PR: 7) (E)
8. Armageddon Time (PR: Not Ranked)
9. Bros (PR: 8) (-1)
10. Broker (PR: 9) (-1)
Dropped Out:
Empire of Light
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. White Noise (PR: 5) (E)
Other Possibilities:
6. All Quiet on the Western Front (PR: 10) (+4)
7. Top Gun: Maverick (PR: 7) (E)
8. Till (PR: 9) (+1)
9. Living (PR: 6) (-3)
10. The Son (PR: 8) (-2)
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Strange World (PR: 5) (+2)
4. Marcel the Shell with Shoes On (PR: 4) (E)
5. Wendell and Wild (PR: 3) (-2)
Other Possibilities:
6. My Father’s Dragon (PR: 7) (+1)
7. The Sea Beast (PR: 6) (-1)
8. The Bad Guys (PR: 8) (E)
9. Minions: The Rise of Gru (PR: 10) (+1)
10. Lightyear (PR: 9) (-1)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 2) (+1)
2. Decision to Leave (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Saint Omer (PR: 4) (E)
5. Argentina, 1985 (PR: 7) (+2)
Other Possibilities:
6. Holy Spider (PR: 8) (+2)
7. Bardo (PR: 6) (-1)
8. Klondike (PR: Not Ranked)
9. EO (PR: 9) (E)
10. Alcarras (PR: Not Ranked)
Dropped Out:
The Eight Mountains
Plan 75
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Navalny (PR: 3) (+1)
3. Descendant (PR: 2) (-1)
4. All That Breathes (PR: Not Ranked)
5. Fire of Love (PR: 4) (-1)
Other Possibilities:
6. The Territory (PR: 6) (E)
7. Good Night Oppy (PR: 9) (+2)
8. Moonage Daydream (PR: 8) (E)
9. Last Flight Home (PR: 5) (-4)
10. Sr. (PR: Not Ranked)
Dropped Out:
Black Ice
Riotsville, U.S.A.
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 3) (+1)
3. Empire of Light (PR: 2) (-1)
4. All Quiet on the Western Front (PR: 7) (+3)
5. Avatar: The Way of Water (PR: 5) (E)
Other Possibilities:
6. Top Gun: Maverick (PR: 4) (-2)
7. Bardo (PR: 6) (-1)
8. The Banshees of Inisherin (PR: 9) (+1)
9. Everything Everywhere All at Once (PR: 8) (-1)
10. The Batman (PR: Not Ranked)
Dropped Out:
Tar
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. Mrs. Harris Goes to Paris (PR: 5) (+1)
5. The Woman King (PR: 4) (-1)
Other Possibilities:
6. The Fabelmans (PR: 6) (E)
7. Everything Everywhere All at Once (PR: 8) (+1)
8. Corsage (PR: 7) (-1)
9. Living (PR: Not Ranked)
10. Amsterdam (PR: Not Ranked)
Dropped Out:
Three Thousand Years of Longing
Don’t Worry Darling
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. The Fabelmans (PR: 4) (E)
5. Elvis (PR: 6) (+1)
Other Possibilities:
6. All Quiet on the Western Front (PR: 9) (+3)
7. Women Talking (PR: 5) (-2)
8. Tar (PR: 10) (+2)
9. Avatar: The Way of Water (PR: 7) (-2)
10. The Banshees of Inisherin (PR: Not Ranked)
Dropped Out:
Glass Onion: A Knives Out Mystery
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Babylon (PR: 2) (-1)
4. Everything Everywhere All at Once (PR: 6) (+2)
5. Black Panther: Wakanda Forever (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 4) (-2)
7. The Woman King (PR: 7) (E)
8. All Quiet on the Western Front (PR: 9) (+1)
9. Three Thousand Years of Longing (PR: 8) (-1)
10. X (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. Babylon (PR: 2) (+1)
2. The Fabelmans (PR: 1) (-1)
3. Women Talking (PR: 4) (+1)
4. Empire of Light (PR: 3) (-1)
5. Tar (PR: 8) (+3)
Other Possibilities:
6. The Banshees of Inisherin (PR: 5) (-1)
7. Avatar: The Way of Water (PR: 6) (-1)
8. All Quiet on the Western Front (PR: 7) (-1)
9. The Batman (PR: 9) (E)
10. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
Dropped Out:
Top Gun: Maverick
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Nobody Like U” from Turning Red (PR: 2) (E)
3. “Applause” from Tell It Like a Woman (PR: 3) (E)
4. “On My Way” from Marry Me (PR: 5) (+1)
5. “Carolina” from Where the Crawdads Sing (PR: 4) (-1)
Other Possibilities:
6. “This Is a Life” from Everything Everywhere All at Once (PR: 6) (E)
7. “Vegas” from Elvis (PR: Not Ranked)
8. “I Ain’t Worried” from Top Gun: Maverick (PR: Not Ranked)
9. “Naatu Naatu” from RRR (PR: 7) (-2)
10. “New Body Rhuma” from White Noise (PR: 8) (-2)
Dropped Out:
“Good Tonight” from The Bad Guys
“Paper Airplanes” from A Jazzman’s Blues
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Avatar: The Way of Water (PR: 4) (+1)
4. Black Panther: Wakanda Forever (PR: 6) (+2)
5. The Fabelmans (PR: 3) (-2)
Other Possibilities:
6. Empire of Light (PR: 5) (-1)
7. All Quiet on the Western Front (PR: 7) (+1)
8. Amsterdam (PR: Not Ranked)
9. Glass Onion: A Knives Out Mystery (PR: 7) (-2)
10. The Batman (PR: 9) (-1)
Dropped Out:
Bardo
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. Babylon (PR: 4) (E)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Nope (PR: 8) (+1)
8. Everything Everywhere All at Once (PR: 9) (+1)
9. Black Panther: Wakanda Forever (PR: 7) (-2)
10. The Fabelmans (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. The Batman (PR: 4) (E)
5. Doctor Strange in the Multiverse of Madness (PR: 5) (E)
Other Possibilities:
6. Guillermo del Toro’s Pinocchio (PR: 10) (+4)
7. Nope (PR: 8) (+1)
8. All Quiet on the Western Front (PR: 7) (-1)
9. Black Panther: Wakanda Forever (PR: 6) (-3)
10. RRR (PR: 9) (-1)
And that equates to these movies getting these numbers of nominations:
13 Nominations
Babylon
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once
6 Nominations
The Banshees of Inisherin, Elvis, Women Talking
5 Nominations
All Quiet on the Western Front, Top Gun: Maverick, The Whale
4 Nominations
Avatar: The Way of Water
3 Nominations
Black Panther: Wakanda Forever, Empire of Light, Tar
2 Nominations
Decision to Leave, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, The Batman, Close, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Marry Me, Mrs. Harris Goes to Paris, Navalny, Saint Omer, She Said, The Son, Strangle World, Tell It Like a Woman, Till, Triangle of Sadness, Wendell and Wild, Where the Crawdads Sing, White Noise, The Woman King
92 years ago, Lewis Milestone’s war epic All Quiet on the Western Front became just the third movie to win Best Picture at the Oscars. After premiering at the Toronto Film Festival before its October 28th Netflix stream, the latest version could attract Academy attention as well. The German production comes from director Edward Berger with a cast including Daniel Bruhl, Albrecht Schuch, Sebastian Hulk, and Aaron Hilmer.
Its native country has already named it as their submission for International Feature Film. Critical reaction is positive across the board with 100% on Rotten Tomatoes. In particular, the World War I tale is being praised for tech aspects.
Along with South Korea’s Decision to Leave, I believe Quiet is pretty close to a sure thing for the IFF category. Yet it could branch out beyond that. We’ve seen a trend lately of Best Director nominees representing their foreign features. Recent examples include Pawel Pawlikowski (Cold War), Thomas Vinterberg (Another Round), and Ryusuke Hamaguchi (Drive My Car). In the first two cases, their film didn’t even make the Best Picture cut. This could happen with Berger or Decision‘s Park Chan-wook.
The possibilities don’t end there. Adapted Screenplay looks quite open for slot availability. The aforementioned down the line chances to make the final five include Cinematography, Editing, and Sound. It’s just as possible that Quiet only makes noise in IFF, but it could contend in multiple competitions including BP. My Oscar Prediction posts will continue…
Henry Selick burst onto the stop-motion big screen animation scene nearly 30 years ago with The Nightmare Before Christmas and continued on with James and the Giant Peach and Coraline (which received a Best Animated Feature). Note that the category didn’t exist when Christmas and Peach came out. His first feature in 13 years is Wendell & Wild, which premiered at Toronto and hits Netflix on October 28th (with an awards qualifying run a week prior).
A familiar comedic duo, Keegan-Michael Key and Jordan Peele, voice the demon sibling title characters. Other performers behind the mic include Lyric Ross, Angela Bassett, James Hong, and Ving Rhames. The Canadian debut yielded a 92% Rotten Tomatoes score.
Most reviews are not overwhelming raves and I don’t see this winning the top prize. Netflix’s biggest contender could be the forthcoming Pinocchio from Guillermo del Toro. I also wouldn’t discount their acclaimed The Sea Beast from earlier this year. Wild could easily make the top five when the dust settles though I wouldn’t say it’s a slam dunk. My Oscar Prediction posts will continue…
Sally El Hosaini’s The Swimmers got the plum slot of opening the Toronto Film Festival a week ago prior to its November 23rd Netflix streaming bow. An Oscar qualifying theatrical run will precede that. Based on the true story of Syrian refugee sisters hoping for Olympic gold, real life siblings Nathalie and Manal Issa star alongside Ahmed Malek, Matthias Schweighofer, and Ali Suliman.
The Toronto buzz was mixed with a 60% Rotten Tomatoes score. I don’t see this generating a wave of support for awards consideration. Many reviews say this is more successful in its depiction of the refugee experience than as a sports drama. I would second that as I attended the opening night gala in Canada. I don’t envision this contending in any race. My Oscar Prediction posts will continue…
Tyler Perry puts away that Madea smock for a love story spanning four decades in A Jazzman’s Blues, which streams on Netflix beginning September 23rd. The writer/director’s latest premiered at the Toronto Film Festival with a cast of relative unknowns including Joshua Boone, Amirah Vann, Solea Pfeiffer, and Ryan Eggold.
Early critical reaction is mostly appreciative of Perry’s effort. The current Rotten Tomatoes score is 80%. This doesn’t, however, appear to be his bid at awards kudos. The reviews are less raves and more claims that it’s serviceable. Don’t look for this to play with the Academy. My Oscar Prediction posts will continue…
Basing his directorial debut on his own experiences, Elegance Bratton has premiered The Inspection at the Toronto Film Festival prior to its November 18th domestic release. The A24 title features Jeremy Pope as a Marine at boot camp whose homosexuality is revealed. Costars include Raul Castillo, McCaul Lombardi, Bokeem Woodbine, and Gabrielle Union.
Reviews out of Canada are looking good for the most part and the Rotten Tomatoes meter is at 87%. Yet I’m doubtful this could play in Best Picture or for Bratton’s original screenplay. On the other hand, many critics are calling this a star making performance from Pope. He’s a recent Emmy nominee for the Netflix miniseries Hollywood (he’s also received Tony and Grammy nods for his stage work).
The studio will need to really push Pope for any hope of making the final five. Some of the those slots – Brendan Fraser (The Whale), Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Hugh Jackman (The Son) – may already be spoken for. It remains The Inspection‘s most realistic hope. My Oscar Prediction posts will continue…
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