Best Picture 2021: The Final Five

We have reached 2021 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

Beyond the headlines made during the 94th Academy Awards by Will Smith and Chris Rock, the other story was a little movie called CODA. The family drama from Apple TV built momentum beginning at the Sundance Film Festival early in the year. It culminated in a 3/3 performance on Oscar night – winning Picture, Original Screenplay, and Supporting Actor (Troy Kotsur). We can assume it would’ve made the final cut.

As for the other nine, let’s take a deeper dive:

Belfast

Kenneth Branagh’s semi-autobiographical coming-of-age drama picked up other key nods in Director, Supporting Actress (Judi Dench), Supporting Actor (Ciaran Hinds), Original Song, and Sound. It didn’t emerge victorious in any, but its sole win came in Original Screenplay in a tight contest with Licorice Pizza.

Does It Make the Final Five?

Yes. The seven nominations were tied for third most and the screenplay trophy pushes it over.

Don’t Look Up

Adam McKay’s political satire was a streaming hit for Netflix with a megawatt all-star cast including Leonardo DiCaprio, Jennifer Lawrence, and Meryl Streep. Even with the Power of the Meryl, it received just three other mentions besides Picture in Original Screenplay, Original Score, and Film Editing (going 0 for 4).

Does It Make the Final Five?

No. Critics were divided and Netflix likely would’ve thrown all their campaign muscle behind The Power of the Dog if the count was only five.

Drive My Car

Ryusuke Hamaguchi’s three-hour Japanese drama easily won the International Feature Film race, but it also picked up other nods in Director and Adapted Screenplay.

Does It Make the Final Five?

No, but you could argue otherwise. I left it off due to the power of the others and the fact that foreign directors often get nominated without their films making the BP cut.

Dune

Denis Villeneuve was shockingly omitted from the Best Director derby. However, the sci-fi epic got the second most nominations at 10. It won a ceremony high 6 with Cinematography, Film Editing, Original Score, Production Design, Sound, and Visual Effects. The other nods were Adapted Screenplay, Costume Design, and Makeup and Hairstyling.

Does It Make the Final Five?

Yes. The Villeneuve snub causes some doubt, but the sheer amount of victories makes the inclusion likely.

King Richard

Will Smith infamously had the true-life sports drama’s sole win in Actor and it was also nominated in Supporting Actress (Aunjanue Ellis), Original Screenplay, Original Song, and Film Editing.

Does It Make the Final Five?

No. Yet this is another one that was a very close call. Once again, I just couldn’t take out some upcoming entries.

Licorice Pizza

Paul Thomas Anderson’s coming-of-age dramedy also saw its maker nominated in Director and Original Screenplay. It went 0 for 3.

Does It Make the Final Five?

No. That performance is a low showing for PTA’s pic and this was fairly easy to leave out of the ultimate quintet.

Nightmare Alley

Guillermo del Toro’s noirish thriller received three additional tech nods (losing all) in Cinematography, Costume Design, and Production Design.

Does It Make the Final Five?

No. This was (by a considerable margin) the easiest to leave off since it was blanked in all other major races like directing and screenplay and any acting mentions.

The Power of the Dog

Jane Campion’s direction is responsible for the Netflix Western’s one win. The nom count was an even better than expected 12 that included Actor (Benedict Cumberbatch), Supporting Actress (Kirsten Dunst), Supporting Actor (Kodi Smit-McPhee and Jesse Plemons), Adapted Screenplay, Cinematography, Film Editing, Original Score, Production Design, and Sound.

Does It Make the Final Five?

Yes, even though that 1/12 count is underwhelming to be kind. That’s still the most nods and Campion winning director seals it.

West Side Story

Steven Spielberg’s musical remake had its only win for Ariana DeBose (doing her thing in Supporting Actress). Five additional noms came for Mr. Spielberg, Cinematography, Costume Design, Production Design, and Sound.

Does It Make the Final Five?

Yes. I’ll admit this is a tough one and you could put Drive My Car or King Richard in its place. My gut says The Power of the Spielberg gives it a minor advantage.

That means my final 2021 five is:

Belfast

CODA

Dune

The Power of the Dog

West Side Story

2022 is next! And then, I’m switching it up. From 2008 and working backwards, I’ll do the inverse of these posts. For those years, I’ll speculate on what an expanded lineup of 10 might look like.

If you missed my entries for 2009-20, have no fear! They’re here:

Best Picture 2020: The Final Five

We have reached 2020 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut?

2020 is a tricky year to consider. As we all know, it was a year dominated by the COVID-19 pandemic. Many of us were working from home and theaters were essentially shuttered for the majority of the year.

Beyond the challenging, tragic, and unprecedented news events of 2020, it was just a strange year for motion pictures. Eight pictures contended for the big prize. I have the leading nominee (with 10) missing the BP cut. The next most nominated film had 6 mentions… and there’s 6 of them. The other BP contender had 5.

My point? Whittling these 8 down to 5 is not easy. Considering it took BP, Director (Chloe Zhao, the second female ever to win), and Actress (Frances McDormand), we can safely reserve a spot for Nomadland. As for the rest? Let’s get into it!

The Father

Florian Zeller’s devastasting drama about Alzheimer’s missed a nod in Director, but Anthony Hopkins landed his second Actor statue over the late Chadwick Boseman in Ma Rainey’s Black Bottom, who was the frontrunner. Zeller did win Adapted Screenplay and this was also up for Supporting Actress (Olivia Colman), Film Editing, and Production Design.

Does It Make the Final Five?

Yes. Its two wins not only give me confidence of its inclusion in a quintet, but it could be argued this was runner-up to Nomadland.

Judas and the Black Messiah

Daniel Kaluuya won Supporting Actor for his performance as Fred Hampton in Shaka King’s historical drama. Costar Lakeith Stanfield was up in the same race and it was nominated for Original Screenplay and Cinematography. A second statue was given to H.E.R. for her original song “Fight for You”.

Does It Make the Final Five?

No but I certainly struggled with this one. The lack of directing and editing noms have it on the outside looking in.

Mank

This is where it gets complicated. David Fincher’s jaded Netflix aired look at Old Hollywood easily led the program with 10 mentions and it won Cinematography and Production Design. Fincher was also in contention for his behind the camera work. Other nods went to Gary Oldman for Actor, Amanda Seyfried in Supporting Actress, Costume Design, Makeup and Hairstyling, Original Score, and Sound.

Does It Make the Final Five?

Surprisingly enough… I’m saying no. Despite the haul, it is the only one of the 8 nominees not up for screenplay. Furthermore the Film Editing omission feels significant. It certainly isn’t normal to project the leader not making the final five. However, rules are meant to be broken.

Minari

Lee Isaac Chung also garnered a directing spot in that quintet while Youn yuh-Jung was the Supporting Actress recipient in this family drama. Other nods: Actor (Steven Yeun), Original Screenplay, and Original Score.

Does It Make the Final Five?

Yes though I went back and forth. This seemed to gather strength as the season wore on and not just with yuh-Jung. I think it squeaks in.

Promising Young Woman

Emerald Fennell was up for director and won Adapted Screenplay for this revenge dramedy. Carey Mulligan made the Actress cut (and may have been second to McDormand) and it was in for Film Editing.

Does It Make the Final Five?

Yes. The victory in Adapted Screenplay over four other BP hopefuls helps solidify that decision.

Sound of Metal

The impressive haul for the indie drama is Riz Ahmed in Actor, Paul Raci in Supporting Actor, Original Screenplay, and wins in Film Editing and Sound.

Does It Make the Final Five?

Yes though I again went back and forth. While director Darius Marder was left out, it’s the Editing and Sound combo that give it an edge over the three that got left out.

The Trial of the Chicago 7

7‘s six nods came (in addition to BP) in Supporting Actor (Sacha Baron Cohen), Original Screenplay, Cinematography, Film Editing, and Original Song. The Aaron Sorkin political drama is the only BP vier not to take home a single trophy.

Does It Make the Final Five?

No though I struggled again. This Netflix pic undoubtedly didn’t match awards expectations after it was once seen as the on paper favorite. The 0 for 6 performance make it easier to elevate some of the others.

And there you have it. That means my 2020 vision of the Final Five is:

The Father

Minari

Nomadland

Promising Young Woman

Sound of Metal

2021 will be be up soon! If you missed my entries covering 2009-19, you can find them here:

95th Academy Awards: Ranking the Best Picture Nominees

The 95th Academy Awards air tomorrow and, just in the nick of time, I have seen all ten Best Picture nominees courtesy of my Netflix viewing of All Quiet on the Western Front today.

If you missed my predictions for who and what I believe will win at the ceremony, you can access that here:

Now that I’ve seen the group of pics vying for BP, I will rank them according to personal preference. Just as in 2019 with Parasite, my #1 happens to match the movie that I’m projecting to take the biggest prize.

In 2022, I was ecstatic to attend the Toronto Film Festival for the first time. It is there that I saw future nominees The Banshees of Inisherin, The Fabelmans, and Women Talking. At the theater in my home state of Ohio, I took in Avatar: The Way of Water, Tár, and Top Gun: Maverick. Home sweet home is where I viewed All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, and Triangle of Sadness.

This is how I’d rank them!

10. Triangle of Sadness

9. Avatar: The Way of Water

8. Elvis

7. All Quiet on the Western Front

6. The Banshees of Inisherin

5. Tár

4. Women Talking

3. The Fabelmans

2. Top Gun: Maverick

1 . Everything Everywhere All at Once

34th PGA Awards Winner Predictions

Ahead of Sunday evening’s Screen Actors Guild (SAG) Awards, it’s the producers turn on Saturday night. The 34th PGA Awards winner for their best in show has matched the Oscar Picture victor 70% of the time in the previous decade. The times they diverged were 2015 with PGA naming The Big Short instead of Spotlight, 2016 with La La Land over Moonlight, and 2019 when 1917 took the producer prize as opposed to Parasite. PGA also has animated and documentary competitions. I’m walking through them one by one with a winner and runner-up projection.

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Nominees:

Avatar: The Way of Water

The Banshees of Inisherin

Black Panther: Wakanda Forever

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Tár

Top Gun: Maverick

The Whale

There’s a 7 for 10 correlation with the PGA contenders and the BP hopefuls from the Academy. The former has Black Panther, Glass Onion, and The Whale up while the Oscars went with All Quiet on the Western Front, Triangle of Sadness, and Women Talking. The PGA is known for favoring blockbusters over some smaller pics from time to time. Previous examples that didn’t make the Academy’s cut include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, and Crazy Rich Asians.

This helps explain why some prognosticators are favoring Maverick to take PGA’s highest award. Another explanation is that pundits are attempting to make the race more exciting than it actually is. I do believe Everything Everywhere All at Once is still most likely to emerge. Maverick does warrant runner-up status.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: Top Gun: Maverick

Outstanding Producer of Animated Theatrical Motion Pictures

Nominees:

Guillermo del Toro’s Pinocchio

Marcel the Shell with Shoes On

Minions: The Rise of Gru

Puss in Boots: The Last Wish

Turning Red

Guillermo del Toro’s Netflix rendering of the classic tale has cleaned up with precursors and there’s no reason to believe it won’t with PGA.

Predicted Winner: Guillermo del Toro’s Pinocchio

Runner-Up: Puss in Boots: The Last Wish

Outstanding Producer of Documentary Theatrical Motion Pictures

Nominees:

All That Breathes

Descendant

Fire of Love

Navalny

Nothing Compares

Retrograde

The Territory

I wrongly picked Fire of Love to win the BAFTA instead of Navalny. Have I learned my lesson? Nope! I’m doubling down and saying a Fire PGA victory will make the Oscar quintet more competitive.

Predicted Winner: Fire of Love

Runner-Up: Navalny

I’ll have a recap up Saturday evening or Sunday ahead of the SAG show. If you missed my SAG predictions, they can be accessed here:

Oscars: The Case of Ana de Armas in Blonde

Ana de Armas is Marilyn Monroe in Andrew Dominik’s Blonde and she’s the second Best Actress hopeful in my Case Of Posts.

The Case for Ana de Armas:

Despite the film itself garnering mixed reactions (more on that below), de Armas was widely praised. This resulted in nods at the Globes, SAG, and BAFTAs.

The Case Against Ana de Armas:

I’m talking really mixed reactions for the film. Blonde received the most Razzie nominations (8) of any 2022 title. Some critics and viewers outright despised the Netflix effort as evidenced by the 42% Rotten Tomatoes score and even lower 32% audience rating. She has yet to win anywhere.

Previous Nominations:

None

The Verdict:

The fact that so many had their knives out for Blonde makes her a non-factor in this competition (unless we see a shocking SAG or BAFTA victory). We should see the Academy’s ladies and gentlemen prefer Cate Blanchett (Tár) or Michelle Yeoh (Everything Everywhere All at Once).

My Case Of posts will continue with Colin Farrell in The Banshees of Inisherin!

If you missed my other write-ups for the Actress nominees, you can find them here:

Your Place or Mine Review

Your Place or Mine features a greatest hits CD worth of tracks by The Cars while the movie never kicks into high gear. It never totally sputters either. Keeping the leads about 2800 miles apart for the vast duration might give off Sleepless in Seattle vibes, but you’ve got chemistry between Tom Hanks and Meg Ryan that surpasses that of Reese Witherspoon and Ashton Kutcher.

We meet Debbie (Witherspoon) and Peter (Kutcher) in 2003. He’s sporting a wallet chain and she’s in a WonderBra on the night they hook up after a crazy game of poker. The romance ceases after night one though they don’t lose it all. What follows is a close 20-year platonic relationship. He’s on the East Coast where his flings never exceed the six month mark. She’s on the West Coast with her teenage son (Wesley Kimmel). Her mountain climbing ex-hubby is off climbing mountains while her zany next door neighbor and part-time gardener (Steve Zahn) is always hanging around. A helicopter mom, Debbie is finally convinced to take her own flight to Brooklyn to complete a week-long accounting course. Peter hits L.A. to watch the kid.

Staying at each other’s abodes gives them fresh insights. They pride their friendship on being completely honest. It turns out this isn’t the case in ways large and small. Peter hasn’t completely given up his young 20s dream of being a novelist. Of course, the biggest diversion from the whole truth is they are madly in love and can’t admit it. I don’t think we need a SPOILER ALERT. They both try to avoid it. Debbie, with assistance from Peter’s ex-flame (Zoë Chao, quite funny), meets a dreamy publisher (Jesse Williams) for her first flirtation in some time. Meanwhile her babysitter’s best friend (the always game Tig Notaro) serves as Peter’s sounding board.

The directorial debut of Aline Brosh McKenna, she’s no stranger to writing hits in the genre like The Devil Wears Prada and 27 Dresses. 2003, shortly before those rom com entries, is about when Witherspoon and Kutcher were starting their known features in the field (Sweet Home Alabama for her, Just Married for him). It’s a tad surprising they never teamed up before.

Your Place or Mine imagines a glossy scenario where their version of happily ever after is delayed a couple of decades. The long wait includes the inability to truly judge their chemistry as the bulk of their interactions is via calls and texts. Contrary to The Cars songs that play, I guess it’s not what we needed and there’s scant magic. You might think it’s average at best.

** (out of four)

Oscar Predictions: Your Place or Mine

Reese Witherspoon is the star and producer of Your Place or Mine, which is available for viewing in the comfort of your place (but not mine) on Netflix today. The rom com pairs her with Ashton Kutcher in the directorial debut from Aline Brosh McKenna. The supporting cast includes Jesse Williams, Zoë Chao, Tig Notaro, and Steve Zahn.

With an awards qualifying limited theatrical run, this isn’t an Oscar prediction posts as much as a Golden Globes one. Witherspoon has been nominated for Best Actress in a Musical or Comedy on three occasions – 1999’s Election, 2001’s Legally Blonde, and 2005’s Walk the Line (where won the Globe and eventually the Oscar). Her sole nod in Actress (Drama) at the Globes is for 2014’s Wild (for which she received her second mention from the Academy).

The thought of Witherspoon garnering a fifth GG nom is feasible until you see the Rotten Tomatoes score. At a mere 35%, it’s highly doubtful this will be on the minds of any voters nearly a year from now. My Oscar Prediction posts will continue…

Oscar Predictions: Theater Camp

Sundance premiered Theater Camp, the feature-length version of a 2020 short film of the same name. The comedy comes from directors Molly Gordon (who can be seen as Jonah Hill’s sibling in this weekend’s You People on Netflix) and Nick Lieberman. They cowrote the screenplay with Ben Platt (originator of the title role of Dear Evan Hansen on Broadway) and Noah Galvin (who would later play Hansen onstage). Gordon, Platt, and Galvin are included in the cast along with Jimmy Tatro, Patti Harrison, Ayo Edebiri, Amy Sedaris, and Alan Kim.

Set at an upstate New York camp for aspiring musically inclined stage stars, critics are mostly saying Theater has limited but charming appeal. The Rotten Tomatoes meter is at a decent 80%. Searchlight believes the breakout potential is enough that they bought it for $8 million and plan a theatrical distribution later this year.

Perhaps some Academy voters went to the kind of camp that’s both celebrated and lampooned here. I don’t believe the reviews are there for it to make any sort of Oscar push. Perhaps the Golden Globes will take a gander for Motion Picture – Musical/Comedy, but even that could be a reach. My Oscar Prediction posts will continue…

Oscars: The Case of All Quiet on the Western Front

As is tradition every Oscar season on the blog, it’s time to dig a bit deeper into the nominees for Best Picture, Director, and the four acting derbies. These are my Case Of posts where I lay out the merits for and against the 35 contenders in the aforementioned competitions. Yes, that’s 35 individual posts and we start with the 10 hopefuls in BP.

This will occur alphabetically so All Quiet on the Western Front is on deck!

The Case for All Quiet on the Western Front:

Edward Berger’s antiwar epic is the only title that’s won Best Picture before. The 1929-30 ceremony (the 3rd ever Oscars) bestowed best in show to the 1930 version of Erich Maria Remarque’s novel. If we believe BAFTA is a reliable precursor to Academy glory, Front is loaded with a leading 14 nominations. Tied with The Banshees of Inisherin with 9 nods, the pair is second only to Everything Everywhere All at Once‘s 11. This is Netflix’s one and only contender so the streamer has and will be campaigning hard.

The Case Against All Quiet on the Western Front:

The nine mentions are impressive and more than anticipated. However, a couple of misses are key. Not many films end up winning BP that are omitted in Editing and that applies here. Most importantly, Berger did not make the quintet in Director. While there have been recent examples of the directors of BP recipients not making that cut (Ben Affleck for Argo, Peter Farrelly for Green Book, Sian Heder last year with CODA), this seems like the type of project where the filmmaker needed in to have much hope of taking the biggest prize. That’s not the only chink in the armor. Quiet was widely expected to take the Golden Globe statue for foreign feature and lost in an upset to Argentina, 1985. Netflix hasn’t won a BP yet.

Other Nominations:

Adapted Screenplay, International Feature Film, Cinematography, Makeup & Hairstyling, Original Score, Production Design, Sound, Visual Effects

The Verdict:

Quiet appears close to a lock to make noise in International Feature Film (I wouldn’t bet on an Argentina upset on Oscar night). While its haul of nine is laudable, its chances in BP are low-key.

My Case Of posts will continue with Avatar: The Way of Water!

For the other BP Case Of posts, you can find them here:

You People Review

You People begins with podcaster Ezra (Jonah Hill) and his cohost Mo (Sam Jay) having a chat about the former’s relationship status. They compare it to the various albums of Drake as far as his moods (looking for love Drake vs. party boy Drake). It sounds like the idea of a conversation you’d have in a movie screenplay before the scribes try for authenticity. Hill and cowriter/director Kenya Barris (creator of sitcom black-ish) rarely get to the authenticity part as this race and family relations concoction feels overly workshopped. There are glimpses in the third act, but what a waste of talent for so much of it.

Ezra’s heart is taken by Amira (Lauren London) after mistaking her for his Uber driver. The couple’s meet cute quickly elevates to an engagement and the meet the parents business complicates the bliss. His are Julia-Louis Dreyfus’s doting Jewish mom Shelley and hubby Arnold (David Duchovny), whose lines are 90% describing 90s rapper Xzibit. Hers are devout Muslim Akbar (Eddie Murphy) and wife Fatima (Nia Long). Ezra’s streaming show is about cultural interactions. Those of the in-laws could fill a season’s worth of content.

The problem is it’s not profound and feels rather tame. A lunch table talk about the ebony and ivory aspects of Forrest Gump is shrimpy in its impact. Same goes for when Ezra is stuck in the car with his future father-in-law as a Jay-Z/Kanye track using a forbidden word comes up. These are sitcom level situations with the humor stuck in bland-ish gear.

A cast filled with familiar faces do add some welcome laughs. Small contributions from Mike Epps as Akbar’s degenerate brother and Molly Gordon as Ezra’s exasperated sister help. Barris and Hill manage to inject a little emotion in the waning moments that could satisfy ardent rom com devotees.

For the most part, You People is listless. The biggest surprise is the term applies to Murphy’s performance. The legend is usually the spark plug even in his mediocre pics. This recalls his lethargic work in Beverly Hills Cop III more than anything else. When that’s the comparison I’m making with his filmography, the heat is off when it comes to his normal firepower.

** (out of four)