Just as the New York Film Critics Circle (NYFCC) honored Martin Scorsese’s Killers of the Flower Moon as their best of 2023, the National Board of Review followed suit today. Like the Big Apple’s group, it’s not one of the more predictive precursors for Oscar glory. However, there are plenty of nominees solidifying themselves for at least making the cut with each victory.
That logic definitely applies to Killers, which took Best Film, Director, and Actress (Lily Gladstone). It’s pretty much of a lock for inclusion in the Academy’s Best Picture 10. Yet a win is far from guaranteed. I currently have it behind Oppenheimer. The last NBR Film recipient that took BP at the Oscars is 2018’s Green Book. Before that it was 2008’s Slumdog Millionaire.
The other big winner at NBR is The Holdovers. It’s the pick for Actor (Paul Giamatti), Supporting Actress (Da’Vine Joy Randolph), and Original Screenplay. I’m really beginning to think Randolph is a serious threat to be the gold statue Supporting Actress selection (even though I’ve had her ranked second behind Danielle Brooks from The Color Purple).
Mark Ruffalo is your Supporting Actor for Poor Things while Spider-Man: Across the Spider-Verse took the Animated prize, Anatomy of a Fall (ineligible for International Feature Film at the Oscars) is the International Film here, and Still: A Michael J. Fox Movie won Documentary.
It’s actually rare that all four acting recipients from NBR make the Oscar quintet in their respective races. I will say that Gladstone, Giamatti, Randolph, and Ruffalo all stand excellent chances.
Lastly, this Board selects other Top Films beyond their #1. This year the others are (alphabetically) Barbie, The Boy and the Heron, Ferrari, The Holdovers, The Iron Claw, Maestro, Oppenheimer, Past Lives, and Poor Things. There’s recently been about a 6-7 match correlation with Oscar. Killers is almost certainly in. The same can be said (with some of these more certain that others) for Barbie, The Holdovers, Maestro, Oppenheimer, Past Lives, and Poor Things. Heron and Ferrari are, at best, long shots. The Iron Claw is worth keeping an eye on for a late push.
And please continue to keep an eye on the blog for all speculation as Oscar nominations approach!
It has been two weeks since I updated my Oscar predictions and a lot has transpired in those 14 days. We’ve had the National Board of Review and American Film Institute release their best of lists while the Golden Globes and Critics Choice voters unveiled their nominees.
There is a change in BP in the 10th spot. Triangle of Sadness is back in as I’ve taken out The Whale. The bad news for that pic continues as I’ve demoted Brendan Fraser from 1st to 3rd in Actor. Make no mistake – I do believe he can still win. However, the last Best Actor victor whose movie wasn’t nominated was 13 years ago with Jeff Bridges from Crazy Heart. That stat puts Austin Butler and Colin Farrell in the 1-2 spots as I do have their flicks in BP.
The various precursors have caused major movement in the wildly unpredictable Supporting Actress field. Claire Foy (Women Talking) missed the Globes and Critics Choice. She drops from 1st to 4th while Kerry Condon (who made both precursors) is now in 1st. Dolly de Leon (Triangle of Sadness) and Angela Bassett (Black Panther: Wakanda Forever) are in the quintet with Jessie Buckley (Women Talking) and Hong Chau (The Whale again) falling out.
While Director and Actress have the same five, there’s a shift in Supporting Actor as Judd Hirsch joins his Fabelmans costar Paul Dano with Women Talking‘s Ben Whishaw on the outside looking in.
I would also note that RRR has gone from unranked status to 11th (knocking right on the door for BP).
We also have new #1’s in Documentary, Cinematography, Makeup and Hairstyling, and Score. Scroll below to track all the movement!
Best Picture
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. The Banshees of Inisherin (PR: 4) (+1)
4. Top Gun: Maverick (PR: 5) (+1)
5. Tár (PR: 6) (+1)
6. Elvis (PR: 9) (+3)
7. Women Talking (PR: 3) (-4)
8. Avatar: The Way of Water (PR: 10) (+2)
9. Babylon (PR: 7) (-2)
10. Triangle of Sadness (PR: 11) (+1)
Other Possibilities:
11. RRR (PR: Not Ranked)
12. Glass Onion: A Knives Out Mystery (PR: 13) (+1)
13. The Whale (PR: 8) (-5)
14. She Said (PR: 12) (-2)
15. The Woman King (PR: Not Ranked)
Dropped Out:
Guillermo del Toro’s Pinocchio
Decision to Leave
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Martin McDonagh, The Banshees of Inisherin (PR: 5) (+2)
4. Todd Field, Tár (PR: 4) (E)
5. Sarah Polley, Women Talking (PR: 3) (-2)
Other Possibilities:
6. James Cameron, Avatar: The Way of Water (PR: 7) (+1)
7. Damien Chazelle, Babylon (PR: 6) (-1)
8. S.S. Rajamouli, RRR (PR: 10) (+2)
9. Ruben Ostlund, Triangle of Sadness (PR: Not Ranked)
10. Baz Luhrmann, Elvis (PR: Not Ranked)
Dropped Out:
Park Chan-wook, Decision to Leave
Edward Berger, All Quiet on the Western Front
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: 4) (+1)
4. Danielle Deadwyler, Till (PR: 3) (-1)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Viola Davis, The Woman King (PR: 7) (+1)
7. Olivia Colman, Empire of Light (PR: 6) (-1)
8. Jennifer Lawrence, Causeway (PR: 8) (E)
9. Naomi Ackie, Whitney Houston: I Wanna Dance with Somebody (PR: 9) (E)
10. Ana de Armas, Blonde (PR: Not Ranked)
Dropped Out:
Rooney Mara, Women Talking
Best Actor
Predicted Nominees:
1. Austin Butler, Elvis (PR: 3) (+2)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Brendan Fraser, The Whale (PR: 1) (-2)
4. Bill Nighy, Living (PR: 4) (E)
5. Hugh Jackman, The Son (PR: 5) (E)
Other Possibilities:
6. Paul Mescal, Aftersun (PR: 8) (+2)
7. Tom Cruise, Top Gun: Maverick (PR: 6) (-1)
8. Diego Calva, Babylon (PR: 7) (-1)
9. Jeremy Pope, The Inspection (PR: 9) (E)
10. Gabriel LaBelle, The Fabelmans (PR: Not Ranked)
Dropped Out:
Daniel Gimenez Cacho, Bardo
Best Supporting Actress
Predicted Nominees:
1. Kerry Condon, The Banshees of Inisherin (PR: 2) (+1)
2. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 5) (+3)
3. Dolly de Leon, Triangle of Sadness (PR: 8) (+5)
4. Claire Foy, Women Talking (PR: 1) (-3)
5. Angela Bassett, Black Panther: Wakanda Forever (PR: Not Ranked)
Other Possibilities:
6. Jessie Buckley, Women Talking (PR: 3) (-3)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (E)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: Not Ranked)
9. Carey Mulligan, She Said (PR: 6) (-3)
10. Hong Chau, The Whale (PR: 4) (-6)
Dropped Out:
Nina Hoss, Tár
Keke Palmer, Nope
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Barry Keoghan, The Banshees of Inisherin (PR: 5) (+2)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Judd Hirsch, The Fabelmans (PR: 6) (+1)
Other Possibilities:
6. Brian Tyree Henry, Causeway (PR: 7) (+1)
7. Ben Whishaw, Women Talking (PR: 3) (-4)
8. Brad Pitt, Babylon (PR: 8) (E)
9. Eddie Redmayne, The Good Nurse (PR: 10) (+1)
10. Tom Hanks, Elvis (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Aftersun (PR: 6) (E)
7. Babylon (PR: 7) (E)
8. Decision to Leave (PR: 9) (+1)
9. The Menu (PR: 8) (-1)
10. Elvis (PR: Not Ranked)
Dropped Out:
Bardo
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. She Said (PR: 3) (+1)
3. Glass Onion: A Knives Out Mystery (PR: 4) (+1)
4. The Whale (PR: 2) (-2)
5. Living (PR: 6) (+1)
Other Possibilities:
6. White Noise (PR: 5) (-1)
7. Top Gun: Maverick (PR: 7) (E)
8. All Quiet on the Western Front (PR: Not Ranked)
9. Guillermo del Toro’s Pinocchio (PR: 8) (-1)
10. The Son (PR: 10) (E)
Dropped Out:
Bones and All
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 3) (E)
4. Puss in Boots: The Last Wish (PR: 6) (+2)
5. My Father’s Dragon (PR: 5) (E)
Other Possibilities:
6. Wendell and Wild (PR: 7) (+1)
7. The Bad Guys (PR: 4) (-3)
8. Strange World (PR: 9) (+1)
9. The Sea Beast (PR: 8) (-1)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 1) (E)
2. All Quiet on the Western Front (PR: 2) (E)
3. Close (PR: 6) (+3)
4. Saint Omer (PR: 3) (-1)
5. Argentina, 1985 (PR: 8) (+3)
Other Possibilities:
6. Bardo (PR: 5) (-1)
7. Holy Spider (PR: 4) (-3)
8. EO (PR: 7) (-1)
9. Joyland (PR: 9) (E)
10. Klondike (PR: Not Ranked)
Dropped Out:
Alcarras
Best Documentary Feature
Predicted Nominees:
1. All That Breathes (PR: 2) (+1)
2. Navalany (PR: 3) (+1)
3. Fire of Love (PR: 5) (+2)
4. All the Beauty and the Bloodshed (PR: 1) (-3)
5. Descendant (PR: 4) (-1)
Other Possibilities:
6. Good Night Oppy (PR: 8) (+2)
7. The Territory (PR: 7) (E)
8. Sr. (PR: 9) (+1)
9. Moonage Daydream (PR: 6) (-3)
10. Retrograde (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Top Gun: Maverick (PR: 2) (+1)
2. Avatar: The Way of Water (PR: 3) (+1)
3. Babylon (PR: 1) (-2)
4. The Fabelmans (PR: 4) (E)
5. Empire of Light (PR: 5) (E)
Other Possibilities:
6. The Banshees of Inisherin (PR: 6) (E)
7. All Quiet on the Western Front (PR: 8) (+1)
8. Bardo (PR: 7) (-1)
9. Everything Everywhere All at Once (PR: 9) (E)
10. Nope (PR: Not Ranked)
Dropped Out:
The Batman
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Everything Everywhere All at Once (PR: 8) (+3)
Other Possibilities:
6. Mrs. Harris Goes to Paris (PR: 6) (E)
7. The Fabelmans (PR: 4) (-3)
8. Corsage (PR: Not Ranked)
9. Living (PR: 7) (-2)
10. The Banshees of Inisherin (PR: Not Ranked)
Dropped Out:
Women Talking
Three Thousand Years of Longing
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Elvis (PR: 4) (E)
5. Babylon (PR: 7) (+2)
Other Possibilities:
6. Avatar: The Way of Water (PR: 5) (-1)
7. The Banshees of Inisherin (PR: 9) (+2)
8. Women Talking (PR: 6) (-2)
9. Tár (PR: 10) (+1)
10. Decision to Leave (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
Best Makeup and Hairstyling
Predicted Nominees:
1. Elvis (PR: 2) (+1)
2. The Whale (PR: 1) (-1)
3. Babylon (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 6) (+2)
5. The Batman (PR: 4) (-1)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 5) (-1)
7. The Woman King (PR: 8) (+1)
8. X (PR: -1)
9. All Quiet on the Western Front (PR: 10) (+1)
10. Corsage (PR: Not Ranked)
Dropped Out:
Amsterdam
Best Original Score
Predicted Nominees:
1. Women Talking (PR: 3) (+2)
2. Babylon (PR: 1) (-1)
3. The Fabelmans (PR: 2) (-1)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Empire of Light (PR: 6) (E)
7. The Batman (PR: 8) (+1)
8. Avatar: The Way of Water (PR: 7) (-1)
9. White Noise (PR: Not Ranked)
10. Tár (PR: Not Ranked)
Dropped Out:
Living
Black Panther: Wakanda Forever
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Naatu Naatu” from RRR (PR: 3) (+1)
3. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (-1)
4. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 7) (+3)
5. “Applause” from Tell It Like a Woman (PR: 4) (-1)
Other Possibilities:
6. “Carolina” from Where the Crawdads Sing (PR: 9) (+3)
7. “New Body Rhumba” from White Noise (PR: 8) (+1)
8. “This Is A Life” from Everything Everywhere All at Once (PR: 5) (-3)
9. “Nobody Like U” from Turning Red (PR: 6) (-3)
10. “Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 6) (+2)
5. Glass Onion: A Knives Out Mystery (PR: 8) (+3)
Other Possibilities:
6. The Fabelmans (PR: 4) (-2)
7. Everything Everywhere All at Once (PR: 7) (E)
8. Guillermo del Toro’s Pinocchio (PR: 5) (-3)
9. The Woman King (PR: Not Ranked)
10. Empire of Light (PR: 9) (-1)
Dropped Out:
All Quiet on the Western Front
Best Sound
Predicted Nominees:
1 . Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 6) (+3)
4. The Batman (PR: 3) (-1)
5. Everything Everywhere All at Once (PR: 4) (-1)
Other Possibilities:
6. Babylon (PR: 7) (+1)
7. All Quiet on the Western Front (PR: 5) (-2)
8. Nope (PR: 9) (+1)
9. Black Panther: Wakanda Forever (PR: 10) (+1)
10. RRR (PR: Not Ranked)
Dropped Out:
The Fabelmans
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. RRR (PR: 8) (+4)
5. Doctor Strange in the Multiverse of Madness (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 7) (E)
8. Guillermo del Toro’s Pinocchio (PR: 4) (-4)
9. Good Night Oppy (PR: 9) (E)
10. Nope (PR: 10) (E)
That equates to these movies hitting these numbers in terms of nominations:
10 Nominations
Everything Everywhere All at Once
9 Nominations
The Fabelmans
8 Nominations
Babylon, The Banshees of Inisherin
7 Nominations
Elvis
6 Nominations
Top Gun: Maverick
5 Nominations
Avatar: The Way of Water, Black Panther: Wakanda Forever, Women Talking
4 Nominations
Tár
3 Nominations
Guillermo del Toro’s Pinocchio, Triangle of Sadness, The Whale
2 Nominations
The Batman, Glass Onion: A Knives Out Mystery, Living, RRR
1 Nomination
All Quiet on the Western Front, All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Close, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Empire of Light, Fire of Love, Marcel the Shell with Shoes On, My Father’s Dragon, Navalny, Puss in Boots: The Last Wish, Saint Omer, She Said, The Son, Tell It Like a Woman, Till, Turning Red, The Woman King
The American Film Institute (AFI) said yes to Nope and nope to The Whale and Babylon today as they named their top ten movies of 2022. Jordan Peele’s sci-fi horror tale was perhaps the biggest surprise of the bunch.
The AFI list, in the previous decade, typically gives us seven of the eventual Best Picture contenders at the Oscars. In other words, they’re worth paying attention to. Coupled with Wednesday’s National Board of Review selections, there’s much to discuss. First, here’s the full AFI Ten:
Avatar: The Way of Water
Elvis
Everything Everywhere All at Once
The Fabelmans
Nope
She Said
Tár
Top Gun: Maverick
The Woman King
Women Talking
It’s key to remember that only U.S. made pictures are eligible. That means titles like All Quiet on the Western Front, Decision to Leave, RRR, and The Banshees of Inisherin were not in the mix. However, Banshees received a Special Award similar to what eventual Academy hopefuls like Roma and Parasite nabbed.
I went 7 for 10 on my predictions. I correctly named Avatar, Elvis, Everything Everywhere…, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. I didn’t name Nope, She Said, and Tár. Instead I picked Babylon, Glass Onion: A Knives Out Mystery, and Guillermo del Toro’s Pinocchio. For She Said and Tár especially, these were important nods considering they missed NBR (as did Nope).
Let’s start with the films that made the AFI and NBR lists. I’m counting Banshees with its AFI Special Award shout-out and there’s six more: Avatar: The Way of Water, Everything Everywhere All at Once, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. This is a list you want to be on when it comes to an Oscar BP nom.
In the previous five years, ten pictures that made AFI and NBR were ignored by the Academy. They are 2017’s The Florida Project, Mary Poppins Returns, A Quiet Place, First Reformed, and Eighth Grade (all from 2018), Knives Out and Richard Jewell from 2019, Da 5 Bloods and Soul in 2020, and last year’s The Tragedy of Macbeth.
If history is our guide, at least one of the seven from 2022 will miss out. Looking at the list, The Woman King is probably most vulnerable. That said, I’ve yet it to include it in my Oscar ten and the stock is rising.
In the past five years, only five pics have missed AFI and NBR (including Special Awards) and received a BP nod from the Academy. They are Darkest Hour from 2017, Bohemian Rhapsody and Vice in 2018, The Father in 2020, and last year’s Drive My Car.
What about the movies that didn’t make AFI or NBR in 2022? That list includes Babylon, The Whale, Triangle of Sadness, Guillermo del Toro’s Pinocchio, All Quiet o the Western Front, and Decision to Leave. The last two weren’t eligible for AFI. Nevertheless this isn’t a list you want to be on though the outlook isn’t completely dire.
If history guides us again, 2 of the aforementioned 2022 titles could still get love from Oscar. Perhaps Monday’s Golden Globes nods will save some of them. There’s no doubt that Babylon and The Whale are looking shakier for Academy inclusion after this week. They need some attention from the Hollywood Foreign Press Association.
I’ll have my Golden Globe nominations recap up Monday and if you missed my predictions on them, you can find them here:
The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.
Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.
So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.
It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out,Star Wars: The Force Awakens, and Straight Outta Compton.
Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.
We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.
I’ll have a recap up tomorrow with commentary and how I did!
The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.
For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.
The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.
The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).
Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.
Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.
Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).
Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.
Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.
From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.
All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.
The National Board of Review bestowed their honors today for their finest of 2021 and they delivered it to Paul Thomas Anderson’s Licorice Pizza. The coming-of-age dramedy took Best Film and Director. The awards certainly solidify its status as a major contender in the Picture race at the Oscars. In the 21st century, only 3 of the 21 winners (2000’s Quills, 2014’s A Most Violent Year, last year’s Da 5 Bloods) did not manage to make the Academy’s cut. On the flipside, the victorious picture here usually doesn’t win. In this century it’s happened thrice (2007’s No Country for Old Men, 2008’s Slumdog Millionaire, 2018’s Green Book). So if we’re going by recent history, Pizza should get nominated but probably won’t take the gold.
This voting branch also names nine other movies in their Best Of rundown. Over the past five years, the number of NBR selections compared to Oscar BP contestants ranges between 4-7. In 2016, it hit the high mark at 7. There were six in 2017 and 2019, five in 2020, and just four in 2018. The other nine films in 2021 are Belfast, Don’t Look Up, Dune, King Richard, The Last Duel, Nightmare Alley, Red Rocket, The Tragedy of Macbeth, and West Side Story. From that list, I would say only Duel and Rocket seem like major longshots to get attention from the Academy. All others are feasible.
The biggest omission from NBR’s list is absolutely Jane Campion’s The Power of the Dog, which I’ve had ranked at #2 in my BP standings for awhile. The solace for Dog is that two recent BPs (2017’s The Shape of Water, 2019’s Parasite) didn’t make the NBR ten. Other pics that missed NBR: Being the Ricardos, C’Mon C’Mon, CODA, House of Gucci, Mass, Spencer, and Tick Tick… Boom!
As for the actors – Will Smith (the Academy frontrunner) took Best Actor for his King Richard while costar Aunjanue Ellis won Supporting Actress. Both are widely expected to play in the Oscar race and either or both could win.
NBR did not choose Academy favorite Kristen Stewart for Spencer and opted for Rachel Zegler in West Side Story (her debut role). I had Zegler placed sixth yesterday in the crowded Actress derby, but she could be on her way to making the final five cut.
The wide open Supporting Actor derby favored Ciaran Hinds for Belfast. I am completely unsure what the Academy does in this race. This could forward a narrative that Hinds is more likely to receive Oscar attention than his costar Jamie Dornan (though they could both get in).
Screenplay races provided a couple of surprises. Pizza would have been the logical choice for Original, but NBR instead chose Asghar Farhadi’s A Hero. In Adapted, Joel Coen was selected for The Tragedy of Macbeth (which also took Cinematography). Most pundits (including myself) have Power of the Dog as the winner, but the category opened up on this platform since it missed the ten.
Lastly, the Animated, Documentary, and Foreign Language races all featured movies that could prevent Flee from taking any of the three prizes at the Oscars: Encanto, Summer of Soul, and A Hero.
My blog posts on the state of the 2021 Oscar race will continue…
The National Board of Review bestowed their end of year honors today and the unpredictable group showed some love for Netflix… just not in the expected way. The NBR named Spike Lee’s Da 5 Bloods as Best Film along with Lee taking their top filmmaking prize. Bloods, which premiered on Netflix this summer, has been seen as a prospect whose Best Picture chances are questionable. In my rankings, it has risen over recent weeks all the way up to #5.
As for its chances to win, one could legitimately argue the NBR win means it probably won’t (and it probably won’t). In the 21st century, only 4 of the 20 NBR victors took Best Picture at the big show and only one in the past decade (2003’s Mystic River, 2007’s No Country for Old Men, 2008’s Slumdog Millionaire, 2018’s Green Book).
The NBR also names 10 of their other favorite pics and they are: First Cow, The Forty-Year-Old Version, Judas and the Black Messiah, The Midnight Sky, Minari, News of the World, Nomadland, Promising Young Woman, Soul, and Sound of Metal. The major surprise here is easily Netflix’s The Midnight Sky from George Clooney. It received very mixed reviews and is not anticipated to play with the Academy except for tech races. The other story here is the omission of three legit Netflix contenders at the Oscars: Ma Rainey’s Black Bottom, Mank, and The Trial of the Chicago 7. In particular, Chicago is seen as the main competitor to Nomadland for BP winner. That said, only 6 of the 11 NBR pics last year nabbed Oscar attention. Two other notable exclusions from the Board are The Father and One Night in Miami.
In the acting races, Riz Ahmed took Best Actor for Sound of Metal. He’s looked at as a likely Academy contender. Similar to the Picture discussion, only 1 NBR recipient here (Casey Affleck in Manchester by the Sea) achieved Oscar glory. Carey Mulligan named Best Actress for Promising Young Woman. The Oscar/NBR connection is slightly better as three of the past 10 trophy takers had good fortune with the Academy. The Sound of Metal love continued in Supporting Actor with Paul Raci winning. Like Actress, it’s a 3 out of 10 match in the 2010s. Youn Yuh-jung is NBR’s Supporting Actress choice for Minari. Only 1 of the last 10 victors for the Board won the Oscar (Regina King in 2018’s If Beale Street Could Talk). Minari also took Original Screenplay with News of the World winning Adapted. Soul, the front runner for the Oscar, was named Best Animated Feature.
Bottom line: the NBR can certainly increase exposure for hopefuls, but it’s certainly not a barometer for who wins at the Oscars. Nevertheless it’s a nice day for a Netflix feature that I currently have behind three others from the streamer that weren’t named here.
My Case of posts on the major nominees for the Oscars brings us to our first contender for Supporting Actress – Kathy Bates in Richard Jewell. Let’s see what the verdict is for the veteran thespian:
The Case for Kathy Bates
She’s a critically acclaimed performer who’s excelled in drama, horror (earning an Emmy for TV’s American Horror Story), and comedy (she’s famously Adam Sandler’s Mama in The Waterboy). In 1990, she went from relative obscurity to winning the Best Actress Oscar for her terrifying role in the Stephen King adaptation Misery. Since then, she’s picked up two Supporting Actress nods for 1998’s Primary Colors and 2002’s About Schmidt. For her work in Clint Eastwood’s Jewell playing the title character’s mother, Bates also nabbed a Golden Globe nomination and a win from the National Board of Review.
The Case Against Kathy Bates
Even with the Globes recognition and NBR victory, she didn’t make the SAG cut. Her nomination was a bit of a surprise with most prognosticators assuming it might go to Annette Bening (The Report), Nicole Kidman (Bombshell), and especially Jennifer Lopez in Hustlers. Her nomination represents the only one for Jewell, which had decent reviews but struggled mightily at the box office.
The Verdict
Considering her inclusion wasn’t totally expected, I would rank Bates 5th out of five in terms of likelihood for the win.
My Case of posts will continue with the second Best Actor hopeful… Leonardo DiCaprio in Once Upon a Time in Hollywood!
The AFI Film Awards came out with their 2019 honors today and they do things a little differently. This particular group names their favorite 10 pictures of the year without naming a winner. And their top films are the only category they bother with.
Today those ten movies were as follows: 1917, The Farewell, The Irishman, Jojo Rabbit, Joker, Knives Out, Little Women, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell.
So what’s to learn when it comes to Oscar pontificating? Let’s start with comparing this list to yesterday’s announcement of the National Board of Review’s 10 honored titles… eleven actually because their winner was The Irishman. The NBR’s different titles were Dolemite Is My Name, Ford v Ferrari, Uncut Gems, and Waves. Not on NBR’s list from AFI: The Farewell and Little Women.
Shared AFI/NBR pics: The Irishman, 1917, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell. If you think getting Picture mentions in both guarantees Oscar love, 2018 proved otherwise. Five films did just that last year and didn’t land Best Pictures nods: Eighth Grade, First Reformed, If Beale Street Could Talk, Mary Poppins Returns, and A Quiet Place.
Confused? Welcome to the world of awards speculation. As I see it currently, there are only two shared 2019 AFI/NBR features that could miss out on the big race: Knives Out and Richard Jewell. I’ll also take this opportunity to note that Parasite (which is looking decent for Best Pic attention) is ineligible for AFI since it’s a foreign film.
As for Best Pic hopefuls that landed no love from these groups, we have A Beautiful Day in the Neighborhood (I believe its chances are fading quickly) and Bombshell (not as convinced that it cannot rebound). It could get the 2018 Vice slot, which was ignored by AFI/NBR. There’s also Rocketman, which can hang on to the thought that it could be this year’s Bohemian Rhapsody.
When you look at the AFI list’s history over the past half decade, it is a fairly reliable barometer on certain directions the Academy will take. Last year, five out of the eventual eight nominees were on their list and that’s the lowest percentage. In 2016 and 2017, it was 7 for 9. In 2014 and 2015, it was 6 for 8. So you can pretty much bank on at least half of AFI’s list and probably a bit more landing Oscar nominations.
I’ll leave you with this: while Knives Out is certainly one of the most obvious candidates for something that could miss a Picture nod, I like its chances better than I ever have before. This could be a case of perfect timing as it just opened, had a much bigger debut than expected, and audiences and critics are singing its praises. I wouldn’t count it out. In fact, I suspect when I update my estimates on Monday – it will rank higher than ever before and enter my top 15 possibilities. That will knock a candidate out and Mister Rogers could be the unfortunate victim.
The awards precursors keep coming as the New York Film Critics Circle named their best of 2019 today. Yesterday’s discussion focused on the National Board of Review winners. I explained how a victory with them often doesn’t equate to Oscar glory. And the same holds true for the film reviewers in the Big Apple.
That said, it’s the second day in a row where The Irishman has been named Best Film. Yet the last NYFCC recipient to take Best Picture was back in 2011 with The Artist. It’s the only one of this decade and in the 2000s, there were only three matches: Lord of the Rings: The Return of the King, No Country for Old Men, and The Hurt Locker.
One might think that these critics in particular might name Martin Scorsese as Best Director. You would be wrong. It is Ben and Josh Safdie for Uncut Gems. This Adam Sandler crime pic is picking up steam at the right moment, but it could be a reach for them to be included in Director with the Academy.
While Mr. Sandler picked up Best Actor with the NBR trophy yesterday, the New York bunch went with Antonio Banderas in Pain and Glory. He’s an on the bubble candidate in an ultra crowded Oscar derby. If Banderas continues to rack up critical kudos, it could certainly help him make the final five.
For the second year in a row, the NYFCC had a surprise victor in Actress. Last year, they went quite outside the box with Regina Hall in Support the Girls. Today it’s Lupita Nyong’o in Us. While this isn’t as much of a shocker, she’s generally been seen as an unlikely candidate for Oscar attention. However, this category isn’t as packed as Actor and she could factor into the mix.
More Irishman love came in Supporting Actor and not for Al Pacino. No, it was Joe Pesci taking the prize and I’m becoming more and more convinced he gets the Academy nod along with his co-star Pacino. Interestingly, this leads me to think voice splitting could occur and that may help Brad Pitt’s chances even more for Once Upon a Time in Hollywood.
Supporting Actress is perhaps the only category where New York seems to match the Oscar front-runner with Laura Dern. NYFCC threw in a caveat, though, by naming her for both Marriage Story and Little Women. Oscar voters are nearly certain to only notice her in the former.
This critics do not divide original and adapted written works and it was Quentin Tarantino taking Screenplay for Hollywood. When it comes to the big show in Original Screenplay, he appears to have an edge over competitors like Marriage Story and Parasite.
Bottom line: New York spread the love around with their news today, but it’s another solid showing for The Irishman.
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