Home Alone and Mrs. Doubtfire director Chris Columbus turns his attention to British crime in the comedy The Thursday Murder Club, debuting on Netflix this (you guessed it) Thursday after a limited theatrical engagement. A murderers row of thespians – Helen Mirren, Pierce Brosnan, Ben Kingsley – headline. The supporting cast includes Celia Imrie, David Tennant, Jonathan Pryce, Naomi Ackie, Daniel Mays, Henry Lloyd-Hughes, Richard E. Grant, Tom Ellis, Geoff Bell, Paul Freeman, and Sarah Niles.
A number of critics are claiming this is a fun enough mystery as evidenced by the 81% on Rotten Tomatoes. Metacritic is more middling at 58. This won’t be detected by the Academy, but I could envision Netflix mounting a Best Actress in a Musical or Comedy campaign for Mirren. It would mark her 18th (!) overall Globe nod when counting TV performances. She has shown an ability to get mentioned in this particular race for lesser known titles such as Calendar Girls, The Hundred-Foot Journey, and The Leisure Seeker. In other words, I wouldn’t discount her chances. My Oscar (and Globe) prediction posts will continue…
Bong Joon-ho’s follow-up to his 2019 Oscar juggernaut Parasite hits multiplexes via Mickey 17 on March 7th. Robert Pattinson plays multiple roles in the sci-fi satire which premiered at the Berlin Film Festival. Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo costar.
Sporting the acclaimed auteur’s biggest budget, Mickey certainly arrives with higher expectations than he’s seen before. Most reviews are solid with 88% on Rotten Tomatoes and 75 on Metacritic. That said, it probably won’t be the awards player that Parasite was save for some tech races.
Originally slated for theaters in March 2024, some estimates have Mickey in the $25 million region. I’m not convinced it will do that fine. Had it arrived just a couple of years after Joon-ho’s predecessor, I might be projecting more. I’ll say higher teens with low 20s as the best case scenario.
Mickey 17 opening weekend prediction: $17.9 million
Prior to its March 7th domestic release, Mickey 17 has debuted overseas at the Berlin Film Festival. The sci-fi satire is Bong Joon-ho’s eagerly awaited follow-up to 2019’s Parasite which dominated the 92nd Academy Award by taking Best Picture, Director, Original Screenplay, and International Feature Film. Originally slated for spring 2024, Mickey stars Robert Pattinson, Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo.
Early reviews suggests this is more in line with Joon-ho’s Okja as opposed to Parasite. With 81% on Rotten Tomatoes and 74 on Metacritic, the acclaim isn’t as universal as the multiple Oscar winner. The release date would further suggest that Warner Bros won’t make this a major awards play (though this pattern did work for Dune: Part Two).
That said, some reaction is quite effusive. While Best Picture, Director, and Adapted Screenplay (it’s based on a 2022 Edward Ashton novel) could be a stretch, down the line tech races like Sound and Visual Effects could happen. My Oscar Prediction posts will continue…
Eva Victor is making her feature film directorial, screenwriting, and starring debut in Sorry, Baby. The drama centered around trauma costars Naomi Ackie, Lucas Hedges, John Carroll Lynch, Louis Cancelmi, and Kelly McCormack. It is one of the buzziest titles that premiered at Sundance.
With a Rotten Tomatoes score of 97% and an 88 Metacritic, A24 outbid competitors for distribution rights. Victor is being hailed as a welcome new voice to the silver screen. Her original screenplay could draw attention from the Academy. I would especially look for the Indie Spirit Awards to take notice of it and that could apply to multiple categories. My Oscar Prediction posts will continue…
Zoë Kravitz’s directorial career opens up nicely enough with Blink Twice that it feels whiny to gripe on the negatives. It takes a while to find its destination. Perhaps the “eat the rich” genre is getting overdone considering The Menu, Triangle of Sadness, Saltburn, and HBO’s The White Lotus. There’s still enough to savor in this assured debut from the actress of many franchises including X-Men, Mad Max, Divergent, and The Batman.
That starts with an entrancing cast led by Naomi Ackie’s Frida. She’s a cocktail waitress whose employment at swanky benefits puts her in the airspace of vapid and vaping billionaire Slater (Channing Tatum). Frida is familiar with him as we witness her scroll through Instagram where he’s making an indistinct apology for some past transgression. If he’s canceled, no one’s informed various hangers on in his orbit. A sudden burst of confidence and then klutziness from Frida creates a Meet Cute where Slater invites her and her coworker/roommate Jess (Alia Shawkat) to his private island.
An entourage is in tow including private chef Cody (Simon Rex), business partner and Polaroid documenter Vic (Christian Slater), young Lucas (Levon Hawke) and Tom (Haley Joel Osment) whose primary character trait is wearing sunglasses and being under the influence. The boys are joined by influencer and reality star Sarah (Adria Arjona) and Camilla (Liz Caribel) and Heather (Trew Mullens). The latter two share Tom’s generally hazy ways. Sarah seems to be in a competition for Slater’s attention with Frida even though she’s seemingly paired up with Cody. Geena Davis joins the proceedings as Slater’s organized but off-kilter assistant.
With their phones confiscated, the vacation with an indeterminate end date starts with picture perfect scenery, amazing food that Cody snootily describes, and copious dollops of designer drugs. Sure there’s venomous vipers on the grounds, but the servants seem to be handling them. Increasingly there’s periods of lost time that Frida and eventually Sarah and especially Jess begin to notice. And why is there dirt under Frida’s animal adorned fingernails each morning? What’s with random bruises showing up on people that they can’t recall?
The eventual truths are as disturbing as the real life stories of plutocrats with their own islets. The screenplay from Kravitz and E.T. Feigenbaum doesn’t shy away from entering dark and disturbing places. This is after a fairly lengthy windup that risks lulling the audience into complacency (perhaps on purpose). The cast helps guide us through the earlier days becoming a blur. No one seems to have a grasp on whether it’s Monday, Saturday, or whether they’ve been there a week or three.
Ackie and Arjona’s performances are the worthiest of attention. Best known as Whitney Houston in the biopic I Wanna Dance with Somebody, Ackie goes from infatuated server to victim of horrifying acts to unexpected statuses that I won’t spoil. That’s a tricky balancing act and she certainly manages it. Arjona is perhaps the most impressive in a role that seems one-note at first (the jilted woman) and becomes anything but. With this and her starring turn in Hit Man from a few months back, she’s having a fantastic cinematic year.
Blink Twice might be familiar territory as of late, but Kravitz’s take made me not wanna look away. It’s worth taking the trip with these literal and figurative snakes in the grass and those that serve them until the power dynamic shifts.
Zoë Kravitz makes her directorial debut and cowrites Blink Twice which opens this weekend. The psychological thriller features a packed cast including Naomi Ackie, Channing Tatum, Christian Slater, Simon Rex, Adria Arjona, Kyle MacLachlan, Haley Joel Osment, Geena Davis, and Alia Shawkat.
The $20 million production originally had a far more provocative title (look it up) and most critics are complimentary of Kravitz’s first behind the camera effort. The RT score is 80%. Some are saying it doesn’t quite pull off its mix of genres.
Twice hopes to be a decent late summer performer for Amazon Studios. That’s a big question mark. Awards viability isn’t as this was never conceived as a contender. My Oscar Prediction posts will continue…
MGM looks for audiences to set their sights on Blink Twice when it opens August 23rd. The thriller marks the directorial debut of Zoë Kravitz with an eclectic cast including Naomi Ackie, Channing Tatum, Christian Slater, Simon Rex, Adria Arjona, Kyle MacLachlan, Haley Joel Osment, Geena Davis, and Alia Shawkat.
Reviews thus far are decent with 79% on Rotten Tomatoes. Late August typically isn’t fertile ground for fresh product at the box office. Blink face an uphill battle. It is slated for approximately 3000 screens and that’s more than The Crow is reportedly getting (2600).
There could be a close race between those two newcomers as I see both in the high single digits or lower double digits. I currently having this flying a little higher.
Blink Twice opening weekend prediction: $8.5 million
For a movie about The Voice, Whitney Houston: I Wanna Dance with Somebody strains to find its own. While undeniably long on title (in case you forgot who sang one of her signature bops), it’s sadly short on actual substance.
We first meet Ms. Houston (Naomi Ackie) in the church choir alongside mother Cissy (Tamara Tunie). She comes from notable musical lineage in that Cissy was a successful backup singer (who never quite broke out on her own) and Dionne Warwick is a first cousin. The pipes of Whitney are clearly a precious commodity as Cissy and business conscious and stern father John (Clarke Peters) prod her into the biz. Famed record exec Clive Davis (Stanley Tucci) takes Whitney under his wing and she rises to unheard of stardom for a female solo artist beginning in the mid 80s.
There are potential controversies immediately. Whitney’s romance with Robyn Crawford (Nafessa Williams) is jettisoned since it won’t match the girl next door image. While Robyn becomes her trusted assistant, Whitney’s (or Nippy as the family and close friends call her) entanglements are a frequent source of consternation. This briefly applies to Jermaine Jackson, but especially when her and R&B bad boy Bobby Brown (Ashton Sanders) get serious.
Jumping from career and personal highlights to lowlights, the screenplay from Andrew McCarten can feel as erratic as the title subject’s increasingly worrisome behavior. The writer penned Bohemian Rhapsody and it closely follows that hit pic’s playbook. It shows us the troubled aspects of the singer followed in quick succession by an iconic moment in their discography.
There are obviously lots of them in Houston’s orbit. From seven #1 hits in a row to her soaring rendition of the National Anthem at the Super Bowl to the cinematic and soundtrack phenomenon that was The Bodyguard, what’s disappointing is how glossed over and rushed they feel. For a feature with a two and half hour runtime (and you feel it), McCarten’s script never focuses on anything with more than a surface level “Behind the Music” energy.
Some of the same criticisms were deservedly pointed at Bohemian Rhapsody. I’d rank Rhapsody higher because its musical interludes like Wembley packed more of a stylistically directed punch. The behind the camera work from Kasi Lemmons never reaches that level.
As for the performances, Ackie doesn’t much resemble Whitney. Yet by the conclusion, she manages to embody her spirit in the performance pieces passably. Tucci is given a couple scenes to flesh out Davis’s character into a sympathetic figure (it probably doesn’t hurt that the actual Davis is a coproducer). Same goes for Tunie’s Cissy. Other roles are of the one-note variety like John’s scheming manager who forgets to be a father and Bobby’s constant companion who fails to be a good husband. Just as the family tries to ignore Robyn’s presence, the screenplay eventually does too.
The music itself occasionally saves the mediocrity of where this broken biopic goes. Sadly that’s not enough to save it. In other words, it’s often doesn’t feel right and it’s just OK.
It has been two weeks since my last Oscar predictions and a lot has transpired since. The Golden Globes and Critics Choice Awards aired. SAG nominations came out. So did the BAFTA shortlists and PGA and DGA contenders.
All of this has made the puzzle a little clearer. Yet the fact remains – Oscar will Oscar when noms are released in a week. This is my penultimate forecast. Final predictions will arrive this weekend. Tonight’s estimates are your last look at rankings. It will simply be the listed picks a few days from now with commentary and a runner-up projection in each feature film category.
Here’s the latest developments as we are almost at the end of the line:
The Whale rises as it is back in my top 10 BP nominees. Women Talking falls out. A similar scenario in Supporting Actress as The Whale‘s Hong Chau is in over Women Talking‘s Claire Foy. After victories at the Globes and Critics Choice, Angela Bassett (Black Panther: Wakanda Forever) vaults over Kerry Condon (The Banshees of Inisherin) for the #1 slot in Supporting Actress.
On the other hand, I’m putting Austin Butler (Elvis) back in first over Brendan Fraser (The Whale). This is essentially a coin flip with Colin Farrell from Banshees as a legit spoiler.
Edward Berger (All Quiet on the Western Front) returns to the directorial quintet and James Cameron (Avatar: The Way of Water) is out.
In Actress, Viola Davis (The Woman King) at last makes the cut with Margot Robbie (Babylon) dropping. That’s not the only news in this derby. I almost went with Ana de Armas (Blonde) instead of Davis. And there’s the recent development of Andrea Riseborough’s online campaign for the micro budget indie drama To Leslie. Numerous performers, including Cate Blanchett, have boarded the Riseborough bandwagon. Two weeks ago – she was on no one’s radar screen. Now the buzz is enough to put her in 8th.
You can read all the movement below and look for those FINAL predictions this weekend!
Best Picture
Predicted Nominees
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. The Banshees of Inisherin (PR: 3) (E)
4. Top Gun: Maverick (PR: 4) (E)
5. Tár (PR: 5) (E)
6. Elvis (PR: 7) (+1)
7. Avatar: The Way of Water (PR: 6) (-1)
8. All Quiet on the Western Front (PR: 10) (+2)
9. The Whale (PR: 12) (+3)
10. Triangle of Sadness (PR: 9) (-1)
Other Possibilities:
11. Babylon (PR: 11) (E)
12. RRR (PR: 13) (+1)
13. Women Talking (PR: 8) (-5)
14. Glass Onion: A Knives Out Mystery (PR: 14) (E)
15. Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
The Woman King
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Martin McDonagh, The Banshees of Inisherin (PR: 3) (E)
4. Todd Field, Tár (PR: 4) (E)
5. Edward Berger, All Quiet on the Western Front (PR: 7) (+2)
Other Possibilities:
6. James Cameron, Avatar: The Way of Water (PR: 5) (-1)
7. Joseph Kosinski, Top Gun: Maverick (PR: 10) (+3)
8. S.S. Rajamouli, RRR (PR: Not Ranked)
9. Ruben Ostlund, Triangle of Sadness (PR: 8) (-1)
10. Baz Luhrmann, Elvis (PR: 9) (-1)
Dropped Out:
Sarah Polley, Women Talking
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: 3) (E)
4. Danielle Deadwyler, Till (PR: 4) (E)
5. Viola Davis, The Woman King (PR: 6) (+1)
Other Possibilities:
6. Ana de Armas, Blonde (PR: 7) (+1)
7. Margot Robbie, Babylon (PR: 5) (-2)
8. Andrea Riseborough, To Leslie (PR: Not Ranked)
9. Olivia Colman, Empire of Light (PR: 8) (-1)
10. Naomi Ackie, Whitney Houston: I Wanna Dance with Somebody (PR: Not Ranked)
Dropped Out:
Jennifer Lawrence, Causeway
Emma Thompson, Good Luck to You, Leo Grande
Best Actor
Predicted Nominees:
1. Austin Butler, Elvis (PR: 2) (+1)
2. Brendan Fraser, The Whale (PR: 1) (-1)
3. Colin Farrell, The Banshees of Inisherin (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Tom Cruise, Top Gun: Maverick (PR: 5) (E)
Other Possibilities:
6. Paul Mescal, Aftersun (PR: 6) (E)
7. Hugh Jackman, The Son (PR: 7) (E)
8. Adam Sandler, Hustle (PR: Not Ranked)
9. Tom Hanks, A Man Called Otto (PR: 8) (-1)
10. Jeremy Pope, The Inspection (PR: 10) (E)
Dropped Out:
Gabriel LaBelle, The Fabelmans
Best Supporting Actress
Predicted Nominees:
1. Angela Bassett, Black Panther: Wakanda Forever (PR: 4) (+3)
2. Kerry Condon, The Banshees of Inisherin (PR: 1) (-1)
3. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 2) (-1)
4. Hong Chau, The Whale (PR: 9) (+5)
5. Dolly De Leon, Triangle of Sadness (PR: 3) (-2)
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once (PR: 8) (+2)
7. Jessie Buckley, Women Talking (PR: 6) (-1)
8. Janelle Monáe, Glass Onion: A Knives Out Mystery (PR: 7) (-1)
9. Claire Foy, Women Talking (PR: 5) (-4)
10. Carey Mulligan, She Said (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Barry Keoghan, The Banshees of Inisherin (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Judd Hirsch, The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Brad Pitt, Babylon (PR: 8) (+2)
7. Eddie Redmayne, The Good Nurse (PR: 10) (+3)
8. Brian Tyree Henry, Causeway (PR: 6) (-2)
9. Ben Whishaw, Women Talking (PR: 7) (-2)
10. Tom Hanks, Elvis (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Aftersun (PR: 6) (E)
7. Babylon (PR: 8) (+1)
8. Decision to Leave (PR: 9) (+1)
9. The Menu (PR: 7) (-2)
10. Armageddon Time (PR: Not Ranked)
Dropped Out:
Bardo
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 3) (+1)
3. Glass Onion: A Knives Out Mystery (PR: 2) (-1)
4. She Said (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities
6. All Quiet on the Western Front (PR: 8) (+2)
7. Top Gun: Maverick (PR: 7) (E)
8. White Noise (PR: 6) (-2)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. Bones and All (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Marcel the Shell with Shoes On (PR: 2) (E)
3. Turning Red (PR: 3) (E)
4. Puss in Boots: The Last Wish (PR: 4) (E)
5. Wendell and Wild (PR: 7) (+2)
Other Possibilities:
6. The Bad Guys (PR: 6) (E)
7. My Father’s Dragon (PR: 5) (-2)
8. Strange World (PR: 8) (E)
9. Inu-Oh (PR: 9) (E)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 1) (E)
2. Decision to Leave (PR: 2) (E)
3. Close (PR: 6) (+3)
4. Argentina, 1985 (PR: 4) (E)
5. EO (PR: 7) (+2)
Other Possibilities:
6. Saint Omer (PR: 3) (-3)
7. Bardo (PR: 5) (-2)
8. The Quiet Girl (PR: 10) (+2)
9. Joyland (PR: 9) (E)
10. Holy Spider (PR: 8) (-2)
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. All That Breathes (PR: 3) (+1)
3. Fire of Love (PR: 4) (+1)
4. Navalny (PR: 2) (-2)
5. The Territory (PR: 5) (E)
Other Possibilities:
6. Descendant (PR: 6) (E)
7. Moonage Daydream (PR: 7) (E)
8. Retrograde (PR: 10) (+2)
9. Bad Axe (PR: 8) (-1)
10. Last Flight Home (PR: Not Ranked)
Dropped Out:
The Janes
Best Cinematography
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. All Quiet on the Western Front (PR: 4) (E)
5. Empire of Light (PR: 6) (+1)
Other Possibilities:
6. Babylon (PR: 5) (-1)
7. Elvis (PR: Not Ranked)
8. The Banshees of Inisherin (PR: 7) (-1)
9. The Batman (PR: Not Ranked)
10. Nope (PR: Not Ranked)
Dropped Out:
Bardo
Everything Everywhere All at Once
Tár
Best Costume Design
Predicted Nominees:
1. Elvis (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 4) (E)
5. Mrs. Harris Goes to Paris (PR: 7) (+2)
Other Possibilities:
6. The Fabelmans (PR: 5) (-1)
7. Living (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 8) (E)
9. Corsage (PR: 9) (E)
10. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
The Banshees of Inisherin
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Elvis (PR: 5) (+2)
4. Avatar: The Way of Water (PR: 4) (E)
5. The Fabelmans (PR: 3) (-2)
Other Possibilities:
6. All Quiet on the Western Front (PR: 9) (+3)
7. The Banshees of Inisherin (PR: 8) (+1)
8. Babylon (PR: 7) (-1)
9. Tár (PR: 10) (+1)
10. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
Dropped Out:
Women Talking
Best Makeup and Hairstyling
Predicted Nominees:
1. Elvis (PR: 2 (+1)
2. The Whale (PR: 1) (-1)
3. The Batman (PR: 3) (E)
4. Babylon (PR: 4) (E)
5. Black Panther: Wakanda Forever (PR: 5) (E)
Other Possibilities:
6. All Quiet on the Western Front (PR: 6) (E)
7. Amsterdam (PR: 8) (+1)
8. Blonde (PR: 9) (+1)
9. Emancipation (PR: 7) (-2)
10. Crimes of the Future (PR: 10) (E)
Best Original Score
Predicted Nomnees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Guillermo del Toro’s Pinocchio (PR: 5) (+2)
4. Women Talking (PR: 2) (-2)
5. Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. The Banshees of Inisherin (PR: 4) (-2)
7. The Woman King (PR: 8) (+1)
8. Black Panther: Wakanda Forever (PR: 10) (+2)
9. Avatar: The Way of Water (PR: 6) (-3)
10. All Quiet on the Western Front (PR: 9) (-1)
Best Original Song
Predicted Nominees:
1. “Naatu Naatu” from RRR (PR: 2) (+1)
2. “Hold My Hand” from Top Gun: Maverick (PR: 1) (-1)
3. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 3) (E)
4. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. “Applause” from Tell It Like a Woman (PR: 6) (+1)
Other Possibilities:
6. “This Is a Life” from Everything Everywhere All at Once (PR: 5) (-1)
7. “Carolina” from Where the Crawdads Sing (PR: 7) (E)
8. “New Body Rhumba” from White Noise (PR: 8) (E)
9. “Good Afternoon” from Spirited (PR: Not Ranked)
10. “Stand Up” from Till (PR: 9) (-1)
Dropped Out:
“Nothing is Lost (You Give Me Strength)” from Avatar: The Way of Water
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 3) (+1)
3. Black Panther: Wakanda Forever (PR: 4) (+1)
4. Avatar: The Way of Water (PR: 2) (-2)
5. All Quiet on the Western Front (PR: 8) (+3)
Other Possibilities:
6. The Fabelmans (PR: 5) (-1)
7. Everything Everywhere All at Once (PR: 6) (-1)
8. Glass Onion: A Knives Out Mystery (PR: 7) (-1)
9. Guillermo del Toro’s Pinocchio (PR: 9) (E)
10. The Batman (PR: 10) (E)
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. All Quiet on the Western Front (PR: 4) (+1)
4. Elvis (PR: 3) (-1)
5. The Batman (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 6) (E)
7. Babylon (PR: 7) (E)
8. Black Panther: Wakanda Forever (PR: 8) (E)
9. Moonage Daydream (PR: 10) (+1)
10. Guillermo del Toro’s Pinocchio (PR: 9) (-1)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Batman (PR: 3) (E)
4. Doctor Strange in the Multiverse of Madness (PR: 4) (E)
5. All Quiet on the Western Front (PR: 7) (+2)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. Nope (PR: 5) (-2)
8. Thirteen Lives (PR: 8) (E)
9. Jurassic World: Dominion (PR: 9) (E)
10. Fantastic Beasts: The Secrets of Dumbledore (PR: 10) (E)
That equates to these movies garnering these numbers in terms of nominations:
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once
7 Nominations
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Top Gun: Maverick
6 Nominations
Avatar: The Way of Water
5 Nominations
Black Panther: Wakanda Forever, The Whale
4 Nominations
Babylon, Tár
3 Nominations
The Batman, Guillermo del Toro’s Pinocchio, Triangle of Sadness
2 Nominations
Living, The Woman King, Women Talking
1 Nominations
All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Close, Decision to Leave, Doctor Strange in the Multiverse of Madness, Empire of Light, EO, Fire of Love, Glass Onion: A Knives Out Mystery, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, RRR, She Said, Tell It Like a Woman, The Territory, Till, Turning Red, Wendell and Wild
Another significant piece of the Oscar prognosticating puzzle is put together on Wednesday when nominations for the 29th Screen Actors Guild (SAG) Awards are dropped. The ceremony’s main prize, it’s important to note, is not Best Picture but Best Ensemble. That means a correlation from the Oscar BP and the top race here is not apples to apples. It is worth noting that half of the last 10 SAG Ensemble victors (Argo, Birdman, Spotlight, Parasite, CODA) did go on to win BP from the Academy. On the other hand, three recent BPs (The Shape of Water, Green Book, Nomadland) didn’t make the SAG quintet at all.
Let’s go through all six categories one by one with my picks and a runner-up call, shall we?
Outstanding Performance by a Cast in a Motion Picture
There are plenty of possibilities including box office hits like Black Panther: Wakanda Forever, Elvis, and Top Gun: Maverick. For Panther, the original won Ensemble in 2018 so the sequel materializing is feasible. I wouldn’t discount the sprawling cast of Babylon though middling reviews could hurt it. It’s tempting to pick Glass Onion but I’m hesitant since Knives Out was snubbed in 2019.
Everything Everywhere All at Once and The Fabelmans seem safe. Despite the small call sheet for The Banshees of Inisherin (with just four significant roles), I could see the SAG branch honoring it. I’m also liking The Woman King‘s chances. Women Talking is perhaps the biggest question mark. It has underperformed with precursors. A couple of months ago, I’d have considered it a potential frontrunner to win. Now I wonder if it makes it at all. Nevertheless – here’s my take:
Predicted Nominees:
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
The Woman King
Women Talking
Runner-Up: Glass Onion: A Knives Out Mystery
Outstanding Performance by a Female Actor in a Leading Role
In the previous decade, SAG in Actress has matched the Academy 4/5 on six occasions and 3/5 on four. There are no perfect correlations. SAG has shown they will throw in a shocker – Jennifer Aniston in Cake, Sarah Silverman for I Smile Back or Emily Blunt in The Girl on the Train are recent examples. If there’s one here, look out for Naomi Ackie (Whitney Houston: I Wanna Dance with Somebody).
Margot Robbie (Babylon) is currently the one I’ve got in the Academy five (for the moment) that I don’t have here. Ana de Armas (Blonde) is a real threat. If she makes this quintet, look for her Oscar stock to soar. With those possibilities mentioned, my choices are…
Predicted Nominees:
Cate Blanchett, Tár
Viola Davis, The Woman King
Danielle Deadwyler, Till
Michelle Williams, The Fabelmans
Michelle Yeoh, Everything Everywhere All at Once
Runner-Up: Ana de Armas, Blonde
Outstanding Performance by a Male Actor in a Leading Role
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), and Brendan Fraser (The Whale) should all be safe. Bill Nighy (Living) is fourth though I suspect there’s a better chance at SAG leaving him off than the Academy. Then there’s that five spot. It could be Tom Cruise (Top Gun: Maverick), Tom Hanks (A Man Called Otto), Hugh Jackman (The Son), or Paul Mescal (Aftersun). Take your pick. I’m leaning toward the star of the year’s biggest hit. On a side note, there’s been a SAG/Oscar match of 5/5 for the previous two cycles.
Predicted Nominees:
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Bill Nighy, Living
Runner-Up: Paul Mescal, Aftersun
Outstanding Performance by a Female Actor in a Supporting Role
Last year was an anomaly when just 2 of the SAG nominees (Ariana DeBose for West Side Story and The Power of the Dog‘s Kirsten Dunst) scored Oscar nods. The magic number is usually 3 or 4. The wide open nature of this race has been discussed a lot on the blog. Beyond my picks and runner-up, don’t discount Dolly De Leon (Triangle of Sadness), Claire Foy (Women Talking), Stephanie Hsu (Everything Everywhere All at Once), Janelle Monae (Glass Onion: A Knives Out Mystery), and Carey Mulligan (She Said).
Predicted Nominees:
Angela Bassett, Black Panther: Wakanda Forever
Jessie Buckley, Women Talking
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Runner-Up: Stephanie Hsu, Everything Everywhere All at Once
Outstanding Performance by a Male Actor in a Supporting Role
Like Supporting Actress last year, there was only a 2 for 5 match with Troy Kotsur in CODA and Kodi Smit-McPhee in The Power of the Dog. Usually it’s 4. For 2022, I believe only Ke Huy Quan and Brendan Gleeson are safe assumptions. The remaining three slots should be some combo of Paul Dano (The Fabelmans), Tom Hanks (Elvis), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Brian Tyree Henry (Causeway), Brad Pitt (Babylon), and Eddie Redmayne (The Good Nurse) sorting it out.
Predicted Nominees:
Paul Dano, The Fabelmans
Brendan Gleeson, The Banshees of Inisherin
Barry Keoghan, The Banshees of Inisherin
Ke Huy Quan, Everything Everywhere All at Once
Eddie Redmayne, The Good Nurse
Runner-Up: Brian Tyree Henry, Causeway
Outstanding Performance by a Stunt Ensemble
Don’t discount The Batman or Doctor Strange in the Multiverse of Madness, but my quintet is as follows…
Predicted Nominees:
The Batman
Black Panther: Wakanda Forever
Everything Everywhere All at Once
Top Gun: Maverick
The Woman King
Runner-Up: RRR
That equates to these movies generating these numbers:
5 Nominations
The Banshees of Inisherin, Everything Everywhere All at Once
3 Nominations
The Fabelmans, The Woman King
2 Nominations
Black Panther: Wakanda Forever, Top Gun: Maverick, The Whale, Women Talking
1 Nomination
The Batman, Elvis, The Good Nurse, Living, Tár, Till
On Wednesday evening you can expect a recap of what happens after noms are revealed!
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