Music Biopics: The Name Game

A growing trend in movies for the past few years (and a bit beyond) is the musical biopic that incorporates one of the band or artist’s songs into the title. The latest example will come out this fall with Bohemian Rhapsody, the behind the scenes story of Queen.

2019 will bring us Rocketman with Taron Egerton as the legendary Elton John.

We’ve seen this trend in years past. For instance, the 1980s saw La Bamba about Richie Valens.

The 1990s gave us Angela Bassett in her Oscar nominated role playing Tina Turner in What’s Love Got to Do With It?

In 2005, we had Walk the Line with Joaquin Phoenix in his Academy nominated turn as Johnny Cash and Reese Witherspoon winning as June.

More recent ones have been in the hip hop world with Straight Outta Compton (N.W.A.) and All Eyez on Me (Tupac Shakur). There’s also Get On Up with Chadwick Boseman as the Godfather of Soul, James Brown.

So this got me thinking. What would be some other movie/song titles if certain iconic musicians got their biopic? For this blog post’s purposes, I tried to focus on artists where I feel a big screen treatment on them is at least feasible. In other words, while Rico Suave might be a spectacular title, I don’t envision two hours on Gerardo coming anytime soon.

There is already a Madonna flick reportedly in the works and it takes its name not from a tune, but from one of her tours – Blond Ambition. I suppose Material Girl or Like a Prayer could have worked, but Blond Ambition is just about perfect.

Some choices seem obvious. You gotta call the Bon Jovi story Livin on a Prayer, after all. And My Way seems like the natural fit for Frank Sinatra. And Born to Run for Bruce Springsteen. And there’s Piano Man for Billy Joel.

It doesn’t end there. Respect (Aretha Franklin) and Fire and Rain (James Taylor).

When it comes to some recently dearly departed legends, Prince presents a challenge because you can’t call it Purple Rain. And a number of his other massive hits don’t fit. When Doves Cry is probably the name the studio would go for considering it’s his biggest hit. Personally, I rather like the thought of My Name is Prince, taken from his Love Symbol album of 1992.

With Michael Jackson, Thriller would work but it’s hard to imagine Man in the Mirror not being the choice.

For David Bowie, Starman seems like the winner, but that’s also the name of a fairly well-known 1980s science fiction effort starring Jeff Bridges. That may not matter, but if so, Space Oddity or simply calling it Ziggy Stardust might fit.

Tom Petty? How about Free Fallin or Runnin Down a Dream. George Michael? Faith or Freedom. Whitney Houston? Tough one. Perhaps a studio would want I Will Always Love You. Maybe So Emotional works as well.

Some bands have more than one title that seem appropriate. Aerosmith has three great ones: Dream On, Sweet Emotion, or Walk This Way. With AC/DC – Back in Black or Thunderstruck.

Guns n Roses is an interesting one. Welcome to the Jungle is fantastic, but it was just the subtitle for the blockbuster Jumanji reboot. In this matter, you might have to go with their album name Appetite for Destruction, which is ideal.

Metallica could have For Whom the Bell Tolls or Enter Sandman. Nirvana might have Smells Like Teen Spirit as the studio choice, but I’m a little partial to Come As You Are.

I like Runnin with the Devil for Van Halen and I suppose Stairway to Heaven would be the choice for Led Zeppelin.

Let’s move off rock. How about Britney Spears? That may depend on what direction the studio goes. It could be Toxic or Stronger. Maybe Baby One More Time instead.

Stevie Wonder? Superstition or Sir Duke are possibilities, but I like Higher Ground.

With Bob Marley, maybe Get Up, Stand Up or One Love.

Circling back to hip hop, Fight the Power is the clear pick for Public Enemy and the same may hold true for Mama Said Knock You Out with LL Cool J.

And then there’s my favorite… the Rick James biopic Super Freak. Why hasn’t this been made already?

I could go on, but you get the idea. Let’s see if any of these suggested titles end up playing out in the future. Maybe there will be surprises… Barbie Girl: The Aqua Story, anyone?

Todd’s Ten Songs of the Week: January 24th Edition

We’re back at it again with my second edition of my now weekly post where I simply post ten songs I’m digging nowadays. For the first post last week, I gave you ten David Bowie lesser known cuts that I felt are worth a listen.

This Sunday (and for most of them I imagine), we move onto just a random sampling of stuff I love… and I how you dig to — because we all need great music in our lives, don’t we?

And in honor of some truly sad news this week…

 

 

Oscar Watch: Straight Outta Compton

Last weekend the N.W.A. biopic Straight Outta Compton became a cultural phenomenon, grossing an astonishing $60 million out of the gate. This rocketed past even the most lofty expectations. The film’s A Cinemascore grade prove audiences were very pleased. Its 89% Rotten Tomatoes rating show critics are behind it too.

This brings up a question that I wouldn’t have thought to ask even a week ago: could Straight Outta Compton get some Oscar love? The short answer: it’s possible but unlikely. Compton will need the help of at least two or three hotly anticipated autumn releases not to meet their awards potential. That often happens, but one other summer release (and a much different one) is currently the front runner for this season’s potential Picture nominees: Pixar’s Inside Out.

Still – Oscar voters could certainly show a cool factor and express themselves by bringing Compton into the mix. Its only real shot is probably a stand alone Best Picture nod. Director F. Gary Gray and the actors shouldn’t be a factor. For now, this blogger will say it’s a long shot, but we shall see how the next four and a half months plays out.

Straight Outta Compton Box Office Prediction

Telling the story of one of hip hop music’s most iconic groups, Straight Outta Compton hits theaters next Friday and could be poised for a stealthy debut. Centering on the story of N.W.A. and its members Dr. Dre, Ice Cube, Eazy E, MC Ren and DJ Yella, Compton is directed by F. Gary Gray, who made music videos for Dre and Cube back in the day prior to becoming an accomplished maker of Friday and The Italian Job, among others. A cast of relative unknowns formulate the cast with the exception of Paul Giamatti as band manager Jerry Heller. Cube’s son O’Shea Jackson Jr. plays his pop.

Fans of the hip hop genre should flock to this. Shot on a meager $25 million budget, it stands to top that (probably easily) in its first weekend. Dre and Cube served as executive producers and Dre has a highly awaited album coming out tomorrow that’s inspired by the film. Reviews have been strong with a current rating of 91% on Rotten Tomatoes.

While Compton is unlikely to reach the heights of Eminem’s 8 Mile ($51 million debut) in 2002 when that artist was at the top of his drawing power, I think believe Compton should rule its weekend. I believe it could approach and maybe surpass $40 million for its premiere, I’ll go just a tad under.

Straight Outta Compton opening weekend prediction: $39.3 million

For my The Man from U.N.C.L.E. prediction, click here:

https://toddmthatcher.com/2015/08/06/the-man-from-u-n-c-l-e-box-office-prediction/