Nearly 25 years after Ridley Scott’s original epic stormed the box office and the Academy Awards, Gladiator II enters cinematic arenas on November 22nd. Paul Mescal stars as Lucius, son of Russell Crowe’s Maximus with Scott back in the director’s chair. Costars include Pedro Pascal, Joseph Quinn, Fred Hechinger, Derek Jacobi, Connie Nielsen (back as the sister to Joaquin Phoenix’s departed Commodus), and Denzel Washington (generating Oscar buzz for his role).
With a reported budget north of $200 million, the long-in-development sequel should capitalize on a quarter century of goodwill from the Best Picture winning part 1. Reviews are decent with 75% on Rotten Tomatoes and 67 on Metacritic.
The $60-$75 million forecast for its debut sounds about right. I am hesitant to take the over as some viewers may wait until the following Thanksgiving frame to make the multiplex trek. I’ll put it in the upper end of that range for a second place showing to Wicked.
Gladiator II opening weekend prediction: $69.8 million
Universal is banking on Wicked casting a spell on a wide audience when it debuts November 22nd. Based on the Stephen Schwartz musical, the fantasy set in the land of Oz comes from Crazy Rich Asians director Jon M. Chu. Cynthia Erivo and Ariana Grande headline with a supporting cast including Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum. The adaptation serves as part one with the sequel scheduled for November of 2025.
Expectations are high, especially after industry screenings that were met with Oscar buzz in Best Picture, Supporting Actress fo Grande, and numerous tech races. Moviegoers of all ages have familiarity with the Broadway show and, of course, The Wizard of Oz. There’s even some Barbenheimer chatter since it is opening on the same date as Gladiator II, which is also anticipated to perform well.
The forecasted range of its start is wide with some estimates less than $100 million, but going all the way up to $150 million. I’m skeptical it gets that high as some viewers may choose to wait until the extended Thanksgiving frame to check it out. Yet I do think it will easily clear nine digits out of the gate.
Dwayne Johnson and Chris Evans headline this weekend’s sole wide release with the Christmas action comedy Red One. It looks to dominate the charts with an eye on a lengthy holiday run. You can peruse my detailed prediction post on it here:
Early word-of-mouth is a bit troubling with a 30% Rotten Tomatoes score. I don’t think it gets to the top end of its anticipated range ($40 million). A mid to high 20s output would be considered a cold opening, but families may wait until later in the month to check it out.
Holdovers should all drop a notch as we await heavy hitters like Wicked, Gladiator II, and Moana 2. Venom: The Last Dance should dip to second after three weeks atop the charts. There’s a decent chance that The Best Christmas Pageant Ever stays in third as it might have a better sophomore hold than Heretic. The Wild Robot should round out the top five and here’s how I envision it breaking down:
1. Red One
Predicted Gross: $27.6 million
2. Venom: The Last Dance
Predicted Gross: $10.2 million
3. The Best Christmas Pageant Ever
Predicted Gross: $7.6 million
4. Heretic
Predicted Gross: $6.3 million
5. The Wild Robot
Predicted Gross: $5.5 million
Box Office Results (November 8-10)
Tom Hardy’s loopy third take on his comic book creation was #1 for a third frame as Venom: The Last Dance repeated with $15.9 million. That’s a bit ahead of my $14.3 million projection as the total is $114 million thus far. It won’t match its two predecessors, but it has posted solid holds weekend to weekend.
Horror thriller Heretic with Hugh Grant came in right where it was forecasted in second with $11 million (I said $11.2 million). Despite strong reviews, this certainly didn’t over perform and a so-so C+ Cinemascore could mean it fades fairly quickly.
Yuletide dramedy The Best Christmas Pageant Ever was third with $10.7 million, outpacing my $8 million call. This will hope for smallish declines as the festive season is just underway.
The Wild Robot was fourth with $6.6 million, edging my $5.5 million prediction. The potential Animated Feature Oscar frontrunner has collected $130 million after seven weeks.
Smile 2 was fifth with $5.1 million (I went with $4.4 million) as the horror sequel sits at $60 million in its four weeks of play.
At the dawn of the 21st century, Ridley Scott’s epic Gladiator scored a colossal 12 Oscar nominations and won a handful including Best Picture, Actor (Russell Crowe), Costume Design, Sound, and Visual Effects. Other nods included Scott’s direction (he lost to Steven Soderbergh for Traffic), Supporting Actor (Joaquin Phoenix), and Original Screenplay.
Nearly a quarter century later, Gladiator II is in multiplexes November 22nd. Its battle for Academy recognition could be more challenging. Scott returns behind the camera with Paul Mescal leading a cast that includes Pedro Pascal, Joseph Quinn, Fred Hechinger, Connie Nielsen (reprising her role from part 1), and Denzel Washington.
As can sometimes be the case, initial screening reactions from the long-in-development sequel might have been a tad hyperbolic. The review embargo lifted today paints a clearer picture. The Rotten Tomatoes score is 78% with Metacritic at 67. Somewhat surprisingly, that’s in line with its predecessor’s numbers. Yet most critics say this doesn’t measure up to the original.
A Best Picture nom is not out of the question, but I’m currently projecting it won’t make the cut. Its strongest shot in BP will come if voters feel the need to throw at least a couple massive blockbusters in the mix. Dune: Part Two and Wicked (which opens the same day) could fit the bill. Mr. Scott’s direction and the screenplay are long shots. As for the down the line competitions, it could land mentions in Costume Design, Production Design, Sound, and Visual Effects. Original Score is possible but unlikely and I’d say the same for Cinematography. When it comes to wins in those tech derbies, it’ll have to contend with Dune which is in a better position for victories.
While Crowe and nemesis Joaquin Phoenix were both up for their performances at the 73rd ceremony, only Denzel Washington seems to be viable at the 97th. He’s being singled out for his work and could be headed toward nomination #10 in Supporting Actor. If he makes the final quintet, a win is probably not in the cards as I’d certainly put him behind Guy Pearce (The Brutalist) and Kieran Culkin (A Real Pain) at press time. My Oscar Prediction posts will continue…
The pricey Yuletide action comedy Red One touches down in theaters November 15th and hoping to slay the box office with a large family audience. Jake Kasdan, maker of Jumanji: Welcome to the Jungle and sequel The Next Level, reunites with that franchise lead Dwayne Johnson as well as Chris Evans. Costars include Lucy Liu, J.K. Simmons, Kiernan Shipka, Bonnie Hunt, Kristofer Hivju, and Nick Kroll.
With a reported $250 million price tag, the Santa Claus kidnapping caper is counting on a significant presence with parents and kiddos. The review embargo, likely not by accident, lifted Tuesday night as America was tuned into the Presidential election results. Word-of-mouth isn’t great with 33% on Rotten Tomatoes and 37 on Metacritic.
That could damper the buzz and keep it on the lower end of its anticipated $20-$45 million range. There is a considerable lack of competition (at least until Wicked and Gladiator II open the following weekend) and that could help. Yet I suspect mid to high 20s is where this begins.
The Thai dramedy How to Make Millions Before Grandma Dies has already made a box office splash in its native country and elsewhere. From director Pat Boonnitipat, the cast is led by Putthipong Assaratanakul and Usha Seamkhum.
It is currently the highest grossing Thai feature of 2024 and has performed well overseas with $50 million in the bank. Critics are on its side as well with 100% on Rotten Tomatoes and 82 on Metacritic. Considered a major audience pleaser, it is Thailand’s submission for International Feature Film at the 97th Academy Awards.
Based on its popularity, it could become the nation’s first movie to make the cut. Keep an eye on the shortlist of 15 as I won’t be surprised if it is in contention. While Emilia Pérez, The Seed of the Sacred Fig, and I’m Still Here appear to be the top 3, Grandma could certainly vie for the 4 or 5 slot. My Oscar Prediction posts will continue…
Dwayne Johnson and Chris Evans headline the Christmas action comedy Red One which slides into multiplexes November 15th. Jake Kasdan (who’s made the last two Jumanji pics with Johnson) directs with a supporting cast including Lucy Liu, J.K. Simmons (as a kidnapped Santa Claus), Kiernan Shipka, Bonnie Hunt, Kristofer Hivju, and Nick Kroll.
Budgeted at a reported whopping $250 million, Amazon MGM hopes family audiences will turn out in droves. Early signs are that it might not be the massive hit they’re hoping for and reviews aren’t assisting. The Rotten Tomatoes meter is at 35% with Metacritic at 37. The only Academy play would be Visual Effects and some of the reviews are criticizing the CG. Don’t expect this holiday concoction to be present at awards season. My Oscar Prediction posts will continue…
Focusing on an online gamer and his fight with muscular dystrophy, Benjamin Ree directs the documentary The Remarkable Life of Ibelin. It was released on Netflix last month after premiering at the Sundance Film Festival earlier this year. In Utah, it was the recipient of the World Documentary Audience Award.
With a 98% Rotten Tomatoes rating and 78 on Metacritic, Ibelin is already in contention for the Critics Choice Documentary Awards Best Feature (where there are 10 nominees), Director, Score, and Editing. All of that could be a recipe for a Documentary Feature nod at the Oscars if it makes the shortlist. I’ve yet to place it in my top five, but it’s been mentioned in the top 10 of possibilities. My Oscar Prediction posts will continue…
Critically acclaimed horror thriller Heretic and holiday family dramedy The Best Christmas Pageant Ever will both attempt to keep Venom: The Last Dance from a third weekend in first place. You can peruse my detailed prediction posts on the newbies here:
Heretic finds Hugh Grant dipping into scary territory and my low double digits estimate puts it in range with the September start of Speak No Evil. That’s likely good for second place.
I’ve got Christmas in third in the high single digits though its chances of over performing exist. I also think it might experience low declines as the holidays approach and get off to a relatively slow start.
My projections on the two openers does indeed leave Venom atop the charts for a third frame assuming it drops in the mid 40s. Holdovers The Wild Robot and Smile 2 should round out the high five and here’s how I have it playing out:
1. Venom: The Last Dance
Predicted Gross: $14.3 million
2. Heretic
Predicted Gross: $11.2 million
3. The Best Christmas Pageant Ever
Predicted Gross: $8 million
4. The Wild Robot
Predicted Gross: $5.6 million
5. Smile 2
Predicted Gross: $4.4 million
Box Office Results (November 1-3)
November started off in multiplexes with October product holding steadier than my forecasts. Venom: The Last Dance is the prime example as it declined only 49% in weekend #2 with $25.9 million. I was much lower at $17.3 million. That’s a bit of a surprise considering predecessor Let There Be Carnage plummeted in the mid 60s. Of course, it’s worth noting that Dance opened with nearly $40 million less than Carnage.
The Wild Robot was second with $7.4 million as it managed to rise 9% and blast past my $5 million call. The animated pic has amassed $121 million after six weeks.
Smile 2 was third with $6.7 million and that’s wider than my $5.6 million take. The horror sequel is up to $52 million after three frames.
Oscar hopeful Conclave eased a mere 24% in fourth with $5 million (I said $4.2 million) for $14 million in two outings.
Finally, Robert Zemeckis’s Here, which reunites his Forrest Gump leads Tom Hanks and Robin Wright, stumbled with critics and audiences. The fifth place showing netted $4.8 million. My prediction? $4.8 million!
The title character that first debuted over 65 years ago in Michael Bond’s children’s books is onscreen for the third time via Paddington in Peru. The mix of live-action and animation arrives a decade after Paddington and seven years after the sequel with Dougal Wilson taking over directorial duties from Paul King. Ben Whishaw is back voicing the bear with a supporting cast including Hugh Bonneville, Emily Mortimer (replacing Sally Hawkins), Julie Walters, Jim Broadbent, Madeleine Harris, Samuel Joslin, Olivia Colman, Imelda Staunton, and Antonio Banderas. It arrives in the United Kingdom Friday with its North American release not coming until January 17th (therefore making it eligible for the Oscars after the next one).
This is, in fact, more of a BAFTA Predictions write-up than an Oscar one. Neither of Peru‘s predecessors generated Academy attention despite warm reviews. On the other hand, the British Academy bit. The original was nominated for Best British Film and for its Adapted Screenplay. Part 2 was up for the same pair of awards plus Hugh Grant in Supporting Actor. The pics went 0 for 5 in terms of victories.
The Rotten Tomatoes score for the third adventure is 91%. Yet it’s Metacritic that tells the real story. Paddington had 77 on that site while the sequel improved upon that with 88. Peru is stuck at 58. That probably means that BAFTA will not honor part 3 in any way. My Oscar… and BAFTA related… Prediction posts will continue…
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