Moana 2, out this Thanksgiving weekend, was originally conceived as a Disney+ limited series before morphing into a proper sequel with a theatrical release. Now it’s widely expected to set the all-time record Turkey Day frame opening. David Derrick Jr., Jason Hand, and Dana Ledoux Miller direct with Auli’i Cravalho, Dwayne Johnson, Temuera Morrison, Nicole Scherzinger, Rachel House, and Alan Tudyk returning for voiceover work. Khaleesi Lambert-Tsuda, Rose Matafeo, and David Fane are among new cast lending behind the mic talents.
In 2016, Moana set the Friday to Sunday premiere record over Thanksgiving which still stands today… for the moment. The animated adventure also picked up two Oscar nominations in Animated Feature (where it lost to fellow Disney blockbuster Zootopia) and the Original Song “How Far I’ll Go”. That track came up short to “City of Stars” from La La Land.
The Mouse Factory waited until the last minute to lift the review embargo off of the sequel. It has a so-so 72% on Rotten Tomatoes (its predecessor has 95%) and 57 on Metacritic (Moana landed 81). That reaction likely won’t nab it one of the five slots in Animated Feature (though Disney should score a spot with Inside Out 2). As for songs, Lin-Manuel Miranda was involved in the tunes eight years ago. Without his involvement, don’t expect Moana 2‘s ditties to resonate with Academy voters. My Oscar Prediction posts will continue…
Disney seeks to break its own all-time biggest Thanksgiving weekend record when Moana 2 sails into multiplexes this Wednesday. It’s the sole wide release over the holiday and you can peruse my detailed prediction post on it here:
It could be close, but I’m projecting the sequel to 2016’s animated tale will exceed Frozen II‘s current largest three-day and five-day ($85.9 million and $125 million) takes over the Turkey Day frame. The follow-up should easily top the Thanksgiving Friday to Sunday mark for a new picture which is currently held by… Moana at $56 million.
Leftovers will populate the rest of the top 5 with Wicked posting a second place showing after its third best premiere of 2024 (more on that below). With an A Cinemascore grade, the decline may only be in the mid 30s or so.
Gladiator II will drop a notch to third after a start on the lower end of its anticipated range. Ridley Scott’s long-in-the-works sequel could lose close to half its debut audience.
Red One and Venom: The Last Dance should fill out the rest of the high five and here’s how I see it playing out:
1. Moana 2
Predicted Gross: $92.1 million (Friday to Sunday); $130.3 million (Wednesday to Sunday)
2. Wicked
Predicted Gross: $71.6 million
3. Gladiator II
Predicted Gross: $27.5 million
4. Red One
Predicted Gross: $9.4 million
5. Venom: The Last Dance
Predicted Gross: $2.9 million
Box Office Results (November 22-24)
Two things can be true as “Glicked” (Wicked and Gladiator II releasing on the same day) gave a needed jolt to the box office while each came in at the lower end of most projections. The critically acclaimed Wicked, based on the hugely popular play, made off with $112.5 million. As mentioned, it’s the third best haul in 2024 behind Deadpool & Wolverine and Inside Out 2. Yet it didn’t match my $134.6 million forecast. With magical word-of-mouth, this seems destined to perform well throughout the season.
Gladiator II was runner-up with $55 million and that didn’t measure up to my $69.8 million call. The so-so Cinemascore grade could mean its weekend to weekend declines could be heftier than I might’ve originally projected.
Red One slid to third at $13.2 million compared to my $14.9 million prediction. The holiday action comedy has taken in $52 million in two weeks which isn’t overly impressive considering the reported $250 million price tag.
Newcomer Bonhoeffer from Angel Studios was the only newcomer of the trio that opened above my expectations with $5 million. I said $4 million.
Venom: The Last Dance rounded out the top five with $3.8 million (I said $3.6 million) for $133 million in five weeks.
The Best Christmas Pageant Ever was sixth with $3.4 million, ahead of my $2.7 million projection for $25 million in three weeks. Behind it in seventh was Heretic with $2.2 million (I went with $2.5 million) for $24 million in three weeks.
Before co-creating another iconic sketch comedy show with Portandia and contributing to the occasionally brilliant Documentary Now! alongside Bill Hader, Fred Armisen was hitting home runs on Saturday Night Live.
His background in music (he would eventually be the bandleader on Late Night with Seth Meyers) provided some SNL highlights. There’s Garth and Kat, a musical duo with Kristin Wiig where incomprehensible tunes are made up on the spot at the Update desk. We have a clever Prince impersonation alongside Maya Rudolph’s Beyoncé.
Other impressions include President Obama, Joy Behar, and a hilariously inappropriate take on former New York Governor David Paterson. Vanessa Bayer and Armisen spun comedic gold into being shy friends with dictators. My personal favorite Armisen creation might be the condescending and sensitive to the touch Regine, who creeped out Jason Sudeikis’s friends at a house gathering. Or my favorite might be his Queen Elizabeth II. There’s a lot to choose from when considering Armisen’s arsenal of material. #18 will be up soon!
The Academy voters have been very tolerant of the Dutch in the 21st century when it comes to the International Feature Film race. Two of their submitted features – 2010’s In a Better World and 2020’s Another Round – won the prize. Six more were nominated: 2006’s After the Wedding, 2012’s A Royal Affair and The Hunt from 2013, A War in 2015, 2016’s Land of Mine, and 2021’s Flee.
Denmark has chosen the black & white historical true crime thriller The Girl with the Needle as their horse for IFF. From director Magnus von Horn, it premiered at Cannes before playing in Toronto. Vic Carmen Sonne and Trine Dyrholm star. Hitting the coasts on December 6th, Needle drew positive fest reactions with 91% on Rotten Tomatoes and 82 on Metacritic.
As I’ve mentioned previously on posts covering submissions in this competition, there are three assumed frontrunners in Emilia Pérez, The Seed of the Sacred Fig, and I’m Still Here. Based on its country’s recent track record, Needle is certainly a possibility to fill one of the other two slots. My Oscar Prediction posts will continue…
Denzel Washington’s work in Gladiator II is so strong and he is so entertaining to watch that it’s a bit distracting. There are other distractions that are undoubtedly negatives like subpar CG baboons and the choice to fill the Colosseum with frickin sharks. With the two-time Oscar winner having a ball as an ambitious former slave turned gladiator manager, it made me want the movie to be trained more on him. Instead his Macrinus is trapped in a long gestating sequel to the 2000 Best Picture recipient that might not work much at all without him. It’s like if Denzel’s Alonzo Harris character in Training Day was dropped into a Fast and Furious flick. There’s plenty of fun to be had thanks to him, but it stalls when he’s not around.
Ridley Scott returns to the director’s chair for this follow-up set 16 years after Maximus (Russell Crowe) drew his brave last breath in Rome. The city is not in great shape although the expansive wide shots make it look breathtaking. Co-emperors Geta (Joseph Quinn) and Caracella (Fred Hechinger) are unstable rulers with a thirst for overpowering more territories. Caracella is also a syphilitic lunatic with a pet monkey he eventually empowers so that’s good for a couple of bonkers moments. The boys’ chief general is Acadius (Pedro Pascal) who’s married to Lucilla (Connie Nielsen). As you’ll recall, she is the sister to Gladiator‘s Commodus (Joaquin Phoenix) and former lover to Crowe’s Maximus. Acadius conquers, but he conquers with compassion (awww). He has plans to depose Geta and Caracella (and maybe that monkey) and return Rome to its former glory.
It’s not, I realize, an accident that it’s taken until paragraph 3 to mention the star of the movie. That would be Lucius (Paul Mescal). Introduced to us as Hanno, he’s living a seemingly pleasant laundry hanging life with his wife in the province of Numidia when Acadius and his army come a’conquering. His wife’s screen time is short-lived (just like Maximus’s in the original) and he’s soon vowing revenge on the Roman power structure. Lucius was a boy in the first film played by Spencer Treat Clark – son of Maximus and Lucilla who was sent away for his own protection. Maybe I should have said spoiler alert with the lineage reveal, but it’s right there in the trailer.
When Denzel’s Macrinus offers him a chance to achieve vengeance, Lucius is booked for battle in the same Colosseum like his departed dad. That brings us back to dodgy computer generated baboons and filling the iconic arena with sharks. Apparently water logged events did occur at that venue historically though the participation of the finned feeders was unlikely. The fights are more effective in Gladiator II on the human scale when they don’t involve aquatic or jungle creatures.
The film’s biggest flaw is that Mescal’s Lucius doesn’t have the screen presence that Crowe did. He’s not helped by the screenplay where he’s a bit of a blank slate. Maximus struck fear onscreen when he was unmasked and revealed as a super warrior. I didn’t buy it as much with his offspring when he comes out and plays.
Washington, though, is a blast as he schemes for power (and probably his 10th Oscar nomination). I’d offer that Gladiator II is worth watching for him. Yes, there’s plenty of impressive technical work and sometimes it elevates beyond a rehash of part 1’s beats (though often it doesn’t). Without Macrinus in attendance, the Colosseum would feel considerably emptier.
Spellbound is not a remake of the Alfred Hitchcock classic with Ingmar Bergman and Gregory Peck. It’s an animated musical fantasy from Vicky Jenson (who directed the first Best Animated Feature Oscar victor Shrek) that’s out on Netflix today. Rachel Zegler, John Lithgow, Jenifer Lewis, Titus Burgess, Nathan Lane, Javier Bardem, and Nicole Kidman lend their voices to the project.
This is the second project from Skydance Animation after 2022’s Luck. That feature (which premiered on AppleTV+) drew mixed reviews and attracted scant awards attention. With 62% on Rotten Tomatoes and 54 on Metacritic, the storyline should be the same for Spellbound. My Oscar Prediction posts will continue…
Disney looks to smash its own Thanksgiving opening records when Moana 2 lands in theaters on Wednesday, November 27th. The sequel to 2016’s musical adventure is directed by David Derrick Jr., Jason Hand, and Dana Ledoux Miller. Auli’i Cravalho, Dwayne Johnson, Temuera Morrison, Nicole Scherzinger, Rachel House, and Alan Tudyk reprise their voiceover work. Klaheesi Lambert-Tsuda, Rose Matafeo, and David Fane are new faces behind the mic.
Eight Turkey years ago, Moana took in $248 million domestically. It set the all-time Friday to Sunday opening Thanksgiving frame high mark with $56.6 million and that record still stands. Ralph Breaks the Internet from the Mouse Factory holds the five-day best of premiere at $84.7 million (just edging Moana‘s $82 million). Moana 2 seems poised to rather easily surpass those figures.
The follow-up is additionally looking to top Frozen II‘s largest three and five-day grosses for any picture over the holiday. That would be $85.9 million and $125 million, respectively. I don’t think that’s a guarantee, but part 1 is well-regarded enough that I think it gets there with some room to spare.
Moana 2 opening weekend prediction: $92.1 million (Friday to Sunday); $130.3 million (Wednesday to Monday)
On a weekend where the eyes of box office forecasters are trained on the debuts of Wicked and Gladiator II, Angel Studios will attempt to find an audience with Bonhoeffer. The historical drama is directed by Todd Komarnicki with Jonas Dassler playing the anti-Nazi dissident title character. Costars include August Diehl, David Jonsson, Flula Borg, Moritz Bleibtreu, and Clarke Peters.
Last summer, the film’s distributor found massive and unexpected success in the form of Sound of Freedom. Since then, their openings have been quieter. That includes After Death ($5.1 million), The Shift ($4.4 million), Cabrini ($7.2 million), and Sight ($2.8 million).
If this manages to reach $4 million, that should be enough to put it in fourth place. That’s exactly where I’m putting it.
Based on one of the 21st century’s most acclaimed theater productions from Stephen Schwartz, Wicked looks to bewitch audiences this Friday. Crazy Rich Asians director Jon M. Chu helms the reported $145 million production with Cynthia Erivo and Ariana Grande headlining. Costars include Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, and Jeff Goldblum.
Representing part 1 of the epic musical with its follow-up arriving next November, Wicked is expected to be a massive hit worldwide. With its box office fortunes appearing secure, lingering Oscar buzz was confirmed with today’s review embargo lift.
The Rotten Tomatoes score is 93% with Metacritic at 73. Technical noms were always a strong possibility. Costume Design (where it could win), Makeup and Hairstyling (same), Production Design, Sound, and Visual Effects are all on the table. There are no original songs so that’s off the table.
A Best Picture nod certainly seems achievable and I had it listed 8th in last weekend’s update. That still seems about right. I don’t believe it’s guaranteed a slot, but its impending popularity gives the Academy a chance to honor a crowd favorite that many viewers have actually seen. Chu’s direction and the screenplay seem far less likely to make the cut.
On the performance front, Erivo will vie for Actress with Grande contending in supporting. Best Actress is super crowded and I’m skeptical Erivo gets her second nomination behind 2019’s Harriet. Grande, meanwhile, stands a better shot even though Supporting Actress has plenty of contenders as well. My Oscar Prediction posts will continue…
**Blogger’s Update (11/20): I have posted a $4 million forecast for Bonhoeffer today which puts it in fourth place. That change is reflected below and we now have a top 7 projections.
Hollywood hopes for a massive box office weekend ahead as Wicked and Gladiator II look to inject $200 million or more in domestic receipts. You can peruse my detailed prediction posts on the newcomers here:
In July 2023, the phenomenon known as Barbenheimer occurred when Barbie soared with a $162 million starting haul while Oppenheimer took in $82 million. I don’t think the grosses will be as gargantuan with Wicked and Gladiator II, but multiplexes should be in for a much needed boost.
Wicked adapts the well-known stage musical with Cynthia Erivo and Ariana Grande as early versions of the Wicked Witch of the West and Glinda the Good Witch from The Wizard of Oz, respectively. This is part 1 of Jon M. Chu’s fantasy musical with part II arriving in a year. I’m projecting nearly $135 million out of the gate as a wide audience seems destined to greet it.
Gladiator II is the long-in-development follow-up to Ridley Scott’s Best Picture winner with Paul Mescal headlining and Denzel Washington in an Oscar baity supporting turn. My high 60s forecast puts it in the runner-up position. I would note that either of these titles could over perform and keep on this post to see if there are any upgrades by Thursday.
With families flocking to Wicked and action fans packed for Gladiator, current champ Red One will slide to third. The holiday themed action comedy may experience a decline north of 50% considering the fresh competition.
The rest of the high five will consist of holdovers Venom: The Last Dance and The Best Christmas Pageant Ever and Heretic in a close race for fifth. Here’s how I envision the top 6 shaking out:
1. Wicked
Predicted Gross: $134.6 million
2. Gladiator II
Predicted Gross: $69.8 million
3. Red One
Predicted Gross: $14.9 million
4. Bonhoeffer
Predicted Gross: $4 million
5. Venom: The Last Dance
Predicted Gross: $3.6 million
6. The Best Christmas Pageant Ever
Predicted Gross: $2.7 million
7. Heretic
Predicted Gross: $2.5 million
Box Office Results (November 15-17)
On one hand, Red Notice with Dwayne Johnson and Chris Evans was originally set for Amazon only distribution so any number is better than nothing. On the other, its debut is fairly ho-hum considering the reported $250 million price tag. It made $32.1 million which did manage to exceed my $27.6 million take. As mentioned, I do expect a hefty dip though it could rebound over the Turkey Day frame.
Venom: The Last Dance was second after three weeks in 1st with $7.3 million, falling behind my $10.2 million prediction. The comic book based threequel sits at $127 million after four outings.
The Best Christmas Pageant Ever was third with $5.2 million. In a trend from this past weekend, it didn’t match my number as I pegged it at $7.6 million. The two-week tally is $19 million.
Heretic was fourth with $5.1 million (I said $6.3 million) as Hugh Grant horror thriller’s total is $20 million after its second go-round.
The Wild Robot rounded out the top five with $4.2 million compared to my $5.5 million call. The animated tale has earned $137 million in eight weeks.
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