Tag: movies

Deliver Us from Evil Box Office Prediction

Horror flicks have not performed well as of yet in 2014 with failures such as Paranormal Activity: The Marked Ones, Oculus, and Devil’s Due all failing to make an impact with audiences. This Fourth of July weekend, Jerry Bruckheimer’s production company attempts to reverse that trend with Deliver Us from Evil.

Scott Derrickson, who made well-received horror pics The Exorcism of Emily Rose and Sinister, directs this tale of a New York cop (Eric Bana) who investigates demonic possession activities in the city. Edgar Ramirez, Olivia Munn, and Joel McHale (!) costar.

Horror films are historically tricky to predict. Some can make way more in their opening weekends that prognosticators like myself believe, but Evil seems to be flying somewhat under the radar. There’s also the fact that in the summer season – there’s a whole lot of competition out there. Transformers should still rule the box office over the holiday weekend. Ironically, Mark Wahlberg was originally attached to this project before dropping out, allowing Bana to come on board. Over the five-day weekend, it’s prospects of topping $20 million seem decent, though I wouldn’t be shocked if it falls even below that.

Deliver Us from Evil opening weekend prediction: $13.1 million (Friday-to-Sunday), $20.6 million (Wednesday-to-Sunday)

For my Tammy prediction, click here:

https://toddmthatcher.com/2014/06/29/tammy-box-office-prediction/

For my Earth to Echo prediction, click here:

https://toddmthatcher.com/2014/06/29/earth-to-echo-box-office-prediction/

Tammy Box Office Prediction

The Fourth of July holiday weekend will inform us as to whether or not Melissa McCarthy’s box office hot streak keeps rolling along with Tammy. Three summers ago, her supporting role in Bridesmaids earned her accolades and even an Oscar nomination. In 2013, Identity Thief with Jason Bateman opened to $34.5 million and The Heat with Sandra Bullock debuted to $39.1 million.

Tammy, more than any other McCarthy pic yet, rests on her shoulders. It is co-written and directed by her husband Ben Falcone and costars familiar faces like Susan Sarandon, Kathy Bates, Toni Collette, Allison Janney, and Dan Aykroyd. Yet there’s no doubt the trailers and TV spots are focused on its star. McCarthy is one of the few comedic performers who can open a feature… or at least probably do so. Reviews aren’t out yet and it wouldn’t be surprising if they were mixed or negative. However, that didn’t hurt Identity Thief one bit and it likely won’t affect this.

This opens over the Fourth of July weekend so I’ll predict its traditional Friday-to-Sunday haul and its five-day take from its debut on Wednesday, July 2. Ultimately I believe Tammy will manage to earn in five days just over what The Heat did last summer. That should put it comfortably at #2 over the holiday after Transformers sophomore weekend.

Tammy box office prediction: $27.3 million (Friday-to-Sunday), $42.9 million (Wednesday-to-Sunday)

For my Deliver Us from Evil prediction, click here:

https://toddmthatcher.com/2014/06/29/deliver-us-from-evil-box-office-prediction/

For my Earth to Echo prediction, click here:

https://toddmthatcher.com/2014/06/29/earth-to-echo-box-office-prediction/

Moonrise Kingdom Movie Review

There is a moment in Wes Anderson’s Moonrise Kingdom when its central character, 12 year old orphan Sam (Jared Gilman), asks a fellow kid why he doesn’t like him. The response: “Why should I? Nobody else does.”

Such is young Sam’s lot in life. He’s been bounced around from foster home to foster home. Some might lazily (and accurately) describe him as quirky or eccentric, which is a term that could be used for pretty much every character in a Wes Anderson picture.

A chance meeting for Sam leads him to Suzy (Kara Hayward), a fellow 12 year old whose people skills are severely lacking as well. They become pen pals and hatch a plan to run away together. This all takes place on a small New England island circa 1965 and it is Sam’s Khaki Scout summer camp which allows for the opportunity to make an escape and pair up with Suzy.

Wes Anderson is known for his unique visual style and his screenplays (with Roman Coppola cowriting this time around) that rely on dry humor with occasional serious overtones. And that style is on full display in Kingdom, the director’s coming-of-age picture that follows the same path as many that have come before it. This might sound sacrilege to the legions of die hard Anderson followers. And don’t get me wrong – much of the clever dialogue and colorful characters you’d expect from his work is included.

While the picture’s two leads are young unknowns, this is filled with recognizable faces in supporting roles. We have Anderson mainstay Bill Murray and Frances McDormand as Suzy’s parents who are trapped in a loveless marriage. There’s Bruce Willis giving an understated performance as the island’s police captain who doesn’t have much to do until Sam and Suzy go missing together. Tilda Swinton turns up as a social services worker. And Bob Balaban plays an island local who serves as the film’s narrator, warning us of an impending storm that will work its way into the plot. The best supporting performance belongs to Edward Norton as Sam’s scout leader who cares a lot about his pupils and does a truly terrible job keeping track of them. On the downside, Anderson’s penchant for putting famous actors in over-the-top roles doesn’t always succeed here, particularly in the case of Harvey Keitel as a scout commander and Jason Schwartzman playing a scout official helping the young couple execute their grand escape. These two characters serve as examples of being too farcicial in a screenplay that doesn’t need them.

It is Sam and Suzy who are at the core here and if the casting of Gilman and Hayward didn’t work, neither would the entire movie. Luckily these young actors are very impressive and we enjoy watching their relationship blossom. These are two emotionally damaged kids who find a true friend in each other for the first time. Maybe it is true love as they believe. Maybe not. While the adults here spend most of their time worrying about Sam and Suzy, many of them are even more damaged. This includes Suzy’s parents and Willis’s character. Moonrise Kingdom has its fair share of laughs and it looks beautiful like every Wes Anderson production. Where it succeeds best is making you care just enough about Sam and Suzy that you hope they don’t grow up to be as unhappy and and lonely as the adults who populate their world.

*** (out of four)

The Grand Budapest Hotel Movie Review

Director Wes Anderson is known for being in acquired taste and I’ve always found myself somewhere towards the middle with him. The strongest proponents of his work find Rushmore, The Royal Tenenbaums, Moonrise Kingdom, and others to be brilliant. Frankly, I do not. However, I’ve yet to watch an Anderson picture and not come away with giving it a recommendation – some more highly than others (Tenenbaums is my personal favorite).

There is nothing about The Grand Budapest Hotel that changes that dynamic. Like his aforementioned efforts, some have found this to be a masterpiece and I disagree. Yet again – the aspects that are great are truly remarkable. The majority of the pic takes place in the 1930s when The Grand Budapest Hotel is a thriving business located in the made-up European Republic of Zubrowka. The head concierge is Gustave (Ralph Fiennes), with a penchant for romancing the wealthy older (much older) female clientele of the establishment. One current conquest is Madame D (Tilda Swinton with one heckuva old lady makeup job). It is Madame D’s murder that leads to her concierge lover being framed and he must clear his name with the assistance of his best Lobby Boy Zero Mustafa (Tony Revolori). This is all set against the backdrop of the outbreak of World War II and Anderson’s screenplay manages to occasionally integrate the tragic elements of the war with the madcap events happening before us. The story is told in flashback with 1980s Mustafa (F. Murray Abraham) recounting the pic’s events to a writer played by Jude Law. And even the Abraham/Law dynamic is a flashback itself with a modern-day Tom Wilkinson as an older version of Law.

The Grand Budapest Hotel is loaded with actors in supporting roles that Anderson has used many times. They include Adrien Brody as the Madame’s conniving son, Edward Norton as a police inspector, Harvey Keitel as an inmate helping Gustave, Jeff Goldblum as a lawyer tasked with the Madame’s complex will, and smaller roles from Bill Murray, Owen Wilson, and Jason Schwartzman. There’s also Saoirse Ronan as Mustafa’s love interest. The cameos by Murray and Wilson felt a bit perfunctory to me, as if Anderson simply felt the need to include his usual standbys, but the director’s biggest admirers will probably appreciate their inclusion.

For all the considerable star power inhabiting Hotel, it’s the Gustave/Mustafa relationship that fills most of the brisk 99 minute running time. And it’s the until now unknown impressive comedic chops of Fiennes that is by far the highlight. Known for being a serious actor, the actor seems to relish playing this zany character and spouting Anderson’s dialogue. I suspect he may become yet another staple of the director’s troupe (I hope so).

The production design and cinematography are fantastic. This is an absolutely gorgeous picture to look at and Anderson evens shoots Hotel in three different aspect ratios in relation to each time setting.

As already stated, the most rabid aficionados of Anderson’s work will adore this. Somewhat surprisingly – Budapest managed to breakthrough to the mainstream more than any other of his pictures with a wonderful $162 million worldwide gross. I say surprisingly because I put this on the same level with most of his other efforts. This is a consistently amusing comedy with spots of true hilarity. The moments where Anderson injects emotion into all the craziness feels a little forced, more so than it did in Tenenbaums or Moonrise Kingdom. And any comedy that puts Bill Murray in a scene and doesn’t let him do something funny earns a demerit.

Bottom line: if you’re in the Anderson makes pretentious fluff camp, you’ll still be. If you’re in the Anderson is a God camp, you’ll worship again. Or if you’re like me… you’ll appreciate its finest moments without coming close to uttering the word masterpiece.

*** (out of four)

 

 

Box Office Predictions: June 27-29

There’s just one newcomer entering the multiplex this weekend – but it’s a big one. Transformers: Age of Extinction is expected by many (including this blogger) to post the heftiest opening weekend of 2014 so far. You can read my detailed prediction post on it here:

https://toddmthatcher.com/2014/06/22/transformers-age-of-extinction-box-office-prediction/

My estimate for Extinction is actually a big lower than that of others so we’ll see how I do come Monday of next week. As for holdovers, I’m expecting the current #1 Think Like a Man Too to drop over 50% in its second weekend while 22 Jump Street might not quite lose half its audience in weekend 3. That could definitely mean 22 Jump Street remains second while Man Too drops to third.

DreamWorks animated financial letdown How to Train Your Dragon 2 should be 4th in its third weekend while a battle for fifth could ensue between the second weekend of Jersey Boys and fifth weekend of Maleficent.

And with that – my predictions for the weekend’s top six:

1. Transformers: Age of Extinction

Predicted Gross: $98.6 million

2. 22 Jump Street

Predicted Gross: $14.2 million (representing a drop of 48%)

3. Think Like a Man Too

Predicted Gross: $13.8 million (representing a drop of 53%)

4. How to Train Your Dragon 2

Predicted Gross: $13 million (representing a drop of 47%)

5. Maleficent

Predicted Gross: $8.2 million (representing a drop of 36%)

6. Jersey Boys

Predicted Gross: $7.8 million (representing a drop of 41%)

Box Office Results (June 20-22)

As predicted, Kevin Hart’s Think Like a Man Too topped the box office charts out of the gate, but it didn’t match my expectation. It took in $29.4 million, below my $38.2M estimate. The sequel couldn’t match the $33 million opening of its predecessor which was a bit of a surprise. Still, with a meager reported budget of $24 million, Man Too is quite a success.

22 Jump Street dipped to second with $27.4 million, right in line with my $27.3M projection. The Jonah Hill/Channing Tatum comedy sequel has amassed an impressive $109 million in just ten days.

How to Train Your Dragon 2 continued to underperform with $24.7 million in weekend #2, well below my $32 million estimate. The animated flick has not met expectations with $94 million so far. It will probably not match the performance of its predecessor’s $217 million. Most prognosticators figured it would easily surpass that number.

Clint Eastwood’s Jersey Boys had a muted debut at fourth with $13.3 million – below my generous $18.9M prediction. While the pic received mostly decent reviews, adult audiences treated the Four Seasons biopic with ambivalence. Disney’s Maleficent held up well in its fourth weekend with $12.9 million, outpacing my $10.4M prediction. The Angelina Jolie flick has earned $185 million so far and should blast past $200M shortly.

That’s all for now, folks! Until next time…

Transformers: Age of Extinction Box Office Prediction

This Friday, Transformers: Age of Extinction will attempt to score the biggest opening weekend of 2014 and its chances are pretty darn solid. That title is currently held by Captain America: The Winter Soldier, which scored $95 million in its debut.

Director Michael Bay is back behind the camera just as he was for the first three installments. However, have an entirely new cast that includes Mark Wahlberg, Stanley Tucci, and Kelsey Grammer. The trilogy’s star Shia LaBeouf is nowhere to be seen… and he’s probably off doing something really weird somewhere.

Comparing the Age of Extinction‘s predicted gross to the other franchise entrees is a tricky proposition. That’s because the other films opened on Tuesdays or Wednesdays with some on Fourth of July holiday weekends. The third flick Dark of the Moon took in a whopping $180 million over a six-day period. The second Revenge of the Fallen grossed $200.1 million over five days while the original made $155.4 million over five days in 2007.

The premiere of Extinction is unlikely to reach those levels since it will only be for its traditional weekend haul (plus Thursday night grosses). It’s also a legitimate question as to whether the franchise has lost a bit of steam. As I see it, the big question is if this clears $100 million out of the gate. I’m not totally confident that it will. The range of how this opens could be $120 million on the high end. Anything below $90 million would be considered low, especially considering the openings of the first three pictures.

Ultimately, I believe the dinobots and decepticons and autobots will claim the title of #1 opening so far in 2014, but not by much.

Transformers: Age of Extinction opening weekend prediction: $98.6 million

Box Office Predictions: June 20-22

Two new pictures enter the marketplace this Friday with the Kevin Hart led sequel Think Like a Man Too and the Clint Eastwood directed adaptation of the Broadway smash Jersey Boys. You can find my detailed prediction posts on each of them right here:

https://toddmthatcher.com/2014/06/15/think-like-a-man-too-box-office-prediction/

https://toddmthatcher.com/2014/06/15/jersey-boys-box-office-prediction/

Depending on the percentage drops of sequels 22 Jump Street and How To Train Your Dragon 2, there could be a legitimate three-way race for the top spot among those “part two’s” and the second Think Like a Man. My prediction for Man is on the higher end of expectations and I’m estimating Jump Street loses about half its audience and Dragon only loses around one-third of its debut gross.

This should leave Jersey Boys opening in the four spot with Maleficent rounding out the top five.

And with that – my predictions for the weekend’s top five:

1. Think Like a Man Too

Predicted Gross: $38.2 million

2. How To Train Your Dragon 2

Predicted Gross: $32 million (representing a drop of 35%)

3. 22 Jump Street

Predicted Gross: $27.3 million (representing a drop of 52%)

4. Jersey Boys

Predicted Gross: $18.9 million

5. Maleficent

Predicted Gross: $10.4 million (representing a drop of 44%)

Box Office Results (June 13-15)

Well it’s not often that I miss a prediction by nearly $40 million dollars, but I’m embarrassed to report it happened this weekend. Simply put, How To Train Your Dragon 2 didn’t come anywhere close to what I believed to be its potential. Many insiders had pegged this as a candidate for summer 2014’s biggest grosser and I bought into it. It earned a just OK $49.4 million compared to my $88.7 million prediction. Ouch.

This allowed 22 Jump Street to post a terrific #1 opening with $57 million, just above my $53.1M projection. The goodwill left over from the 2012 original and rock solid reviews clearly contributed to its success.

Maleficent took the #3 spot in its third weekend with $18.5 million, barely outpacing my $17.4M estimate. The Disney hit had taken in $163M so far and looks to surpass $200 million when all is said and done.

Tom Cruise’s Edge of Tomorrow held up better in weekend #2 than I thought it would with $16.5 million for fourth, ahead of my $13.8M estimate. It’s taken in $57 million in ten days and has a shot of getting to $100 million.

This means last weekend’s #1 The Fault in Our Stars dipped further than my estimate with $14.7 million in its sophomore frame. I predicted $17.9 million. The John Green adapted weepie fell a steep 67%, but it’s already made $80 million in ten days and had a meager $12 million budget.

That’s all for now, folks. Until next time!

 

Jack Ryan: Shadow Recruit Movie Review

Looking over the landscape of movies over the past decade, it’s almost as if someone got Batman, Superman, Spiderman, The Incredible Hulk, James Bond, Jason Bourne, and others in a room together circa rougly 2004. And in their best Oprah voice, they exclaimed “YOU get a reboot! YOU get a reboot! YOU get a reboot! EVERYONE GETS A REBOOT!!!”

And so it continues with the character of Jack Ryan which casts Chris Pine (the rebooted Captain Kirk himself) as the fourth actor to play the role after Alec Baldwin, Harrison Ford, and Ben Affleck (soon to be rebooted Batman). Based on the works of Tom Clancy, this franchise got rolling in 1990 with The Hunt for Red October (Baldwin), continued with Ford in 1992’s Patriot Games and 1994’s Clear and Present Danger, and then onto 2003’s The Sum of All Fears with Affleck.

Like Sum of All Fears, Jack Ryan: Shadow Recruit is yet another origin story of the character and how he got involved in the CIA in the first place. Affleck’s origin story worked in part due to its arrival less than two years after the events of September 11. The terrorist attack scenes involving Baltimore hit close to home after the tragic real-life events in New York City, Washington D.C., and rural Pennsylvania. In this reboot, it’s the event of 9/11 itself that influences Jack to his military and eventual CIA service.

We open with Jack as a student abroad when 9/11 occurs and this leads him to enlist in the military and an eventual injury sustained while serving in Afghanistan. His stateside rehab puts him in contact with a med student (Keira Knightley) who will become his fiancee and also with a CIA official (Kevin Costner) who’s on a recruiting (SHADOW RECRUITING!) mission. Costner’s casting as the wily veteran mentor was interesting to me in the sense that I bet the actor was probably offered the role of Ryan when Hunt for Red October was being developed (just an educated guess).

Costner recruits Ryan to go deep undercover as a Wall Street analyst whose main job is to keep an eye out for terrorist financial transactions. Jack discovers a plot to crash the U.S. financial market and perhaps carry out even more dastradly attacks on the homeland. This nefarious plot is led by a Russian baddie portrayed by the film’s director himeslf, Kenneth Branagh.

There’s a nifty sequence in Shadow Recruit where Jack and his fiancee must team up at a dinner meeting to trick Branagh’s villainous character. This portion is well-constructed and sufficiently suspenseful. Unfortunately, the remainder of the picture feels awfully familiar and unremarkable. The truth is that it’s easy to see why audiences were ambivalent about this franchise reboot and why it only earned a middling $50 million stateside.

Like The Amazing Spider-Man in 2012, Shadow Recruit feels unnecessary. Also like that film, it’s an easy enough viewing experience and has its moments but that’s not quite enough to justify its existence. We’ve seen Batman and James Bond rebooted to terrific results in recent years. This reboot is one that is mildly entertaining but easily forgotten.

**1/2 (out of four)

Jersey Boys Box Office Prediction

Warner Bros Pictures attempts a summer counterprogramming move with Jersey Boys, Clint Eastwood’s adaptation of the hugely successful Broadway musical. The pic tells the story of Frankie Valli and the Four Seasons group and the studio is hopeful that adults will turn their attention to this after a healthy heaping of comic book flicks, comedies, and action spectacles over the last few weeks.

With a cast of mostly unknowns save for Christopher Walken, Jersey Boys is mostly relying on its built-in audience who’ve seen the Broadway hit. We’ve certainly seen our share of pictures based on Broadway musicals that have been successful over recent years, including Chicago, Dreamgirls, Mamma Mia, and Les Miserables. On the other hand, Rock of Ages bombed two summers ago with only $38 million domestic.

The ceiling for Jersey Boys is around $25 million as I see it. If it gets beyond that, it would be quite a surprise. This type of adult fare is likely to succeed or fail based on how audiences like it and whether or not it receives small declines in subsequent weekends. I believe the likely scenario is for Jersey Boys to grow in the high teens or low 20s out of the gate.

Jersey Boys opening weekend prediction: $18.9 million

For my Think Like a Man Too prediction, click here:

https://toddmthatcher.com/2014/06/15/think-like-a-man-too-box-office-prediction/

Think Like a Man Too Box Office Prediction

This Friday we will see if Kevin Hart’s terrific 2014 continues with Think Like a Man Too, the sequel to his surprise 2012 near blockbuster. The original got off to an impressive $33 million opening two years ago on its way to a $91M domestic gross. This is especially strong considering it cost a reported $12 million to produce. Since that time, Hart’s drawing power at the multiplex has only increased as this January’s Ride Along debuted to $41 million and the ensemble piece About Last Night made $25 million out of the gate in February.

With a supporting cast including Michael Ealy, Jerry Ferrera, Gabrielle Union, Regina Hall, Meagan Good, and Taraji P. Henson – Think Like a Man Too should succeed in bringing in African-American audiences and particularly females who made up 63% of the original’s opening weekend gross. There is one difference between this and the original and Ride Along – there is much more competition with its summer release. In particular, the second weekend of 22 Jump Street will still be bringing in the comedy crowds.

I believe Man Too should outshine the premiere gross of its predecessor but won’t quite reach Ride Along‘s level. It could surpass my expectations and a gross of $45 million wouldn’t shock me, but I’m going with high 30s for my prediction.

Think Like a Man Too opening weekend prediction: $38.2 million

For my Jersey Boys prediction, click here:

https://toddmthatcher.com/2014/06/15/jersey-boys-box-office-prediction/