The Godfather of Soul gets his own biopic when Get On Up debuts in theaters this Friday. Chadwick Boseman, who played Jackie Robinson in the hit 42, portrays James Brown with The Help director Tate Taylor behind the camera. Costars include Dan Aykroyd, Viola Davis, Octavia Spencer, Craig Robinson, and Jill Scott.
Get On Up could be in a good position for a solid debut. Taylor’s The Help opened in August three summers ago to $26 million. That would certainly be a good number for this. 42 premiered to $27 million in 2013.
The pic could be successful in bringing in African-American audiences and adult moviegoers burnt out on sci-fi blockbusters. I’ll predict Get On Up manages a debut in the mid 20s.
Get On Up opening weekend prediction: $24.9 million
For my Guardians of the Galaxy prediction, click here:
Marvel Studios is back in action this Friday with Guardians of the Galaxy, their $170 million dollar project that is certainly more of a gamble than their previous megahits. It’s based on a comic book not nearly as well-known as Iron Man, Captain America, or Thor – in other words, the Avengers cast.
Still positive signals are sprouting up. The James Gunn directed saga boasts a 100% current score on Rotten Tomatoes and TV spots are omnipresent. The cast features Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, and Bradley Cooper as the voice of Rocket, a genetically engineered raccoon.
While Guardians is not likely to match the $95M debut that the latest Disney/Marvel pic, Captain America: The Winter Soldier, opened at – a healthy debut is expected. I foresee a premiere in the mid seventies and if word of mouth is solid (and it should be), it could have a nice run at the #1 spot.
Guardians of the Galaxy opening weekend prediction: $74.6 million
One of summer 2014’s biggest hits is 22 Jump Street, a comedic take on a TV crime drama that came nearly three decades before it. The same can be said for the financially successfully 1987 summer pic Dragnet, which was based on the Jack Webb show from the 1950s and 1960s.
Dragnet has developed a fairly poor reputation in the past quarter century, but truth be told – it’s a lot of fun and is worth a look for some genuine laughs. It earns a spot in my Guilty Pleasures blog series. The film stars Dan Aykroyd, who gives one of his greatest comedic performances channeling Webb as straight-laced LAPD sergeant Joe Friday. His smart ass partner Pep Streebek is played by Tom Hanks, a few years prior to his serious acting turns and multiple Oscars. We also have Christopher Plummer as a corrupt televangelist and Dabney Coleman as a Larry Flynt like porn peddler. The duo are chasing down a cult group called P.A.G.A.N. (People Against Goodness and Normalcy – love that name) who believe in crazy activities like sacrificing virgins such as Connie Swail (Alexandra Paul). One of the my favorite running jokes in the movie is that everyone refers to her constantly as “The Virgin Connie Swail” – as if she’s a Biblical figure.
Most critics didn’t like it and don’t get me wrong – Dragnet does not approach the 80s greatness of your Vacation or Ghostbusters and so forth. Yet it’s heart is in the right place and there are plenty of laughs to be had. It more than earns a spot on my Guilty Pleasures list.
Three new titles open Friday to challenge current two week champ Dawn of the Planet of the Apes for box office dominance. They are the Scarlett Johannson action pic Lucy, The Rock led Hercules, and the Michael Douglas/Diane Keaton rom com And So It Goes. You can read my detailed prediction posts on each here:
As I see it, Lucy and Hercules may fight it out for the #1 position. If both underwhelm, there is an outside chance for Dawn to three-peat. As for other holdovers, current #2 The Purge: Anarchy is likely to suffer the typically big decline that horror titles do, though I’m not predicting it’ll drop as precipitously as the original fell (75%) last summer. The animated Planes: Fire & Rescue should have the smallest decline of all titles in its sophomore weekend while And So It Goes may have to settle for a sixth place debut.
And with that – my predictions for this coming weekend’s top 6:
1. Lucy
Predicted Gross: $28.1 million
2. Hercules
Predicted Gross: $21.4 million
3. Dawn of the Planet of the Apes
Predicted Gross: $19.4 million (representing a drop of 46%)
4. Planes: Fire & Rescue
Predicted Gross: $11.2 million (representing a drop of 36%)
5. The Purge: Anarchy
Predicted Gross: $10.3 million (representing a drop of 65%)
6. And So It Goes
Predicted Gross: $9.3 million
Box Office Results (July 18-20)
Dawn of the Planet of the Apes remained #1 for the second week in a row with $36.2 million, just above my $34.6M projection. The well-reviewed sequel has earned $139 million in ten days and a gross north of $200 million seems in the cards.
I far underestimated The Purge: Anarchy, which debuted strongly at second with $29.8 million – way beyond my $15.5M prediction. I incorrectly surmised that audience’s dislike of the original would hurt this. It didn’t. Expect a part 3 next year.
Disney’s Planes: Fire & Rescue opened third with a decent $17.5 million, under my generous $25.4M estimate. It couldn’t match the $22 million that its predecessor accomplished last summer, but it should hold well in future weekends.
The bomb of the weekend was undoubtedly the Cameron Diaz comedy Sex Tape, which stumbled out of the gate with $14.6 million – about half of my $29.1M projection. Oops. There’s no doubt that highly negative reviews hurt this and this will go down as one of the season’s biggest flops.
In fifth was holdover Transformers: Age of Extinction with $9.8 million in its fourth weekend, above my $7.7M estimate. It’s taken in $227 million so far and should get to $250 million, which will most likely allow it to be summer’s highest domestic grosser.
Jonathan Glazer’s Under the Skin is one of those films that your film geek friend will likely rave about while the vast majority of audience members won’t enjoy it. This is no doubt an “art film” and it’s not for mainstream filmgoers in the least. For me, there is enough truly amazing visuals in the pic that I felt it worth my time. However, be warned – you may not feel it’s worth yours.
Loosely adapted from Michael Faber’s 2000 novel, Under the Skin stars Scarlett Johannson as a nameless alien being trolling the Scottish countryside for men to destroy. We are never given a reason why she’s doing so and it doesn’t much matter. She lures these men in the simplest way possible… her disguise is that she looks like Scarlett Johannson. There’s another “male” alien accomplice who rides around on a motorcycle and assists her.
Her cold and calculated seductions take a turn when she begins to develop some feelings about what she’s doing. It allows her to spare the life of a man with a severe facial disfigurement. And it leads her to form an awkward relationship with another man that she attempts to have a normal sexual relationship with.
Under the Skin has a dreamlike quality to its proceedings throughout. If you’re the type of art house enthusiast who revels in captivating imagery, there is much to take in here. There are shots in the picture – an abandoned child in a murder scene, the luscious Scottish landscapes, the alien’s character revealing her true body – that will stay with you and are creepy and haunting. Daniel Lindin’s cinematography and Mica Levi’s musical score are terrific. And Johannson once again proves why she’s one of the best actresses today. She has little dialogue and much of her most powerful acting is done through her expressions. It’s one of her most remarkable performances.
There is a lot to be admired about Under the Skin and yet I won’t deny that the pacing is slow and tough going at times. This is not a film for mass consumption, but for “film people” (you know who you are) – it’s definitely worth a look.
Director Rob Reiner attempts a summer movie season counterprogramming move with And So It Goes, opening Friday. The romantic comedy stars Michael Douglas and Diane Keaton and the pic will try to bring in an adult audience burnt out on would-be blockbusters populating the marketplace.
I’m not so sure it’ll succeed. Early reviews have been mixed and the advertising campaign has been low-key. And So It Goes would love to bring in the numbers of Hope Springs with Meryl Streep and Tommy Lee Jones, which opened two summers ago to a $14 million opening weekend gross. I don’t believe this will reach those heights. Premiering on a relatively low 1800 screens, I’m forecasting that this won’t quite reach double digits and should be available for home viewing in the near future.
And So It Goes opening weekend prediction: $9.3 million
This Friday, audiences are treated to their second Hercules themed film of 2014. This would considered the higher profile one as The Legend of Hercules bombed in January with an abysmal $18 million domestic gross. Expectations are understandably bigger for this one – as it stars Dwayne “The Rock” Johnson and is directed by Brett Ratner. It’s likely to gross more in its first weekend than Legend did in its whole domestic run.
Having said that, I’m anticipating a fairly muted opening for Hercules. The trailers and TV sports aren’t bad, but they’re rather unimpressive. There’s also Lucy, the Scarlett Johannson action thriller that seems to have more buzz around it and could be more successful in attracting a female audience. As I see it, Hercules will need to do solid business internationally to justify its reported $110 million budget because I don’t see it reaching very close to that stateside.
Hercules opening weekend prediction: $21.4 million
This Friday, Scarlett Johannson enters Angelina Jolie territory as she headlines the action thriller Lucy, from director Luc Besson. Costarring the Narrator in Chief Morgan Freeman, Universal Studios has shown confidence in the project by moving it from its original August time slot to late July. The marketing campaign has been strong and the trailers and TV spots are effective.
The big question is whether Lucy will be negatively affected by its competition, Hercules featuring The Rock. Both pictures could cause the other to lose out on their full box office potential. What Lucy has that Hercules may not is the chance to bring more females into the fold. Audiences are used to seeing Johannson in action mode following her appearances in Iron Man 2, The Avengers, and Captain America: The Winter Soldier, which is still 2014’s highest grosser.
Add that up and Lucy has a real chance to be a sleeper summer hit and nab the #1 spot over its competitors.
When it comes to actors who have perfected the art of the scowl, Ice Cube is among the best. Whereas Will Ferrell and Gene Hackman are great cinematic yellers, Mr. Cube has displayed his knack for good scowling in numerous pictures – most notably the Jump Street franchise. He gets to scowl a lot at costar Kevin Hart in Ride Along.
Cube plays James, the hardened Atlanta detective. Hart is Ben, a wannabe cop currently pulling duty as a high school security guard. Ben is dating James’s girlfriend and he wants her brother’s blessing before he pops the question. James doesn’t believe he deserves her. He decides to kill two birds with one stone when he offers to take Ben on a ride along to prove he can’t hack it in the law enforcement world or in his family.
What follows is a series of very familiar buddy cop scenarios that are directed and written with little energy and zero originality. We have Bruce McGill as the police captain who likes to yell. The main villain is a mysterious arms dealer named Omar who’s played a paycheck cashing Laurence Fishburne. There’s the double crossing cops who are actually in cahoots with the villain. And, obviously, the central female character is going to be put in danger at some point.
Much of these by-the-numbers development that permeate the picture could be forgiven if it had enough genuinely humorous moments. There aren’t many at all. Kevin Hart is a ball of energy, but it doesn’t usually equate to laughs. Then there’s Cube. He’s proven on several occasions that he’s a solid actor whether in drama or comedy. And yet Cube is just left scowling for most of Ride Along‘s running time. With the material he has to work with here, the scowling is justified.
We’ve got three new titles populating theaters this coming Friday: the Cameron Diaz/Jason Segel comedy Sex Tape, the horror sequel The Purge: Anarchy and Disney’s animated sequel Planes: Fire & Rescue. You can find my detailed prediction posts on each of them here:
These newbies could create a legitimate three-way race for the #1 spot. The main question is whether Sex Tape or Planes could exceed my expectations and knock current champ Dawn of the Planet of the Apes from its perch? It’s certainly possible. Some could make the argument that the Purge sequel could over perform and compete, but I just don’t see that happening.
Ultimately I’m predicting the Apes will keep their considerable monkey business at #1 with the new entries coming in second through fourth. The well-reviewed Apes flick is likely to lose 45-55% of its audience in its sophomore frame. Transformers: Age of Extinction should fall to fifth.
And with that, my top five predictions for the upcoming weekend:
1. Dawn of the Planet of the Apes
Predicted Gross: $34.6 million (representing a drop of 52%)
2. Sex Tape
Predicted Gross: $29.1 million
3. Planes: Fire & Rescue
Predicted Gross: $25.4 million
4. The Purge: Anarchy
Predicted Gross: $15.5 million
5. Transformers: Age of Extinction
Predicted Gross: $7.7 million (representing a drop of 53%)
Box Office Results (July 11-13)
As expected, Dawn of the Planet of the Apes dominated the weekend with a very solid $72.6 million haul – though it did fall a little short of my $77.2M projection. This is a great start for it and pretty much guarantees more franchise entrees in the near future.
Falling to second in weekend #3 was Transformers: Age of Extinction with $16.3 million, right in range with my $16.8M prediction. The fourth film in the Michael Bay series has earned $208 million so far. It will likely top out around $250 million and will easily be the lowest domestic grosser of the franchise.
Melissa McCarthy’s critically panned Tammy held up a bit better than I figured, placing third with $12.5 million – above my $10.7M estimate. The comedy has earned $56 million in two weeks.
In fourth was 22 Jump Street with $6.5 million, just outshining my $5.6M prediction. The sequel has earned $171 million. In fifth was How to Train Your Dragon 2 with $6 million. My prediction? $6 million! The animated sequel has earned a less than expected $152 million. Finally, Earth to Echo was sixth in weekend #2 with $5.4 million, in line with my $5.2M projection. Its taken in $24 million in two weeks.
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