Tag: movies

Boston Strong for Mad Max

Another day, another critics organization bestowing their best of in movies for 2015. And like the National Board of Review before it, the Boston Online Film Critics have honored Mad Max: Fury Road as their favorite of the year. Its director, George Miller, was victorious as well. This marks yet another win for the fourth entry in the action franchise and increases momentum for the Academy honoring it for a nod in January. I have yet to include Fury Road among my predicted nominees, but that could change soon.

Perhaps the most surprising thing about Max’s win in Boston was that they didn’t pick Spotlight, the Catholic Church priest scandal expose that centers on Boston Globe reporters. Spotlight was included among their other nine selections of the year’s best along with Creed, Brooklyn, Carol, Clouds of Sils Maria, Bridge of Spies, The Martian, Anomalisa, and Tangerine. Notable pics left off: The Revenant, The Hateful Eight, and Joy.

Boston’s selections also marked a great day for Creed. Michael B. Jordan took Best Actor and Sylvester Stallone got Supporting Actor. While Jordan’s chances at an Oscar nod are up in the air (though he’s got some momentum), Stallone is looking more and more like a lock for inclusion.

The actress categories mirrored what the New York critics did earlier this week. Saoirse Ronan won for lead in Brooklyn and she seems a safe bet for Academy attention. Kristen Stewart picked up her second award for the little seen Clouds of Sils Maria and while I’ve yet to list her as an Oscar nominee, she seems to be coming on strong over the past week.

As always, I’ll keep updating the blog as these awards precursors keep coming. Stay tuned!

Todd’s Weekly Oscar Predictions: December 4 Edition

We are a bit over a month away from Oscar nominations coming out (January 14th) and it’s time to ramp up my predictions for what and whom will be nominated in the eight top races. I’m adding the two Screenplay categories (Original and Adapted) for the first time and the plan is to make weekly Oscar predictions each weekend until nominations come out. With each race, I’ll inform you what’s changed since the previous predictions post.

And with that, let’s get to predicting, shall we?

Best Picture

Bridge of Spies

Brooklyn

Carol

The Hateful Eight

Inside Out

The Martian

The Revenant

Room

Spotlight

Other Possibilities:

Beasts of No Nation

The Big Short

Creed

The Danish Girl

Joy

Mad Max: Fury Road

Star Wars: The Force Awakens

Steve Jobs

Straight Outta Compton

Changes Since Last Predictions: Bridge of Spies, Inside Out (IN), Joy, Steve Jobs (OUT)

Best Director

Lenny Abrahamson, Room

Alejandro Gonzalez Inarritu, The Revenant

Tom McCarthy, Spotlight

George Miller, Mad Max: Fury Road

Ridley Scott, The Martian

Other Possibilities:

Danny Boyle, Steve Jobs

Ryan Coogler, Creed

John Crowley, Brooklyn

Cary Fukanaga, Beasts of No Nation

Todd Haynes, Carol

Tom Hooper, The Danish Girl

David O. Russell, Joy

Steven Spielberg, Bridge of Spies

Quentin Tarantino, The Hateful Eight

Changes Since Last Predictions: George Miller (IN), David O. Russell (OUT)

Best Actor

Matt Damon, The Martian

Johnny Depp, Black Mass

Leonardo DiCaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

Other Possibilities:

Michael Caine, Youth

Bryan Cranston, Trumbo

Tom Hanks, Bridge of Spies

Michael B. Jordan, Creed

Ian McKellen, Mr. Holmes

Will Smith, Concussion

Changes Since Last Predictions: NONE

Best Actress

Cate Blanchett, Carol

Brie Larson, Room

Jennifer Lawrence, Joy

Charlotte Rampling, 45 Years

Saoirse Ronan, Brooklyn

Other Possibilities:

Emily Blunt, Sicario

Blythe Danner, I’ll See You in My Dreams

Carey Mulligan, Suffragette

Maggie Smith, The Lady in the Van

Charlize Theron, Mad Max: Fury Road

Lily Tomlin, Grandma

Changes Since Last Predictions: Charlotte Rampling (IN), Blythe Danner (OUT)

Best Supporting Actor

Tom Hardy, The Revenant

Michael Keaton, Spotlight

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies

Sylvester Stallone, Creed

Other Possibilities:

Christian Bale, The Big Short

Paul Dano, Love and Mercy

Benicio del Toro, Sicario

Joel Edgerton, Black Mass

Idris Elba, Beasts of No Nation

Harvey Keitel, Youth

Jacob Tremblay, Room

Changes Since Last Predictions: Tom Hardy (IN), Idris Elba (OUT)

Best Supporting Actress

Jane Fonda, Youth

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs

Other Possibilities:

Joan Allen, Room

Elizabeth Banks, Love and Mercy

Rachel McAdams, Spotlight

Kristin Stewart, Clouds of Sils Maria

Julie Walters, Brooklyn

Changes Since Last Predictions: Jane Fonda (IN), Joan Allen (OUT)

Best Original Screenplay (first prediction in category)

Bridge of Spies

The Hateful Eight

Inside Out

Love and Mercy

Spotlight

Other Possibilities:

Joy

Sicario

Straight Outta Compton

Youth

Best Adapted Screenplay (first prediction in category)

Anomalisa

Brooklyn

Carol

Room

Steve Jobs

Other Possibilities:

The Big Short

Creed

The Martian

The Revenant

And there you have it – folks! The next update will come next weekend…

 

Oscar Watch: The Hateful Eight

While its reviews are embargoed for another week and a half or so, Quentin Tarantino’s eagerly awaited The Hateful Eight has conducted industry and critics screenings over the past few days. The celebrated and controversial director’s ninth feature film has been a major question mark as to its Oscar chances ever since the project was announced. Quentin’s last two features, 2009’s Inglourious Basterds and 2012’s Django Unchained, were both nominated for Best Picture so it stood to reason that Eight could follow suit.

The verdict based on word of mouth that’s seeped out? Well, it’s still a bit of a question mark. The Hateful Eight, based on its buzz, seems to be on the bubble of receiving a nod in the big race. Some screenings have indicated a mixed reaction and when it comes to ultra violent awards worthy fare, voters may only recognize Alejandro Gonzalez Inarritu’s The Revenant. Based on these factors, I find it unlikely that Mr. Tarantino will nab his third nomination for Director (after 1994’s Pulp Fiction and Basterds). Where he’s more likely to be honored is in Original Screenplay, for which he’s won twice.

Tarantino pics have a nice history of getting their actors nominated and this is likely to hold true for Jennifer Jason Leigh in Supporting Actress. She could a threat to win. As for the males – Samuel L. Jackson, Kurt Russell, Bruce Dern, and others may cancel themselves out.

The other category where a nomination seems probable is Cinematography, where Robert Richardson’s work shooting in 70 mm is assured to earn him attention.

As the weeks roll along, you can follow how The Hateful Eight tracks as, beginning this weekend, I’ll be doing weekly updates on my Oscar predictions. Stay tuned!

In the Heart of the Sea Box Office Prediction

It’s got an Oscar winning director and Thor starring in it, but chances are that next Friday’s In the Heart of the Sea is destined to be known as “the movie that opened the week before Star Wars“. In other words – it better make its money now.

Ron Howard directs the whale tale epic that inspired Moby Dick with Chris Hemsworth in the lead and Cillian Murphy, Brendan Gleeson, Benjamin Walker, and Ben Whishaw costarring. Early reviews are quite mixed (it stands at 67% currently on Rotten Tomatoes) and widespread acclaim could have helped.

While trailers and TV spots have been decent, it seems like Sea has been flying a bit under the radar for a pic of its scale and, as mentioned, it doesn’t help with the galactic Goliath that follows just a week later.

On this same weekend last year, Ridley Scott’s Exodus: Gods and Kings took in $24 million. That, too, was an epic tale with an Oscar winning auteur and lead actor known for his superhero role (Christian Bale). Sea will be lucky to reach that number and I believe it will fall short of the $20M mark for a choppy start.

In the Heart of the Sea opening weekend prediction: $18.4 million

Oscar Watch: In the Heart of the Sea

It hasn’t really been looked at too seriously for Oscar attention and now next week’s In the Heart of the Sea has screened for critics. Ron Howard’s epic true story whale tale that inspired Moby Dick stars Chris Hemsworth, Benjamin Walker, Cillian Murphy, Ben Whishaw, and Brendan Gleeson.

For what once appeared as a major potential box office player, Sea seems to be flying under the radar. As mentioned, while it didn’t seem like much of an awards contender, it was always worth mentioning due to Howard’s track record. Plus you just never know… nobody expected Creed to become the legit contender that it certainly has.

Now that reviews are out – it’s safe to say that this will not be hearing its name called for Academy nominations. Both trade papers weren’t too kind. Opening a week before something called Star Wars: The Force Awakens, this could struggle at the box office as well (my prediction post will be up tomorrow, by the way). And today solidified what most of us suspected: there will be no wave of awards attention for Sea.

New York Critics Go Caroling

In 2002, the New York Film Critics Circle (NYFCC) went gaga over Todd Haynes’s drama Far From Heaven, bestowing it with their award for Best Picture, Director, Supporting Actor (Dennis Quaid), and Supporting Actress (Patricia Clarkson). Yet when it came time for Oscar nominations, none of those picks were reflected with the Academy.

Thirteen years later, could history repeat itself again for Mr. Haynes? It’s a worthy question as the NYFCC have showered love upon his latest project, Carol. The 1950s drama centering on a lesbian relationship won big at their ceremony today, taking Picture and Director. The Big Apple critics appreciation for Carol gives it a somewhat needed boost for its Oscar chances. When it screened at film festivals earlier this year, it seemed close to a lock for Picture recognition but its stock has waned some.

As I did yesterday with the National Board of Review’s selections, it’s important to show you how often each critics organization matches what the Academy ends up doing. With the NYFCC, 12 out of their last 15 selections for Best Picture (the ones in the 21st century) have gone onto Oscar nominations in the same category. The exceptions were the aforementioned Heaven, 2001’s Mulholland Drive, and 2006’s United 93.

The same 12/15 ratio extends to the Directing category in which winners were Academy snubbed. Besides Haynes, the others were Mike Leigh for 2008’s Happy Go Lucky and Kathyn Bigelow for 2012’s Zero Dark Thirty.

I believe it’s much more likely that Carol manages a slot in the Picture race come Oscar nomination time than Haynes himself, but we’ll see how that plays out well as my predictions continue to be updated on the blog.

As for the acting races – the NYFCC hit us with two surprises. The biggest was Supporting Actress where they selected Kristen Stewart for her work in the little seen Clouds of Sils Maria. While she’s been mentioned as a possibility, very few prognosticators (this one included) have picked her for a Oscar nomination. I still don’t see it happening, but this win does raise her profile for sure. It’s also worth noting that only 2 of the last 15 NYFCC recipients in this category haven’t received Academy attention (the aforementioned Clarkson for Heaven and Maria Bello in 2005’s A History of Violence). Even more surprising is that the NYFCC didn’t honor Rooney Mara’s work in Carol, since many consider her the most likely winner for the gold statue.

The other surprise was Best Actor, which went to Michael Keaton in Spotlight. The shocker was the category he won for because Mr. Keaton is being campaigned for in Supporting Actor and not lead. It’s highly likely that the Bat/Birdman will be recognized come Oscar time… just not in the race where the NYFCC feted him. Of note: three past winners in the 21st century didn’t get Oscar nods: Paul Giamatti in 2004’s Sideways and the last two recipients: Robert Redford for All is Lost and Timothy Spall as Mr. Turner.

Actress went to Saoirse Ronan for Brooklyn and her Academy nod seems pretty much assured. She joins Room‘s Brie Larson (who won the NBR yesterday), Joy‘s Jennifer Lawrence, and Carol‘s Cate Blanchett as front runners for award attention into the future. As with Actor, three winners out of the past 15 didn’t receive Academy attention: Hope Davis for 2003’s American Splendor, Sally Hawkins for 2008’s Happy Go Lucky, and Rachel Weisz for 2012’s The Deep Blue Sea. 

Supporting Actor went to Mark Rylance in Bridge of Spies and he’s also a strong contender in the big race. It is worth noting that the NYFCC has actually picked five out of their last 15 winners that never made it to the Academy’s red carpet: the previously mentioned Quaid in 2002, Steve Buscemi for Ghost World (2001), Eugene Levy in A Mighty Wind (2003), Albert Brooks in Drive (2011), and Matthew McConaughey for Magic Mike and Bernie (2012).

Bottom line: a solid day for Carol and we’ll see if the momentum keeps up as my analysis for the 2015 awards season keeps rolling along…

A Lovely Day for Mad Max

A summertime thrill ride that has served as a resurgence for a thirty year old action franchise got a big Oscar boost today when Mad Max: Fury Road won the National Board of Review (NBR) award for Best Picture. This was an upset. While George Miller’s return to kinetic and wild adventure set pieces earned universal critical acclaim, it’s not really been looked at as a given for a Picture nod at the Academy Awards. The NBR attention does nothing but help.

Over this century, the NBR’s Picture winner has been nominated for the big race at the Oscars 14 out of 16 times (the exceptions were 2000’s Quills and last year’s A Most Violent Year). On the other hand, only two of the past 16 NBR honorees have won the Academy’s honor (2007’s No Country for Old Men and 2008’s Slumdog Millionaire).

I would still say that Fury Road is no shoo in for a nomination, but its chances no doubt increased with the announcement this afternoon. I also believe a scenario (and maybe a stronger one) exists where Miller gets a directing nomination with the film being left off of the Best Picture group come announcement time.

The NBR also names an additional nine favorite movies of the year. They were: Bridge of Spies, Creed, The Hateful Eight, Inside Out, The Martian, Room, Sicario, Spotlight, and Straight Outta Compton. Of these films, Sicario and Compton are seen as least likely to receive Oscar attention. Both are still possible and Creed‘s stock keeps rising.

High profile Oscar contenders left off? The Revenant, Steve Jobs, Joy, Anomalisa, Brooklyn, and Carol. However, the NBR list and the Academy list never match and expect some of these titles to be included in the big race.

Besides Max, the other pic to get a huge NBR boost is The Martian, where Ridley Scott won Best Director and Matt Damon won Best Actor. Again, neither are shoo ins for Oscar nods but their inclusion is seeming more and more probable.

As for the other acting categories, Brie Larson’s work in Room marked her first win in what could be several and her Oscar nod seems assured. Sylvester Stallone was victorious in Supporting Actor for Creed and it would now be a surprise if Oscar doesn’t call his name among the five nominees. The same is likely for Jennifer Jason Leigh in The Hateful Eight, who won Supporting Actress.

This day really marked the official beginning of the awards season and there’ll be much more to chew on (other critics group, Golden Globes, SAG Awards) before the Academy reveals their choices. And this blog will be following and keeping you up to date all the way. Stay tuned!

 

Box Office Predictions: December 4-6

The first week of December is traditionally a weak frame at the box office as the month’s heavy hitters have yet to roll out and moviegoers are mostly nibbling on Thanksgiving leftovers. This year figures to follow suit as only the Christmas themed horror comedy Krampus opens wide and I don’t see it performing too well. You can read my detailed prediction post on it here:

Krampus Box Office Prediction

The post holiday weekend also usually means big drop offs for existing pics. The last two Hunger Games entries have fallen more than 60% on this weekend and current champ Mockingjay – Part 2 should do the same.

Disney’s animated features that debuted on Turkey Day weekend have typically fallen over 50% and that could true here with The Good Dinosaur.

And that could create a serious photo finish for the top spot. To add to the mystery: Creed opened to better than expected results and I foresee it having the smallest decline due to very positive word of mouth.

Krampus should land in the four spot with Spectre rounding out the top five. And here are those top five estimates for a fairly sleepy weekend:

  1. The Good Dinosaur

Predicted Gross: $18.7 million (representing a drop of 52%)

2. The Hunger Games: Mockingjay – Part 2

Predicted Gross: $18.5 million (representing a drop of 64%)

3. Creed

Predicted Gross: $16.4 million (representing a drop of 44%)

4. Krampus

Predicted Gross: $7.1 million

5. Spectre

Predicted Gross: $6 million (representing a drop of 52%)

Box Office Results (November 25-29)

Katniss and crew maintained their dominance as Mockingjay – Part 2 ruled Thanksgiving with $52 million over the Friday to Sunday portion of the weekend and $75.9 million for the five day holiday frame. This was in line with my respective projections of $48.4M and $75.5M. The franchise finale stands at $198 million so far.

Disney/Pixar’s The Good Dinosaur had a so so premiere compared to what the company is used to with $39.1 million over the three day and $55.4 million for the long weekend. This is well under my predictions of $56.6M and $78.9M. It will need meager drop offs over the holidays to avoid potentially being Pixar’s smallest earner in its storied two decade existence.

With legitimate Oscar buzz, Creed tapped into Rocky nostalgia and made a magnificent $29.6 million (three day) and $42.1 million (five day), knocking out my estimates of $19.6M and $27.4M. The red hot word of mouth clearly brought this to heights that were unimaginable just weeks ago.

Spectre was fourth with $12.8 million (three day) and a five day tally of $18.2 million for a $176M overall gross. I was close with $13.1M and $17.7M.

The Peanuts Movie came in a bit below my forecast at fifth with $9.7 million and $13.6 million compared to my predictions of $11.1M and $15.3M. It’s made $116M.

The Night Before was sixth in its sophomore frame with $8.3 million and $10.7 million – right in line with my estimates of $8M and (bingo!) $10.7M.

Last and majorly least, critically drubbed Victor Frankenstein tanked with an embarrassing $2.4 million and $3.5 million since its Wednesday start. This put it in just 12th place and way below my generous $10.8 and $14.8M projections.

That’s all for now folks! Until next time…

Oscar Watch: Joy

When it comes to Oscar nominations over the first half of this decade, no director matches the incredible track record of David O. Russell. Let’s do some math, shall we? His last three pictures – 2010’s The Fighter, 2012’s Silver Linings Playbook, 2013’s American Hustle – have scored a combined 25 Academy Award nods. All three were nominated for Best Picture. Russell was in the Directing race for each film. The trio of pics nabbed a total of 11 acting nominations resulting in three victories: Christian Bale (Supporting Actor for The Fighter), Melissa Leo (Supporting Actress for The Fighter), and Jennifer Lawrence (Actress for Silver Linings Playbook).

Therefore, it’s obvious that December’s Joy has been high on the list for potential Oscar attention. Over the weekend, it screened for critics and journalists for the first time. While reviews are officially embargoed until mid December, the word is that Russell likely has his fourth contender in a row. Early buzz makes one thing clear: Lawrence is in line to receive her fourth nomination as the title character in Best Actress. At this point, it’d be a shock if she’s not included. This would mark her third recognition in a row from the Academy working with Russell (winning for Playbook, nominated for Hustle). As for other acting races, it’s murkier. Bradley Cooper would also be going for his third nomination in a row with Russell, but his part is said to be small and he probably won’t be included. Robert De Niro, on the other hand, has potential with his supporting turn. His last nomination was in the same category for Playbook. Diane Ladd is rumored to be the Supporting Actress most in contention over costars Virginia Madsen and Isabella Rossellini.

It would also seem that Joy remains a strong contender for Best Picture recognition and that could extend to Russell’s fourth time in the Director category. As stated, Russell’s films have been an Oscar juggernaut and it’s unlikely to let up here (especially with J Law). A caveat: some of the initial reaction for this isn’t quite as over the moon as the director’s last efforts, so I would write Joy‘s Best Picture nomination and Russell’s down in pencil, not pen until officials reviews are released. Feel free to use a Bic with Lawrence.

Oscar Watch: Anomalisa

Since summer, it’s been clear that one 2015 animated film is a true contender in the Best Picture race: Pixar’s Inside Out. Yet it’s becoming increasingly likely that there may be two and the other is in the form of Charlie Kaufman’s Anomalisa.

Known for his ingenious screenplays that include Being John Malkovich, Adaptation and Eternal Sunshine of the Spotless Mind, Kaufman’s latest is an experimental stop motion comedy drama featuring the voices of David Thewlis, Jennifer Jason Leigh and Tom Noonan. It is not an animated pic for kids with its R rating. Anomalisa premiered at Telluride before winning the Grand Jury prize at the Venice Film Festival.

Critics have gone gaga over it as its Rotten Tomatoes score is a cool 100%. Its inclusion in the Animated Feature race is a foregone conclusion. The question is whether or not it could gather enough mojo to be included in the big race, Picture. Right now I feel it’s on the outside looking in, but if any December contenders like Joy or The Hateful Eight falter, I could be singing a different tune. Anomalisa is one to keep an eye on.