For close to a decade, Tom Hardy has been turning up in mostly high profile supporting roles and became a household name thanks to one Christopher Nolan. His breakout came in Nicolas Winding Refn’s acclaimed indie pic Bronson. The aforementioned Nolan took notice and soon Hardy found himself cast alongside Leonardo DiCaprio in Inception and as villain Bane in The Dark Knight Rises. Other notable appearances along the way include Warrior, Tinker Tailor Soldier Spy, Lawless, Locke, and The Drop.
It’s been an impressive filmography but 2015 put the 38 year old Brit into a whole new stratosphere. This summer he took over the role made famous by Mel Gibson in Mad Max: Fury Road and the results were a worldwide box office smash that is gaining momentum for a Best Picture nomination.
This fall, he starred in Legend which cast him in the dual role of real life gangsters The Kray Brothers. Reviews were mixed, but Hardy earned raves for his work.
The calendar year will end with him paired up with DiCaprio once again in the eagerly anticipated The Revenant, which is also subject to plenty of Oscar buzz. In fact, it looks more probable than not that two Academy nominees for Best Picture will feature Mr. Hardy. He also could find himself in line for his own first Oscar recognition in Supporting Actor for The Revenant.
With three buzzworthy features to his credit in 2015, it was a furiously good year for this actor.
Prior to 2015, not many knew the name Alicia Vikander but that has certainly changed and the 27 year old Swedish actress looks primed for Oscar attention and stateside stardom. In the spring, her role as robot Ava in Alex Garland’s science fiction sleeper hit Ex Machina garnered Vikander well deserved attention.
The momentum has kept up this fall with her role in Tom Hooper’s The Danish Girl, in which Vikander is expected to land (and potentially win) the Supporting Actress category at the Academy Awards. There’s even a long shot possibility that she could be nominated for both of the aforementioned pictures.
Ms. Vikander did also appear in two other high profile efforts that failed to perform well – The Man from U.N.C.L.E. and Burnt. Yet her exposure this year has led to choice projects in 2016: 17th century drama Tulip Fever with Dane DeHaan and Christoph Waltz, The Light Between Oceans alongside Michael Fassbender, and what will surely be her most mainstream pic to date, the untitled fifth Jason Bourne flick with Matt Damon.
All in all, Vikander made a big impression in 2015 that is bound to carry on.
Director Judd Apatow has had a fine history of bringing comedic performers known more for their small screen work to silver screen glory. Steve Carell in The 40 Yr. Old Virgin. Seth Rogen in Knocked Up. Kristin Wiig and Melissa McCarthy in Bridesmaids (which he produced).
It happened yet again in 2015 with Amy Schumer for this summer’s Trainwreck, a critically acclaimed box office hit which gave the celebrated comedienne her inaugural starring vehicle. Schumer made the most of it, writing the script and giving Apatow a bit of a comeback vehicle after a couple of commercial disappointments. The pic earned $110 million stateside (and an 85% Rotten Tomatoes rating) while giving humorous supporting roles to Bill Hader, Tilda Swinton, and even LeBron James.
2015 has been a watershed year for Ms. Schumer. In addition to her considerable film success, her Comedy Central show “Inside Amy Schumer” was nominated for five Emmys (after winning a Peabody last year) and she capped the year off with an HBO stand-up special.
Expect to see lots more of Schumer on the big screen as she is currently working on a buddy comedy with her buddy, Jennifer Lawrence. We will certainly remember this year as the one which turned her into a movie star.
And now we’ve arrived at my weekly Oscar predictions for the eight biggest categories and yes, things have changed in one week. Most notably, many critics precursor awards have been announced and just in the last 48 hours, nominations for the SAG and Golden Globe awards have been revealed. The past week’s activity has given a huge boost to Mad Max: Fury Road‘s inclusion into the Best Picture race and I’m including it for the first time. Other pics that have received some momentum: Carol, Trumbo (in acting races), and possibly The Big Short.
For the first time, I’m ceasing to list my predicted nominees and other possibilities alphabetically. We are now switching to where I’m listing according to my thoughts on their probability of being nominated.
And here we go, my friends:
Best Picture
Spotlight
The Revenant
Room
Carol
Mad Max: Fury Road
The Martian
Brooklyn
Bridge of Spies
The Hateful Eight
Other Possibilities:
10. Inside Out
11. The Big Short
12. Creed
13. Steve Jobs
14. Beasts of No Nation
15. Straight Outta Compton
16. The Danish Girl
17. Son of Saul
18. Anomalisa
19. Trumbo
20. Joy
21. Sicario
22. Love and Mercy
23. Star Wars: The Force Awakens
What’s Changed Since Last Week – In: Mad Max: Fury Road, Out: Inside Out
Best Director
Tom McCarthy, Spotlight
Alejandro Gonzalez Inarritu, The Revenant
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Todd Haynes, Carol
Other Possibilities:
6. Lenny Abrahamson, Room
7. Steven Spielberg, Bridge of Spies
8. Quentin Tarantino, The Hateful Eight
9. John Crowley, Brooklyn
10. Ryan Coogler, Creed
11. Cary Fukanaga, Beasts of No Nation
12. Adam McKay, The Big Short
13. Laszlo Nemes, Son of Saul
14. Danny Boyle, Steve Jobs
15. David O. Russell, Joy
16. Tom Hooper, The Danish Girl
17. J.J. Abrams, Star Wars: The Force Awakens
What’s Changed Since Last Week – In: Todd Haynes. Out: Lenny Abrahamson
Best Actor
Leonardo DiCaprio, The Revenant
Eddie Redmayne, The Danish Girl
Michael Fassbender, Steve Jobs
Johnny Depp, Black Mass
Bryan Cranston, Trumbo
Other Possibilities:
6. Matt Damon, The Martian
7. Will Smith, Concussion
8. Michael B. Jordan, Creed
9. Ian McKellen, Mr. Holmes
10. Tom Hanks, Bridge of Spies
11. Michael Caine, Youth
12. Steve Carell, The Big Short
13. Geza Rohrig, Son of Saul
What’s Changed Since Last Week – In: Bryan Cranston. Out: Matt Damon
Best Actress
Brie Larson, Room
Saoirse Ronan, Brooklyn
Cate Blanchett, Carol
Charlotte Rampling, 45 Years
Jennifer Lawrence, Joy
Other Possibilities:
6. Blythe Danner, I’ll See You in My Dreams
7. Charlize Theron, Mad Max: Fury Road
8. Sarah Silverman, I Smile Back
9. Helen Mirren, Woman in Gold
10. Maggie Smith, The Lady in the Van
11. Lily Tomlin, Grandma
12. Carey Mulligan, Suffragette
What’s Changed Since Last Week – NO CHANGES
Best Supporting Actor
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Michael Keaton, Spotlight
Paul Dano, Love and Mercy
Idris Elba, Beasts of No Nation
Other Possibilities:
6. Mark Ruffalo, Spotlight
7. Christian Bale, The Big Short
8. Tom Hardy, The Revenant
9. Benicio del Toro, Sicario
10. Michael Shannon, 99 Homes
11. Jacob Tremblay, Room
What’s Changed Since Last Week – In: Paul Dano and Idris Elba. Out: Tom Hardy and Mark Ruffalo
Best Supporting Actress
Alicia Vikander, The Danish Girl
Rooney Mara, Carol
Jennifer Jason Leigh, The Hateful Eight
Kate Winslet, Steve Jobs
Jane Fonda, Youth
Other Possibilities:
6. Kristen Stewart, Clouds of Sils Maria
7. Helen Mirren, Trumbo
8. Joan Allen, Room
9. Elizabeth Banks, Love and Mercy
10. Rachel McAdams, Spotlight
11. Alicia Vikander, Ex Machina
What’s Changed Since Last Week: NO CHANGES
Best Original Screenplay
Spotlight
The Hateful Eight
Inside Out
Bridge of Spies
Son of Saul
Other Possibilities:
6. Love and Mercy
7. Straight Outta Compton
8. 99 Homes
9. Joy
10. Sicario
11. Ex Machina
12. Trainwreck
What’s Changed Since Last Week – IN: Son of Saul. Out: Love and Mercy
Best Adapted Screenplay
Carol
Steve Jobs
Room
Brooklyn
The Big Short
Other Possibilities:
6. The Revenant
7. The Martian
8. Anomalisa
9. Beasts of No Nation
10. Trumbo
11. Creed
12. The Danish Girl
What’s Changed Since Last Week – In: The Big Short. Out: Anomalisa.
And that’ll do it for this week’s predictions! Stay tuned for next Friday’s picks…
After four years of box office dormancy, Alvin and Simon and Theodore bring their CGI rodent selves back to the silver screen for the fourth time in Alvin and the Chipmunks: The Road Chip. Jason Lee returns as Dave along with a voice over cast including Justin Long, Jesse McCartney, Christina Applegate, Anna Faris and Kaley Cuoco.
The chipmunk franchise has been a gold mine for 20th Century Fox. The 2007 original was a surprise smash with a $44 million premiere and a $217 million domestic take. Its 2009 sequel The Squeakquel improved on that performance with a $48 million three day and $75 million holiday start and eventual $219 million haul. Two years later, third pic Chipwrecked saw fortunes go down with a $23 million opening and $133 million overall showing.
The Road Chip faces two hurdles that could be equally troubling: the four year layoff (where kiddie franchise fans have now grown up) and the fact that it opens against Star Wars: The Force Awakens, which will undoubtedly bring in a massive family audience.
Considering those factors, this fourth chip down 80s cartoon memory lane should find itself with the weakest debut of the series thus far.
Alvin and the Chipmunks: The Road Chip opening weekend prediction: $14.3 million
For my Star Wars: The Force Awakens prediction, click here:
Nearly eight years after they had a decent size hit with Baby Mama, Tina Fey and Amy Poehler team up again for Sisters, out next Friday. The modestly budgeted $30 million comedy also stars Maya Rudolph, John Leguizamo, Ike Barinholtz, John Cena, James Brolin, and Dianne Wiest.
Universal Pictures is hoping that Sisters will appeal to a female demographic that may not be chomping at the bit to see Star Wars: The Force Awakens, which this bravely opens against. The two stars certainly have their fans and the strategy may work. 2008’s Baby Mama earned $17.4 million out of the gate and an eventual gross of a sturdy $64 million.
Based on the competition alone, I feel Sisters will struggle to reach that opening number next weekend yet it could manage close to Mama’s grosses if it performs well over the subsequent holiday weekends.
Sisters opening weekend prediction: $13.9 million
For my Star Wars: The Force Awakens prediction, click here:
It is not only the most anticipated film of the year but probably of the 21st century. This is not hyperbole. 38 years after George Lucas changed the movie industry forever with Star Wars, the baton has been passed to J.J. Abrams with Star Wars: The Force Awakens, out December 18. We’ve seen over a decade pass since the unevenly received second trilogy that ran from 1999-2005. This marked the end of Mr. Lucas’s involvement in the franchise and the end of 20th Century Fox producing the entries (no iconic Fox music before “In a galaxy far, far away” may take a little getting used to).
Instead we have Disney taking over the most beloved franchise in silver screen history and we’ve repeatedly seen their brilliance at marketing blockbusters (think Marvel Cinematic Universe). The Force Awakens has been omnipresent for months and it’s ramped up to the point where every other commercial seems to be connected somehow to it. The official trailers and TV spots have been events. It’s sold $100 million dollars at press time in pre-sale tickets, which was previously an unimaginable haul. With all the exposure, the studio has done a truly remarkable job in keeping plot details under wraps.
We know this: original trilogy stars Mark Hamill, Harrison Ford, and Carrie Fisher return in the iconic roles of Luke Skywalker, Han Solo, and Princess Leia. A new generation makes up the supporting cast that includes John Boyega, Oscar Isaac, Daisy Ridley, Adam Driver, and Domhnall Gleeson. Oh and there’s Chewbacca, R2-D2, and C-3PO.
For those of us old enough to remember the breathless anticipation afforded to 1999’s Star Wars Episode 1: The Phantom Menace, it’s probably the only thing that compares in the past couple of decades. There are many hotly anticipated blockbusters but Star Wars is simply on a different planet.
So now the nine figure question: how much will The Force Awakens earn its opening weekend? How much is it capable of making? Will its debut set the all time record? Fascinating queries indeed, these are.
We begin with this: the current record holder came out just this summer when Jurassic World earned $208.8 million, which edged out previous champ The Avengers at $207 million. I’m sure Disney would love to get that record back that the dinosaurs took away in June. These are the only two pictures that have made over $200M out of the gate. Both were released in summer, as are seven of the all time top ten domestic premieres.
None came out in December and this is not an inconsequential point. In fact, the current highest December debut belongs to The Hobbit: An Unexpected Journey. It made $84 million and that’s good for just the 57th largest opening ever. Truth be told, even massive blockbusters that open in December usually open smaller than they might in the summer. 2009’s Avatar began with $77 million before becoming the biggest stateside grosser ever. The reason is simple: Christmas time releases tend to play well over multiple weekends while similar summer titles make the bulk of their coin immediately.
Let’s dispatch with the glaringly obvious: The Force Awakens will obliterate the December record. At worst, it should double The Hobbit’s initial earnings. Frankly, guessing what Star Wars is capable of is a dicey proposition, but the low end of estimates is around $170-$175 million. If it managed that, it would sincerely be a fine start.
Yet there is a suspicion that Jurassic’s six month long record could be headed for extinction. The combo of Disney hype and a true love across all ages for the series has contributed to an Event Experience we rarely witness. What’s the highest it could go? Honestly, I don’t know. The figure of $300 million has been mentioned. That seems a bit crazy, but you just never know. There’s part of me that believes $275-$280 million might just be reachable and another that feels it could fall short of the record with around $185-$205 million.
What’s a box office predicting blogger to do? Split the difference. With this wide range of possibilities, I’ll project that Star Wars: The Force Awakens will achieve the best American opening ever and by a rather considerable margin. I’ll be one among many speculating over the next ten days before its debut, but my two cents is in, my friends. Let’s see what happens!
Star Wars: The Force Awakens opening weekend prediction: $234.7 million
Just one week ago, I wrote a blog post detailing the Oscar prospects for David O. Russell’s latest Joy, which comes out on Christmas. Seven days ago, I believed its prospects for a nomination in Best Picture were still fairly decent. Some of this was due to Mr. Russell’s track record over the decade. His last three pictures – The Fighter, Silver Linings Playbook, American Hustle – all were nominated, as was Russell. Those three movies represent an astounding 11 acting nominations with three wins. And the advance word of mouth on Joy was cautiously optimistic enough that I still felt it stood a good shot at Academy attention.
What a difference a week makes. The official embargo on Joy reviews was lifted this morning and a clearer picture has emerged. Bottom line: Joy will not be nominated for Best Picture. David O. Russell will not be nominated for Director. None of the supporting players that includes Robert De Niro, Bradley Cooper, Edgar Ramirez, Virginia Madsen, Diane Ladd, and Isabella Rossellini will hear their names called. Reviews have been extremely mixed. While some critics have heaped praised, other prominent reviewers have called it his worst movie. While the number is bound to fluctuate, it currently stands at just 53% on Rotten Tomatoes. The Fighter? 90%. Silver Linings Playbook? 92%. American Hustle? 93%. You get the idea.
The only bright spot is that Jennifer Lawrence’s inclusion in Best Actress still appears be solid. Writers have singled out her work and the superstar looks to land her third recognition in a row for a Russell directed effort.
The Joy bubble bursting will surely give rise to another film that many prognosticators had under their bubbles for Picture predictions, including my own. This could represent good news for pictures ranging from Mad Max: Fury Road to Creed to Son of Saul to Anomalisa to The Big Short.
One thing is nearly certain: Russell’s joyful Oscar streak looks to be finished.
Call it the call before an intergalactic storm as the second week of December brings just one new entry: Ron Howard’s In the Heart of the Sea with Chris Hemsworth. The film has picked up decent reviews (65% on Rotten Tomatoes) yet it seems to be flying a bit under the radar and it posted disappointing results in its overseas debut over the weekend. You can peruse my detailed prediction post on it here:
Even with my predicted mediocre opening for Sea, it shouldn’t have much trouble premiering at #1 as the rest of the top five should consist of holdovers The Hunger Games: Mockingjay Part 2, Krampus, Creed, and The Good Dinosaur. Comedic holiday horror fest Krampus had a better than anticipated opening (more on that below), but it should suffer the largest drop-off as that genre usually does.
All in all, it should be a pretty quiet weekend before the box office juggernaut Star Wars: The Force Awakens looks to demolish records the following week. And I’ll have my individual prediction post on that pic up later this week!
With that, my top five predictions for the weekend:
In the Heart of the Sea
Predicted Gross: $18.4 million
2. The Hunger Games: Mockingjay Part 2
Predicted Gross: $10.5 million (representing a drop of 44%)
3. The Good Dinosaur
Predicted Gross: $9.4 million (representing a drop of 39%)
4. Creed
Predicted Gross: $9.1 million (representing a drop of 39%)
5. Krampus
Predicted Gross: $7.3 million (representing a drop of 54%)
Box Office Results (December 4-6)
As expected, it was a quiet post Thanksgiving weekend at the box office as The Hunger Games: Mockingjay Part 1 managed to stay on top for the third weekend in a row. The bright spot was Krampus, which exceeded the expectations of prognosticators by a nice margin.
Katniss and company ruled the charts with $18.8 million, right in line with my $18.5M estimate and the final chapter in the franchise has taken in $227M.
Krampus soared past my $7.1 million projection to earn $16.2 million for a solid runner-up showing. The mostly well reviewed horror comedy, as mentioned, surpassed nearly all estimates.
Disney/Pixar’s The Good Dinosaur continued to show disappointing results with $15.3 million in weekend #2, below my $18.7M prediction. It stands at $75 million at press time and is in very real danger of being Pixar’s lowest domestic grosser of all time.
The critically hailed Creed made $14.9 million in its sophomore frame, a bit below my $16.4M estimate for an overall haul of $64M. A gross of over $100M seems within reach.
Finally, Spectre rounded out the top five with $5.5 million, in range with my $6M projection for a total of $184M.
The Austrian horror pic Goodnight Mommy gained some fairly significant attention stateside due to its hauntingly effective and hair raising trailer. The trailer is a work of art. The film itself? Well, it’s not without its merits for genre lovers. And it isn’t without its flaws.
Mommy takes place almost entirely at a remote lake house in Austria where the “Mommy” (Susanne Wuest) has just returned back after cosmetic surgery to her face. This leaves her with heavy bandages around her dome that are quite creepy. She is mother to twin 10 year old boys (real life twins Elias and Lukas Schwarz). Upon her return from her mysterious operation, they immediately notice that something seems off with her. She’s more temperamental. It gets to the point where the boys become convinced that Mommy is not Mommy at all and this sets a course from some disturbing set pieces and seriously questionable parenting.
Horror aficionados will likely eat up the sequences involving giant roaches and gut churning uses for Super Glue. However, this just applies to the art house crowd. Goodnight Mommy is by no means mainstream and I suspect many a casual genre fan will be let down. For starters, this is not to be judged by its considerably better trailer. Second, while the arty crowd may not mind the “twist” involved that can perhaps purposely be seen from a mile away, it hindered the process for me.
It’s a nice touch having real life twins play the scared youngsters here and the Schwarz brothers work well together. Wuest capably balances her complex role which alternates between being terrifying and being terrified. The production design with its off kilter and dispassionate home setting is first rate.
All in all, a jaw dropping moment here and there in Goodnight Mommy can’t really overcome the general obviousness of it all. I’ll give directors Veronika Franz and Severin Fiala credit for showing some promise to build on, but this movie will be remembered best for its magnificent preview watched by millions on YouTube and not the final product.
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