In what’s being called a current take on Bonnie and Clyde, Universal is hoping that moviegoers take a trip with Queen & Slim over the long Thanksgiving weekend. The romantic thriller stars Daniel Kaluuya (of Get Out and Black Panther fame) and newcomer Jodie Turner-Smith as a new couple on the run after a minor traffic stop goes wrong. Melina Matsoukas, who’s won Grammys and MTV Video Music Awards for her work with Beyonce and Rihanna, makes her feature film debut. Costars include Bokeem Woodbine, Chloe Sevigny, and Flea of the Red Hot Chili Peppers.
The pic debuted last week at the AFI Fest to very positive reviews. Yet despite the current 100% Rotten Tomatoes rating, this has yet to achieve any significant awards chatter. That could hinder its box office potential. Queen is already being called a potential cult hit. However, cult hits often take some time to achieve that status.
Opening on Wednesday, I believe this will have a five-day take in the high single digits to low double digits as it hopes for word of mouth to carry it along.
Queen & Slim opening weekend prediction: $6.9 million (Friday to Sunday); $10.1 million (Wednesday to Sunday)
Few directors have made two Best Picture Oscar winners, but Clint Eastwood did that with 1992’s Unforgiven and 2004’s Million Dollar Baby. The latter came along late in the year and shifted the conversation 15 years ago. So anytime Mr. Eastwood screens a potential contender in time for Academy consideration, it’s time to take notice. The AFI Film Festival premiered Richard Jewell last night and the biographical drama centers on the title character who was falsely accused of the 1996 Olympic Park bombing in Atlanta.
So what’s the verdict? Jewell is sporting an 89% Rotten Tomatoes score thus far, but critical reaction brings a question mark as to its viability. While some reviews indicate it could very well contend, others are a little more mixed.
Eastwood filmed his last nominee five years back with the massive hit American Sniper. Since then, his filmography of Sully, The 15:17 to Paris, and The Mule has garnered scant awards attention (save for a Sound Editing nod for Sully).
Chatter has focused on three performances. Paul Walter Hauser, memorable in supporting roles in I, Tonya and BlacKkKlansman, is garnering raves. Yet Best Actor is fiercely competitive in 2019. In my weekly predictions, he hasn’t been in the top ten as I’ve waited for reaction to come. I honestly feel all ten of my current possibilities could get in. Hauser will really need to gather momentum for any shot. It’s doable, but I feel it would be more doable in a different year.
The same can be said for Sam Rockwell as Jewell’s lawyer. Two years ago, the actor won Supporting Actor for Three Billboards Outside Ebbing, Missouri. Last year, he was nominated again as George W. Bush in Vice. It would be a quite a story for him to get nods three years in a row. Like Hauser’s category, Supporting Actor is also chock full of contenders. I’m a bit skeptical he makes it as he might also split his own votes for his work in Jojo Rabbit.
It could be Kathy Bates that manages to get in playing Jewell’s mother. That’s because Supporting Actress is not quite as packed as the races of her costars. Nearly three decades have passed since she won Best Actress for Misery. Bates has received two Supporting Actress recognitions since in 1998’s Primary Colors and 2002’s About Schmidt.
So… how about the film itself and Eastwood? It’s certainly feasible that it nabs a Picture nomination, but it’s definitely an on the bubble candidate. Due to that, I’m not sure Eastwood can make the final five. He’ll just have to rest on his already considerable mantelpiece.
Bottom line: Richard Jewell put itself in the mix at AFI, but there’s also a chance it comes up empty handed. My Oscar Watch posts will continue…
This afternoon, the nominations for the 35th Independent Spirit Awards were released as we prepare for the onslaught of Oscar precursors to follow. And make no mistake – the Indie Spirits are indeed a precursor. In this decade from 2010-2018, five of the nine Best Feature winners emerged victorious with the Academy for Best Picture: 2011’s The Artist, 2013’s 12 Years a Slave, 2014’s Birdman, 2015’s Spotlight, and 2016’s Moonlight. Some of these years have three or four of the five nominees get Oscar nods in the big race.
However, 2018 marked the first year of this decade when none of the five nominated pictures at the Indies garnered any Academy love. I don’t expect that to occur for a second year in a row.
In this post, I’ll break down Feature, Director, and the four acting races and what it might mean for Oscar:
Best Feature
Nominees: A Hidden Life, Clemency, The Farewell, Marriage Story, Uncut Gems
First things first: Marriage Story is going to get a Best Picture nomination and probably wins here. And it might be the only one here that does. The Farewell has a decent shot and Uncut Gems is a potential sleeper (though I wouldn’t bet on it).
That said, Gems did tie The Lighthouse for most Indie mentions (5). And that brings us back to Marriage Story. The voters here chose to give it a special Robert Altman award honoring the team behind it. That includes cast members Adam Driver, Scarlett Johansson, Laura Dern, and Alan Alda. They all probably would’ve heard their names here had that not occurred and same goes for director Noah Baumbach. If that seems like a bit of a cheat (taking out probable winners like Driver and Baumbach), I wouldn’t argue. The silver lining is that it does make some of these categories more interesting.
Best Director
Nominees: Robert Eggers (The Lighthouse), Alma Hor’el (Honey Boy), Julius Onah (Luce), Ben and Josh Safdie (Uncut Gems), Lorene Scafaria (Hustlers)
Like Best Feature, 2018 saw no directors recognized get Academy attention. With Baumbach getting his Altman award and out of the running, that could certainly happen again as I don’t even have any of these directors in my top ten Oscar possibilities. Perhaps this could help spur chatter for the Safdies or Scafaria. Again… I wouldn’t bet on it.
Best Female Lead
Nominees: Karen Allen (Colewell), Hong Chau (Driveways), Elisabeth Moss (Her Smell), Mary Kay Place (Diane), Alfre Woodard (Clemency), Renee Zellweger (Judy)
Six out of nine winners here from 2010-2018 went onto win the Best Actress statue: Natalie Portman (Black Swan), Jennifer Lawrence (Silver Linings Playbook), Cate Blanchett (Blue Jasmine), Julianne Moore (Still Alice), Brie Larson (Room), and Frances McDormand (Three Billboards Outside Ebbing, Missouri).
Even with Johansson not included, it could be 7/10 as Zellweger is my current Oscar front runner. Woodard and Moss stand shots at nods. The other three need not shop for red carpet dresses.
One noticeable omission is Awkwafina in The Farewell, who many are predicting for Oscar attention. I currently had her on the outside looking in at sixth. That could slide when I update my estimates on Monday.
Best Male Lead
Nominees: Chris Galust (Give Me Liberty), Kelvin Harrison, Jr. (Luce), Robert Pattinson (The Lighthouse), Adam Sandler (Uncut Gems), Matthias Schoenarts (The Mustang)
Jean Dujardin (The Artist), Matthew McConaughey (Dallas Buyers Club), and Casey Affleck (Manchester by the Sea) are the three Indie/Oscar recipients. Only in 2015 and (yes) 2018 did no nominees get Oscar nods…
I expect that to occur again. I believe only Sandler stands a chance, but it’s a reach based on severe competition.
Best Supporting Female
Nominees: Jennifer Lopez (Hustlers), Taylor Russell (Waves), Lauren Spencer (Give Me Liberty), Octavia Spencer (Luce), Shuzhen Zhou (The Farewell)
Four winners here have picked up Academy trophies – Lupita Nyong’o (12 Years a Slave), Patricia Arquette (Boyhood), and the past two winners Allison Janney (I, Tonya) and Regina King (If Beale Street Could Talk).
With soft front runner Laura Dern in the Marriage Story special category thing, we could still see a third year in a row match with Lopez. Zhou and Spencer (to a lesser degree) may also find themselves in the Oscar mix.
And with Taylor Russell’s nod here, it’s a good time to mention that Waves really came up short with the Indies today. That doesn’t help its Oscar viability.
Best Supporting Male
Nominees: Willem Dafoe (The Lighthouse), Noah Jupe (Honey Boy), Shia LaBeouf (Honey Boy), Jonathan Majors (The Last Black Man in San Francisco), Wendell Pierce (Burning Cane)
This category is another ultra crowded one for Oscar attention, but Dafoe and LaBeouf are legit contenders for nods. Not so with the other three. The omission of Sterling K. Brown in Waves is a surprise.
There have been four Indie/Oscar victors this decade: Christopher Plummer (Beginners), Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), and Sam Rockwell (Three Billboards Outside Ebbing, Missouri). With Brad Pitt (Once Upon a Time in Hollywood) and Al Pacino (The Irishman) as likely favorites for the Academy, I wouldn’t expect a fifth match.
And there you have it, folks! My take on the Indies and which Oscar gems they could produce…
The AFI Film Festival is ongoing and it serves as the final opportunity for releases to stake their claim for Oscar consideration in the fest format. George Nolfi’s The Banker had been selected to close the proceedings tomorrow evening. Not only was this a chance for it to enter into awards chatter, but it’s also among the first feature films that will be shown on Apple TV’s new streaming service. In other words, while Netflix looks to have a banner 2019 when it comes to various contenders like The Irishman, Marriage Story, The Two Popes, and Dolemite Is My Name – this picture marks a way for Apple TV to get into the game.
However, the surprise announcement came this afternoon that AFI organizers are pulling its gala screening. Details are rather scarce as reports indicate there’s potential allegations surfacing about a member of the family played by Anthony Mackie’s character. Expect those details to be fleshed out in short order. Mackie and Samuel L. Jackson star in this true tale of two African American businessmen in the 1960s. Costars include Nicholas Hoult, Nia Long, Jessie Usher, and Colm Meaney.
The Banker is scheduled for a December 6th theatrical release prior to Apple’s streaming rollout early next year. That early December slot put in contention for nominations and now its release at this juncture now appears to be in doubt. I was planning to do an Oscar Watch post on it by the end of the week, but it looks like that’s in the vault for the foreseeable future. My Oscar Watch posts will continue…
In his first feature since dividing audiences and critics with Star Wars: The Last Jedi, Rian Johnson has come up with a comedic whodunit in Knives Out. The pic debuted at the Toronto Film Festival back in September and critics have pointed it out as a winner. Its Rotten Tomatoes score is 97%. Daniel Craig leads a cast of familiar faces including Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Jaeden Martell, and Christopher Plummer.
Rolling out over the long Thanksgiving holiday (with previews scheduled for this Friday to build anticipated word of mouth as an audience pleaser), Knives hopes to generate a #2 debut behind the second weekend of Frozen II. It will likely compete with the sophomore frame of A Beautiful Day in the Neighborhood and perhaps Ford v Ferrari for that distinction.
I believe this should serve as a solid option for adults over the Turkey Day period. A start in the mid to high teens for the traditional Friday to Sunday portion and mid 20s for the five-day looks probable. That doesn’t get it near the $28 million earned two years ago in November by Murder on the Orient Express. However, if moviegoers enjoy what they see, Knives should succeed in avoiding sharp declines in the weekends ahead.
Knives Out opening weekend prediction: $18.5 million (Friday to Sunday); $27.7 million (Wednesday to Sunday)
It bloats. That would be Chapter Two of the saga that was adapted from Stephen King’s novel to monstrous box office results in 2017. A rumination on childhood friendship and fears that happened to feature a demented clown (with a humdinger of a performance by Bill Skarsgard and his creepy eyes as Pennywise), it was easy to see why It cashed in. Set in the 1980s (when the book was released) as opposed to the 1950s, the pic had a retro vibe fitting the Stranger Things and Steven Spielberg mold. Featuring fine performances by its band of teens called The Losers, the scariest parts of It often involved what adults were capable of doing to the group as opposed to Pennywise in clown or other forms.
In Chapter Two, it’s The Losers who are the adults. They come together 27 years after the events of chapter one in the town of Derry, Maine. This was choreographed at the conclusion of It two years back, but the grownup Losers only have scant memories of warding off Pennywise in 1989. We as the audience remember it well, but it takes around an hour of the nearly three hour running time for nearly all of them to recall. And that’s a slog.
On the positive side, the casting here is impressive. James McAvoy is de facto leader Bill, now a successful horror author who can’t ever write a satisfactory ending to his works (something King himself is often accused of). In my It review, I speculated that Amy Adams could inhabit the part of Beverly, the lone female of the club who continues to suffer from physical abuse started by her demented father. Jessica Chastain got the role and she’s another obvious choice. The most memorable performances here, however, come from Bill Hader as Richie, now a standup comic and James Ransone as hypochondriac Eddie. They’re responsible for some much needed comic relief and occasional moments that are genuinely funny. And while Jay Ryan might not exactly physically resemble the younger overweight New Kids on the Block loving Ben (who still has a crush on Beverly), the casting club found a performer whose eyes match his youthful counterpart Jeremy Ray Taylor.
Of course, there’s also Skarsgard having a ball as Pennywise. It comes in many forms and in many situations. It comes at night. It comes during daytime. It comes as a creepy old lady who lives in Beverly’s old apartment. It comes as a giant spider. It comes as famous lumberjacks. It comes in ways that display decent CG and dodgy CG. It’s a mixed bag of appearances.
Chapter Two is overstuffed and overlong. It’s as if director Andy Muschietti and screenwriter Gary Dauberman (the team behind the first chapter) wanted to be as faithful as possible to King’s book and leave as little out as possible. A tightening of the screws might have been a wiser course of action. King himself (who cleverly cameos) has stated in interviews that the why of why monsters do what they do is fairly incidental. The time spent linking Pennywise to Native American rituals and the creature’s background feels just that. That Stephen King might be onto something.
The long continuation of this story does certainly feature a couple of spine tingling sequences, fine acting, and amusing bits. Unfortunately it does not represent a hefty portion of its 169 minutes and that’s why this chapter just can’t match the more tightly contained first one.
There’s no doubt that Disney will rule the box office in this pre Thanksgiving frame as Frozen II blasts into theaters along with Tom Hanks as Mister Rogers in A Beautiful Day in the Neighborhood and Chadwick Boseman in the action thriller 21 Bridges. You can peruse my detailed prediction posts on each of them here:
For the sequel to the 2013 billion dollar plus phenomenon, it’s all about the number and how high I’m willing to let it go (my apologies). Estimates are all over the map with some in the $150 million plus range. That wouldn’t exactly be a shock, but I’m a bit skeptical it reaches that vicinity. Some families may wait until the long holiday weekend. My forecast puts it about $6 million ahead of what Toy Story 4 accomplished over the summer.
The real battle could be for #2 between Neighborhood and the second frame of Ford v Ferrari. The latter debuted at the top of its anticipated range and scored a scorching A+ Cinemascore grade. The second weekend drop could be minimal and put it in the high teens range. That’s just where I expect the neighborhood for Beautiful to be and I’ll give it the slight edge.
Bridges is lacking buzz despite the presence of Black Panther and my high single digits projection puts it in fourth with Playing with Fire rounding out the top five in its third weekend.
Here’s my take on how I see it playing out:
1. Frozen II
Predicted Gross: $126.7 million
2. A Beautiful Day in the Neighborhood
Predicted Gross: $18.6 million
3. Ford v Ferrari
Predicted Gross: $18.2 million
4. 21 Bridges
Predicted Gross: $9.8 million
5. Playing with Fire
Predicted Gross: $4.9 million
Box Office Results (November 15-17)
As mentioned, Ford v Ferrari had a rock solid showing and gave Disney its first #1 opening for a Fox owned property. The Oscar hopeful zoomed off with $31.4 million, ahead of my $24.4 million prediction. Expect sturdy holds in the weeks ahead.
An unexpected pileup happened for second place as Midway edged competitors out with $8.5 million. It didn’t reach my $10.2 million forecast and has taken in $34 million in two weeks.
Third place went to perhaps the story of the weekend as Charlie’s Angels absolutely tanked with a paltry $8.3 million, well under my projection of $14.2 million. It’s yet another example of serious 2019 franchise fatigue.
Playing with Fire was fourth and it also made $8.3 million. My guess? $8.3 million! Hey, I got something right! It’s at $25 million after ten days.
Last Christmas was fifth with $6.4 million (I said $7 million) for $22 million overall.
Finally, newcomer The Good Liar was seventh with just $5.6 million, in range with my take of $6 million.
The pleasing box office performance of Ford v Ferrari assists in putting it back in my top ten predicted Best Picture guesses. It does so by displacing Bombshell, which I still certainly consider to be a very viable candidate.
While my five Best Actor estimates remains the same, this is the most competitive field in ages and that’s without official advance word on Paul Walter Hauser in Richard Jewell (which screens this week). I truly believe all ten listed thespians could get in.
I’m starting to feel that the never nominated Scarlett Johansson is going to a double nominee. I’ve vaulted her into the top 5 for Supporting Actress for Jojo Rabbit, in addition to her already likely nod in lead for Marriage Story. In Supporting, she gets in over Annette Bening in The Report.
Best Picture
Predicted Nominees:
1. The Irishman (Previous Ranking: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Parasite (PR: 3)
4. Marriage Story (PR: 4)
5. Jojo Rabbit (PR: 5)
6. 1917 (PR: 7)
7. Little Women (PR: 6)
8. Joker (PR: 10)
9. The Two Popes (PR: 8)
10. Ford v Ferrari (PR: 11)
Other Possibilities:
11. Bombshell (PR: 9)
12. The Farewell (PR: 12)
13. A Beautiful Day in the Neighborhood (PR: 13)
14. Rocketman (PR: 14)
15. Waves (PR: 15)
Best Director
Predicted Nominees:
1. Martin Scorsese, The Irishman (PR: 1)
2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 3)
3. Bong Joon-Ho, Parasite (PR: 2)
4. Noah Baumbach, Marriage Story (PR: 4)
5. Sam Mendes, 1917 (PR: 5)
Other Possibilities:
6. Greta Gerwig, Little Women (PR: 6)
7. James Mangold, Ford v Ferrari (PR: 8)
8. Taika Waititi, Jojo Rabbit (PR: 7)
9. Todd Phillips, Joker (PR: Not Ranked)
10. Fernando Meirelles, The Two Popes (PR: 9)
Dropped Out:
Lulu Wang, The Farewell
Best Actress
Predicted Nominees:
1. Renee Zellweger, Judy (PR: 1)
2. Scarlett Johansson, Marriage Story (PR: 2)
3. Charlize Theron, Bombshell (PR: 3)
4. Saoirse Ronan, Little Women (PR: 4)
5. Cynthia Erivo, Harriet (PR: 5)
Other Possibilities:
6. Awkwafina, The Farewell (PR: 6)
7. Lupita Nyong’o, Us (PR: 7)
8. Alfre Woodard, Clemency (PR: 8)
9. Elisabeth Moss, Her Smell (PR: 9)
10. Jodie Turner-Smith, Queen and Slim (PR: Not Ranked)
Dropped Out:
Felicity Jones, The Aeronauts
Best Actor
Predicted Nominees:
1. Adam Driver, Marriage Story (PR: 1)
2. Joaquin Phoenix, Joker (PR: 2)
3. Robert De Niro, The Irishman (PR: 3)
4. Jonathan Pryce, The Two Popes (PR: 5)
5. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 4)
Other Possibilities:
6. Antonio Banderas, Pain and Glory (PR: 6)
7. Taron Egerton, Rocketman (PR: 8)
8. Eddie Murphy, Dolemite Is My Name (PR: 7)
9. Christian Bale, Ford v Ferrari (PR: 9)
10. Adam Sandler, Uncut Gems (PR: 10)
Best Supporting Actress
Predicted Nominees:
1. Laura Dern, Marriage Story (PR: 1)
2. Margot Robbie, Bombshell (PR: 3)
3. Jennifer Lopez, Hustlers (PR: 2)
4. Florence Pugh, Little Women (PR: 4)
5. Scarlett Johansson, Jojo Rabbit (PR: 7)
Other Possibilities:
6. Zhou Shuzhen, The Farewell (PR: 6)
7. Annette Bening, The Report (PR: 5)
8. Maggie Smith, Downton Abbey (PR: 8)
9. Thomasin McKenzie, Jojo Rabbit (PR: Not Ranked)
10. Margot Robbie, Once Upon a Time in Hollywood (PR: 9)
Dropped Out:
Nicole Kidman, Bombshell
Best Supporting Actor
Predicted Nominees:
1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)
2. Al Pacino, The Irishman (PR: 2)
3. Willem Dafoe, The Lighthouse (PR: 4)
4. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 3)
5. Anthony Hopkins, The Two Popes (PR: 5)
Other Possibilities:
6. Shia LaBeouf, Honey Boy (PR: 6)
7. Joe Pesci, The Irishman (PR: 7)
8. Song Kang-Ho, Parasite (PR: 8)
9. Sterling K. Brown, Waves (PR: 10)
10. Jamie Foxx, Just Mercy (PR: 9)
Best Adapted Screenplay
Predicted Nominees:
1. The Irishman (PR: 1)
2. Jojo Rabbit (PR: 2)
3. Little Women (PR: 3)
4. The Two Popes (PR: 4)
5. Joker (PR: 6)
Other Possibilities:
6. A Beautiful Day in the Neighborhood (PR: 5)
7. Just Mercy (PR: 7)
8. Richard Jewell (PR: 8)
9. Hustlers (PR: 10)
10. Downton Abbey (PR: 9)
Best Original Screenplay
Predicted Nominees:
1. Marriage Story (PR: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Parasite (PR: 3)
4. The Farewell (PR: 4)
5. Pain and Glory (PR: 5)
Other Possibilities:
6. Bombshell (PR: 6)
7. Knives Out (PR: Not Ranked)
8. Booksmart (PR: 7)
9. Ford v Ferrari (PR: 9)
10. Waves (PR: 8)
Dropped Out:
Honey Boy
Best International Feature Film
Predicted Nominees:
1. Parasite (PR: 1)
2. Pain and Glory (PR: 2)
3. Les Miserables (PR: 3)
4. And Then We Danced (PR: 7)
5. Beanpole (PR: 5)
Other Possibilities:
6. Invisible Life (PR: Not Ranked)
7. Atlantics (PR: 4)
8. Monos (PR: 6)
9. Those Who Remained (PR: 9)
10. A White, White Day (PR: 8)
Dropped Out:
Papicha
Best Animated Feature
Predicted Nominees:
1. Toy Story 4 (PR: 1)
2. Frozen II (PR: 2)
3. How to Train Your Dragon: The Hidden World (PR: 3)
4. I Lost My Body (PR: 4)
5. Weathering with You (PR: 5)
Other Possibilities:
6. Abominable (PR: 6)
7. Missing Link (PR: 7)
8. Klaus (PR: 9)
9. Bunuel in the Labyrinth of the Turtles (PR: 8)
10. Funan (PR: Not Ranked)
Dropped Out:
Spies in Disguise
Best Documentary Feature
Predicted Nominees:
1. American Factory (PR: 1)
2. One Child Nation (PR: 2)
3. The Cave (PR: 3)
4. Honeyland (PR: 7)
5. Apollo 11 (PR: 5)
Other Possibilities:
6. Maiden (PR: 4)
7. The Biggest Little Farm (PR: 6)
8. Sea of Shadows (PR: 10)
9. The Edge of Democracy (PR: 9)
10. Knock Down the House (PR: 8)
Best Cinematography
Predicted Nominees:
1. 1917 (PR: 1)
2. Once Upon a Time in Hollywood (PR: 3)
3. The Irishman (PR: 2)
4. The Lighthouse (PR: 4)
5. Joker (PR: 5)
Other Possibilities:
6. Ad Astra (PR: 8)
7. A Hidden Life (PR: 7)
8. Ford v Ferrari (PR: 6)
9. Parasite (PR: 9)
10. Little Women (PR: Not Ranked)
Dropped Out:
Marriage Story
Best Costume Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. Little Women (PR: 5)
3. Downton Abbey (PR: 2)
4. Dolemite Is My Name (PR: 4)
5. Rocketman (PR: 3)
Other Possibilities:
6. The Irishman (PR: 6)
7. The Aeronauts (PR: Not Ranked)
8. Jojo Rabbit (PR: 8)
9. Cats (PR: Not Ranked)
10. Judy (PR: 7)
Dropped Out:
Joker
Dumbo
Best Film Editing
Predicted Nominees:
1. The Irishman (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Once Upon a Time in Hollywood (PR: 3)
4. 1917 (PR: 6)
5. Parasite (PR: 4)
Other Possibilities:
6. Marriage Story (PR: 5)
7. Jojo Rabbit (PR: 8)
8. Bombshell (PR: 7)
9. Joker (PR: 9)
10. Rocketman (PR: Not Ranked)
Dropped Out:
Avengers: Endgame
Best Makeup and Hairstyling
Predicted Nominees:
1. Bombshell (PR: 1)
2. The Irishman (PR: 2)
3. Judy (PR: 3)
4. Once Upon a Time in Hollywood (PR: 4)
5. Dolemite Is My Name (PR: 5)
Other Possibilities:
6. Joker (PR: 7)
7. Us (PR: 10)
8. The Aeronauts (PR: Not Ranked)
9. Star Wars: The Rise of Skywalker (PR: 8)
10. Cats (PR: Not Ranked)
Dropped Out:
Rocketman
The Two Popes
Best Production Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. Little Women (PR: 3)
3. The Irishman (PR: 2)
4. Jojo Rabbit (PR: 6)
5. 1917 (PR: 4)
Other Possibilities:
6. Parasite (PR: 5)
7. Joker (PR: 9)
8. Cats (PR: 7)
9. Downton Abbey (PR: 8)
10. The Two Popes (PR: Not Ranked)
Dropped Out:
The Aeronauts
Best Original Score
Predicted Nominees:
1. 1917 (PR: 1)
2. Little Women (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Joker (PR: 5)
5. Marriage Story (PR: 4)
Other Possibilities:
6. Jojo Rabbit (PR: 8)
7. A Hidden Life (PR: 7)
8. Ford v Ferrari (PR: 6)
9. The Aeronauts (PR: 9)
10. Ad Astra (PR: 10)
Best Original Song
Predicted Nominees:
1. “Into the Unknown” from Frozen II (PR: 1)
2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)
3. “Beautiful Ghosts” from Cats (PR: 4)
4. “Stand Up” from Harriet (PR: 3)
5. “Spirit” from The Lion King (PR: 5)
Other Possibilities:
6. “Daily Battles” from Motherless Brooklyn (PR: 7)
7. “Speechless” from Aladdin (PR: 6)
8. “Show Yourself” from Frozen II (PR: Not Ranked)
9. “Together From Afar” from How to Train Your Dragon: The Hidden World (PR: 9)
10. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 10)
Dropped Out:
“I’m Standing with You” from Breakthrough
Best Sound Editing
Predicted Nominees:
1. Ford v Ferrari (PR: 2)
2. 1917 (PR: 1)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Ad Astra (PR: 5)
5. Avengers: Endgame (PR: 4)
Other Possibilities:
6. Rocketman (PR: 6)
7. The Irishman (PR: 8)
8. Once Upon a Time in Hollywood (PR: 7)
9. Cats (PR: 9)
10. The Aeronauts (PR: Not Ranked)
Dropped Out:
Richard Jewell
Best Sound Mixing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Rocketman (PR: 4)
5. Ad Astra (PR: 6)
Other Possibilities:
6. Avengers: Endgame (PR: 5)
7. Once Upon a Time in Hollywood (PR: 7)
8. Cats (PR: 8)
9. Joker (PR: 10)
10. Judy (PR: Not Ranked)
Dropped Out:
The Irishman
Best Visual Effects
Predicted Nominees:
1. The Irishman (PR: 1)
2. Star Wars: The Rise of Skywalker (PR: 2)
3. Avengers: Endgame (PR: 4)
4. The Lion King (PR: 3)
5. The Aeronauts (PR: 5)
Other Possibilities:
6. Ad Astra (PR: 6)
7. Gemini Man (PR: 7)
8. Alita: Battle Angel (PR: 9)
9. Aladdin (PR: Not Ranked)
10. 1917 (PR: 8)
Dropped Out:
Dumbo
And that equates to the following features obtaining these numbers come nomination time:
10 Nominations
The Irishman, Once Upon a Time in Hollywood
8 Nominations
1917
7 Nominations
Little Women, Marriage Story
5 Nominations
Joker, Parasite
4 Nominations
Ford v Ferrari, Jojo Rabbit, Star Wars: The Rise of Skywalker, The Two Popes
3 Nominations
Bombshell, Rocketman
2 Nominations
Ad Astra, Avengers: Endgame, Dolemite Is My Name, Frozen II, Harriet, Judy, The Lighthouse, The Lion King, Pain and Glory
1 Nomination
A Beautiful Day in the Neighborhood, The Aeronauts, American Factory, And Then We Danced, Apollo 11, Beanpole, Cats, The Cave, Downton Abbey, The Farewell, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Les Miserables, One Child Nation, Toy Story 4, Weathering with You
Based upon Alvin Schwartz’s three horror short tale collections from the 1980s and early 1990s (with some celebrated illustrations by Stephen Gammell), Scary Stories to Tell in the Dark has caught the attention of Guillermo del Toro. He has, of course, turned his monster material into Oscar winning work. Mr. del Toro didn’t direct this and he shares a producer and story credit. However, this reminds one of Steven Spielberg’s output at the time when Schwartz’s works were originally being released. Films like Poltergeist, Gremlins, and The Goonies came from other filmmakers, but they might as well have been made by Spielberg because his fingerprints are all over them. Andre Øvredal directed this and he’s proved his genre chops previously with effective material like The Autopsy of Jane Doe. Yet you get the feeling this is del Toro’s vision through and through.
Set in 1968 when political upheaval and the Vietnam War were true scary stories of their own, this brings us to a small Pennsylvania town in a year where Night of the Living Dead is just out. Teenage Stella (Zoe Colletti) is obsessed with the living dead as a horror enthusiast and aspiring writer. Her seemingly only friends are Auggie (Gabriel Rush) and Chuck (Austin Zajur) and the trio gets their kicks by playing Halloween themed pranks on the school bullies. They are soon joined in this quest by drifter Ramon (Michael Garza), who appears to be living out of his car. Their exploits lead them to an alleged haunted house once lived in by the wealthy and mysterious Bellows family. Their daughter Sarah was a writer like Stella. The difference is that Sarah’s writing hasn’t stopped after death and her words describe the PG-13 horror antics that follow.
This plot line allows for a small number of Schwartz’s old tales to come to life. And the CG creature effects due to that are as solid as we’d expect from anything with del Toro’s name attached. A couple of sequences radiate with a ghoulish vibe that impresses. Those are scary, but there’s not a lot of them. The screenwriters occasionally bring the turbulent late 1960s happenings to the mix, but that feels a bit clumsy and tacked on as they don’t really commit to it.
Instead we have a novel concept from source material of anthological form. Perhaps Sarah and Schwartz’s short stories could have worked a little better had this been adapted into a series on Netflix or another streaming service. After all, it’s probably Stranger Things and its retro goldmine of success that sped up the green light here. There’s no doubt that those involved (particularly one) have deep affection for what they’re adapting. Despite its moments, it’s the format that’s limiting.
2019 is shaping up to be the breakout year for Netflix when it comes to awards visibility with legitimate Best Picture contenders like The Irishman, Marriage Story, and The Two Popes. A smaller story is that it might have a contender in the Animated Feature race with the just released Yuletide comedy Klaus. It comes from director Sergio Plablos, who’s best known for creating the Despicable Me franchise. The voice cast includes Jason Schwartzman, J.K. Simmons, Rashida Jones, Joan Cusack, Will Sasso, and Norm Macdonald.
In order to nab a nomination, Klaus looks to compete for the fourth or fifth slot as I believe three are already spoken for by higher profile theatrical release sequels – Toy Story 4 (the front runner), Frozen II, and How to Train Your Dragon: The Hidden World. Other efforts vying for those slots include Weathering with You, I Lost My Body, Missing Link, Abominable, and (perhaps) the yet to be released Spies in Disguise.
The pic currently sports a 90% rating on Rotten Tomatoes and that’s actually higher than the number (82%) for Frozen II. Yet Disney should have little trouble getting that about to be massive blockbuster in the mix.
Bottom line: I wouldn’t count Klaus out, but competition is significant. My Oscar Watch posts will continue…
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