Nearly everyone is a member of the Naughty List in Tommy Wirkola’s Violent Night and that includes Santa Claus (David Harbour) for a stretch. We meet a more tipsy than jolly St. Nick on Christmas Eve at an English pub. He’s lamenting kids these days on a short break from chimney diving.
By the time he makes it over to Connecticut, he stumbles into a home invasion of the über rich Lightstone family. That includes matriarch Gertrude (Beverly D’Angelo), wine swigging daughter Alva (Edi Patterson) and her wannabe action star beau (Cam Gigandet) and constantly v-logging son (Alexander Elliot). The Christmas vacation turned hostage situation is joined by “#1 son” Jason (Alex Hassell), estranged wife Linda (Alexis Louder), and adorable daughter Trudy (Leah Brady). Named after her ruthless grandmother, she doesn’t yet share the traits of her haughty elders.
While she believes in Santa, Trudy cannot imagine the vicious ex-warrior that he turns out to be until they team up. The bad guys are led by John Leguizamo. He goes by Mr. Scrooge and all his henchmen are given seasonal aliases like Frosty and Candy Cane. Krampus (Brendan Fletcher) is the most sadistic and the funniest. They’re searching for a massive gift: $300 million said to be on premise. When Santa is stranded by his reindeer, he becomes the evening’s John McClane. He says ho-ho-ho, there are machine guns, and we have plenty of makeshift weapons that inflict maximum pain. Trudy is kind of a mini Al Powell to keep the Die Hard references up. She communicates with our very real icon via walkie talkie in what no doubt is a Christmas movie stuffed with carnage.
Violent Night shouldn’t end up on any best of or worst of lists. Harbour lends demented spirit to Mr. Kringle, but the script dampens the overall experience. There’s a brutally humorous twist on Home Alone style pranks in one sequence. A lot of the mayhem unfortunately has a repetitive feel. A tightened runtime of 90 minutes would be a bonus. It clocks in at 112 minutes. You will believe this could’ve been superior though this anus kicking Santa occasionally delivers.
The Academy, as they do every year, whittles down a few of their races to a set 10-15 contenders before announcing the final five on January 24th. This occurs tomorrow. For Original Score and Song and International Feature Film and Documentary Feature, the list goes down to 15. For Makeup and Hairstyling, Sound, and Visual Effects – it drops to 10. There are surprises every year. In 2021, Titane was shockingly left out of International Feature Film.
I’m giving you my predicted shortlists for all 7 feature film derbies with some commentary. I’ll have a recap up tomorrow!
Best Original Score
Predicted Shortlist:
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
Bardo
The Batman
Black Panther: Wakanda Forever
Empire of Light
The Fabelmans
Guillermo del Toro’s Pinocchio
Living
Nope
RRR
White Noise
The Woman King
Women Talking
***She Said was just on the outside looking in and I wouldn’t discount A Man Called Otto either.
Best Original Song
Predicted Shortlist:
“Applause” from Tell It Like a Woman
“Carolina” from Where the Crawdads Sing
“Ciao Papa” from Guillermo del Toro’s Pinocchio
“Good Tonight” from The Bad Guys
“Hold My Hand” from Top Gun: Maverick
“Keep Rising” from The Woman King
“Lift Me Up” from Black Panther: Wakanda Forever
“Naatu Naatu” from RRR
“New Body Rhumba” from White Noise
“Nobody Like U” from Turning Red
“Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water
“On My Way (Marry Me)” from Marry Me
“Ready As I’ll Ever Be” from The Return of Tanya Tucker – Featuring Brandi Carlile
“Stand Up” from Till
“This Is a Life” from Everything Everywhere All at Once
***Leaving “Love Is Not Love” from Bros off was tough and don’t discount a tune (probably “Carried Away”) from Lyle Lyle Crocodile.
Best International Feature Film
Predicted Shortlist:
Alcarras (Spain)
All Quiet on the Western Front (Germany)
Argentina, 1985 (Argentina)
Bardo (Mexico)
Cairo Conspiracy (Sweden)
Close (Belgium)
Corsage (Austria)
Decision to Leave (South Korea)
EO (Poland)
Holy Spider (Denmark)
Joyland (Pakistan)
Mars One (Netherlands)
The Quiet Girl (Ireland)
Return to Seoul (Cambodia)
Saint Omer (France)
***No love for Japan’s Plan 75 or Ukraine’s Klondike (which would be a surprise omission), but both could easily surface. I also don’t have India’s Last Film Show making the cut. If it doesn’t, that would confirm that nation’s error in not putting up RRR.
Best Documentary Feature
Predicted Shortlist:
All That Breathes
All the Beauty and the Bloodshed
Bad Axe
Descendant
Fire of Love
Gabby Giffords Won’t Back Down
Good Night Oppy
The Janes
Last Flight Home
Moonage Daydream
Navalny
Retrograde
Riotsville U.S.A.
Sr.
Wildcat
***My major snub here is The Territory. I also left Sidney (about the legendary Poitier) out which is certainly risky.
Best Makeup and Hairstyling
Predicted Shortist:
Amsterdam
Babylon
The Batman
Black Panther: Wakanda Forever
Blonde
Elvis
Everything Everywhere All at Once
Three Thousand Years of Longing
The Whale
The Woman King
***I so wanted to put X here, but didn’t pull the trigger. All Quiet on the Western Front, Emancipation, and The Fabelmans are all viable too.
Best Sound
Predicted Shortlist:
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Batman
Elvis
Everything Everywhere All at Once
Nope
RRR
Thirteen Lives
Top Gun: Maverick
***Leaving out Black Panther: Wakanda Forever is risky and this is another category where The Fabelmans is possible. Same goes for The Woman King.
Best Visuasl Effects
Predicted Shortlist:
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Doctor Strange in the Multiverse of Madness
Everything Everywhere All at Once
Good Night Oppy
Nope
RRR
Thor: Love and Thunder
Top Gun: Maverick
***Look out for All Quiet on the Western Front and maybe Guillermo del Toro’s Pinocchio.
Colin Farrell may have lost a friend in Brendan Gleeson’s character during The Banshees of Inisherin, but he seems poised to gain some with Oscar voters.
That’s all part of a busy 2022 for the actor and he’s my 3rd entry for six posts covering performers who had an impressive 2022 at the movies. If you missed the entries covering Farrell’s Minority Report costar Tom Cruise and Michelle Yeoh, you can find them here:
20 years after Minority Report, Farrell turned up in a quartet of pictures which all drew acclaim. The spring gave us Kogonada’s contemplative sci-fi drama After Yang where he showed off some sweet Dad dance moves in the opening credits. That same month, an unrecognizable Farrell played the Penguin in The Batman from Matt Reeves. The makeup was impressive. So was his performance and an HBO Max limited series focused on the character is in the works.
On a side note, another villain from The Batman came close to making my list of six. Paul Dano, who played the Riddler, could be in line for a Supporting Actor mention in Minority Report director Steven Spielberg’s The Fabelmans. AND we have Farrell’s Banshees costar Barry Keoghan (SPOILER ALERT: he cameos as Joker in The Batman). He might turn up in Supporting Actor as well.
Back to Farrell. In the summer, he was among the ensemble for Ron Howard’s Tham Luang cave rescue saga Thirteen Lives. Reviews were solid for all three films and they all showcased his skills.
The capper came in the fall with Banshees. Reuniting with his In Bruges director Martin McDonagh and costar Gleeson, Farrell nabbed some career best notices as the naive Irish drinking buddy who inexplicably loses his best buddy. He’s close to a guarantee for a first Oscar nomination and he could win.
Critics and moviegoers were not in the minority appreciating the veteran performer and I’m pleased to report his inclusion as someone who can cheer to a fruitful 2022. My Year Of posts will continue with a new Scream Queen who made her presence known every day of the week…
After a domestic debut that unquestionably fell on the lower end of expectations, Avatar: The Way of Water hopes for a strong sophomore outing and smoother sailing throughout the season. It will remain in first while three newcomers should populate the 2-4 slots.
They are DreamWorks Animation’s sequel Puss in Boots: The Last Wish, musical biopic Whitney Houston: I Wanna Dance with Somebody, and Damien Chazelle’s once upon a time in Hollywood dramedy Babylon with Margot Robbie and Brad Pitt. My detailed prediction posts on the trio can be accessed here:
The box office range of Yuletide releases can be tied to how the dates work out on the calendar. Christmas Eve is Saturday and it can be limited as potential moviegoers are preparing the big day. On the other hand, Christmas itself can be potent. Bottom line: it’s important to remember that weekdays at this time of year can be just as booming as weekends as people are taking time off.
Boots gets a jump on Wednesday while Babylon and Somebody drop Friday. Sporting impressive reviews, Puss is poised to be the runner-up to Water. The three-day might fall in the high teens to low 20s range with close to $30 million for the five-day.
Third place is going to one of the other openers. I’m forecasting that a solid African-American and female turnout could give the Whitney flick the edge. I expect Somebody to double digits while Babylon falls just under. The five spot should be close between holdovers Black Panther: Wakanda Forever and Violent Night.
Now we return to Avatar. There’s more chatter below on the lesser than anticipated start. Yet it’s also fair to say that future weekends will ultimately determine whether it’s a success or not. The A Cinemascore grade (same as part 1) should help. I’ll say a mid to high 40s decline happens over Christmas while the leveling off might be far less pronounced in the 3rd frame and beyond.
Here’s how I’m seeing the top 6 playing out:
1 . Avatar: The Way of Water
Predicted Gross: $73.4 million
2. Puss in Boots: The Last Wish
Predicted Gross: $18.3 million (Friday to Sunday); $28.5 million (Wednesday to Sunday)
3. Whitney Houston: I Wanna Dance with Somebody
Predicted Gross: $11.5 million
4. Babylon
Predicted Gross: $8.7 million
5. Violent Night
Predicted Gross: $3.3 million
6. Black Panther: Wakanda Forever
Predicted Gross: $3.2 million
Box Office Results (December 16-18)
The general consensus was that Avatar: The Way of Water, the long awaited sequel to James Cameron’s largest worldwide earner in history, would amass a stateside start of around $175 million. I projected $173.1 million. That didn’t happen. Water made $134.1 million and that’s the fifth highest debut of 2022 (a hair ahead of The Batman). As mentioned, success will not be judged here it if manages to develop sturdy legs in the next several weeks (as the filmmaker’s predecessors Titanic and Avatar certainly did). For now the jury is out while the expected mark wasn’t achieved domestically out of the gate. On a global basis – it brought in another $300 million. The $435 million tally is second only to May’s Doctor Strange in the Multiverse of Madness.
Unsurprisingly nothing else wanted to open opposite Avatar as the rest of the chart was stuffed with holdovers. Black Panther: Wakanda Forever, after five weeks on top, was second with $5.3 million. On pace with my $5.5 million call, the six-week total is $418 million.
Violent Night was right behind in third with $5 million, on target with my $4.9 million projection. The three-week gross is $35 million.
Disney dud Strange World was fourth with $2.2 million, a smidge below my $2.6 million take for a dull $33 million overall.
The Menu completed the top five at $1.6 million (I said $1.9 million) for $32 million it its coffers.
My Year Of posts focusing on a half dozen performers who had us feeling ’22 continues with our second icon who turned the big 6-0 this year. The first was Tom Cruise and if you missed that post, you can find it here:
The next sexagenarian is Michelle Yeoh. For the past three decades, U.S. audiences have seen the Malaysian legend fighting alongside Jackie Chan in the Supercop pics, James Bond in Tomorrow Never Dies, and Chow Yun-fat in Ang Lee’s acclaimed Crouching Tiger, Hidden Dragon. In recent years, she probably came close to a Supporting Actress nomination as the overbearing mother in Crazy Rich Asians. Last year, she joined the MCU in Shang-Chi and the Legend of the Ten Rings.
There were plenty of projects in 2022. She lent her voice to Minions: The Rise of Gru and Paws of Fury: The Legend of Hank. A small role popped up in Netflix’s YA fantasy The School for Good and Evil. None of those projects are why Yeoh made this cut.
Everything Everywhere All at Once is. The sophomore effort of the Daniels (Dan Kwan and Daniel Scheinert) is the multi-genre rumination on life that casts Yeoh as frazzled laundromat owner Evelyn. She also (due to a seemingly infinite multiverse) plays the role in many other iterations including a movie star, a woman with hot dogs for fingers, and a rock. It’s a one-of-a-kind picture with the role of a lifetime for its lead.
An Oscar nomination is a near certainty and a win is quite possible. The box office was impressive with $70 million domestically against a considerably smaller budget. Costars Ke Huy Quan, Stephanie Hsu, and Jamie Lee Curtis could all be headed for their own awards nods. I currently have Everything listed in 1st to take Best Picture.
A busy 2023 and beyond awaits Yeoh. More voice work is on deck with Transformers: Rise of the Beasts and Kenneth Branagh has put her in the ensemble of his third Poirot mystery A Haunting in Venice. Her Crazy Rich Asians director Jon M. Chu will be collaborating with her again on the two planned Wicked films (slated for 2024 and 2025). James Cameron has her showing up (apparently in human form) in the third and fourth Avatar pics.
Yeoh’s part in Everything was originally considered for her old costar Jackie Chan. That’s hard to picture now given her fantastic portrayal. She easily earns a spot in this series. My Year Of posts will continue with an actor who might’ve lost a friend in his Oscar contender, but gained plenty of praise for his body work throughout the year.
The psychological drama Alice, Darling takes Anna Kendrick out of Pitch Perfect mode and into darker territory. Marking the directorial debut of Mary Nighy (daughter of Bill), Kendrick plays a domestic abuse victim coming to terms with the danger of her circumstances. The supporting cast includes Kaniehtiio Horn, Charlie Carrick, and Wunmi Mosaku.
Darling premiered at the Toronto Film Festival. Early reviews have given it an 86% Rotten Tomatoes rating. It debuts December 30th for an awards qualifying run before an AMC Theatres exclusive release beginning January 20th.
Kendrick is a previous Oscar nominee in Supporting Actress 13 years ago for Up in the Air. Initial critical reaction has praised her work. However, distributor Lionsgate has not mounted a visible campaign in an Actress field that’s already crowded.
Bottom line: the director’s dad appears headed for an Actor nod for Living. Darling‘s prospects aren’t up in the air. They’re non-existent. My Oscar Predictions posts will continue…
As I do annually when the year winds down, it’s time to take a look at the performers who made significant impacts on the silver screen in the previous 12 months. I’ll do so with 6 of them in the coming days.
For 2022, that list has to begin with Tom Cruise. Before May, the biggest opening in the superstar’s near 40 years of headlining pictures was 2005’s War of the Worlds at $64 million. That’s right. Even though he’s consistently been one of Hollywood’s most bankable figures, there were no premieres north of $100 million. In fact, only three of his titles exceeded $200 million domestically: Mission: Impossible II, the aforementioned Worlds, and Mission: Impossible – Fallout.
There was understandable skepticism when Top Gun: Maverick was finally green lit. Would crowds turn out for the sequel to a relic from the mid 80s? It arrived in multiplexes after many COVID delays some three years plus after filming wrapped.
What it did at the box office was astounding and very important in preserving the viability of the theatrical experience. This wasn’t a superhero franchise entry with the dollars already built in. Maverick brought out moviegoers who hadn’t ventured out to the multiplex in a couple of years. Some of them went for repeat viewings.
It nearly doubled Cruise’s previous best with $126 million over the Friday to Sunday of the Memorial holiday weekend and $160 million for the four-day. Then the money kept holding on. It even returned to 1st place over two months after its release for the Labor Day frame. All in all, Maverick soared to $718 million domestically and nearly a billion and a half worldwide. The ripple effect of its success is evident even in humorous ways. Another continuation of an 80s blockbuster coming soon sees Eddie Murphy back in his signature role. The title? Beverly Hills Cop: Axel Foley (!!!).
In the year where he turned 60, Tom Cruise experienced easily the largest hit and cultural phenomenon of his career. Millions of people saw the preview for next summer’s Mission: Impossible – Dead Reckoning Part One play in front of it. It might be the most talked about trailer of 2022 that doesn’t involve a demonic doll dancing.
At a time when true movie stars are hard to come by, audiences turned to a reliable one in 2022. It was indeed his year. These posts will continue with another legend who turned 60 and got the role (multiples ones) of a lifetime…
It has been two weeks since I updated my Oscar predictions and a lot has transpired in those 14 days. We’ve had the National Board of Review and American Film Institute release their best of lists while the Golden Globes and Critics Choice voters unveiled their nominees.
There is a change in BP in the 10th spot. Triangle of Sadness is back in as I’ve taken out The Whale. The bad news for that pic continues as I’ve demoted Brendan Fraser from 1st to 3rd in Actor. Make no mistake – I do believe he can still win. However, the last Best Actor victor whose movie wasn’t nominated was 13 years ago with Jeff Bridges from Crazy Heart. That stat puts Austin Butler and Colin Farrell in the 1-2 spots as I do have their flicks in BP.
The various precursors have caused major movement in the wildly unpredictable Supporting Actress field. Claire Foy (Women Talking) missed the Globes and Critics Choice. She drops from 1st to 4th while Kerry Condon (who made both precursors) is now in 1st. Dolly de Leon (Triangle of Sadness) and Angela Bassett (Black Panther: Wakanda Forever) are in the quintet with Jessie Buckley (Women Talking) and Hong Chau (The Whale again) falling out.
While Director and Actress have the same five, there’s a shift in Supporting Actor as Judd Hirsch joins his Fabelmans costar Paul Dano with Women Talking‘s Ben Whishaw on the outside looking in.
I would also note that RRR has gone from unranked status to 11th (knocking right on the door for BP).
We also have new #1’s in Documentary, Cinematography, Makeup and Hairstyling, and Score. Scroll below to track all the movement!
Best Picture
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. The Banshees of Inisherin (PR: 4) (+1)
4. Top Gun: Maverick (PR: 5) (+1)
5. Tár (PR: 6) (+1)
6. Elvis (PR: 9) (+3)
7. Women Talking (PR: 3) (-4)
8. Avatar: The Way of Water (PR: 10) (+2)
9. Babylon (PR: 7) (-2)
10. Triangle of Sadness (PR: 11) (+1)
Other Possibilities:
11. RRR (PR: Not Ranked)
12. Glass Onion: A Knives Out Mystery (PR: 13) (+1)
13. The Whale (PR: 8) (-5)
14. She Said (PR: 12) (-2)
15. The Woman King (PR: Not Ranked)
Dropped Out:
Guillermo del Toro’s Pinocchio
Decision to Leave
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Martin McDonagh, The Banshees of Inisherin (PR: 5) (+2)
4. Todd Field, Tár (PR: 4) (E)
5. Sarah Polley, Women Talking (PR: 3) (-2)
Other Possibilities:
6. James Cameron, Avatar: The Way of Water (PR: 7) (+1)
7. Damien Chazelle, Babylon (PR: 6) (-1)
8. S.S. Rajamouli, RRR (PR: 10) (+2)
9. Ruben Ostlund, Triangle of Sadness (PR: Not Ranked)
10. Baz Luhrmann, Elvis (PR: Not Ranked)
Dropped Out:
Park Chan-wook, Decision to Leave
Edward Berger, All Quiet on the Western Front
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: 4) (+1)
4. Danielle Deadwyler, Till (PR: 3) (-1)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Viola Davis, The Woman King (PR: 7) (+1)
7. Olivia Colman, Empire of Light (PR: 6) (-1)
8. Jennifer Lawrence, Causeway (PR: 8) (E)
9. Naomi Ackie, Whitney Houston: I Wanna Dance with Somebody (PR: 9) (E)
10. Ana de Armas, Blonde (PR: Not Ranked)
Dropped Out:
Rooney Mara, Women Talking
Best Actor
Predicted Nominees:
1. Austin Butler, Elvis (PR: 3) (+2)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Brendan Fraser, The Whale (PR: 1) (-2)
4. Bill Nighy, Living (PR: 4) (E)
5. Hugh Jackman, The Son (PR: 5) (E)
Other Possibilities:
6. Paul Mescal, Aftersun (PR: 8) (+2)
7. Tom Cruise, Top Gun: Maverick (PR: 6) (-1)
8. Diego Calva, Babylon (PR: 7) (-1)
9. Jeremy Pope, The Inspection (PR: 9) (E)
10. Gabriel LaBelle, The Fabelmans (PR: Not Ranked)
Dropped Out:
Daniel Gimenez Cacho, Bardo
Best Supporting Actress
Predicted Nominees:
1. Kerry Condon, The Banshees of Inisherin (PR: 2) (+1)
2. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 5) (+3)
3. Dolly de Leon, Triangle of Sadness (PR: 8) (+5)
4. Claire Foy, Women Talking (PR: 1) (-3)
5. Angela Bassett, Black Panther: Wakanda Forever (PR: Not Ranked)
Other Possibilities:
6. Jessie Buckley, Women Talking (PR: 3) (-3)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (E)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: Not Ranked)
9. Carey Mulligan, She Said (PR: 6) (-3)
10. Hong Chau, The Whale (PR: 4) (-6)
Dropped Out:
Nina Hoss, Tár
Keke Palmer, Nope
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Barry Keoghan, The Banshees of Inisherin (PR: 5) (+2)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Judd Hirsch, The Fabelmans (PR: 6) (+1)
Other Possibilities:
6. Brian Tyree Henry, Causeway (PR: 7) (+1)
7. Ben Whishaw, Women Talking (PR: 3) (-4)
8. Brad Pitt, Babylon (PR: 8) (E)
9. Eddie Redmayne, The Good Nurse (PR: 10) (+1)
10. Tom Hanks, Elvis (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Aftersun (PR: 6) (E)
7. Babylon (PR: 7) (E)
8. Decision to Leave (PR: 9) (+1)
9. The Menu (PR: 8) (-1)
10. Elvis (PR: Not Ranked)
Dropped Out:
Bardo
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. She Said (PR: 3) (+1)
3. Glass Onion: A Knives Out Mystery (PR: 4) (+1)
4. The Whale (PR: 2) (-2)
5. Living (PR: 6) (+1)
Other Possibilities:
6. White Noise (PR: 5) (-1)
7. Top Gun: Maverick (PR: 7) (E)
8. All Quiet on the Western Front (PR: Not Ranked)
9. Guillermo del Toro’s Pinocchio (PR: 8) (-1)
10. The Son (PR: 10) (E)
Dropped Out:
Bones and All
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 3) (E)
4. Puss in Boots: The Last Wish (PR: 6) (+2)
5. My Father’s Dragon (PR: 5) (E)
Other Possibilities:
6. Wendell and Wild (PR: 7) (+1)
7. The Bad Guys (PR: 4) (-3)
8. Strange World (PR: 9) (+1)
9. The Sea Beast (PR: 8) (-1)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 1) (E)
2. All Quiet on the Western Front (PR: 2) (E)
3. Close (PR: 6) (+3)
4. Saint Omer (PR: 3) (-1)
5. Argentina, 1985 (PR: 8) (+3)
Other Possibilities:
6. Bardo (PR: 5) (-1)
7. Holy Spider (PR: 4) (-3)
8. EO (PR: 7) (-1)
9. Joyland (PR: 9) (E)
10. Klondike (PR: Not Ranked)
Dropped Out:
Alcarras
Best Documentary Feature
Predicted Nominees:
1. All That Breathes (PR: 2) (+1)
2. Navalany (PR: 3) (+1)
3. Fire of Love (PR: 5) (+2)
4. All the Beauty and the Bloodshed (PR: 1) (-3)
5. Descendant (PR: 4) (-1)
Other Possibilities:
6. Good Night Oppy (PR: 8) (+2)
7. The Territory (PR: 7) (E)
8. Sr. (PR: 9) (+1)
9. Moonage Daydream (PR: 6) (-3)
10. Retrograde (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Top Gun: Maverick (PR: 2) (+1)
2. Avatar: The Way of Water (PR: 3) (+1)
3. Babylon (PR: 1) (-2)
4. The Fabelmans (PR: 4) (E)
5. Empire of Light (PR: 5) (E)
Other Possibilities:
6. The Banshees of Inisherin (PR: 6) (E)
7. All Quiet on the Western Front (PR: 8) (+1)
8. Bardo (PR: 7) (-1)
9. Everything Everywhere All at Once (PR: 9) (E)
10. Nope (PR: Not Ranked)
Dropped Out:
The Batman
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Everything Everywhere All at Once (PR: 8) (+3)
Other Possibilities:
6. Mrs. Harris Goes to Paris (PR: 6) (E)
7. The Fabelmans (PR: 4) (-3)
8. Corsage (PR: Not Ranked)
9. Living (PR: 7) (-2)
10. The Banshees of Inisherin (PR: Not Ranked)
Dropped Out:
Women Talking
Three Thousand Years of Longing
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Elvis (PR: 4) (E)
5. Babylon (PR: 7) (+2)
Other Possibilities:
6. Avatar: The Way of Water (PR: 5) (-1)
7. The Banshees of Inisherin (PR: 9) (+2)
8. Women Talking (PR: 6) (-2)
9. Tár (PR: 10) (+1)
10. Decision to Leave (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
Best Makeup and Hairstyling
Predicted Nominees:
1. Elvis (PR: 2) (+1)
2. The Whale (PR: 1) (-1)
3. Babylon (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 6) (+2)
5. The Batman (PR: 4) (-1)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 5) (-1)
7. The Woman King (PR: 8) (+1)
8. X (PR: -1)
9. All Quiet on the Western Front (PR: 10) (+1)
10. Corsage (PR: Not Ranked)
Dropped Out:
Amsterdam
Best Original Score
Predicted Nominees:
1. Women Talking (PR: 3) (+2)
2. Babylon (PR: 1) (-1)
3. The Fabelmans (PR: 2) (-1)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Empire of Light (PR: 6) (E)
7. The Batman (PR: 8) (+1)
8. Avatar: The Way of Water (PR: 7) (-1)
9. White Noise (PR: Not Ranked)
10. Tár (PR: Not Ranked)
Dropped Out:
Living
Black Panther: Wakanda Forever
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Naatu Naatu” from RRR (PR: 3) (+1)
3. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (-1)
4. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 7) (+3)
5. “Applause” from Tell It Like a Woman (PR: 4) (-1)
Other Possibilities:
6. “Carolina” from Where the Crawdads Sing (PR: 9) (+3)
7. “New Body Rhumba” from White Noise (PR: 8) (+1)
8. “This Is A Life” from Everything Everywhere All at Once (PR: 5) (-3)
9. “Nobody Like U” from Turning Red (PR: 6) (-3)
10. “Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 6) (+2)
5. Glass Onion: A Knives Out Mystery (PR: 8) (+3)
Other Possibilities:
6. The Fabelmans (PR: 4) (-2)
7. Everything Everywhere All at Once (PR: 7) (E)
8. Guillermo del Toro’s Pinocchio (PR: 5) (-3)
9. The Woman King (PR: Not Ranked)
10. Empire of Light (PR: 9) (-1)
Dropped Out:
All Quiet on the Western Front
Best Sound
Predicted Nominees:
1 . Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 6) (+3)
4. The Batman (PR: 3) (-1)
5. Everything Everywhere All at Once (PR: 4) (-1)
Other Possibilities:
6. Babylon (PR: 7) (+1)
7. All Quiet on the Western Front (PR: 5) (-2)
8. Nope (PR: 9) (+1)
9. Black Panther: Wakanda Forever (PR: 10) (+1)
10. RRR (PR: Not Ranked)
Dropped Out:
The Fabelmans
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. RRR (PR: 8) (+4)
5. Doctor Strange in the Multiverse of Madness (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 7) (E)
8. Guillermo del Toro’s Pinocchio (PR: 4) (-4)
9. Good Night Oppy (PR: 9) (E)
10. Nope (PR: 10) (E)
That equates to these movies hitting these numbers in terms of nominations:
10 Nominations
Everything Everywhere All at Once
9 Nominations
The Fabelmans
8 Nominations
Babylon, The Banshees of Inisherin
7 Nominations
Elvis
6 Nominations
Top Gun: Maverick
5 Nominations
Avatar: The Way of Water, Black Panther: Wakanda Forever, Women Talking
4 Nominations
Tár
3 Nominations
Guillermo del Toro’s Pinocchio, Triangle of Sadness, The Whale
2 Nominations
The Batman, Glass Onion: A Knives Out Mystery, Living, RRR
1 Nomination
All Quiet on the Western Front, All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Close, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Empire of Light, Fire of Love, Marcel the Shell with Shoes On, My Father’s Dragon, Navalny, Puss in Boots: The Last Wish, Saint Omer, She Said, The Son, Tell It Like a Woman, Till, Turning Red, The Woman King
The nation of India has seen three of their movies up for Best International Feature Film at the Oscars – 1957’s Mother India, 1988’s Salaam Bombay!, and Lagaan from 2001. That averages out to a nod every 18 years or so. They should be due for another.
However, it appears a gigantic opportunity was missed when India opted not to submit RRR for consideration. S.S. Rajamouli’s epic action pic (available on Netflix) has its enthusiastic champions among reviewers and audiences. Just this week, it was named in the foreign competition at the Golden Globes and for Best Picture at the Critics Choice Awards. There is growing buzz that it could land a nod with the Academy in BP. In other words, its home country should’ve made it their horse in the international derby. If they had, not only would RRR be close to a shoo-in for the quintet, it would be a favorite to take the prize over Decision to Leave and All Quiet on the Western Front and others.
India instead went with Pan Nalin’s Last Film Show. The coming-of-age drama premiered all the way back in the summer of 2021 at the Tribeca Film Festival. On paper, it makes sense why it was selected. Film sounds like more of a traditional pick than the wild RRR. The Rotten Tomatoes score is an impressive 95%. It has picked up kudos playing the festival circuit. However, it simply hasn’t picked up much steam and hasn’t shown up with any precursors.
Bottom line: India would be positioned for a fourth nominee (and potential victor) with RRR. Not with this. My Oscar Prediction posts will continue…
Avatar: The Way of Water is both visually sparkling and narratively flat. In that sense, James Cameron’s sequel is much like the 2009 original (which happens to be worldwide highest grosser in history). The effects thirteen years ago were revolutionary and kicked off a mostly unfortunate trend of tentpoles getting the three-dimensional treatment. That sense of wonder from Avatar is present occasionally below the surface in a few astounding underwater sequences. Many blockbusters have competed with this franchise in visual splendor and come up short and that includes some shoddy MCU battles. Cameron and his crew can still wow, but subpar writing and a lack of tight editing remains a problem. If you loved the forests of Pandora in part 1 and didn’t want to leave, you’ll likely love lounging in the aquatic action of this follow-up. If your feelings were mixed like mine were, expect a similar reaction.
Former Marine Jake Sully (Sam Worthington) and Na’vi spiritual leader in waiting Neytiri (Zoe Saldana) are married with four kids as Water begins (it’s set a decade and a half plus post Avatar). Adopted teenage daughter Kiri (voiced by Sigourney Weaver) is miraculously spawned from Sigourney’s scientist in the original. We suspect she might have special powers if she can get over her Jan Brady lot in life. Older brother Neteyam (Jamie Flatters) is the responsible one while second born boy Lo’ak (Britain Dalton) is the rebel. Youngest girl Tuk (Trinity Jo-Li Bliss) is eight and precocious. The Sully tribe are living a peaceful existence until those mean corporate Earthlings return to Pandora. On their list of plays is total colonization as the home planet is dying.
Due to a memory implant system, Stephen Lang’s villainous Colonel is leading the charge in the guise of a Na’vi big blue boy. He has revenge on his mind since it was Neytiri who arrowed him to death years ago. There’s also a son he left behind that the Sully’s are raising who goes by Spider (Jack Champion). Clad in a loincloth, his character comes off as a cartoonish plot device. He’s got about as much depth as Bam Bam Rubble. The dynamic between Spider and his father is one of a few daddy issues happening. I half expected a sky complected Maury Povich to interrupt and start moderating.
Since Jake is being targeted for his skill in fighting off the Sky People, he relocates his brood to the tropical island of At’wa Attu. They feel out of place among the residents who spend much of their day submerged. The chief of their clan known as the Metkayina is Tonwari (Cliff Curtis). He and his pregnant wife Ronal (Kate Winslet) are skeptical about harboring their guests. It’s in and around the island where some memorable moments happen. The Metkayina share a spiritual connection with the giant mammals swimming below. Lo’ak befriends one of them and it’s a subplot that clicks.
Part 2 relegates Jake and Neytiri to the sidelines for much of its three hours and 12 minutes. A larger focus is on their offspring and how they feel like fish out of water. The filmmaker’s own well-documented fascination with the deep comes in handy with the whale tale portions and beyond. The bulk of its themes, on the other hand, are heavily borrowed from before. Cameron and his tech wizards can enthrall us and exasperate us in this new habitat that questions our humanity.
All My Life... I Wanted To Be A Blogster 